Symbolism in etched geometry
- Kim fuses metalworking with drawing and intaglio etching
- She draws inspiration from ancient sites, sacred geometry and temple architecture
- Her work is developed intuitively and invites personal interpretations from viewers
Kim Sutherland’s etched artworks inhabit the space between object, drawing and map. She holds a BA (Hons) in 3D design specialising in metals, and an MA in metalwork from the Royal College of Art. Kim's work is a synthesis of tradition and personal narrative expressed through the ancient technique of intaglio etching, a process which allows her to create symbolically charged surfaces that sit at the heart of her work. Kim's research into alchemical manuscripts, in which she explored illustrations of transformation, deepened her understanding of broader correlations and interconnections. After a rewarding academic career, she returned to her studio in 2017 to create wall pieces, altars and sculptural objects. “Each of my pieces is meant to nourish the mind and elevate the spirit,” Kim explains, as she invites close and reflective engagement with her work.
Interview
- What do people not know about your work?
- Given how complex my plates look, many assume I use digital software to create the imagery. It surprises people to learn that every line is hand drawn and meticulously collaged together using analogue techniques.
- What does you creative approach look like?
- It is a meticulous and precise way of making, full of intent. The time invested in the making is embodied in the contemplative nature of the final pieces, encouraging a deep, unfolding engagement within the viewer.
- What do you love about making?
- I am always working on a few pieces at the same time. I enjoy the problem solving, the mistakes, the way each piece evolves and the dialogues that arise between me and the work during the process.
- Why is teaching important to you?
- I believe that engaging the hands in creative work brings calm and fulfilment, and that teaching these skills can contribute to a more connected world. This belief motivated me to start teaching immediately after my bachelor's degree, and to co-establish the design crafts degree at De Montfort University in celebration of materials and making.
Kim Sutherland is a master artisan: she began her career in 1989 and she started teaching in 1990
Where
Kim Sutherland
