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newsletter","MainFooterNewsletterInvite","topBanner",{"_31":592,"_62":593,"_594":595,"_596":-5,"_597":598,"_599":-5,"_600":601,"_602":-5,"_603":604,"_605":-5,"_606":607,"_608":609,"_610":611,"_612":613,"_66":614,"_68":615,"_70":616,"_617":595,"_618":598,"_619":620,"_621":622,"_623":624},1,"zww7zy7yk4l92abdveorjg5h","textLeft","3DAYSOFDESIGN","bgColor","bgImgUrl","https://api.homofaber.com/uploads/BANNER_622x191_92f3416d90.png","bgRepeat","bgFit","contain","centerImgUrl","centerText","10 – 12 June 2026, Bianca d'Alessandro Gallery, Copenhagen","centerImgFit","ctaLabel","Book your visit","ctaBgColor","#FFFFFF","ctaUrl","/news/3daysofdesign","textColor","white","2025-05-22T09:42:23.885Z","2026-05-18T07:03:09.925Z","2026-05-18T07:03:09.894Z","textLeftXs","bgImgUrlXs","ctaLabelXs","Book 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(https://commoncrawl.org/faq/)","emailHash","request",["SingleFetchClassInstance",676],{},"routes/$lang","routes/$lang.artisans._index",{"_680":681,"_641":681,"_2359":2360,"_3241":3242},"profiles",[682,752,789,829,879,928,963,999,1032,1069,1104,1139,1168,1195,1233,1270,1304,1350,1385,1413,1444,1475,1503,1533,1563,1602,1632,1664,1699,1730,1754,1788,1832,1865,1897,1932,1965,2000,2036,2075,2104,2130,2161,2194,2232,2258,2290,2326],{"_683":684,"_31":685,"_686":687,"_255":691,"_378":692,"_693":694,"_695":696,"_698":699,"_702":703,"_707":708,"_714":715,"_720":721,"_727":38,"_728":729,"_731":732,"_734":735,"_736":737,"_738":739,"_740":741,"_742":743,"_744":745,"_746":747,"_750":751},"_meilisearch_id","profile-5359",5359,"picture",[688,689,690],"https://api.homofaber.com/uploads/3_Screenshot_2025_12_09_at_14_06_3b6c6eda20.jpg","https://api.homofaber.com/uploads/1_Samantha_Quinn_Progress_Gestures_copy_9a2b6817a7.jpg","https://api.homofaber.com/uploads/5_IMG_9759_d379745e44.jpg","Samantha Quinn","samantha_quinn-paper_art-london","description","Samantha Quinn is constantly testing the boundaries of paper and experimenting with the medium. However, paper art has not always been her goal. After graduating from Falmouth University with a degree in graphic design and relocating from Cornwall to London, Samantha wanted to gift family and friends beautiful objects of her own creation. \"As a graphic designer, I am comfortable with using a scalpel and making mock-ups. Paper was economically the best option,\" she says. Today, Samantha specialises in paper cutting, sculpting, illustrating and 3D large-scale projects. From the windows of Fossil to Aquascutum, Chopard, Tiffany & Co. and Selfridges, her paper artworks have been objects of wonder for London shoppers and passersby.","craft",[697],"Paper art","destinations",[700,701],"United Kingdom","London","tags",[704,705,187,706],"Collaborations","Exhibitions/Museums","Paper","objects",[709,710,711,712,713],"Puffin","Blue Whale","Self Portrait","Flamingo","Giraffe","materials",[716,717,706,718,719],"Cardboard","paper","Cork","Wood","categories",[722,723,724,697,725,726],"Sculpture","Cut paper art","Monuments","Architecture","Books and paper","has-experiences","type-of-artisan",[730],"Artisan","craft_person",[733],"Paper artist","craft_metier",[697],"latitude",51.51412201269598,"longitude",-0.3060603843248409,"content_edit_date","2026-05-06T07:31:00.000+0000","city_and_country","London, United Kingdom","is_new_until","2026-05-14","_geo",{"_748":737,"_749":739},"lat","lng","order",2991,{"_683":753,"_31":754,"_686":755,"_255":759,"_378":760,"_693":761,"_695":762,"_698":764,"_702":765,"_707":766,"_714":771,"_720":775,"_727":38,"_728":780,"_731":781,"_734":783,"_736":784,"_738":785,"_740":786,"_742":743,"_744":745,"_746":787,"_750":788},"profile-5162",5162,[756,757,758],"https://api.homofaber.com/uploads/3_IMG_1990_a2fcdbc6b5.jpg","https://api.homofaber.com/uploads/1_IMG_1223_2645296a57.jpg","https://api.homofaber.com/uploads/5_Motion_large_blue_orig_landscape_85d2b2e1ff.jpg","Ranjit Dhaliwal","ranjit_dhaliwal-ceramics-london","Ranjit Dhaliwal moves through his ceramic practice in cycles he calls 'Renewals', deliberate reinventions that reshape his approach and open new chapters in his creative journey. \"Clay entered my life during my earlier career in journalism. It became the medium through which I could finally follow the artistic path I had envisioned as a child,” he says. Raised in a family of Indian migrants, Ranjit cultivated an instinctive love for bold, vibrant colours. In his first years as an independent ceramicist, he created pink tableware, dedicating long hours at the wheel and sharing his passion in workshops. Ranjit later focused on his Jazzware collection, which helped guide him towards new design approaches and his current practice. Today, he creates abstractions of vessels in Limoges porcelain and cellulose using only his hands, trusting touch and intuition to lead him into the chapter that lies ahead.",[763],"Ceramics",[700,701],[763],[767,768,769,770],"Motion vessel","Motion vase in blue","Motion vase in red","Motion vase in white",[772,773,774],"Clay","Porcelain","Ceramic",[776,777,778,779],"Vessel","Vase","Decorative objects","Decoration",[730],[782],"Ceramicist",[763],51.55848127141942,-0.05040968955914861,"2026-05-11T09:54:10.000+0000",{"_748":784,"_749":785},597,{"_683":790,"_31":791,"_686":792,"_255":796,"_378":797,"_693":798,"_695":799,"_698":801,"_702":802,"_707":807,"_714":813,"_720":816,"_727":38,"_728":819,"_731":820,"_734":822,"_736":823,"_738":824,"_740":825,"_742":743,"_744":826,"_746":827,"_750":828},"profile-5371",5371,[793,794,795],"https://api.homofaber.com/uploads/3_EDITED_IMG_0751_copy_514e3a335e.jpg","https://api.homofaber.com/uploads/4_DK_6_copy_a822cd5dfc.jpg","https://api.homofaber.com/uploads/5_EDITED_10_copy_bd025603df.jpg","Deniz Kurdak","deniz_kurdak-embroidery-london","In her native Istanbul, Deniz Kurdak spent much of her childhood with her grandparents, learning how to sew, cross-stitch, and knit from her grandmothers. \"As a child, I used to make clothes for my dolls and cloths for large water bottles,\" she says. Deniz studied stage and costume design at Mimar Sinan Fine Art University, specialised in puppet design and went on to teach it at the same university. After moving to London in 2014, she took a course in embroidery and discovered her passion for free motion embroidery. Two of her works were selected for the 2024 Royal Academy Summer Exhibition, and she was awarded an artist residency with Artist Make Space in London. This granted her a large, light workspace to explore embroidery on a bigger scale.",[800],"Embroidery",[700,701],[803,804,805,806],"Decorative","Heritage","Traditions","Visual Arts",[808,809,810,811,812],"Willow","Tides of Memory","Mental Occupation","Dissolving Willow","This Beyond",[814,815],"Polyester thread","Synthetic materials and resins",[800,817,818],"Clothing","Mode",[730],[821],"Embroiderer",[800],51.45803026925118,-0.1414898085657037,"2026-05-06T07:32:23.000+0000","2026-05-07",{"_748":823,"_749":824},233,{"_683":830,"_31":831,"_686":832,"_255":836,"_378":837,"_693":838,"_695":839,"_698":841,"_702":842,"_707":848,"_714":854,"_720":862,"_727":38,"_728":869,"_731":870,"_734":872,"_736":873,"_738":874,"_740":875,"_742":743,"_744":876,"_746":877,"_750":878},"profile-5402",5402,[833,834,835],"https://api.homofaber.com/uploads/3_Sophie_Sellu_by_Daisy_Wingate_Saul_0167_8b99e18f34.jpg","https://api.homofaber.com/uploads/1_edited_Sophie_Sellu_by_Daisy_Wingate_Saul_0150_copy_aaeb1f0401.jpg","https://api.homofaber.com/uploads/5_EDITED_Photo_05_04_2021_18_37_11_Sophie_Sellu_copy_4b1d1f2643.jpg","Sophie Sellu","sophie_sellu-wood_carving-london","Sophie Sellu creates functional objects and wall pieces carved from British woods in New Cross, London. Before becoming a maker, she studied interior design and worked in visual merchandising and trend forecasting. \"While I loved the research process, I found myself drawn to hands-on making,\" she says. In 2013, a workshop led Sophie to the Sussex woods, where she carved a spoon with rudimentary tools, surrounded by nature. \"I found a sense of peace that I had never experienced in other creative outlets,\" she explains. When a redundancy offered Sophie the time to make, she gave herself six months to establish a practice. After securing a loan from the Prince's Trust, she began selling hand carved tableware at markets. \"I only make things I would want to have in my own home,\" Sophie says. She maintains this one principle in her collaborations, such as in her recent work with furniture company Made.",[840],"Wood carving",[700,701],[843,704,844,845,846,847,719],"Art de la table","Craft therapy","New career","Sustainable","Territory",[849,850,851,852,853],"Oak dry stem vase","Spalted Hornbeam vase","Standing sculpture","Tableware","Walnut textured brush",[855,856,857,858,859,860,719,861],"Oak wood","Hornbeam wood","Chestnut wood","Maple wood","Walnut wood","Fibres","Fibres and textiles",[777,722,863,864,778,724,865,866,779,725,867,868],"Cutlery set","Brush","Cutlery","Bathroom accessories","Table and kitchen","Beauty",[730],[871],"Woodcarver",[840],51.47624791065229,-0.04884686610038032,"2026-05-06T07:27:48.000+0000","2026-04-30",{"_748":873,"_749":874},2768,{"_683":880,"_31":881,"_686":882,"_255":886,"_378":887,"_693":888,"_695":889,"_698":891,"_702":892,"_707":896,"_714":902,"_720":914,"_727":38,"_728":918,"_731":919,"_734":921,"_736":922,"_738":923,"_740":924,"_742":743,"_744":925,"_746":926,"_750":927},"profile-5427",5427,[883,884,885],"https://api.homofaber.com/uploads/3_EDITED_Shimell_and_Madden_Portrait_5photographer_Paul_Read_copy_83ce4be934.jpg","https://api.homofaber.com/uploads/1_Shimell_and_Madden_Making_9photographer_Paul_Read_fe11aeaccf.jpg","https://api.homofaber.com/uploads/5_Shimell_and_Madden_Work_2_31c469f3dd.jpg","Luke Shimell & Emma Madden","luke_shimell__emma_madden-jewellery_making-london","Emma Madden and Luke Shimell co-founded Shimell & Madden in 2010, after meeting at a small jewellery business in Devon. Emma studied 3D design, metalwork and jewellery at university before training at Bishopsland. Luke studied product design, then pursued practical goldsmithing courses. Their complementary skills are rooted in traditional handcrafting techniques, particularly hand drawn wire, in which the metal is pulled through progressively smaller holes to achieve specific gauges, a technique dating to the 6th century. Emma and Luke are members of The Worshipful Company of Gold and Silver Wyre Drawers in the City of London and work from their East London studio. \"Our pieces are characterised by their hand making, along with geometric forms that reflect our shared fascination with mathematics,\" the duo says.",[890],"Jewellery making",[700,701],[893,894,895],"Awarded","Jewellery","Partners in craft",[897,898,899,900,901],"Alignment earrings","Dawn Sol ring","Criss Cross ring","Densissima Octo Ring","Parallel Stack ring",[903,904,905,906,907,908,909,910,911,912,913],"18 carat gold","Diamond","Sapphire","Tourmaline","Pearl","Aquamarine","Emerald","Garnet","Metals","Minerals","Animal materials",[915,916,917,818],"Earring","Ring","Jewellery and watches",[730],[920],"Jewellery maker",[890],51.50630699304858,-0.126325253533449,"2026-05-06T07:29:40.000+0000","2026-04-23",{"_748":922,"_749":923},5026,{"_683":929,"_31":930,"_686":931,"_255":935,"_378":936,"_693":937,"_695":938,"_698":940,"_702":941,"_707":943,"_714":947,"_720":951,"_727":38,"_728":954,"_731":955,"_734":957,"_736":958,"_738":959,"_740":960,"_742":743,"_744":925,"_746":961,"_750":962},"profile-5279",5279,[932,933,934],"https://api.homofaber.com/uploads/3_IMG_8775_copy_e86bddbe04.jpg","https://api.homofaber.com/uploads/4_Screenshot_2024_02_04_at_21_09_f3202a7e99.jpg","https://api.homofaber.com/uploads/5_Archana_Pathak_Like_water_series_2023_Unbecoming_Collect_2024_bd3de573dc.jpg","Archana Pathak","archana_pathak-textile_sculpting-london","Archana Pathak explores identity, memory and belonging through stitch and cloth. \"My upbringing was shaped by transience and movement, as my father was in the Indian Air Force,\" she says. Archana is trained in apparel and textiles at the National Institute of Design, Ahmedabad, and later in sustainable textile design at Chelsea College of Arts. \"I work primarily with memory artefacts, including vintage maps, letters and photographs,\" she explains. Based at Cockpit Studios, Bloomsbury, Archana transforms maps into emotional geographies through layering and assembly. In 2023, she received The Needlemakers' Award, and her work is exhibited in public and private collections internationally.",[939],"Textile sculpting",[700,701],[893,803,705,942,847,806],"Mixing cultures",[944,945,946],"Tree Of Life 8","Tree of Life III","Re-imagined Landscape",[948,949,950,706,861],"Bamboo paper","Linen","Cotton",[952,953,779],"Wall hanging","Wall decorations",[730],[956],"Textile sculptor",[939],51.52177343676436,-0.1163317594113488,"2026-04-22T14:16:00.000+0000",{"_748":958,"_749":959},3485,{"_683":964,"_31":965,"_686":966,"_255":970,"_378":971,"_693":972,"_695":973,"_698":975,"_702":976,"_707":979,"_714":985,"_720":990,"_727":38,"_728":991,"_731":992,"_734":994,"_736":922,"_738":995,"_740":996,"_742":743,"_744":925,"_746":997,"_750":998},"profile-5149",5149,[967,968,969],"https://api.homofaber.com/uploads/3_IMG_0688_741f185472.jpg","https://api.homofaber.com/uploads/1_EDITED_Carving_shot_copy_8333cffb2f.jpg","https://api.homofaber.com/uploads/5_EDITED_Slippingthe_Veil_048_copy_12939c6497.jpg","Edgar Ward","edgar_ward-stone_sculpting-london","Edgar Ward is a stone carver and sculptor whose work balances traditional crafts with digital experimentation. He studied stone carving at the City & Guilds of London Art School, then he went on to study ceramics at the Royal College of Art. Through his works, Edgar explores illusions of transformation, in which form and perspective appear in flux. \"My work invites viewers into psychologically resonant worlds that sit between the imagined and the tangible,\" he says. Edgar created a series of 14 artworks celebrating local heritage and biodiversity, now permanently installed in a new development in Hove in the UK. In addition to his work in stone, he experiments with 3D modelling and clay to create sculptures influenced by mythology, architecture and the atmospheres of sacred sites.",[974],"Stone sculpting",[700,701],[704,803,977,847,978],"Digital tools","Under 30",[980,981,982,983,984],"Adder in bramble","Samson","Porte Saint Denis","Portrait of Wayne Marques","In dark trees",[986,773,987,988,989,912,774,911],"Limestone","Sandstone","Stoneware","Iron",[722,724,725],[730],[993],"Stone sculptor",[974],-0.1345649992011251,"2026-05-06T07:32:14.000+0000",{"_748":922,"_749":995},2640,{"_683":1000,"_31":1001,"_686":1002,"_255":1006,"_378":1007,"_693":1008,"_695":1009,"_698":1011,"_702":1012,"_707":1015,"_714":1019,"_720":1021,"_727":38,"_728":1023,"_731":1024,"_734":1026,"_736":1027,"_738":1028,"_740":825,"_742":743,"_744":1029,"_746":1030,"_750":1031},"profile-5324",5324,[1003,1004,1005],"https://api.homofaber.com/uploads/3_0_M0_A6510_d522776607.jpg","https://api.homofaber.com/uploads/1_EDITED_0_M0_A6416_copy_3543170e44.jpg","https://api.homofaber.com/uploads/5_HARL_1_3aa269dd1d.jpg","Sandra Shashou","sandra_shashou-mixed_media_sculpture-london","Sandra Shashou collects beautiful vintage fine bone tea and coffee cups, pots and small plates, and turns them into her sculpting medium. Carefully breaking each precious object with a fine hammer, she transforms beautiful porcelain into abstract fragments, which she then interlaces to form a new whole. Sandra pursued this passion for fine arts in her forties, leaving behind a career she built at her father's business. “I was more afraid of not doing it than doing it” she recalls. Studying at the Slade School of Fine Art and City & Guilds in London, Sandra initially focused on painting, but in 2013, she created her first sculpture, and her porcelain practice was born. \"By breaking and reassembling, I create a dialogue between destruction and creation, fragility and strength, giving the broken porcelain a renewed life,\" she explains.",[1010],"Mixed media sculpture",[700,701],[803,763,1013,845,1014],"Nature","Unusual",[1016,1017,1018],"Tower Balance","Roses Are Forever","Celebration of Love",[1020,773,912],"Jesmonite",[722,1022,724,953,725,779],"Wall decor",[730],[1025],"Mixed media sculptor",[1010],51.51123433402569,-0.1280447419312673,"2026-04-16",{"_748":1027,"_749":1028},853,{"_683":1033,"_31":1034,"_686":1035,"_255":1039,"_378":1040,"_693":1041,"_695":1042,"_698":1043,"_702":1044,"_707":1046,"_714":1052,"_720":1054,"_727":38,"_728":1061,"_731":1062,"_734":1063,"_736":1064,"_738":1065,"_740":996,"_742":743,"_744":1066,"_746":1067,"_750":1068},"profile-4996",4996,[1036,1037,1038],"https://api.homofaber.com/uploads/3_DSC_6899_d9adad560a.jpg","https://api.homofaber.com/uploads/1_DSC_2243_0d57a957cc.jpg","https://api.homofaber.com/uploads/5_Victoria0170_b1b4e5b71a.jpg","Victoria Loyola","victoria_loyola-ceramics-london","Victoria Loyola’s upbringing in Costa Rica shapes her ceramic pieces, from the sculptural lamps to everyday tableware. She earned her fine arts degree at the University of Costa Rica, before moving to London for her master’s at the Royal College of Art. “I want my objects to carry stories,” she explains. \"Clay allows me to translate memories, colours and textures into tangible forms.\" From her London studio, Victoria blends traditional techniques with contemporary experimentation, working with materials and methods that are not accessible in Costa Rica. Each piece she makes brings the energy and joy of Latin American life into interiors, and offers an engaging experience that celebrates heritage, craftsmanship and cultural storytelling.",[763],[700,701],[763,705,1045,942],"Interiors",[1047,1048,1049,1050,1051],"Wobbly mugs","Colibri","Tropical Garden","The volcanoes: Arenal and Poas","Carreta Deconstruida",[988,1053,773,774,861],"Textile",[1055,776,1056,1057,1058,778,1059,867,779,1060],"Mug","Light","Jug","Drinkware","Serving ware","Lighting",[730],[782],[763],51.47864615784227,-0.137425361059574,"2026-03-26",{"_748":1064,"_749":1065},3845,{"_683":1070,"_31":1071,"_686":1072,"_255":1076,"_378":1077,"_693":1078,"_695":1079,"_698":1081,"_702":1082,"_707":1085,"_714":1090,"_720":1093,"_727":38,"_728":1094,"_731":1095,"_734":1097,"_736":1098,"_738":1099,"_740":1100,"_742":743,"_744":1101,"_746":1102,"_750":1103},"profile-5280",5280,[1073,1074,1075],"https://api.homofaber.com/uploads/3_Katharine_Gorham_007_copy_6c538d7e7e.jpg","https://api.homofaber.com/uploads/1_katharine_gorham_in_action_in_studio_2_copy_537122923b.jpg","https://api.homofaber.com/uploads/5_EDITED_IMG_7727_copy_6b661e2d14.jpg","Katharine Gorham","katharine_gorham-linocut_printmaking-london","Katharine Gorham specialises in large scale lino printing onto fabric. By exploring pigment transferring, she studies the form of nature and plants. Katharine exclusively works with natural compostable material for her giant lino prints, including traditional linoleum, itself made from linseed oil, on its natural flax woven backing. She completed an art foundation course followed by a first-class bachelor's degree with honours in textile design, and worked for decades as a printed textile designer. \"My work is informed by my interest in conservation of natural habitats and plants. It aims to bring drama and positivity into spaces, transforming interiors with colour sensibility and energy.” Katharines' experimental approach comes from her years exploring many techniques including screen printing, dyeing, batik, quilting, shibori and embroidery.",[1080],"Linocut printmaking",[700,701],[1083,1013,846,1084],"Innovation","Upcycling",[1086,1087,1088,1089],"Mottlecah","Pilea from Above","Indigo Series, Join","Ribbons of synthesis 2",[1091,950,1092,861],"Natural dye","Cement, plaster, pigments",[952,953,779],[730],[1096],"Linocut printmaker",[1080],51.55923138362816,-0.1264938957151476,"2026-05-06T07:32:05.000+0000","2026-03-19",{"_748":1098,"_749":1099},4899,{"_683":1105,"_31":1106,"_686":1107,"_255":1111,"_378":1112,"_693":1113,"_695":1114,"_698":1116,"_702":1117,"_707":1120,"_714":1124,"_720":1128,"_727":38,"_728":1130,"_731":1131,"_734":1133,"_736":1134,"_738":1135,"_740":1100,"_742":743,"_744":1136,"_746":1137,"_750":1138},"profile-5167",5167,[1108,1109,1110],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyYJ_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyYJ_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyYJ_Right2.jpg","Kim Sutherland","kim_sutherland-metalworking-london","Kim Sutherland’s etched artworks inhabit the space between object, drawing and map. She holds a BA (Hons) in 3D design specialising in metals, and an MA in metalwork from the Royal College of Art. Kim's work is a synthesis of tradition and personal narrative expressed through the ancient technique of intaglio etching, a process which allows her to create symbolically charged surfaces that sit at the heart of her work. Kim's research into alchemical manuscripts, in which she explored illustrations of transformation, deepened her understanding of broader correlations and interconnections. After a rewarding academic career, she returned to her studio in 2017 to create wall pieces, altars and sculptural objects. “Each of my pieces is meant to nourish the mind and elevate the spirit,” Kim explains, as she invites close and reflective engagement with her work.",[1115],"Metalworking",[700,701],[1118,1119],"Science","Teacher",[1121,1122,1123],"Through the Unknown, Remembered Gate","Alchemy","Lunar Altar: After Kircher",[1125,1126,855,1127,911,719],"Brass","Steel","wood",[1022,1129,953,778,779],"Model",[730],[1132],"Metalworker",[1115],51.52181640714915,-0.1165864694475649,"2026-03-12",{"_748":1134,"_749":1135},4989,{"_683":1140,"_31":1141,"_686":1142,"_255":1146,"_378":1147,"_693":1148,"_695":1149,"_698":1150,"_702":1151,"_707":1152,"_714":1156,"_720":1157,"_727":38,"_728":1161,"_731":1162,"_734":1163,"_736":1164,"_738":1165,"_740":996,"_742":743,"_744":1136,"_746":1166,"_750":1167},"profile-4966",4966,[1143,1144,1145],"https://api.homofaber.com/uploads/3_Credit_Oliver_Duncan_and_Dan_Simpkins_1_copy_124a3f9702.jpg","https://api.homofaber.com/uploads/1_Credit_Oliver_Duncan_and_Dan_Simpkins_7_copy_af0cf9b259.jpg","https://api.homofaber.com/uploads/5_Credit_Esme_Moore_7c1a7a39d8.jpg","Charlotte Moore","charlotte_moore-ceramics-london","Charlotte Moore's ceramic practice emerges from a deep curiosity about architecture and nature’s transformative processes. Growing up in Cornwall, UK, she absorbed a culture of craftsmanship that now informs her large-scale, narrative-driven pieces. Trained in architecture, Charlotte balances digital design with hands-on clay exploration, transforming observations of wildflowers and ecosystems into architectural forms. \"I have heard people say, 'This is a cardoon!' I like that people recognise the plants in my work,\" she shares. Ranging from tiles to façade commissions, Charlotte's pieces trace the complex, fragile interactions between humans and plants, revealing how natural landscapes and imagination can shape built environments.",[763],[700,701],[977,763,1013,1119],[1153,1154,1155],"Pollen syntax","Winter garden","Edible hinterlands",[988,773,774],[1158,722,1159,953,724,1160,779,725],"Fresco","Tile","Building elements",[730],[782],[763],51.47338544034996,-0.08163872622506896,{"_748":1164,"_749":1165},1338,{"_683":1169,"_31":1170,"_686":1171,"_255":1175,"_378":1176,"_693":1177,"_695":1178,"_698":1179,"_702":1180,"_707":1182,"_714":1183,"_720":1186,"_727":38,"_728":1187,"_731":1188,"_734":1189,"_736":1190,"_738":1191,"_740":960,"_742":743,"_744":1192,"_746":1193,"_750":1194},"profile-5170",5170,[1172,1173,1174],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Exn9_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Exn9_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Exn9_Right2.jpg","Riddhi Patel","riddhi_patel-jewellery_making-london","Riddhi Patel discovered her artistic path not through gold or gemstones, but through overlooked, waste materials. \"I bring a precise, exploratory approach to my work. In my pieces, I aim to combine Indian craft traditions with European decorative techniques, such as marquetry and micromosaics,\" she says. Riddhi studied accessory design at the National Institute of Fashion Technology in Mumbai, and earned a master's degree in jewellery design from Central Saint Martins in 2025. Today, she works with zero-waste and organic materials, such as leather off-cuts sourced in Mumbai’s Dharavi district and bamboo strips that she cuts to size and dyes by hand. From her London flat, Riddhi assembles each piece fragment by fragment to form vibrant compositions and intricate surface designs.",[890],[700,701],[704,894,942,1181,846,1084],"Mixed media",[],[1184,1185,861],"Bamboo","Sisal",[],[730],[920],[890],51.5479170523844,-0.005353530511340809,"2026-02-12",{"_748":1190,"_749":1191},5501,{"_683":1196,"_31":1197,"_686":1198,"_255":1202,"_378":1203,"_693":1204,"_695":1205,"_698":1207,"_702":1208,"_707":1210,"_714":1216,"_720":1220,"_727":38,"_728":1223,"_731":1224,"_734":1226,"_736":1227,"_738":1228,"_740":1229,"_742":743,"_744":1230,"_746":1231,"_750":1232},"profile-4987",4987,[1199,1200,1201],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Evrd_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Evrd_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Evrd_Right2.jpg","Bernice Angelique","bernice_angelique-bag_making-egham","Born and raised in South Africa, Bernice Angelique draws on her homeland as the foundation of her creative vision and bag making. \"Wildlife and exotic leathers were a constant presence in my life, long before they became my medium,\" she says. The London College of Fashion introduced Bernice to handbag design and making, and she developed her skills through independent practice and relentless experimentation. Today, she sews and dyes every skin and bag by hand, and applies the box stitch and dyeing techniques needed for the irregular surfaces of exotic hides. \"As I relocate my atelier to Europe, I unite my dedication to precise handcraft with the values of my South African upbringing,\" Bernice says. Through her works, she translates her respect for natural materials into handbags that endure and hold sculptural presence.",[1206],"Bag making",[700,701],[893,942,847,1209],"Fashion",[1211,1212,1213,1214,1215],"The Warrioress 20","The Minx 15","The Huntress 20","The Woman","The Huntress 25",[1217,1218,903,1219,913,911,861],"Crocodile leather","Nappa","Satin",[1221,1222,818],"Handbag","Bags and luggages",[730],[1225],"Bag maker",[1206],51.59921314362332,-0.1959294533888423,"2026-05-06T07:28:14.000+0000","2026-01-15",{"_748":1227,"_749":1228},2201,{"_683":1234,"_31":1235,"_686":1236,"_255":1240,"_378":1241,"_693":1242,"_695":1243,"_698":1245,"_702":1246,"_707":1248,"_714":1254,"_720":1257,"_727":38,"_728":1261,"_731":1262,"_734":1264,"_736":1265,"_738":1266,"_740":996,"_742":743,"_744":1267,"_746":1268,"_750":1269},"profile-4925",4925,[1237,1238,1239],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EzlO_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EzlO_Right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EzlO_Right2.jpg","Roberta Schreyer","roberta_schreyer-textile_dyeing-london","Roberta Schreyer specialises in natural dyes with a strong emphasis on the environment, circular economy and community. Born in Bavaria, Germany, she grew up in a creative family with a car designer father and a seamstress mother. Roberta moved to the UK at the age of 16, attended boarding school and studied textiles at Chelsea College of Art and the Royal College of Art. She divides her time between her studios in East London and in Oaxaca, Mexico, where she researches and collaborates with indigenous artisan communities. \"I consider my work with them a textile and natural dye paradise,” she says. Alongside her main practice as a textile artist, Roberta runs 'Nature is an Activist', an organic clothing line of one-off, recycled, hand stitched and hand dyed pieces.",[1244],"Textile dyeing",[700,701],[704,1247,846,847,805,1084,1209],"Indigenous",[1249,1250,1251,1252,1253],"Der Kranich, der Glücksvogel","Roots in the Air 1","The cloth always knows how I feel","Mariposa de flores","Dreamstone for the Planet: care + hope",[1255,1256,950,949,1053,861],"Digital","Merino wool",[952,1258,722,953,1259,724,779,1260,725],"Fabric sample","Fabrics","Home textiles",[730],[1263],"Textile dyer",[1244],51.52991023983112,-0.0742462823745783,"2026-01-08",{"_748":1265,"_749":1266},4422,{"_683":1271,"_31":1272,"_686":1273,"_255":1277,"_378":1278,"_693":1279,"_695":1280,"_698":1281,"_702":1282,"_707":1283,"_714":1289,"_720":1294,"_727":38,"_728":1296,"_731":1297,"_734":1298,"_736":1299,"_738":1300,"_740":996,"_742":743,"_744":1301,"_746":1302,"_750":1303},"profile-4813",4813,[1274,1275,1276],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ezlu_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ezlu_Right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ezlu_Right2.jpg","Gerald Mak","gerald_mak-ceramics-london","Gerald Mak's aesthetic revolves around surface decoration and carving into soft clay, a process through which he turns simple forms into expressive creations with subtle, descriptive marks, textures and incisions. \"Clay captures the immediacy of the hand before transforming into a completely solid and enduring object. The material has drawn my attention ever since I was a child,\" he says. Gerald was born in Hong Kong, but is based in both Jingdezhen in China, and London in the UK, where he studied. \"These two cities are sources of inspiration and energy,\" Gerald explains. His observation of gestures is reflected in a wide range of works that spans panels, vessels, sculptures and furniture pieces. These creations share a common recurring theme of overlapping and intertwining hands, a language that Gerald speaks through a meditative and physical process.",[763],[700,701],[803,977,942,847,763],[1284,1285,1286,1287,1288],"Jade green gestural screen","Overlapping I","Clinging Onto","Gesture study with threads","Little Peanut",[1290,1291,1127,773,1292,774,1293,719,772],"Terracotta","Glaze","Earthenware","Enamel, glaze and lacquer",[1295,776,722,953,778,724,779,725],"Panel",[730],[782],[763],51.51333,-0.08895,"2026-01-01",{"_748":1299,"_749":1300},5626,{"_683":1305,"_31":1306,"_686":1307,"_255":1310,"_378":1311,"_693":1312,"_695":1313,"_698":1315,"_702":1316,"_707":1320,"_714":1331,"_720":1336,"_727":38,"_728":1340,"_731":1341,"_734":1343,"_736":1344,"_738":1345,"_740":1346,"_742":743,"_744":1347,"_746":1348,"_750":1349},"profile-3290",3290,[1308,1309],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000ExUs_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000ExUs_Left1.jpg","William Efe-Laborde","william_efe-laborde-shoemaking-london","William Efe-Laborde is part of a new generation of London bootmakers who are upholding the West End tradition through independent study, historical insight, and meticulous attention to both aesthetics and comfort. He crafts fully hand-sewn, welted shoes using 19th-century London tools and vintage leathers. Born in rural France, William initially studied anthropology and archaeology at the University of Bristol before discovering his vocation in shoemaking in London. He forged his path through night classes, mentorships with several masters, including Dominic Casey and the late Jason Amesbury, as well as extensive study of historical manuals. Today, William handmakes around 36 bespoke pairs a year, each taking approximately 8 months to complete. \"My guiding maxim is 'Nothing but the best', to echo the principles initially laid down by the medieval guilds of the City of London,\" he says.",[1314],"Shoemaking",[700,701],[1209,1317,1318,1319],"London Craft Week","Mentored","Self-taught",[1321,1322,1323,1324,1325,1326,1327,1328,1329,1330],"Bespoke Norwegian style derby","Suede bar strap loafer","Correspondent Society loafer","Lartigue English style derby","Society loafer","Thackeray Oxford Shoes","Clifford Loafers","Albert slipper","Crescent Cap Derbys","Norwegian Derbys",[1332,1333,1334,1335,913],"Calf leather","Suede leather","Pigskin","Leather",[1337,1338,1339,818],"Derby","Loafers","Shoes",[730],[1342],"Shoemaker",[1314],51.48968511860714,-0.1002418304063819,"2026-05-06T07:30:45.000+0000","2025-12-04",{"_748":1344,"_749":1345},5210,{"_683":1351,"_31":1352,"_686":1353,"_255":1357,"_378":1358,"_693":1359,"_695":1360,"_698":1361,"_702":1362,"_707":1364,"_714":1370,"_720":1378,"_727":38,"_728":1379,"_731":1380,"_734":1381,"_736":1382,"_738":1383,"_740":741,"_742":743,"_744":1347,"_746":1384,"_750":474},"profile-5070",5070,[1354,1355,1356],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Exgy_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Exgy_Right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Exgy_Right2.jpg","Jung Byun","jung_byun-embroidery-london","Jung Byun stitches the intricacies of the world around us through her hand embroidery. \"As a teenager, I used to help my sister with her embroidery homework. Little did I know that it would become the craft I practise today,\" she says. Having grown up in Korea before moving to the UK in her twenties, Jung draws on her experience to paint varied perspectives of the world into textile form. Her talent led to a first class honours degree in clothing and textiles, and several years as a fashion trend forecaster, fashion reporter and organic clothing trader. Jung's embroidery pieces have been exhibited in shows, such as RSN’s Animals in Embroidery, and Knitting & Stitching. Since 2018, she has passed on her skills as a hand embroidery teacher.",[800],[700,701],[893,1363,705,1209],"Celebrities",[1365,1366,1367,1368,1369],"Bismillah goldwork","Black work","Hampton Court Palace appliqué","Silk sunflower","Coronation goldwork",[1371,1372,1373,1374,1375,1376,1377,861,911,1092],"Velvet","Gold thread","Fabric","Thread","Paint","Cotton thread","Silk",[800,817,818],[730],[821],[800],51.52189,-0.10733,{"_748":1382,"_749":1383},{"_683":1386,"_31":1387,"_686":1388,"_255":1392,"_378":1393,"_693":1394,"_695":1395,"_698":1397,"_702":1398,"_707":1401,"_714":1402,"_720":1403,"_727":38,"_728":1404,"_731":1405,"_734":1407,"_736":1408,"_738":1409,"_740":960,"_742":743,"_744":1410,"_746":1411,"_750":1412},"profile-4896",4896,[1389,1390,1391],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000ExlT_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000ExlT_Right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000ExlT_Right2.jpg","Atelier001","atelier001-lamp_making-london","Atelier001 is a lighting atelier defined by its reverence for artisanal workmanship and its ambition to create collectible pieces that become heirloom pieces for generations to come. Founded in 2019 by acclaimed illumination artist Eva Menz, Atelier001 offers sculptural light pieces, each hand-finished by local master artisans using heritage techniques. The workshop's expertise is built on Eva’s 20-year career designing large-scale installations. Atelier001 was born from a desire to translate these ambitious, sculptural ideas into pieces for private homes, making exceptional artisanship more accessible to a wider audience and spaces.",[1396],"Lamp making",[700,701],[1399,704,1400],"Atelier","Design",[],[],[],[1399],[1406],"Lamp maker",[1396],51.52266895455776,-0.207690889250766,"2025-11-27",{"_748":1408,"_749":1409},3990,{"_683":1414,"_31":1415,"_686":1416,"_255":1420,"_378":1421,"_693":1422,"_695":1423,"_698":1425,"_702":1426,"_707":1427,"_714":1433,"_720":1434,"_727":38,"_728":1436,"_731":1437,"_734":1439,"_736":1440,"_738":1441,"_740":924,"_742":743,"_744":1410,"_746":1442,"_750":1443},"profile-4859",4859,[1417,1418,1419],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ewn4_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ewn4_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ewn4_Right2.jpg","Maya Selway","maya_selway-goldsmithing-london","Maya Selway studied art foundation at Middlesex University, where she enjoyed experimenting with many art forms. After that, she pursued a degree in silversmithing and metalwork at Camberwell College of Arts. \"People are often surprised to learn that I began my career as a sculptor and worked for many years as a prop maker for theatre, such as at The Royal Opera House and The National Theatre,\" explains Maya. She later refined her practice into goldsmithing and jewellery making, enjoying the delicate balance between technique and concept. \"I spent several years gathering the skills I needed to set up my own practice at Cockpit Arts in London,\" she says. \"The women who are my clients are a real source of inspiration for me, along with historical figures.\"",[1424],"Goldsmithing",[700,701],[893,804,894,845],[1428,1429,1430,1431,1432],"Let’s Get Lost earrings","Gaia signet ring","Katherine cocktail ring","Object5 = Gaia Diamond Pendant","Remember ring",[903,904,906,911,912],[915,916,1435,917,818],"Pendant",[730],[1438],"Goldsmith",[1424],51.52193664152093,-0.1165247709901721,{"_748":1440,"_749":1441},3331,{"_683":1445,"_31":1446,"_686":1447,"_255":1450,"_378":1451,"_693":1452,"_695":1453,"_698":1454,"_702":1455,"_707":1456,"_714":1462,"_720":1465,"_727":38,"_728":1467,"_731":1468,"_734":1469,"_736":1470,"_738":1471,"_740":1472,"_742":743,"_744":1410,"_746":1473,"_750":1474},"profile-3619",3619,[1448,1449],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Exk3_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Exk3_Left1.jpg","Christopher Riggio","christopher_riggio-ceramics-london","Christopher Riggio’s curiosity about objects began in his childhood home in Montreal, exploring his father’s eclectic basement collection. He went on to study sculpture, jewellery making, and ceramics at university both in Canada and in the UK. Serendipity played a part in his journey, as a found textile funded him buying his first kiln, and a mysterious philanthropist sponsored his master's degree at the RCA in London. \"Slip casting and lathe work are central to my practice,\" explains Christopher, who works with bone china, porcelain and stoneware. He also incorporates fine glass rods and beads, as well as carved details in his pieces. Alongside crafting delicate and playful ceramic objects in his south London studio, Christopher has worked with Hitomi Hisono, and assisted Edmund de Waal.",[763],[700,701],[763,1318,763],[1457,1458,1459,1460,1461],"Gossamer","Pastille boxes","Paste series","Higashi box","Spatial Concepts",[773,1463,1464,1292,1293,772],"Underglaze","Bone China",[776,1466,778,779],"Box",[730],[782],[763],51.4733480270416,-0.08158200993365744,"2026-05-01T09:27:55.000+0000",{"_748":1470,"_749":1471},1320,{"_683":1476,"_31":1477,"_686":1478,"_255":1482,"_378":1483,"_693":1484,"_695":1485,"_698":1486,"_702":1487,"_707":1488,"_714":1493,"_720":1494,"_727":38,"_728":1495,"_731":1496,"_734":1497,"_736":1498,"_738":1499,"_740":741,"_742":743,"_744":1500,"_746":1501,"_750":1502},"profile-3584",3584,[1479,1480,1481],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Exhn_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Exhn_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Exhn_Right2.jpg","Fernando Casasempere","fernando_casasempere-ceramics-london","Fernando Casasempere was born and raised in Santiago, Chile. He studied ceramics in Barcelona, and stayed consciously rooted in the influences of South America in his creative expression. \"In Chile, I researched materials that I could use within ceramics and discovered the industrial waste from copper production. I have incorporated this into much of my work in powder form,\" explains Fernando. After a sell-out show in Chile in 1996, Fernando moved to London, to explore the rich English tradition in clay. \"It was also an opportunity to push my artistic boundaries,\" he says. Ever since then, Fernando has worked from his studio in East London, building an archive of samples of all his previous materials, and an extensive apothecarial library of minerals in jars. Fernando creates public art installations on a grand scale alongside collectible vessels and sculptures.",[763],[700,701],[763,705,1084,763],[1489,1490,1491,1492],"Broken Angle and Meteorite","Natura Morta","Murmuration","Pebbles",[988,773,774],[722,724,725],[730],[782],[763],51.53529,-0.03327,"2025-11-20",{"_748":1498,"_749":1499},4079,{"_683":1504,"_31":1505,"_686":1506,"_255":1510,"_378":1511,"_693":1512,"_695":1513,"_698":1514,"_702":1515,"_707":1516,"_714":1521,"_720":1523,"_727":38,"_728":1525,"_731":1526,"_734":1527,"_736":1528,"_738":1529,"_740":1100,"_742":743,"_744":1530,"_746":1531,"_750":1532},"profile-4725",4725,[1507,1508,1509],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ez3B_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ez3B_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ez3B_Right2.jpg","Sophie Ambelas","sophie_ambelas-ceramics-london","Sophie Ambelas is a London-based ceramicist whose approach to ceramics is rooted in experimentation, play and mixed media. She uses glass to create mirrored effects in ceramic works, glazes in myriad colours and a variety of other materials to create patterns. Self-taught and instinct-led, Sophie's work explores the expressive possibilities of clay, and embraces unpredictability and imperfection. Drawing on her Greek-Cypriot background, she reinterprets classical forms like amphorae to reflect on generational identity and cultural memory. \"In my Amphora Era collection I explore the idea that different generations are associated with different colours,\" explains Sophie.",[763],[700,701],[843,763,1181,845,763],[1517,1518,1519,1520],"Marine Pool bowl","Desert Pool bowl","Amphora Era collection","Lava Pool bowl",[772,1522,774],"Glass",[1524,776,778,779],"Bowl",[730],[782],[763],51.60918,-0.06802,"2025-11-13",{"_748":1528,"_749":1529},4412,{"_683":1534,"_31":1535,"_686":1536,"_255":1540,"_378":1541,"_693":1542,"_695":1543,"_698":1544,"_702":1545,"_707":1546,"_714":1552,"_720":1554,"_727":38,"_728":1555,"_731":1556,"_734":1557,"_736":1558,"_738":1559,"_740":960,"_742":743,"_744":1560,"_746":1561,"_750":1562},"profile-3681",3681,[1537,1538,1539],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Exme_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Exme_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Exme_Right2.jpg","Hanna Salomonsson","hanna_salomonsson-ceramics-london","From her studio in east London, Hanna Salomonsson creates ceramic works with organic shapes, experimental glazes and occasional accents of gold leaf. “After attending an evening course in ceramics that my husband gifted me in 2017, I knew it was my material,” she says. Before then, Hanna had attended a foundational course in sculpture and trained in landscape architecture in Uppsala in Sweden and Leeds in the UK, where she worked in the profession for 13 years. She began sculpting in 2020 out of her makeshift balcony studio during the pandemic, and her work was discovered on Instagram. Hanna is inspired by her native Småland in southern Sweden, a region on the UNESCO World Heritage List for its verbal storytelling tradition. “The stories often include myths linked to the landscape, which I like to reflect in my works,” she says.",[763],[700,701],[843,763,845,763],[1547,1548,1549,1550,1551],"Of A Feather","Shallows","Before the Fire","Run Deep, Run Wild","Unfurl",[988,1553,774,911],"Gold Leaf",[722,724,725],[730],[782],[763],51.57058,-0.04067,"2025-10-30",{"_748":1558,"_749":1559},2310,{"_683":1564,"_31":1565,"_686":1566,"_255":1570,"_378":1571,"_693":1572,"_695":1573,"_698":1575,"_702":1576,"_707":1577,"_714":1583,"_720":1587,"_727":38,"_728":1593,"_731":1594,"_734":1596,"_736":1597,"_738":1598,"_740":1472,"_742":743,"_744":1599,"_746":1600,"_750":1601},"profile-3658",3658,[1567,1568,1569],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000ExlK_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000ExlK_Right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000ExlK_Right2.jpg","Martina Spetlova","martina_spetlova-textile_creation-london","Martina Spetlova is a designer and weaver who makes woven coats, jackets and art pieces from discarded leather and textile waste. Before studying print at Central Saint Martins in London, she studied biochemistry. \"My practice is defined by collaborations and sharing skills with artisans across the globe,\" Martina says. Her works are embedded with custom-made digital passports, which provide full transparency on the story of her pieces, from the source of her materials to her making process. Working across fashion and interiors, Martina is committed to circular design, keeping materials in use and giving new value to waste.",[1574],"Textile creation",[700,701],[704,1209,845,846,1119,1084,1209],[1578,1579,1580,1581,1582],"Airbrushed leather dress","Handwoven leather set","Handwoven leather wall art and coat","Waste Not, Want Knot","Trashion Statement",[1584,1335,1585,1586,913,861,719],"Cow leather","Nylon","Reclaimed wood",[1588,1589,1590,817,1591,818,1592],"Dress","Coat","Stool","Sofa and Chairs","Furniture",[730],[1595],"Textile creator",[1574],51.5409975429567,-0.0587252672567181,"2025-10-16",{"_748":1597,"_749":1598},2445,{"_683":1603,"_31":1604,"_686":1605,"_255":1609,"_378":1610,"_693":1611,"_695":1612,"_698":1613,"_702":1614,"_707":1615,"_714":1621,"_720":1623,"_727":38,"_728":1624,"_731":1625,"_734":1626,"_736":1627,"_738":1628,"_740":960,"_742":743,"_744":1629,"_746":1630,"_750":1631},"profile-3685",3685,[1606,1607,1608],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Exmk_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Exmk_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Exmk_Right2.jpg","Iara Talledo Violani","iara_talledo_violani-ceramics-london","Iara Talledo Violani graduated from the University of Brighton with a BA (Hons) in 3D Design and Craft in 2023, with a specialisation in ceramic throwing. After finishing her studies, she worked at The Kiln Rooms. “I know very well how to throw my pieces, then I purposefully ruin them in a unique way to convey my many thoughts and feelings,” Iara says. She sees ceramic art as an attempt at putting a bit of colour and joy into the world. \"This is why I make my objects vivid and vibrant,\" she explains. Special effect glazes and unique shapes come together to make an impression. One of Iara’s artistic trademarks is the piling-up of individually-thrown pieces and the deconstruction of fully finished objects to create sculptures suggesting chaos and collision.",[763],[700,701],[978,763],[1616,1617,1618,1619,1620],"Factory","Jawbreaker","Fade Away (claymix)","Beautiful","Janelas",[988,1291,773,1622,774,1293],"Porcelain slip",[722,724,725],[730],[782],[763],51.47035,-0.068815,"2025-10-09",{"_748":1627,"_749":1628},3324,{"_683":1633,"_31":1634,"_686":1635,"_255":1639,"_378":1640,"_693":1641,"_695":1642,"_698":1643,"_702":1644,"_707":1645,"_714":1651,"_720":1653,"_727":38,"_728":1657,"_731":1658,"_734":1659,"_736":1660,"_738":1661,"_740":741,"_742":743,"_744":1629,"_746":1662,"_750":1663},"profile-3448",3448,[1636,1637,1638],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000ExcN_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000ExcN_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000ExcN_Right2.jpg","Mizuyo Yamashita","mizuyo_yamashita-ceramics-london","Mizuyo Yamashita delicately explores subtleties in form, texture and colour through clay, still life compositions. \"I recall the exact moment I decided to devote myself to ceramics. I fell in love with the Grayson Perry's pots in the New Labour exhibition at Saatchi Gallery in 2001,\" she says. Until then, and while living in Japan, Mizuyo used to buy handmade pottery without really knowing much about what went into making it. \"Now that I am the one at the wheel, I have learned just how much time, care and technique it truly takes to make ceramics,\" she explains. Today, Mizuyo uses traditional techniques to innovate object functions and incorporates lacquer to create texture effects in her pieces.",[763],[700,701],[803,763,942,763],[1646,1647,1648,1649,1650],"Still Life Composition","Candle stick holder with handle","Mentori teapot","Black Flagon","Vessels",[1652,988,1125,774,911],"Fireclay Stoneware",[776,1654,1655,778,1656,779,867],"Candle holder","Teapot","Coffee and tea",[730],[782],[763],51.53551,-0.06063,{"_748":1660,"_749":1661},2512,{"_683":1665,"_31":1666,"_686":1667,"_255":1671,"_378":1672,"_693":1673,"_695":1674,"_698":1675,"_702":1676,"_707":1678,"_714":1684,"_720":1689,"_727":38,"_728":1690,"_731":1691,"_734":1692,"_736":1693,"_738":1694,"_740":1695,"_742":743,"_744":1696,"_746":1697,"_750":1698},"profile-4307",4307,[1668,1669,1670],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyCw_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyCw_Right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyCw_Right2.jpg","Susie Vickery","susie_vickery-embroidery-london","Susie Vickery's embroidery, costume making and automata have taken her across continents, from her native Australia through England, to the highlands of Tibet, India, the valleys of Nepal, Myanmar, and onwards to Turkey and rural Mexico. Today, she divides her time between London in the UK and Fremantle in Australia. Susie's journey began backstage with her crafting 18th and 19th century men’s costumes for the Royal Shakespeare Company and the English National Opera. However, it was in Kathmandu, where she worked alongside women to nurture their traditional crafts, that her threads began to speak a different language. \"Since then, my needle has become a voice, stitching critiques on sweatshop inequality, the plundering of natural resources and the slow unravelling of our environment,\" Susie says. Her artworks are animated by both her conscience and her craftsmanship.",[800],[700,701],[803,977,1677,847,805],"Politically engaged",[1679,1680,1681,1682,1683],"Morning Swim","Rare Bird, Calyptorhynchus Indigo","Carbon Footprint, Somalia","Still Life with Skeleton","Still Life with Fish",[950,1685,1686,1687,1688,861,719,913,911],"Denim","Wooden frame","Seashell","Metal",[800,817,818],[730],[821],[800],51.51157,-0.18592,"2026-05-06T07:31:46.000+0000","2025-10-02",{"_748":1693,"_749":1694},2537,{"_683":1700,"_31":1701,"_686":1702,"_255":1706,"_378":1707,"_693":1708,"_695":1709,"_698":1710,"_702":1711,"_707":1712,"_714":1718,"_720":1721,"_727":38,"_728":1722,"_731":1723,"_734":1724,"_736":1725,"_738":1726,"_740":924,"_742":743,"_744":1727,"_746":1728,"_750":1729},"profile-2271",2271,[1703,1704,1705],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ewn1_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ewn1_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ewn1_Right2.jpg","Catherine Mannheim","catherine_mannheim-jewellery_making-london","Since the 1960s, Catherine Mannheim has been making contemporary jewellery with traditional techniques and a unique combination of materials. \"It all started with a family friend, a trained jeweller and silversmith in Germany who would make jewellery for my mother. They were nothing like the pieces I had seen in shops,\" she recalls. This is when young Catherine's curiosity peaked and she realised that jewellery was a craft of endless possibilities. Her first works were made in silver. She then started using gold and sourcing stones in different colours to complement her designs. Catherine's detailed pieces are built with movement. \"What I make is one-of-a-kind. Each piece is special, once it is gone, it will never be available again,\" she says.",[890],[700,701],[894,1318,1119],[1713,1714,1715,1716,1717],"Untitled 5","Untitled 1","Untitled 2","Untitled 3","Untitled 4",[903,904,909,1719,1720,906,910,911,912],"Opal","Ruby",[916,915,917,818],[730],[920],[890],51.522015,-0.115695,"2025-09-24",{"_748":1725,"_749":1726},2392,{"_683":1731,"_31":1732,"_686":1733,"_255":1737,"_378":1738,"_693":1739,"_695":1740,"_698":1741,"_702":1742,"_707":1743,"_714":1744,"_720":1745,"_727":38,"_728":1746,"_731":1747,"_734":1748,"_736":1749,"_738":1750,"_740":960,"_742":743,"_744":1751,"_746":1752,"_750":1753},"profile-3663",3663,[1734,1735,1736],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/3)Materials_Landscape_V1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/1)Glassblowers_V1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/5)Founders_Storm_V1.jpg","Rock & Soar","rock_and_soar-lamp_making-london","Rock & Soar is a disruptive design studio that has been pushing the limits of craft and design since 2022. They handcraft suspended sculptural lighting and decorative objects. Each of their creations has gone through a meticulous creative process to celebrate nature, energy, movement, science and balance. The atelier's clientèle is often architects and interior designers who embrace customisation to create breathtaking interiors. The directors as well as the makers of Rock & Soar all share the same passion for experimentation and high-quality. The team of artisans includes casters, glassblowers and metalworkers.",[1396],[700,701],[1399,1045,846],[],[],[],[1399],[1406],[1396],51.5,-0.1,"2025-09-11",{"_748":1749,"_749":1750},5141,{"_683":1755,"_31":1756,"_686":1757,"_255":1761,"_378":1762,"_693":1763,"_695":1764,"_698":1765,"_702":1766,"_707":1768,"_714":1774,"_720":1781,"_727":38,"_728":1782,"_731":1783,"_734":1784,"_736":1749,"_738":1785,"_740":960,"_742":743,"_744":1751,"_746":1786,"_750":1787},"profile-3682",3682,[1758,1759,1760],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/3)7fb58d58-dbee-47cc-aa23-9434e50b933a.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/1)IMG_5853 copy.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/5)IMG_5410 copy.jpg","Ngai Lee & Merry Ng","ngai_lee__26_merry_ng-embroidery-london","Ngai Lee and Merry Ng push the boundaries of embroidery to create unique contemporary pieces, often on a miniature scale. In 2018, the duo established their studio Merry Antbroidery, where they are constantly exploring new materials such as recycling plastic for threads. \"Every idea is a joint idea. Every scene choice and thread colour choice is made by both of us. For example, if Ngai does the lion's share of the stitching, I work out the framing and engineering for the dynamic movement of the piece,\" Merry explains. \"I am a self-taught embroider. I think I was influenced by my father’s hobby of making and painting miniature war figures,\" says Ngai. After studying fashion design in Hong Kong, she worked in the film industry’s costume department while refining her stitching skills in the peaceful solitude of her free time. Ngai and Merry now practise their craft in the UK, where they moved in 2022.",[800],[700,701],[803,1767,895,846,1319,1084],"Lifestyle",[1769,1770,1771,1772,1773],"The Butcher","Happy Together 1","Wild Flowers","Touch","Happy Together 2",[1775,1376,1688,1776,1777,1778,1779,1780,861,911,1092,815,912],"Wool","Silk organza","Concrete","Plastic","Metal beads","Pebble",[800,722,817,724,818,725],[730],[821],[800],0,{"_748":1749,"_749":1785},2440,{"_683":1789,"_31":1790,"_686":1791,"_255":1795,"_378":1796,"_693":1797,"_695":1798,"_698":1800,"_702":1801,"_707":1803,"_714":1810,"_720":1821,"_727":38,"_728":1824,"_731":1825,"_734":1827,"_736":1828,"_738":1829,"_740":960,"_742":743,"_744":1751,"_746":1830,"_750":1831},"profile-4865",4865,[1792,1793,1794],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Exmx_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Exmx_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Exmx_Right2.jpg","Sahar Freemantle","sahar_freemantle-millinery-london","Sahar Freemantle's journey began with costume design at Edinburgh College of Art, where she initially learned the basics of millinery. Her first creation was a sculptural costume with a matching hat, made from traditional strip straw that was woven into centimetre-wide segments. \"As a child, alongside my love for art and calligraphy, I had a vision of becoming a mechanic. In millinery, I discovered the perfect blend of artistry and hands-on craftsmanship,\" Sahar says. After working with Scottish milliners, she moved to London where she gradually turned to full-time millinery by balancing film costume work and a part-time office job to fund her practice. Sahar established her first atelier in 2008 and has dedicated herself fully to millinery since 2015.",[1799],"Millinery",[700,701],[893,1209,1767,805,1209,207,1802],"Homo Faber Fellowship 2025-26",[1804,1805,1806,1807,1808,1809],"Millinery: A Study in Light, Shadow, and Form","Crystallised Chaos","Skyline","Swing and Soar","Crimson Echo","Autumn Rise",[1811,1812,1813,1814,1377,1815,1816,1817,1818,1819,913,1820,861,719,815],"Goose feathers","Rabbit felt","Straw","Sinamay","Abacà","Sequins","Ribbon","Felt","Pheasant feathers","Botanical",[1822,1823,818],"Hat","Accessories",[730],[1826],"Milliner",[1799],51.51005467751487,-0.130328703267925,{"_748":1828,"_749":1829},574,{"_683":1833,"_31":1834,"_686":1835,"_255":1839,"_378":1840,"_693":1841,"_695":1842,"_698":1844,"_702":1845,"_707":1846,"_714":1852,"_720":1853,"_727":38,"_728":1855,"_731":1856,"_734":1858,"_736":1859,"_738":1860,"_740":1861,"_742":743,"_744":1862,"_746":1863,"_750":1864},"profile-2449",2449,[1836,1837,1838],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/3)IMG_0535-copy_©Jennifer-Shellard.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/1)IMG_1678-copy_©Jennifer-Shellard.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/5)Bamboozle-Silk-and-Bamboo_©Jennifer-Shellard.jpg","Jennifer Shellard","jennifer_shellard-textile_crafting-london","Inspired by her childhood in Brazil, Jennifer Shellard creates colourful scarves in silk. The vibrancy of the Brazilian culture also holds a special place in her life as she was born in Curitiba and spent several years in Rio de Janeiro. \"I have been drawn to making things from an early age and have always had a passion for colours and the effects of light,\" she says. A graduate of the Royal College of Art in London, Jennifer uses her experience travelling across South America and exploring indigenous textiles and hand-painted designs as inspiration for her textile objects. One of her signature designs is the prevalence of non-repeating patterns, akin to paper collage, which she often uses to develop design ideas. Since the early 2000s, Jennifer has been teaching textiles at UAL and UCA Farnham.",[1843],"Weaving",[700,701],[977,1209,847,1119,1209],[1847,1848,1849,1850,1851],"Sky Line","Stripe Hues","Steps","Inca Icons","Mambo",[1377,861],[1854,1823,818],"Scarf",[730],[1857],"Weaver",[1843],51.38661,-0.06927,"2026-05-01T09:26:53.000+0000","2025-08-21",{"_748":1859,"_749":1860},2620,{"_683":1866,"_31":1867,"_686":1868,"_255":1871,"_378":1872,"_693":1873,"_695":1874,"_698":1876,"_702":1877,"_707":1879,"_714":1885,"_720":1886,"_727":38,"_728":1888,"_731":1889,"_734":1891,"_736":1892,"_738":1893,"_740":1472,"_742":743,"_744":1894,"_746":1895,"_750":1896},"profile-3611",3611,[1869,1870],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003bSu4AI-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003bSs4AI-left1.jpg","Kate Lewis","kate-lewis-xe1jiz","Based in London, Kate Lewis creates artistic paper objects that memorialise the times we are living in. She initially established a career as a textile designer for luxury names, after completing her master’s degree at the Royal College of Arts in constructed textiles. “I had wonderful tutors at the Royal College where I learnt how to materialise my ideas,” Kate says. She has a wide skillset which includes embroidery, drawing, sewing and lots of patience. In 2018, Kate established The News Pressed project as a creative way of processing news that upsets her. In her practice, she transforms articles and words into collages that take on the shape of flowers and plants. “I love finding ways to express ideas, whether it is through the subtle language of materials, the process of making or even the painful parts I go through in finishing a piece,” she says.",[1875],"Collage art",[700,701],[844,1878,706,806],"Flowers",[1880,1881,1882,1883,1884],"Winter Lockdown","Hopes Rise spring 2021","Broom","Flowers of Resistance winter 2022","Wreath for Elizabeth II",[717,706],[1887,697,726],"Collage",[730],[1890],"Collage artist",[1875],51.53591,-0.22081,"2025-08-08",{"_748":1892,"_749":1893},2811,{"_683":1898,"_31":1899,"_686":1900,"_255":1904,"_378":1905,"_693":1906,"_695":1907,"_698":1908,"_702":1909,"_707":1911,"_714":1917,"_720":1921,"_727":38,"_728":1924,"_731":1925,"_734":1926,"_736":1927,"_738":1928,"_740":741,"_742":743,"_744":1929,"_746":1930,"_750":1931},"profile-3431",3431,[1901,1902,1903],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003Y3c4AE-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003Y3a4AE-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003Y3b4AE-right2.jpg","Christopher Thompson Royds","christopher-thompson-royds-ojkwzq","Christopher Thompson Royds uses gold to immortalise floral motifs in permanent golden jewellery. Inspired by nature’s quiet power and the Oxfordshire countryside, where he grew up, Christopher's works can be serious or light, precious or playful. He studies how objects can carry meaning quietly through form, material and context. “I make jewellery, but I think of it as a way of exploring ideas through metal and moving between worlds,” he says. Christopher studied jewellery at the London Metropolitan University and has a masters of art from the Royal College of Art. His objects adorn museums in the USA and Europe, including the Victoria and Albert Museum, the Swiss National Museum in Zurich and the Museum of Fine Arts in Houston.",[890],[700,701],[803,1878,1910,894],"Functional",[1912,1913,1914,1915,1916],"Wild Cherry Branches","Poppy","Black Meddick","Daisy Chain","Cornflower",[774,1918,1919,903,1125,904,1920,911,912,1126],"Bronze","Silver","Stainless steel",[722,1922,915,1923,724,917,725,818],"Jewellery set","Necklace",[730],[920],[890],51.52703,-0.26161,"2025-07-30",{"_748":1927,"_749":1928},4295,{"_683":1933,"_31":1934,"_686":1935,"_255":1939,"_378":1940,"_693":1941,"_695":1942,"_698":1943,"_702":1944,"_707":1945,"_714":1952,"_720":1956,"_727":38,"_728":1957,"_731":1958,"_734":1959,"_736":1960,"_738":1961,"_740":924,"_742":743,"_744":1962,"_746":1963,"_750":1964},"profile-2284",2284,[1936,1937,1938],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003bvt4AA-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003ZsU4AU-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003c0j4AA-right2.jpg","Megan Brown","megan-brown-g2vgid","Megan Brown is an artist and jeweller who creates innovative and modernised designs using traditional jewellery and goldsmithing techniques. She has a love of tradition and craftsmanship inspired by her textile and jewellery heritage, which goes back 180 years with her family's business in Yorkshire. Megan studied fashion design at Edinburgh College of Art and her designs draw on her background with textiles. The attention she received from creating her first piece, as well as her following creations, drove Megan to open her own studio. Her pieces explore how the soft qualities of fabric can be translated into something as hard as metal. Based in the heart of London today, she crafts her jewellery pieces by weaving precious metals with other materials such as gemstones, mirroring textile working techniques.",[890],[700,701],[1209,804,894,170,666],[1946,1947,1948,1949,1950,1951],"Woven ruby ring","Woven rays earrings","Woven bombé ring","Houndstooth hoops","Woven rays necklace","Bafi vase",[903,1953,904,1720,1954,1955,911,912],"Platinum","Sterling silver","Gold",[916,915,1923,777,917,778,818,779],[730],[920],[890],51.51327733779,-0.136174053582827,"2025-07-10",{"_748":1960,"_749":1961},4563,{"_683":1966,"_31":1967,"_686":1968,"_255":1972,"_378":1973,"_693":1974,"_695":1975,"_698":1977,"_702":1978,"_707":1979,"_714":1983,"_720":1986,"_727":38,"_728":1992,"_731":1993,"_734":1995,"_736":1996,"_738":1997,"_740":1861,"_742":743,"_744":1962,"_746":1998,"_750":1999},"profile-2450",2450,[1969,1970,1971],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003TqL4AU-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003TqH4AU-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003TqK4AU-right2.jpg","Maria Ruzaikina","maria-ruzaikina-rcentr","Maria Ruzaikina inherited her affinity for books and bookbinding from her family – more specifically from her father, Aleksander Ruzaikin, a recognised bookbinder who taught her the craft. After completing a course in modern fine binding in the UK and taking private lessons from bookbinding experts, Maria opened her workshop in 2017. Her work focuses on fine leather binding, hand gold tooling and traditional edge gilding. \"I feel happy to be preserving this heritage craft. I often create a new leather binding from scratch, taking into account the style, era and publication place,\" she says. Her inspirations include architectural classicism and modernism, contemporary visual arts and decorative antiques. Currently, Maria leads a private practice and works with rare book collectors and dealers.",[1976],"Bookbinding",[700,701],[804,1318,706,806],[1980,1981,1982],"Fine leather bindings","Collection of classic theatre plays","Financing an empire",[1984,1985,1955,1335,1377,913,861,911],"Goatskin","Silk thread",[1987,1988,1989,1990,1991,726],"Books","Book","Ceremonial objects","Library","Spiritual",[730],[1994],"Bookbinder",[1976],51.48691,-0.13521,{"_748":1996,"_749":1997},304,{"_683":2001,"_31":2002,"_686":2003,"_255":2007,"_378":2008,"_693":2009,"_695":2010,"_698":2012,"_702":2013,"_707":2014,"_714":2020,"_720":2021,"_727":38,"_728":2029,"_731":2030,"_734":2032,"_736":1749,"_738":1750,"_740":1346,"_742":743,"_744":2033,"_746":2034,"_750":2035},"profile-3298",3298,[2004,2005,2006],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000ExV9_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003HYz4AM-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000ExV9_Right2.jpg","Laura Johanna König","laura-johanna-knig-trl32f","Laura Johanna König has a multifaceted background in porcelain, having studied it in different contexts, from design to art to research, and in different countries, from Germany and Sweden, to Japan, Thailand and the UK. Being a very sensitive artist, her works vary greatly depending on the country in which she works. \"My research spans different disciplines such as psychology, history and alchemy, leading me to create objects with metafunctional qualities,\" says Laura Johanna. After the Covid pandemic, she made use of the capabilities of porcelain to artistically research the phenomenon of skin hunger. Moreover, being fascinated by alchemy, Laura Johanna experiments with the comforting capacities of objects, which serve the user with interpretations of care and energy. She is based in the UK but when the circumstances allow it, she goes to work in Arita, the cradle of Japanese porcelain.",[2011],"Porcelain crafting",[700,701],[843,844,763,942],[2015,2016,2017,2018,2019],"The Steamer","A Can","Gesture Object","Object No. 2","The Plate",[1463,773,772,1291,1293,774],[2022,2023,2024,2025,2026,1059,778,917,2027,2028,867,779,818],"Tureen","Jar","Ornament","Pot","Plate","Cookware","Dishware",[730],[2031],"Porcelain maker",[2011],"2025-06-05",{"_748":1749,"_749":1750},19,{"_683":2037,"_31":2038,"_686":2039,"_255":2043,"_378":2044,"_693":2045,"_695":2046,"_698":2048,"_702":2049,"_707":2050,"_714":2056,"_720":2061,"_727":38,"_728":2066,"_731":2067,"_734":2069,"_736":2070,"_738":2071,"_740":960,"_742":743,"_744":2072,"_746":2073,"_750":2074},"profile-3683",3683,[2040,2041,2042],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003KtV4AU-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003KtR4AU-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003KtU4AU-right2.jpg","Brodie Neill","neill-brodie-d6twvw","Brodie Neill is inspired by nature and by the act of making itself. He began making furniture as a teenager in Tasmania, drawn to the satisfaction of shaping materials into functional objects. This interest evolved into his ongoing exploration of how objects are made, why they matter, and how they can carry deeper meaning through process and material. Now based in London, Brodie makes objects that centre on natural forms crafted from a wide range of materials from locally sourced timber and natural resins to reclaimed ocean plastics. \"I choose each material for its expressive potential and the story it can tell through transformation,” he explains. \"Reimagining the use of materials that might otherwise be discarded has become one of the most important aspects of my practice.\"",[2047],"Furniture making",[700,701],[704,1400,846,1084,719],[2051,2052,2053,2054,2055],"Remix","ReCoil","Glacier","Gyro Second Wave","Latitude",[2057,1586,1127,1522,2058,2059,2060,815,719],"Reclaimed plastic","Bio resin","Reclaimed ocean plastic","Timber",[2062,2063,2064,1591,2065,1592],"Long chair","Table","Bench","Tables",[730],[2068],"Furniture maker",[2047],51.53637,-0.07828,"2025-05-22",{"_748":2070,"_749":2071},3280,{"_683":2076,"_31":2077,"_686":2078,"_255":2082,"_378":2083,"_693":2084,"_695":2085,"_698":2086,"_702":2087,"_707":2088,"_714":2094,"_720":2095,"_727":38,"_728":2097,"_731":2098,"_734":2099,"_736":2100,"_738":2101,"_740":1346,"_742":743,"_744":2072,"_746":2102,"_750":2103},"profile-3272",3272,[2079,2080,2081],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003KYX4A2-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003KYT4A2-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003KYW4A2-right2.jpg","Carolyn Tripp","carolyn-tripp-edmykn","\"Ceramics make me happy,\" shares Carolyn Tripp. Deeply enjoying working with clay and its infinite possibilities, in 1998, upon finishing a BA (Hons) in ceramics from Camberwell College of Arts, Carolyn founded a studio with fellow graduates in Peckham, South London. Her primary techniques are throwing on the wheel with porcelain, screen printing on ceramic, and slip casting. Carolyn loves creating pieces that connect with the viewer, spark discussion and evoke memory. She decorates her works by collecting personal stories, observational drawings and patterns. These are all printed onto paper, then torn apart and reworked to be printed onto porcelain surfaces, creating abstract meaning. Carolyn has been based at Wimbledon Art Studios since 2019.",[2011],[700,701],[704,803,977,763,1317],[2089,2090,2091,2092,2093],"Trio","It’s all artifice","Eventually","The Return of Happiness","Life, Love",[1291,1463,773,1293],[2096,2023,777,1058,778,867,779],"Bottle",[730],[2031],[2011],51.43292,-0.19032,{"_748":2100,"_749":2101},598,{"_683":2105,"_31":2106,"_686":2107,"_255":2111,"_378":2112,"_693":2113,"_695":2114,"_698":2116,"_702":2117,"_707":2118,"_714":2119,"_720":2120,"_727":49,"_728":2121,"_731":2122,"_734":2124,"_736":2125,"_738":2126,"_740":1472,"_742":743,"_744":2127,"_746":2128,"_750":2129},"profile-3634",3634,[2108,2109,2110],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003DFJ4A2-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003DFF4A2-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003DFI4A2-right2.jpg","Gather Glass","gather-glass-is4tx9","Gather Glass was founded during the pandemic by Phoebe Stubbs, a glassmaker and designer with over 17 years of experience. The concept behind the atelier was born from her desire to share her passion for glassmaking and its role in reconnecting friends over shared meals. This inspiration led to Gather Glass' first collection, The Miami Collection, a series of jugs and vessels in radiant, sunshine-inspired hues designed to celebrate the joy of social gatherings.",[2115],"Glassblowing",[700,701],[1399,843,803,1522,846],[],[],[],[1399],[2123],"Glassblower",[2115],51.494815,0.04472,"2025-05-15",{"_748":2125,"_749":2126},4362,{"_683":2131,"_31":2132,"_686":2133,"_255":2136,"_378":2137,"_693":2138,"_695":2139,"_698":2140,"_702":2141,"_707":2142,"_714":2148,"_720":2152,"_727":38,"_728":2153,"_731":2154,"_734":2155,"_736":2156,"_738":2157,"_740":960,"_742":743,"_744":2158,"_746":2159,"_750":2160},"profile-3652",3652,[2134,2135],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000039gK4AQ-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000039gI4AQ-left1.jpg","Oriel Zinaburg","oriel-zinaburg-rhe45x","Oriel Zinaburg picked up his craft in 2016. He mainly works with stoneware and porcelain and is inspired by landscapes and geological formations as well as art. \"My sculptural artworks represent a moment frozen in time, still charged with the dynamism of its making but preserved forever,” he says. Characterised by bulges and textured surfaces, Oriel views his vessels as unruly objects that emerge through an intuitive process of hand-building, tearing, folding and distorting his materials. \"I follow the process where it leads me, until I feel a sense of resolution,\" he continues. Oriel studied fine art at the Bezalel Academy for Fine Art & Design in Jerusalem. He then trained and worked as an architect before setting up his ceramic studio in London in 2019.",[763],[700,701],[803,763,1317,1013,845,1319,847],[2143,2144,2145,2146,2147],"COR #901 folded organic form","STV #702 folded organic form","STV #728 folded organic form","ALI #350 folded organic form","LOT #220 folded organic form",[988,1291,773,2149,2150,2151,1463,774,1293,815,1092],"Oxide","Stain","Slip",[776,778,779],[730],[782],[763],51.52226,-0.11421,"2025-05-08",{"_748":2156,"_749":2157},5250,{"_683":2162,"_31":2163,"_686":2164,"_255":2168,"_378":2169,"_693":2170,"_695":2171,"_698":2173,"_702":2174,"_707":2176,"_714":2182,"_720":2185,"_727":38,"_728":2187,"_731":2188,"_734":2190,"_736":1382,"_738":1383,"_740":1346,"_742":743,"_744":2191,"_746":2192,"_750":2193},"profile-3282",3282,[2165,2166,2167],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000037pp4AA-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000037pl4AA-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000037po4AA-right2.jpg","Kira Phoenix K'Inan","kira-phoenix-kinan-c18ko8","“Glass teaches patience, meticulous planning, and being alright with a breakage,” says Kira Phoenix K'Inan. This is one of the reasons why Kira loves working with glass. Her passion for glass and anything artistic began at a young age, as she grew up in a vibrant community of artists on Lamma Island, in Hong Kong. This is where she developed a deep connection to nature and lay the foundation towards a creative career with glass at its centre. “While assembling a cabinet at the age of 17, a glass shelf shattered into tiny pieces, and I ended up using them in my final exam art piece,” she recalls. She took a short glass course at Central St Martin School in London and pursued a master's degree in glass and ceramics at the Royal College of Art. Today, Kira works from her studio in West London, where she creates sculptures that have been displayed at the London Science Museum and gained her international recognition.",[2172],"Glass sculpting",[700,701],[803,977,1522,2175,1317],"Future Icons Selects",[2177,2178,2179,2180,2181],"Superposition Waves series","Superposition Balancing series","Superposition Balancing Black Opal","Superposition Coastline series","Superposition Play series",[2183,1522,2184],"Amber","Natural essences",[2186,778,779],"Glass sculpture",[730],[2189],"Glass sculptor",[2172],"2025-05-01",{"_748":1382,"_749":1383},344,{"_683":2195,"_31":2196,"_686":2197,"_255":2201,"_378":2202,"_693":2203,"_695":2204,"_698":2206,"_702":2207,"_707":2208,"_714":2214,"_720":2221,"_727":38,"_728":2223,"_731":2224,"_734":2226,"_736":2227,"_738":2228,"_740":1472,"_742":743,"_744":2229,"_746":2230,"_750":2231},"profile-3656",3656,[2198,2199,2200],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002scH4AQ-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002scD4AQ-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002scG4AQ-right2.jpg","Olly Fathers","olly-fathers-oahvqt","Olly Fathers has been making artwork across a variety of mediums including paper art and painting since the early 2000s. Wood veneers he only discovered around 2018 and immediately fell in love with the material. A graduate of Wimbledon College of Art with a BA in fine art painting, Olly found himself immersed in marquetry in 2018. “Being an artist is something I have always wanted to do and working with wood veneers is the best way to get my vision and ideas across,” he says about his craft. His works aim to push the boundaries of what is traditionally produced with wood veneers and marquetry. Every object Olly creates is cut by hand with homemade jigs and tools. He has found his voice in an aesthetic that plays with geometrical shapes, colour and composition. Olly applies self-taught marquetry know-how alongside long-established techniques he has researched.",[2205],"Wood marquetry",[700,701],[977,1045,845,719,806],[2209,2210,2211,2212,2213],"Cloud","Reflection in Burr","Ripple","Full series of two-tone compositions","Cascade",[2215,2216,2217,2218,2219,859,2220,1127,719,1820],"Beech wood","Birchwood","Veneer","Tulip","Sapele wood","Sycamore wood",[722,2222,724,1160,725],"Wall panel",[730],[2225],"Wood marquetry maker",[2205],51.46459,-0.11446,"2025-03-20",{"_748":2227,"_749":2228},5590,{"_683":2233,"_31":788,"_686":2234,"_255":2238,"_378":2239,"_693":2240,"_695":2241,"_698":2242,"_702":2243,"_707":2244,"_714":2250,"_720":2251,"_727":49,"_728":2252,"_731":2253,"_734":2254,"_736":2156,"_738":2157,"_740":2255,"_742":743,"_744":2229,"_746":2256,"_750":2257},"profile-597",[2235,2236,2237],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002sIu4AI-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002sIs4AI-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002sIt4AI-right2.jpg","Richard McVetis","richard-mcvetis-bnxl7q","Richard McVetis earned a degree in embroidery at Manchester Metropolitan University and a postgraduate degree in constructed textiles at the Royal College of Art, where he now teaches. “My aim was to be an artist, and hand embroidery became my language,” says Richard. His pivotal work in 2017, Variations of a Stitch Cube, challenged the traditional perception of embroidery as a decorative craft, asserting it instead as a medium for conceptual exploration. “I stitched the first cube for one hour, with each subsequent cube adding an hour to the overall duration. Hand-stitching felt meditative, yet I was acutely aware of the passage of time. By the time it had reached 60 hours, it felt like an eternity,” he shares. The piece was funded by Arts Council England, shortlisted for the Loewe Craft Prize, and was exhibited at the British Pavilion in South Korea, bringing him validation and visibility in his field.",[800],[700,701],[893,1317,1119,806],[2245,2246,2247,2248,2249],"Grid Collective II","Three Cubes","White Circles on Black IV","Variations of a Stitched Cube","Grains",[1775,1376,861],[722,952,724,953,725,779],[730],[821],[800],"2026-05-06T07:27:27.000+0000",{"_748":2156,"_749":2157},2526,{"_683":2259,"_31":2260,"_686":2261,"_255":2265,"_378":2266,"_693":2267,"_695":2268,"_698":2269,"_702":2270,"_707":2271,"_714":2275,"_720":2281,"_727":38,"_728":2282,"_731":2283,"_734":2284,"_736":2285,"_738":2286,"_740":1346,"_742":743,"_744":2287,"_746":2288,"_750":2289},"profile-3270",3270,[2262,2263,2264],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002qoz4AA-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002qov4AA-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002qoy4AA-right2.jpg","Sabina Lima","homofaber-r66tln","Sabina Lima is a Brazilian-born embroiderer who blends her architectural and urban design background with her embroidery practice. She reimagines traditional techniques such as raised work, and goldwork, infusing them with contemporary relevance through unexpected materials and techniques. “Integrating methods from other disciplines happens organically,\" she shares. In her wearable artwork Ablaze, Sabina used aluminum mesh, which is a material sourced from wall restoration to achieve the dynamic effect of a bonfire. “This allowed me to create compound shapes and control precisely where I wanted more or less curvature,” she explains. Sabina incorporates locally sourced materials and recycled elements, such as vintage yarns and tarnished gilt wires. Her work aims to raise awareness and provoke questions about issues around environmental concerns and the preservation of cultural heritage.",[800],[700,701],[893,1209,846,1084],[2272,2273,2274],"Ablaze","Pegasus","Balerion",[1335,2276,1775,950,949,2277,1377,2278,1125,2279,1372,1955,2280,1374,913,1092,861,911],"Crystal beads","Organza","Aluminium","Wire","Cotton fabric",[800,817,818],[730],[821],[800],51.5147171861477,-0.320979159936731,"2025-03-13",{"_748":2285,"_749":2286},3725,{"_683":2291,"_31":2292,"_686":2293,"_255":2297,"_378":2298,"_693":2299,"_695":2300,"_698":2302,"_702":2303,"_707":2305,"_714":2309,"_720":2314,"_727":38,"_728":2318,"_731":2319,"_734":2321,"_736":2322,"_738":2323,"_740":1861,"_742":743,"_744":2287,"_746":2324,"_750":2325},"profile-2451",2451,[2294,2295,2296],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002rza4AA-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002rzY4AQ-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002rzZ4AQ-right2.jpg","Daisy Tempest","homofaber-us0vym","If Daisy Tempest had been passionate about music alone, she would have been a musician. As it stands, she has had a deep love for handmade crafts since childhood. This is why she became a luthier and specialised in guitar making.\" Only three guitars come out of my workshop every year, one every four months,\" explains Daisy. Each piece is unique, meticulously handcrafted by her from start to finish, and more often than not, personally hand-delivered to the customer. \"My clients commission a Tempest guitar not because they simply want an instrument to play on,\" she explains. \"They come to me because they want to be led in the process as a patron would approach an artistic project.\"",[2301],"Lutherie",[700,701],[1318,2304,978],"Performing Arts",[2306,2307,2308],"Tasmanian Tyger Myrtle guitar","Detail of Tempest No. 1","Tempest No. 1",[2310,2311,2312,2313,717,719,911,706],"Myrtle wood","Spruce wood","Copper","Padauk wood",[2315,2316,2317],"Guitar","Musical instruments","Performing arts",[730],[2320],"Luthier",[2301],51.49444,0.04374,{"_748":2322,"_749":2323},3721,{"_683":2327,"_31":2328,"_686":2329,"_255":2333,"_378":2334,"_693":2335,"_695":2336,"_698":2337,"_702":2338,"_707":2339,"_714":2345,"_720":2349,"_727":38,"_728":2351,"_731":2352,"_734":2353,"_736":2354,"_738":2355,"_740":1346,"_742":743,"_744":2356,"_746":2357,"_750":2358},"profile-3287",3287,[2330,2331,2332],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002olZ4AQ-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002olV4AQ-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002olY4AQ-right2.jpg","Daphne Krinos","homofaber-uwq5k2","Daphne Krinos is known for creating handmade one-off pieces of art jewellery in her London studio. She creates sculptural jewellery in striking colours and explores form, shape and texture in her work. Her creations can be found in the permanent collections of the Victoria and Albert Museum and the Goldsmiths Company, among others. Daphne graduated from Middlesex University with a degree in jewellery design in 1980 and started working in her studio soon after. The first gold object she ever made was a fibula with a blue steel pin and two stones which she still owns. Although she masters various techniques, acquired over the years, her particular favourite is using oxidising techniques on silver. \"I love to thoughtfully design and create pieces of jewellery that reflect the unique style of my clients,\" says Daphne.",[890],[700,701],[894],[2340,2341,2342,2343,2344],"Purple Party earrings","Totem two-colour earrings","Black Sun brooch","Late In The Day necklace","Square ring",[1954,2346,904,903,906,1919,2347,2348,911,912],"Amethyst","Citrine","Beryl",[915,2350,1923,916,917,818],"Brooch",[730],[920],[890],51.54071,-0.04279,"2025-03-06",{"_748":2354,"_749":2355},3365,"metadata",{"_2361":2362,"_2363":592,"_2364":2365,"_2366":2367,"_2368":2369},"count",242,"page","pageCount",6,"pageSize",48,"facetDistribution",{"_720":2370,"_695":2499,"_698":2540,"_727":2979,"_714":2982,"_702":3217,"_728":3237},{"_1823":2371,"_725":2372,"_2373":2374,"_1222":529,"_2375":592,"_2376":2377,"_866":2377,"_2378":592,"_868":2377,"_2379":2374,"_2380":592,"_2381":2377,"_2064":2382,"_2383":2377,"_2384":2374,"_1988":2374,"_1987":592,"_726":2385,"_2386":2385,"_2096":592,"_2387":2377,"_1524":2035,"_1466":2365,"_2388":2377,"_2350":2389,"_864":592,"_1160":564,"_2390":2377,"_1654":2377,"_2391":592,"_2392":2382,"_2393":592,"_1989":592,"_2394":2385,"_2395":2377,"_2396":592,"_2397":592,"_2398":592,"_2399":592,"_817":530,"_1589":2377,"_1656":2400,"_1887":2374,"_2401":592,"_2402":592,"_2403":592,"_2027":592,"_2404":2377,"_2405":592,"_2406":2400,"_723":592,"_865":592,"_863":592,"_2407":592,"_779":2408,"_778":2409,"_2410":592,"_1337":592,"_2411":592,"_2412":592,"_2413":2374,"_2028":529,"_2414":592,"_2415":592,"_2416":592,"_1588":2377,"_1058":529,"_915":530,"_800":529,"_2417":2374,"_1258":592,"_1259":2400,"_2418":592,"_2419":592,"_2420":592,"_2421":2382,"_2422":592,"_2423":2377,"_2424":592,"_2425":2374,"_1158":592,"_1592":2426,"_2427":529,"_2428":2377,"_2429":592,"_1522":592,"_2186":592,"_2430":2377,"_2315":592,"_1221":592,"_2431":592,"_1822":2385,"_2432":2400,"_2433":592,"_1260":2434,"_2435":592,"_2436":2377,"_2437":2382,"_2023":2374,"_917":288,"_1922":2374,"_2438":592,"_1057":2377,"_2439":592,"_2440":592,"_2441":592,"_2442":592,"_2443":2374,"_2444":2374,"_2445":2382,"_1990":2374,"_1056":2374,"_1060":564,"_2446":2374,"_1338":592,"_2062":592,"_2447":2374,"_2448":2377,"_818":2449,"_1129":592,"_724":550,"_2450":2374,"_1055":592,"_2316":2374,"_1923":2434,"_2024":2374,"_2451":592,"_1295":2389,"_697":2377,"_2452":2374,"_1435":2382,"_2453":2382,"_2317":2377,"_2454":592,"_2455":592,"_2456":592,"_2457":592,"_2026":2365,"_2458":592,"_2025":592,"_2459":592,"_2460":592,"_2461":592,"_916":2371,"_2462":592,"_2463":592,"_2464":2374,"_2465":592,"_1854":592,"_2466":2374,"_722":550,"_2467":592,"_2468":592,"_2469":592,"_1059":2389,"_2470":2374,"_1339":2374,"_2471":2382,"_2472":592,"_2473":592,"_1591":564,"_2474":2389,"_1991":592,"_2475":592,"_2476":592,"_1590":2400,"_2477":2400,"_2478":592,"_2063":2382,"_2479":2374,"_867":2480,"_2481":2382,"_2482":2374,"_2483":592,"_2065":2385,"_2484":592,"_2485":2374,"_1655":592,"_2486":2377,"_2487":592,"_1159":2374,"_2488":592,"_2489":2374,"_2490":2374,"_2022":592,"_777":363,"_776":260,"_2491":592,"_1022":2035,"_953":2492,"_952":564,"_2493":2374,"_2222":2382,"_2494":2374,"_2495":592,"_2496":592,"_2497":592,"_2498":592},17,86,"Bag",2,"Banner","Basket",3,"Beaker","Bed","Bed 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bowl","Serving cutlery","Serving platter","Shelf","Side table","Silk-screen print","Sofa","Soft furnishings","Sportswear","Stationery","Storage furniture","Suitcase","Table accessories",29,"Table lamp","Table linen","Tablecloth","Tea cup","Tea set","Textile sample","Throw","Top","Tray","Triptych","Violin",41,"Wall lamp","Wallpaper","Wedding dress","Wellness","Whiskey glass","Woven 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