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2026","bgColor","bgImgUrl","https://api.homofaber.com/uploads/9_16_1080x1920_50_175a29db28.png","bgRepeat","bgFit","contain","centerImgUrl","centerText","1 – 30 September 2026, San Giorgio Maggiore Island, Venice","centerImgFit","ctaLabel","Book your ticket","ctaBgColor","#FFFFFF","ctaUrl","textColor","white","2025-05-22T09:42:23.885Z","2026-04-27T09:13:30.731Z","2026-04-27T09:13:30.723Z","textLeftXs","bgImgUrlXs","ctaLabelXs","Book now","ActiveStartDate","2026-04-27T07:00:00.000Z","ActiveEndDate","2026-09-30T21:45:00.000Z","mainAdvert","guideTags",[627,629,631,634],{"_255":187,"_628":-5},"badge_color",{"_255":183,"_628":630},"#115C90",{"_255":632,"_628":633},"Homo Faber Capsule","#f0deca",{"_255":207,"_628":635},"#D9583B","isWebview","userAgent","Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)","emailHash","request",["SingleFetchClassInstance",642],{},"routes/$lang","routes/$lang.artisans._index",{"_646":647,"_2314":647,"_2315":2316,"_2602":2603},"profiles",[648,703,756,793,831,865,894,934,974,1020,1052,1081,1126,1160,1193,1218,1250,1285,1318,1351,1389,1415,1452,1485,1527,1564,1600,1640,1674,1702,1731,1766,1796,1830,1869,1903,1935,1968,2006,2033,2068,2096,2124,2160,2191,2219,2250,2284],{"_649":650,"_31":651,"_652":653,"_255":657,"_378":658,"_659":660,"_661":662,"_664":665,"_667":668,"_673":674,"_675":676,"_677":678,"_679":38,"_680":681,"_682":683,"_685":686,"_687":688,"_689":690,"_691":692,"_693":694,"_695":696,"_697":698,"_701":702},"_meilisearch_id","profile-5234",5234,"picture",[654,655,656],"https://api.homofaber.com/uploads/3_EDITED_entrata_1_copy_8a9d8324d0.jpg","https://api.homofaber.com/uploads/1_EDITED_IMG_0340_copy_116d9f37a1.jpg","https://api.homofaber.com/uploads/5_2602_b_copy_4010f26e49.jpg","Franco Lapini","franco_lapini-metalworking-calenzano","description","Nestled in the Tuscan countryside, in the town of Calenzano, a spacious two-storey silversmith's workshop blurs the line between functional tableware and sculptural art. Founded in 1963 by master silversmith Franco Lapini and now run by his son, David, the atelier is famous for transforming gold, silver and brass into charismatic animal forms and richly decorated vessels. Ice buckets look like owls, turtles or dolphins, trays resemble miniature seascapes, and wine coolers appear as sculptural creatures, with each piece brought to life through precise chiselling and meticulous hand finishing.","craft",[663],"Metalworking","destinations",[666],"Italy","tags",[669,670,671,672],"Atelier","Art de la table","Family business","Heritage","objects",[],"materials",[],"categories",[],"has-experiences","type-of-artisan",[669],"craft_person",[684],"Metalworker","craft_metier",[663],"latitude",43.85222152288695,"longitude",11.15061250553039,"content_edit_date","2026-05-06T07:30:21.000+0000","city_and_country","Calenzano, Italy","is_new_until","2026-04-23","_geo",{"_699":688,"_700":690},"lat","lng","order",5043,{"_649":704,"_31":705,"_652":706,"_255":710,"_378":711,"_659":712,"_661":713,"_664":714,"_667":716,"_673":722,"_675":728,"_677":736,"_679":38,"_680":745,"_682":747,"_685":748,"_687":749,"_689":750,"_691":751,"_693":752,"_695":753,"_697":754,"_701":755},"profile-5270",5270,[707,708,709],"https://api.homofaber.com/uploads/3_6_copy_35c9b10fec.jpg","https://api.homofaber.com/uploads/1_EDITED_Yong_il_Jeon_1_copy_907ec27654.jpg","https://api.homofaber.com/uploads/5_EDITED_7_copy_d7986f179f.jpg","Yong-Il Jeon","yong-il_jeon-metalworking-boeun-gun","Yong-Il Jeon first discovered metalwork through Seoul National University's studio programme in 1975. Despite techniques he initially found difficult, he was drawn to metal. Yong-Il pursued metalworking intensively through his foundational degree in Seoul, and later attended a masters in metalwork at the University of Miami. In 1990, he joined Kookmin University, where, for three decades, he balanced teaching and lecturing internationally alongside his artistic practice. \"Today, I create new work from my basement studio in Seoul's Hongje-dong neighbourhood. My motivations, including classic music’s rhythm, structure and sensibility, guide my work,\" he says. Yong-Il's pieces are held in collections at the Museum of Modern and Contemporary Art in Korea, Chiwoo Craft Museum and the V&A.",[663],[715],"South Korea",[717,718,719,720,721],"Decorative","Exhibitions/Museums","Functional","Mentored","Teacher",[723,724,725,726,727],"Resonance","Audio Craft","Double-wall vessel form 1","Pendulum","Double-wall vessel form 2",[729,730,731,732,733,734,735],"Metal","Brass","Copper","MDF","Cupronickel","Metals","Wood",[737,738,739,740,741,742,743,744],"Wall hanging","Loudspeaker","Vessel","Wall decorations","Home electronics","Decorative objects","Decoration","Leisure",[746],"Artisan",[684],[663],37.57262990867118,126.9754310890325,"2026-05-06T07:32:14.000+0000","Seoul, South Korea","2026-03-19",{"_699":749,"_700":750},2313,{"_649":757,"_31":758,"_652":759,"_255":763,"_378":764,"_659":765,"_661":766,"_664":767,"_667":770,"_673":772,"_675":776,"_677":780,"_679":38,"_680":783,"_682":784,"_685":785,"_687":786,"_689":787,"_691":788,"_693":789,"_695":790,"_697":791,"_701":792},"profile-5167",5167,[760,761,762],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyYJ_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyYJ_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyYJ_Right2.jpg","Kim Sutherland","kim_sutherland-metalworking-london","Kim Sutherland’s etched artworks inhabit the space between object, drawing and map. She holds a BA (Hons) in 3D design specialising in metals, and an MA in metalwork from the Royal College of Art. Kim's work is a synthesis of tradition and personal narrative expressed through the ancient technique of intaglio etching, a process which allows her to create symbolically charged surfaces that sit at the heart of her work. Kim's research into alchemical manuscripts, in which she explored illustrations of transformation, deepened her understanding of broader correlations and interconnections. After a rewarding academic career, she returned to her studio in 2017 to create wall pieces, altars and sculptural objects. “Each of my pieces is meant to nourish the mind and elevate the spirit,” Kim explains, as she invites close and reflective engagement with her work.",[663],[768,769],"United Kingdom","London",[771,721],"Science",[773,774,775],"Through the Unknown, Remembered Gate","Lunar Altar: After Kircher","Alchemy",[730,777,778,779,734,735],"Steel","Oak wood","wood",[781,782,740,742,743],"Wall decor","Model",[746],[684],[663],51.52181640714915,-0.1165864694475649,"2026-05-06T07:32:05.000+0000","London, United Kingdom","2026-03-12",{"_699":786,"_700":787},1140,{"_649":794,"_31":795,"_652":796,"_255":800,"_378":801,"_659":802,"_661":803,"_664":804,"_667":806,"_673":809,"_675":814,"_677":818,"_679":38,"_680":821,"_682":822,"_685":823,"_687":824,"_689":825,"_691":826,"_693":827,"_695":828,"_697":829,"_701":830},"profile-5219",5219,[797,798,799],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyOQ_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyOQ_Right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyOQ_Right2.jpg","Antje Dienstbir","antje_dienstbir-metalworking-wiesbaden","Antje Dienstbir has built her creative practice around the spoon. Her passion was ignited by professor Rudolf Bott, who introduced her to the ancient process in which the spoon’s form is shaped by hand, hammering a silver rod. \"This everyday household object has been my source of inspiration for 25 years, both technically and artistically. With each creation, I give new meaning to its simple concave form, which continues to fascinate and intrigue me,\" Antje says. In recent years, however, her focus has shifted to larger volumes – vessels. Using traditional metalworking techniques and tools, Antje creates 3D objects from copper sheets, constantly reminding viewers of fundamental formal artistic values. It is her profound respect for the material and pursuit of simple forms that feel close and recognisable to her clients.",[663],[805],"Germany",[670,807,719,808],"Ceramics","Mixed media",[810,811,739,812,813],"Vessels 2","Spoon","Spoons","Vessels 1",[731,815,816,734,817],"Stoneware","Silver","Ceramic",[739,811,742,819,743,820],"Cutlery","Table and kitchen",[746],[684],[663],50.079509,8.22814,"2026-05-06T07:31:53.000+0000","Wiesbaden, Germany","2026-02-05",{"_699":824,"_700":825},5225,{"_649":832,"_31":833,"_652":834,"_255":838,"_378":839,"_659":840,"_661":841,"_664":842,"_667":844,"_673":848,"_675":854,"_677":856,"_679":38,"_680":857,"_682":858,"_685":859,"_687":860,"_689":861,"_691":751,"_693":862,"_695":863,"_697":864,"_701":434},"profile-5107",5107,[835,836,837],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EzSc_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EzSc_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EzSc_Right2.jpg","Kotaro Uranaka","kotaro_uranaka-metalworking-kanazawa","Kotaro Uranaka is a metalworker who specialises in the Japanese metal hammering technique called tankin. \"Each piece reflects what I see, feel and find beautiful through my own lens,\" he says. Originally from the rural Wakayama Prefecture, known for its strong rain and wind, the landscapes Kotaro has experienced throughout his life inspire the patterns and motifs in his work. Building on these inspirations, he combines traditional metalworking techniques with digital tools such as laser cutters and plotters to create contemporary pieces. While deeply personal, his works are functional and intended for everyday use. They have been exhibited in Japan as well as internationally, including in Hong Kong and Taiwan, and have received awards, such as a prize at Germany’s Talente fair.",[663],[843],"Japan",[845,846,718,719,847],"Awarded","Digital tools","Territory",[849,850,851,852,853],"Tin-coloured flat katakuchi Yaeame","Circulating water","Tin-coloured sake vessels","Seen from Afar II","A misty rainy day",[731,855,730,734],"Tin",[739,742,743],[746],[684],[663],36.51788784648978,136.6885811482298,"Kanazawa, Japan","2025-12-25",{"_699":860,"_700":861},{"_649":866,"_31":867,"_652":868,"_255":872,"_378":873,"_659":874,"_661":875,"_664":876,"_667":878,"_673":882,"_675":883,"_677":884,"_679":38,"_680":885,"_682":886,"_685":887,"_687":888,"_689":889,"_691":788,"_693":890,"_695":891,"_697":892,"_701":893},"profile-4940",4940,[869,870,871],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Eyng_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Eyng_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Eyng_Right2.jpg","Moroccan Bazaar","moroccan_bazaar-metalworking-greenford","The story of Moroccan Bazaar is one of heritage carried across generations and continents. It began in 1946, when the Bennani family started trading handcrafted metalwork and leather in the medina of Fez. By the 1960s, founder Boubker Bennani had taken Moroccan artistry to London, supplying Liberty, Selfridges and House of Fraser. The foundations for what would officially become Moroccan Bazaar in 1970 were laid at this time. Over time, the atelier evolved from fashion to homewares, and then into luxury contract projects, working with hospitality icons such as the Four Seasons Marrakesh.",[663],[877],"Morocco",[669,879,880,881,847],"Collaborations","Hospitality","Interiors",[],[],[],[669],[684],[663],51.54422075728289,-0.3604102328783655,"Greenford, United Kingdom","2025-10-30",{"_699":888,"_700":889},5119,{"_649":895,"_31":896,"_652":897,"_255":901,"_378":902,"_659":903,"_661":904,"_664":905,"_667":906,"_673":909,"_675":914,"_677":917,"_679":38,"_680":924,"_682":925,"_685":926,"_687":927,"_689":928,"_691":929,"_693":930,"_695":931,"_697":932,"_701":933},"profile-902",902,[898,899,900],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Evol_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Evol_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Evol_Right2.jpg","Hicham Essaidi","hicham_essaidi-metalworking-meknès","Hicham Essaidi specialises in damascening, a complex decorative metalworking technique involving metal and precious metal inlaying. For four generations, his family has practised the intricate craft of inlaying fine silver threads into steel. Hicham's family workshop stood for 80 years in Kobbat Al Souk, Meknès' historic artisan quarter, where the heart of the craft still beats. \"My aim is to preserve this centuries-old traditional craft and ensure it lives on today and in the future,\" Hicham says. His works have been exhibited across Europe, Canada, Brazil and Africa. Hicham now teaches at the School of Traditional Arts in Meknès, part of a state-run training programme supported by the Moroccan Ministry of Handicrafts. \"Damascening is a craft rooted in precision, patience and pride. My mission is to pass on the art before it disappears,\" he explains.",[663],[877],[671,907,672,847,721,908],"Endangered crafts","Traditions",[910,911,912,913],"Damascus iron camel","Greek-form vase with ounce","Damascus iron vase","Damascus iron plate",[915,777,916,734],"Silver thread","Iron",[918,919,920,921,742,922,923,743,820],"Sculpture","Vase","Plate","Monuments","Dishware","Architecture",[746],[684],[663],33.8973,-5.54352,"2026-05-06T07:27:48.000+0000","Meknes, Morocco","2025-10-02",{"_699":927,"_700":928},2958,{"_649":935,"_31":936,"_652":937,"_255":941,"_378":942,"_659":943,"_661":944,"_664":945,"_667":947,"_673":951,"_675":957,"_677":961,"_679":38,"_680":964,"_682":965,"_685":966,"_687":967,"_689":968,"_691":969,"_693":970,"_695":971,"_697":972,"_701":973},"profile-3892",3892,[938,939,940],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003W3Q4AU-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003W3O4AU-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003W3P4AU-right2.jpg","Marcin Skalski","marcin-skalski-4noeok","Marcin Skalski’s passion for the metalworking craft goes back to his childhood dream of creating swords. He was always fascinated by metal and wooden forms, especially in the context of traditional techniques. A graduate of architecture at Kraków University of Technology, Marcin embraced his metalworking in his thirties. He started a full-time artisan journey in 2016 by founding Stone's Forge. Inspired by the old tools and household appliances of the Lesser Poland countryside, Marcin uses ancient techniques to create modern forms. His objects usually merge steel and wood, combining the raw nature of materials and minimalism. Marcin’s production is also driven by a zero-waste philosophy – he uses recycled materials and often repurposes sawmill waste.",[663],[946],"Poland",[717,719,948,949,847,950,735],"New career","Sustainable","Upcycling",[952,953,954,955,956],"Birds figurine","Candlestick 2","Candlestick 3","Candlesticks","Candlestick 1",[958,779,959,778,960,916,735,734],"Wrought iron","Ash wood","Walnut wood",[962,963,742,743],"Figurine","Candle holder",[746],[684],[663],50.19175,20.30317,"2026-05-06T07:31:26.000+0000","Proszowice, Poland","2025-07-30",{"_699":967,"_700":968},3269,{"_649":975,"_31":976,"_652":977,"_255":981,"_378":982,"_659":983,"_661":984,"_664":985,"_667":986,"_673":989,"_675":995,"_677":1004,"_679":38,"_680":1011,"_682":1012,"_685":1013,"_687":1014,"_689":1015,"_691":969,"_693":1016,"_695":1017,"_697":1018,"_701":1019},"profile-3905",3905,[978,979,980],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000039d74AA-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000039d34AA-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000039d64AA-right2.jpg","Alicja Prussakowska & Jakub Kijowski","alicja-prussakowska--jakub-kijowski-foqupx","Alicja Prussakowska and Jakub Kijowski first met at Jan Matejko Academy of Fine Arts in Krakow, where Alicja studied industrial design and Jakub sculpture. Their shared passion for craftsmanship and experimentation led them to start working together in 2020. The duo founded their workshop, Formsophy, where they handcraft works at the intersection of art and design. Exploring new ways to fuse materials, they apply and develop a range of techniques from traditional metal sculpting and casting methods, to stone carving and blacksmithing, welding and aluminium shaping. \"Our work is about material exploration, form and texture – finding a balance between rawness and refinement,\" they explain. Alicja and Jakub do not have a classic workshop, instead they craft all their objects outside, surrounded by birch trees.",[663],[946],[987,988,719,881,808],"Design","Creative duos",[990,991,992,993,994],"Rúni bench","Tore low table","Ren table","Hann low table","Taru table",[996,997,998,999,1000,1001,734,1002,1003],"Aluminium","Amethyst","Marble","Basalt","Mineral","Terrazzo","Minerals","Synthetic materials and resins",[1005,1006,1007,1008,1009,1010],"Bench","Low table","Dining table","Sofa and Chairs","Tables","Furniture",[746],[684],[663],50.22496,19.96371,"Grzegorzowice Małe, Poland","2025-05-08",{"_699":1014,"_700":1015},5274,{"_649":1021,"_31":1022,"_652":1023,"_255":1026,"_378":1027,"_659":1028,"_661":1029,"_664":1030,"_667":1032,"_673":1034,"_675":1035,"_677":1040,"_679":38,"_680":1041,"_682":1043,"_685":1044,"_687":1045,"_689":1046,"_691":1047,"_693":1048,"_695":1049,"_697":1050,"_701":1051},"profile-1397",1397,[1024,1025],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG000000308L4AQ-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000030574AA-left1.jpg","Maison Volevatch","homofaber-v4cfhk","Founded in 1975 by Serge Volevatch, Maison Volevatch embodies French craftsmanship in luxury sanitary fixtures. Serge’s passion for antiques and French culture inspired him to restore historic sanitary pieces, starting with an 18th-century copper bathtub. What began as a personal project soon grew into designing bespoke collections that blend classic styles with modern functionality. A defining moment came when Rudolf Nureyev commissioned a 19th-century French-style bathroom, firmly establishing the atelier’s reputation for excellence.",[663],[1031],"France",[672,183,881,1033],"Manufacturer",[],[1036,730,1037,1038,1039,734],"Patina","Bronze","Nickel","Coatings",[],[1042],"Manufacture",[684],[663],50.1,1.5,"2026-05-06T07:28:35.000+0000","Tully, France","2025-04-03",{"_699":1045,"_700":1046},1508,{"_649":1053,"_31":1054,"_652":1055,"_255":1059,"_378":1060,"_659":1061,"_661":1062,"_664":1063,"_667":1065,"_673":1066,"_675":1067,"_677":1070,"_679":38,"_680":1071,"_682":1072,"_685":1073,"_687":1074,"_689":1075,"_691":1076,"_693":1077,"_695":1078,"_697":1079,"_701":1080},"profile-532",532,[1056,1057,1058],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001pbd4AA-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001pbZ4AQ-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001pbc4AA-right2.jpg","Cleto Munari","cleto-munari-wsykwz","Founded in the early 1970s by Cleto Munari, in search of new artistic expressions in the design of everyday objects, the workshop of the same name became known thanks to its first furnishing objects. The pieces were born from the collaboration with important designers and artists from all over the world. The meeting with the great master Carlo Scarpa and Ettore Sottsass was fundamental, and prize collaborations have remained a characteristic of the label's approach to create unique collections that range from jewellery to furnishing objects, art accessories and watches.",[663],[666,1064],"Vicenza",[671,879,987,183],[],[1068,816,1069,734],"Silver 925","Gold",[],[1042],[684],[663],45.5,11.5,"2026-05-06T07:27:11.000+0000","Vicenza, Italy","2024-09-12",{"_699":1074,"_700":1075},152,{"_649":1082,"_31":1083,"_652":1084,"_255":1088,"_378":1089,"_659":1090,"_661":1091,"_664":1092,"_667":1095,"_673":1097,"_675":1103,"_677":1107,"_679":38,"_680":1116,"_682":1117,"_685":1118,"_687":1119,"_689":1120,"_691":1121,"_693":1122,"_695":1123,"_697":1124,"_701":1125},"profile-2155",2155,[1085,1086,1087],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001Cwr4AE-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001Cwn4AE-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001Cwq4AE-right2.jpg","Rennan Villar","rennan-villar-5xzc2s","Rennan Villar is a self-taught artisan who embraces a diverse array of crafts, from knife making to jewellery and pipe making. While originally from Brazil, his journey led him to Latvia, where he immersed himself in the rich culture. Rennan feels a profound responsibility to preserve his craft and share his knowledge of Latvian history in a time when masters are becoming scarcer. He also maintains a workshop in his native Brazil. For Rennan, his work is more than art; it serves as a source of tranquility, grounding, and focus. Each creation embodies soul and narrative, whether a statement ring recounting stories or a knife evoking pride for its owner. Additionally, he crafts specialised knives for practical tasks like mushroom picking and potato peeling, showcasing his deep respect for tradition and function.",[663],[1093,1094],"Latvia","Riga",[670,1096,847],"Self-taught",[1098,1099,1100,1101,1102],"Kiritsuke knife with stabilised oak","Kiritsuke knife with 4000 year-old bog oak","Titanium bracelets","Statement titanium ring","Damascus steel with exotic Brazilian rosewood",[1104,778,1105,777,1106,735,734],"Stainless steel","Titanium","Rosewood",[1108,1109,1110,1111,1112,1113,1114,820,1115],"Knife","Kitchen knife","Bracelet","Ring","Coffee and tea","Knives and Scissors","Jewellery and watches","Mode",[746],[684],[663],56.97724,24.19429,"2026-05-06T07:29:40.000+0000","Riga, Latvia","2024-07-04",{"_699":1119,"_700":1120},601,{"_649":1127,"_31":1128,"_652":1129,"_255":1133,"_378":1134,"_659":1135,"_661":1136,"_664":1137,"_667":1139,"_673":1140,"_675":1148,"_677":1149,"_679":38,"_680":1152,"_682":1153,"_685":1154,"_687":1155,"_689":1156,"_691":826,"_693":752,"_695":1157,"_697":1158,"_701":1159},"profile-4509",4509,[1130,1131,1132],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000018Jl4AI-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000018Jh4AI-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000018Jk4AI-right2.jpg","Dubong Kim","dubong-kim-wijdrc","Dubong Kim has loved crafting since a young age. He pursued metalworking in university to craft his own pieces. In his exchange student semester in the USA, he travelled across the country by car and immersed himself in the diverse facets of nature. It was an experience that profoundly impacted his life. One particular moment was when he ascended a massive sand dune in Colorado's Great Sand Dunes National Park and witnessed the sunset while buffeted by the wind for hours. \"I felt my heart filled up,\" he recalls. Contemplating how to preserve the deep emotions evoked by nature, Dubong resolved to immortalise them in his artwork. Thus, he embarked on crafting his first series, Natural Flow, wherein silver, heated to brilliance, reflects vibrant hues, capturing the serene and graceful beauty of nature.",[663],[715,1138],"Seoul",[717,881],[1141,1142,1143,1144,1145,1146,1147],"Natural Flow #5","Flowing Pillar #1","Harmony of Nature #1","Sound of Shore #1","Sound of Shore #3","Natural flow #5, white","Intensive flow",[816,731,734],[739,1150,742,1151,743,923],"Wall panel","Building elements",[746],[684],[663],37.56938,127.01809,"2024-06-27",{"_699":1155,"_700":1156},3419,{"_649":1161,"_31":1162,"_652":1163,"_255":1167,"_378":1168,"_659":1169,"_661":1170,"_664":1171,"_667":1172,"_673":1174,"_675":1180,"_677":1182,"_679":38,"_680":1183,"_682":1184,"_685":1185,"_687":1186,"_689":1187,"_691":1188,"_693":1189,"_695":1190,"_697":1191,"_701":1192},"profile-1149",1149,[1164,1165,1166],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000si14AA-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000shx4AA-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000si04AA-right2.jpg","Louis Biron","louis-biron-bzqaej","Louis Biron, an artisan-designer trained in engraving at the École Boulle, embodies a unique blend of craftsmanship and artistic innovation, influenced by both our industrial culture and contemplation of contemporary complexities. His journey, enriched by photography, theatre and visual arts, has cultivated an environment where art seamlessly intertwines with nature. Inspired by the artistic experiments of Hubert Duprat and Yves Klein's Body Art, Louis merges his passions for craftsmanship and biology to explore collaborative creation processes. He involves living beings such as earthworms or slugs in his work, considering them as co-creators. The resulting drawings serve as the foundation for graphic works integrated into jewellery or intricately crafted metal pieces. These creations are not only visually striking but also deeply reflective of his profound commitment to environmental preservation.",[663],[1031],[879,1173,949],"Innovation",[1175,1176,1177,1178,1179],"10 L","3 µm (microns)","265 ct (carats)","33 cL","X-XY (chromosomes)",[1036,1037,730,1181,1039,734],"Gold plated",[918,921,923],[746],[684],[663],48.88476,2.41866,"2026-05-06T07:28:19.000+0000","Les Lilas, France","2024-05-30",{"_699":1186,"_700":1187},3944,{"_649":1194,"_31":1195,"_652":1196,"_255":1200,"_378":1201,"_659":1202,"_661":1203,"_664":1204,"_667":1205,"_673":1206,"_675":1207,"_677":1208,"_679":38,"_680":1209,"_682":1210,"_685":1211,"_687":1212,"_689":1213,"_691":1076,"_693":1214,"_695":1215,"_697":1216,"_701":1217},"profile-515",515,[1197,1198,1199],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000nK94AI-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000nK54AI-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000nK84AI-right2.jpg","VilliZANINI","villizanini-msqdpz","Among the hills of the gentle Veneto countryside, not far from Treviso, atelier VilliZANINI has been carrying on the ancient art of wrought iron working. The family business has been running for 14 generations, since 1655. Villi initially gave his name to the company, once called Zaniniarte by his father Natalino, from whom he learned the secrets of the craft. The atelier is a place where art, technique, architecture, history and innovation come together.",[663],[666],[669,671,923,987,717,672],[],[],[],[669],[684],[663],45.8095174296095,12.0114565849236,"Cornuda, Italy","2024-05-09",{"_699":1212,"_700":1213},4952,{"_649":1219,"_31":1220,"_652":1221,"_255":1225,"_378":1226,"_659":1227,"_661":1228,"_664":1229,"_667":1230,"_673":1234,"_675":1240,"_677":1241,"_679":38,"_680":1242,"_682":1243,"_685":1244,"_687":1245,"_689":1246,"_691":1247,"_693":789,"_695":1215,"_697":1248,"_701":1249},"profile-3590",3590,[1222,1223,1224],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000mr64AA-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000mr44AA-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000mr54AA-right2.jpg","Jacky Oliver","jacky-oliver-ymsqlh","Jacky Oliver creates sculptural pieces that combine the heaviness of blacksmithing with the refinement and delicacy of jewellery work, giving her objects an unexpected lightness. Jacky’s work is defined by two strands: one side of her practice is about conducting in-depth research to create work that tells a story, to help draw people in and spark conversations around the piece. The other strand is about creating work that is purely about exploring line, compositions, space and creating shadows. “The one thing common to all my work is my attention to detail in the quality of finish. Each joint and line is created with care, thought and refinement.” Jacky works from her London studio at Cockpit Bloomsbury. Jacky is also a committed teacher of her craft, and believes in the power of creativity to enrich lives.",[663],[768,769],[879,1231,881,1232,1233,771,721],"Future Icons Selects","London Craft Week","Politically engaged",[1235,1236,1237,1238,1239],"Grid X","Coil and spring installation","Coil and spring, detail","Breaking Borders","Flow IX",[777,731,816,734],[918,781,921,740,923,743],[746],[684],[663],51.52226,-0.11421,"2026-05-01T09:27:55.000+0000",{"_699":1245,"_700":1246},3907,{"_649":1251,"_31":1252,"_652":1253,"_255":1257,"_378":1258,"_659":1259,"_661":1260,"_664":1261,"_667":1262,"_673":1263,"_675":1269,"_677":1270,"_679":49,"_680":1276,"_682":1277,"_685":1278,"_687":1279,"_689":1280,"_691":692,"_693":1281,"_695":1282,"_697":1283,"_701":1284},"profile-2837",2837,[1254,1255,1256],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000WKu4AM-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000WKs4AM-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000WKt4AM-right2.jpg","Luca Mulas","luca-mulas-q7gjhk","Luca Mulas’s smithy was started by his grandfather in 1918, when he returned home from World War I. “In a way, it is as if I have been a blacksmith for 100 years,” says Luca. Unlike most of his peers, as a child he spent the summer making his own toys in the family workshop, absorbing the gestures of all the people who came before. “The smells of those long, sweltering days are impressed in my mind: the sweet odour of the coal burning in the forge, the greasy scent of the iron being welded, the tang of the rust-proof paint, the whiff of earth and grass from the farmers coming in to have their tools mended.” Over the years, Luca has integrated the customary production of a smithy – gates, railings, furniture – with personal artistic creations that are strongly influenced by the millennial history of Sardinia.",[663],[666],[717,672,847],[1264,1265,1266,1267,1268],"Buttone","Buttone lamp","The warrior's rest","Good Friday","Exedra tray",[916,734],[918,1271,1272,1273,921,742,1274,923,1275,743,820],"Lamp","Statuette","Tray","Serving ware","Lighting",[746],[684],[663],40.28391,8.83737,"Bortigali, Italy","2024-03-21",{"_699":1279,"_700":1280},3971,{"_649":1286,"_31":1287,"_652":1288,"_255":1292,"_378":1293,"_659":1294,"_661":1295,"_664":1296,"_667":1298,"_673":1300,"_675":1305,"_677":1306,"_679":38,"_680":1308,"_682":1309,"_685":1310,"_687":1311,"_689":1312,"_691":1313,"_693":1314,"_695":1315,"_697":1316,"_701":1317},"profile-1947",1947,[1289,1290,1291],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000008Tt4AI-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000008Tp4AI-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000008Ts4AI-right2.jpg","Juha Luukkonen","juha-luukkonen-zejsl2","It started with a boat and metal baskets made out of scrap and used wood. Not overlooking any material, even those considered waste, Juha Luukkonen has become a poet using not words, but metal. Drawing inspiration from a variety of things – a simple piece of metal, music or technology – he has developed into a master of techniques to decorate and colour stainless steel and other metals. His handmade pasta servers, forks and other utensils are practical but also beautiful and moving. After studies in the Kuopio Academy of Arts & Design (1983-1987), and after a five-year period in an old master's metal studio, Juha set up his own studio in 1994. Now sharing a studio in the countryside with his son, Juha creates metal objects ”to tell something about the world” as he sees it.",[663],[1297],"Finland",[670,719,1299],"Lifestyle",[1301,1302,1303,1304],"Salt bowls","Pond plate","Salt spoons","Serving spoons",[1104,777],[1307,920,811,742,922,819,743,820],"Bowl",[746],[684],[663],60.526442788051,25.5939391473524,"2026-05-06T07:29:12.000+0000","Askola, Finland","2024-01-04",{"_699":1311,"_700":1312},399,{"_649":1319,"_31":1320,"_652":1321,"_255":1325,"_378":1326,"_659":1327,"_661":1328,"_664":1329,"_667":1332,"_673":1333,"_675":1339,"_677":1340,"_679":38,"_680":1342,"_682":1343,"_685":1344,"_687":1345,"_689":1346,"_691":826,"_693":1347,"_695":1348,"_697":1349,"_701":1350},"profile-4418",4418,[1322,1323,1324],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004V6gWAE-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004V6YWAU-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004V6iWAE-right2.jpg","Takahiro Yagi","takahiro-yagi-ifxtar","Kaikado is a metal working studio in Kyoto specialising in tea caddies, and Takahiro Yagi is its 6th generation metalworker. Since 1875, the workshop has been crafting softly sheened, sleek, minimalist tea caddies that are engineered to be opened easily yet airtight when closed to keep the contents dry and fresh. Takahiro is bridging the past and the future by applying traditional techniques to upcycle materials into tea caddies such as tin food cans with dynamic graphics. He collaborates with companies to design cans for various uses. He believes that his family's craft legacy is not only to make objects that can be enjoyed now, but for them to be lasting household items, almost an heirloom to pass on from one generation to the next.",[663],[843,1330,1331],"Kyoto","Kyoto: a pilgrimage to preserved craft",[670,671,879,672,719,908],[1334,1335,1336,1337,1338],"Remade nori can","Copper tea caddies","Sclafani","Porsche oil can","Remade Mobiloil can",[855,730,1037,734],[1341,1112,820],"Tea caddy",[746],[684],[663],34.99074,135.76824,"Kyoto, Japan","2023-09-21",{"_699":1345,"_700":1346},3328,{"_649":1352,"_31":1353,"_652":1354,"_255":1358,"_378":1359,"_659":1360,"_661":1361,"_664":1362,"_667":1364,"_673":1365,"_675":1371,"_677":1372,"_679":38,"_680":1379,"_682":1380,"_685":1381,"_687":1382,"_689":1383,"_691":1384,"_693":1385,"_695":1386,"_697":1387,"_701":1388},"profile-3074",3074,[1355,1356,1357],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PYafWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PYakWAG-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PYaMWAW-right2.jpg","Andrea Stahl","andrea-stahl-metalworking-switzerland","Andrea Stahl is a self-taught metal welder who learned her art here and there with various craftspeople. She masters many different materials, but it is clear that metal is her favourite and is the one that suits her nature the best. After a simple welding course, she started working independently, making her own furniture and soon enough for other people as well. Self-taught artists are important to Andrea who wishes to see more and more thriving in times to come. Attached to both crafts and art, she is an artist creating sculptures as well as a craftswoman making practical objects that she designs. She is an expert at plasma cutting, estimating her total cutting work at 'many thousands of kilometres' that sometimes follow her into her dreams.",[663],[1363],"Switzerland",[987,719,1096],[1366,1367,1368,1369,1370],"Pele Feuer","Dondola Deckchair","Sole Luminaire","UFO grande","Luna Lamp",[729,734],[1373,1374,1375,1376,1377,1008,1378,923,1010,1275],"Barrel","Long chair","Light box","Wall lamp","Patio and Garden","Floor lamp",[746],[684],[663],47.352866,8.041775,"2026-05-06T07:30:36.000+0000","Oberentfelden, Switzerland","2023-05-18",{"_699":1382,"_700":1383},4598,{"_649":1390,"_31":1391,"_652":1392,"_255":1396,"_378":1397,"_659":1398,"_661":1399,"_664":1400,"_667":1401,"_673":1402,"_675":1403,"_677":1404,"_679":38,"_680":1405,"_682":1406,"_685":1407,"_687":1408,"_689":1409,"_691":1410,"_693":1411,"_695":1412,"_697":1413,"_701":1414},"profile-2523",2523,[1393,1394,1395],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPYkWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPYiWAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPYmWAO-right2.jpg","Poignee Fabrique Creative","poignee-fabrique-creative-metalworking-italy","Poignee Fabrique Creative is a one-of-a-kind, multifaceted universe of artisanship with a fascinating history. The founder Ida Bazzi was a cosmopolitan intellectual, passionate about design and architecture, who opened an all-handle shop in central Rome in 1967, based on two clear pillars: specialisation and high-end craftsmanship at the centre of her offering. In 1997 her daughter Roberta Borra Cinque, current CEO of what has now become a Group, took over the successful business and extended it in several directions, while preserving the same vision.",[663],[666],[923,672,881,1033],[],[],[],[1042],[684],[663],41.69848,12.54178,"2026-05-01T09:26:53.000+0000","Pomezia, Italy","2023-05-04",{"_699":1408,"_700":1409},5034,{"_649":1416,"_31":1417,"_652":1418,"_255":1421,"_378":1422,"_659":1423,"_661":1424,"_664":1425,"_667":1427,"_673":1430,"_675":1436,"_677":1441,"_679":38,"_680":1442,"_682":1443,"_685":1444,"_687":1445,"_689":1446,"_691":1447,"_693":1448,"_695":1449,"_697":1450,"_701":1451},"profile-3545",3545,[1419,1420],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPIKWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPIIWA4-left1.jpg","Daniel Freyne","daniel-freyne-metalworking-sweden","It all began on an open day for an agricultural college near Edinburgh. Daniel Freyne was 14 years old and after hitting hot metal for the first time, he was captured by the material and the craft of blacksmithing. He carried out a five-year apprenticeship with Ratho Byres Forge in Edinburgh, where he learned the ins and outs of the craft – from small traditional metalwork to large public artworks. After this, he embarked on his journeyman which took him to Germany, France, Belgium, Ukraine and Italy. Daniel took a degree in Fine Art at Gothenburg University, Sweden, as well as an MFA. Aiming to demonstrate the limitless potential of contemporary craft, Daniel seeks to challenge the viewer’s perspective of his chosen material by playing with the strength and fragility of iron.",[663],[1426],"Sweden",[1428,1429],"Unusual","Visual Arts",[1431,1432,1433,1434,1435],"Layered bowls","Transition","Perceptions","Armoured vessel","Pressure",[777,1437,1036,1438,734,1439,1039,1440],"Wax","Lacquer","Natural essences","Enamel, glaze and lacquer",[918,921,923],[746],[684],[663],58.9,12.3,"2026-05-06T07:31:00.000+0000","Dals Långed, Sweden","2023-04-27",{"_699":1445,"_700":1446},2694,{"_649":1453,"_31":1454,"_652":1455,"_255":1459,"_378":1460,"_659":1461,"_661":1462,"_664":1463,"_667":1466,"_673":1468,"_675":1474,"_677":1475,"_679":38,"_680":1476,"_682":1477,"_685":1478,"_687":1479,"_689":1480,"_691":826,"_693":1481,"_695":1482,"_697":1483,"_701":1484},"profile-4544",4544,[1456,1457,1458],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PXfFWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PXfDWAW-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PXfHWAW-right2.jpg","Azizbala Dadashov","dadashov-azizbala-hojm3u","Azizbala Dadashov’s introduction to metal occurred in his childhood, when he met his neighbour, a Greek master craftsman specialised in painting and iron forging. Under his guidance, Azizbala made his first metal object, a steel gazelle figure for his bicycle. Despite his affinity for working with metal, along the way Azizbala experimented with calligraphy, ceramics and carpet weaving. And yet, following in the footsteps of his mentor, he always came back to metalwork, often modernising it by combining it with certain painting techniques. “People can tell who you are by looking at your art”, he says. Azizbala’s metal creations certainly are individual and showcase the versatility of his skillset as an ornamentalist.",[663],[1464,1465],"Azerbaijan","Baku",[1467,717,881,720,847,721,908,1429],"Fairytale",[1469,1470,1471,1472,1473],"Ilanqach","Absheron","Dynamic Mugham","Ashiqs","Mermaids",[731,996,734],[1273,918,1274,921,820,923],[746],[684],[663],40.38618,49.89945,"Baku, Azerbaijan","2023-01-19",{"_699":1479,"_700":1480},1928,{"_649":1486,"_31":1487,"_652":1488,"_255":1491,"_378":1492,"_659":1493,"_661":1494,"_664":1495,"_667":1497,"_673":1499,"_675":1505,"_677":1511,"_679":38,"_680":1518,"_682":1519,"_685":1520,"_687":1521,"_689":1522,"_691":1076,"_693":1523,"_695":1524,"_697":1525,"_701":1526},"profile-561",561,[1489,1490],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPNUWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PXAdWAO-left1.jpg","Gotscha Lagidse","gotscha-lagidse-metalworking-netherlands","Gotscha Lagidse made his first creations, a chain mail and knight’s helmet, in his native country Georgia when he was just 14 years old. A history teacher instilled in him the love of metalworking and of traditional weaponry. “He showed me his own collection of historical weaponry. I was so fascinated by the beauty of the objects and the stories surrounding them that I studied them in detail, so I could make similar ones myself.” At the age of 21, Gotscha was a metal restorer in a national museum in Tbilisi. He remains inspired by the rich military history of Georgia, but broadened his scope to European armaments after moving to the Netherlands. He gained recognition in his new homeland with the reconstruction of an armour that once belonged to Prince Maurits of Nassau. Today Gotscha makes more than just weaponry.",[663],[1496],"Netherlands",[845,717,846,948,1498,1096,1428],"Religion",[1500,1501,1502,1503,1504],"Gorda","Mazarini","Prince","Symbolic armament of Giorgi Saakadze","Shamil",[1506,1069,777,1507,735,730,1508,816,1509,1510,734,1002,1440],"Leather","Ruby","Enamel","Buffalo horn","Animal materials",[1512,918,1108,1513,1514,921,1112,1515,1516,923,820,1517],"Sword","Helmet","Cinema and Theatre","Sports","Performing arts","Sports and Outdoors",[746],[684],[663],51.52242,4.4683,"Roosendaal, Netherlands","2022-12-29",{"_699":1521,"_700":1522},3352,{"_649":1528,"_31":1529,"_652":1530,"_255":1534,"_378":1535,"_659":1536,"_661":1537,"_664":1538,"_667":1542,"_673":1543,"_675":1549,"_677":1550,"_679":38,"_680":1554,"_682":1555,"_685":1556,"_687":1557,"_689":1558,"_691":1559,"_693":1560,"_695":1561,"_697":1562,"_701":1563},"profile-1835",1835,[1531,1532,1533],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUfEWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PYNkWAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUfGWAW-right2.jpg","James Collins & Tom McDonnell","james-collins--tom-mcdonnell-metalworking-ireland","James Collins and Tom McDonnell are two of the few remaining Traveller tinsmiths in Ireland. Travellers have recently been recognised as an ethnic minority in Ireland. They have a unique identity and culture which includes craft skills. Tom and James both learned their craft from their fathers and, like them, sell their wares at farmhouses, markets and fairs around the country. Traveller tinsmiths work in particular areas moving from farm to farm. “The farmers needed us and we needed them,” explains James. Today being a tinsmith is not seen as a viable career by many young Travellers. However, Tom and James have adapted their skills to more modern designs and Traveller tinsmithing is now on the National Inventory of Intangible Culture since 2018.",[663],[1539,1540,1541],"Ireland","Dublin","Dublin: reigniting Celtic craftsmanship",[670,907,988,672,719,720,908],[1544,1545,1546,1547,1548],"Saucepan","Tall jug","Small jug","Copper billycan","Tin billycan",[855,731,734],[1544,1551,1552,1274,1553,820],"Jug","Pot","Cookware",[746],[684],[663],53.34751,-6.24145,"2026-05-06T07:28:59.000+0000","Dublin, Ireland","2022-11-03",{"_699":1557,"_700":1558},1670,{"_649":1565,"_31":1566,"_652":1567,"_255":1571,"_378":1572,"_659":1573,"_661":1574,"_664":1575,"_667":1576,"_673":1578,"_675":1583,"_677":1588,"_679":38,"_680":1591,"_682":1592,"_685":1593,"_687":1594,"_689":1595,"_691":1076,"_693":1596,"_695":1597,"_697":1598,"_701":1599},"profile-419",419,[1568,1569,1570],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PU8cWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PU8aWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PU8eWAG-right2.jpg","Marion Mezenge","marion-mezenge-metalworking-france","Marion Mezenge creates timeless interior objects based on observation and experience. She unveils a unique story with each light that she designs and makes. Marion graduated as an art turner from the Ecole Boulle. Her sensitivity towards materials led her to develop a particular know-know for the machine processing of non-ferrous metals: brass, bronze, copper, or aluminium. She works her pieces on the lathe and then uses patination or chasing to finish them. Through a contrast of textures, her creations subtly reveal the beauty of the material. Before devoting herself to her own practice, Marion refined her skills working in Parisian workshops specialised in the manufacture of high-end lighting.",[663],[1031],[923,1577,717,719,881,948,908],"First generation",[1579,1580,1581,1582],"Gertrude (wall lamp)","Ernest","Dorian","Gertrude",[1584,1585,730,1036,1586,1587,734,1039],"Varnish","Mirror","Glass","Cement, plaster, pigments",[1376,1589,919,1590,742,1275,744,743],"Candle","Wellness",[746],[684],[663],48.90222,2.40682,"Pantin, France","2022-10-13",{"_699":1594,"_700":1595},1564,{"_649":1601,"_31":1602,"_652":1603,"_255":1607,"_378":1608,"_659":1609,"_661":1610,"_664":1611,"_667":1614,"_673":1615,"_675":1621,"_677":1628,"_679":38,"_680":1631,"_682":1632,"_685":1633,"_687":1634,"_689":1635,"_691":1121,"_693":1636,"_695":1637,"_697":1638,"_701":1639},"profile-2301",2301,[1604,1605,1606],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSAvWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSAwWAO-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSAxWAO-right2.jpg","Silvio Hrnčir","silvio-hrnir-knife-making-croatia","Silvio Hrnčir is an academic sculptor who graduated from the Academy of Fine Arts in Zagreb in 2008. He started his sculpting career when he was only 14, with his parents who had a stone masonry workshop at the time. During the last 20 years he has worked with many different materials including stone, wood, precious metals and produced a big variety of objects such as car parts, lamps, furniture and sculptures. For the last few years, he has been committed to making jewellery and forging knives, which led him to opening his own workshop and founding his brand, Shaato, which derives from Silvio’s initials and the Japanese word for art. “Turning steal into a beautiful everyday tool like a knife is something really special to me”, says Silvio.",[663],[1612,1613],"Croatia","Zagreb",[670,1577,717,719,880,948,908],[1616,1617,1618,1619,1620],"Santoku 165","Stingray 210","Damascus bracelet","Shell Collection ring","Prosciutto board with two cutting knives",[777,1622,960,1623,1624,1625,730,1626,1627,734,735,1510],"Bog oak","Ebony wood","Damascus steel","Pearl","Carbon steel","Olivewood",[1108,1110,1111,1629,1112,1114,1630,820,1115],"Cutting board","Cooking utensils",[746],[684],[663],45.83248,15.98306,"Zagreb, Croatia","2022-09-29",{"_699":1634,"_700":1635},1258,{"_649":1641,"_31":1642,"_652":1643,"_255":1647,"_378":1648,"_659":1649,"_661":1650,"_664":1651,"_667":1654,"_673":1655,"_675":1660,"_677":1661,"_679":38,"_680":1664,"_682":1665,"_685":1666,"_687":1667,"_689":1668,"_691":1669,"_693":1670,"_695":1671,"_697":1672,"_701":1673},"profile-2376",2376,[1644,1645,1646],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PX49WAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PX46WAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PX4AWAW-right2.jpg","Alen Marić","alen-mari-metalworking-bosnia-and-herzegovina","We are all blacksmiths of our own happiness, says Alen Marić, a 44-year-old blacksmith from Sarajevo, the capital of Bosnia and Herzegovina. The more he works in his workshop, the more he says he likes this saying. “What drives my passion to work with iron lies in the traditional roles of blacksmiths in their communities and the permanence of their objects,” says Alen. “What I strive for is to create joy with my own hands through the pieces I make.” Alen combines traditional blacksmithing and modern craftsmanship, creating unique pieces of interior and exterior design from metal, such as stair railings, metal furniture and wrought iron lamps. He makes his works by hand forging and metal processing.",[663],[1652,1653],"Bosnia and Herzegovina","Sarajevo",[923,1577,719,881,847,908],[1656,1657,1658,1659],"Wrought iron stair railing","Forged iron railing","Wrought iron window guard","Forged iron furniture",[916,734],[1662,1663,1151,1008,923,1010],"Handrail","Chair",[746],[684],[663],43.8420399078832,18.3072105779472,"2026-04-22T14:16:00.000+0000","Sarajevo, Bosnia and Herzegovina","2022-07-21",{"_699":1667,"_700":1668},2663,{"_649":1675,"_31":1676,"_652":1677,"_255":1681,"_378":1682,"_659":1683,"_661":1684,"_664":1685,"_667":1686,"_673":1687,"_675":1689,"_677":1690,"_679":49,"_680":1693,"_682":1694,"_685":1695,"_687":1696,"_689":1697,"_691":1410,"_693":1698,"_695":1699,"_697":1700,"_701":1701},"profile-2490",2490,[1678,1679,1680],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PT4JWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PT4KWAW-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PYRnWAO-right2.jpg","De Castelli","de-castelli-metalworking-italy","Despite being a relatively young company, De Castelli has already seen four generations of the Celato family united under the same passion: metal. Founded in 2003 by Albino Celato, the company started off as a simple carpentry firm working for third parties, but the goal had always been to work according to its own rules and visions.",[663],[666],[671,672,187,1173,1033],[1688],"Barista",[960,730,735,734],[1691,1692,1010],"Cabinet","Storage furniture",[1042],[684],[663],45.8179788644935,12.0131865452587,"Crocetta del Montello, Italy","2022-04-28",{"_699":1696,"_700":1697},4850,{"_649":1703,"_31":1704,"_652":1705,"_255":1709,"_378":1710,"_659":1711,"_661":1712,"_664":1713,"_667":1714,"_673":1715,"_675":1720,"_677":1721,"_679":38,"_680":1722,"_682":1723,"_685":1724,"_687":1725,"_689":1726,"_691":1727,"_693":789,"_695":1728,"_697":1729,"_701":1730},"profile-3367",3367,[1706,1707,1708],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PRoMWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PRoKWAW-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PRoOWAW-right2.jpg","Naama Haneman","naama-haneman-metalworking-united-kingdom","Naama Haneman is a visionary, young metal artist. After specialising in jewellery at the Bezalel Academy of Art and Design in Jerusalem, she worked as a jewellery designer for commercial brands, while exhibiting her own pieces in contemporary art and jewellery shows all over the world. Then she moved to London for a Master’s degree at the John Cass University: here she was suddenly spellbound by silversmithing and soon left jewellery. “For the first time it felt like I was in the right place for me. Working with metal on a big scale felt different from anything else” she says. Naama sculpts in metal through a movement renewed every moment by emotion, without any previous plan or intention to build a useful object, devoting herself completely to the vessels.",[663],[768,769],[1577,717,187,1173,1429],[1716,1717,1718,1719],"In Between vessel 2","The Calm Before the Storm bowl and vase","In Between vessel","Ducks carafe",[730,1508,816,734,1440],[739,919,918,742,921,743,923],[746],[684],[663],51.5,-0.1,"2026-05-06T07:30:45.000+0000","2022-04-21",{"_699":1725,"_700":1726},3855,{"_649":1732,"_31":1733,"_652":1734,"_255":1738,"_378":1739,"_659":1740,"_661":1741,"_664":1742,"_667":1745,"_673":1746,"_675":1751,"_677":1753,"_679":49,"_680":1756,"_682":1757,"_685":1758,"_687":1759,"_689":1760,"_691":1761,"_693":1762,"_695":1763,"_697":1764,"_701":1765},"profile-1660",1660,[1735,1736,1737],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPXNWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPXLWA4-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPXPWA4-right2.jpg","Pepe & Paco Garrido","pepe--paco-garrido-metalworking-spain","The Garrido brothers are the sixth generation of forgers who, over time, have achieved a series of awards for their craftsmanship. They mix the tradition of craftsmanship with new technologies. They prioritise the craft of artistic forging, as well as the recovery and restoration of the historical heritage related to the sector. Their works have a high decorative and functional sense. Their specialties are carving, chiselling and iron moulding. Their region of Úbeda, in southern Spain, has greatly influenced their work, as well as the Renaissance and the contemporary work of various artists. For them, something well done means feeling personal satisfaction for the work done. The craft, according to the Garrido brothers, must be lived, felt and carried within. One of the reasons why they dedicate themselves to this profession is because of its link to art and the possibility of creating unique and creative pieces.",[663],[1743,1744],"Spain","Andalusia: navigating the creative heart of the region",[671,846,672,908],[1747,1748,1749,1750],"Winged dragon with ball","Prehistory","Dragon knocker","Knotted",[1752,916,735,817,734],"Terracotta",[1754,918,1755,921,1151,1275,923],"Table lamp","Door knocker",[746],[684],[663],38.0073663004699,-3.37150867249481,"2026-05-06T07:28:45.000+0000","Úbeda, Spain","2022-03-31",{"_699":1759,"_700":1760},2618,{"_649":1767,"_31":1768,"_652":1769,"_255":1773,"_378":1774,"_659":1775,"_661":1776,"_664":1777,"_667":1778,"_673":1780,"_675":1785,"_677":1786,"_679":38,"_680":1787,"_682":1788,"_685":1789,"_687":1790,"_689":1791,"_691":692,"_693":1792,"_695":1793,"_697":1794,"_701":1795},"profile-2778",2778,[1770,1771,1772],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PTORWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PTOSWA4-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PTOTWA4-right2.jpg","Luca Peppoloni","luca-peppoloni-metalworking-italy","Luca Peppoloni describes his craft and life in the small Italian region of Umbria: “My story is made of Chiona village’s stones, Mount Subasio’s flowers and Etruscan iron. My sculptures are like relics or shipwrecks. Time, with his signs of passing, is present in every piece I make.” He specialises in the technique of iron’s oxidation and corrosion and has developed different ways of colouring the metal. Peppoloni grew up in a family of smiths, and has followed the footsteps of his father and grandfather. “The old family workshop was near my home and even when I was a student, I always had the opportunity to stop by, observing the work and participating myself.” Today his forge, L’Officina, is one of the most renowned atelier of the region.",[663],[666],[717,672,1779],"Nature",[1781,1782,1783,1784],"Etruscan horse","Olive tree","Balena whale","Shield fish",[916,734],[918,921,923],[746],[684],[663],42.9945720209928,12.6584748543454,"Spello, Italy","2021-12-30",{"_699":1790,"_700":1791},4712,{"_649":1797,"_31":1798,"_652":1799,"_255":1803,"_378":1804,"_659":1805,"_661":1806,"_664":1807,"_667":1809,"_673":1810,"_675":1815,"_677":1816,"_679":38,"_680":1820,"_682":1821,"_685":1822,"_687":1823,"_689":1824,"_691":1825,"_693":1826,"_695":1827,"_697":1828,"_701":1829},"profile-2590",2590,[1800,1801,1802],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVMXWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVMVWA4-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVMZWA4-right2.jpg","Enrico Vocaturi","enrico-vocaturi-metalworking-italy","Vocaturi Arte del Ferro is a traditional bottega (workshop) in the heart of Turin forging high-end creations in wrought iron. The history of the bottega follows a very typical pattern in Italy. In the 50s, the founder Armando Vocaturi came to Turin from southern Italy and started working in a local bottega specialising in restoring exceptional pieces from the most renowned antiques dealer in town. In just a few years, after Armando became sought after for his forging ability and knowledge of local styles and designs, he opened his own bottega, which is now run by his son Enrico. This new generation has the same philosophy: everything is strictly handmade, in classic styles and designs, with unparalleled craftsmanship.",[663],[666,1808],"Turin",[879,672,719,881,720],[1811,1812,1813,1814],"Lunch table with crystal countertop","Fruit basket","Lantern","Outdoor Lantern",[730,916,1069,731,734],[1817,1818,1813,1009,1819,1377,1010,1115,923],"Table","Basket","Bags and luggages",[746],[684],[663],45.06567,7.69728,"2026-05-06T07:30:09.000+0000","Turin, Italy","2021-09-16",{"_699":1823,"_700":1824},3748,{"_649":1831,"_31":1832,"_652":1833,"_255":1837,"_378":1838,"_659":1839,"_661":1840,"_664":1841,"_667":1843,"_673":1844,"_675":1851,"_677":1854,"_679":38,"_680":1860,"_682":1861,"_685":1862,"_687":1863,"_689":1864,"_691":1559,"_693":1865,"_695":1866,"_697":1867,"_701":1868},"profile-1805",1805,[1834,1835,1836],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PTIxWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PTIvWAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PTIzWAO-right2.jpg","José Vieira","jos-vieira-metalworking-portugal","José Vieira is quite remarkable when it comes to shaping galvanised tin, copper and brass. In his 50s, he runs his inherited tinsmithing workshop near the charming city of Guimarães. “I learned the craft by intensely observing my grandfather and father,” he says. At the time, there were other tinsmiths making rural objects like watering cans and funnels, but the Vieira family pieces were known for their quality, each distinguished with the letter V. Today, José is one of the few tinsmiths left in Portugal. In 2019, German designer Christian Haas asked him to make a set of side tables by folding and overlapping thin sheets of brass. The Pleat collection successfully shifted tinsmithing into a new context and was part of the Doppia Firma 2019 selection shown in Milan and Paris.",[663],[1842],"Portugal",[879,717,907,718,672,719,187,1498,908],[1845,1846,1847,1848,1849,1850],"Pattern of Crafts - Draft 10","Nativity scene","Coffer","Metal buckets","Decorative watering can","Metal ewer",[730,1852,777,1853,735,734,1002],"Tinplace","Zinc",[1855,918,1847,1856,1857,1858,740,921,1692,1377,1859,743,923,1010],"Panel","Bucket","Watering can","Ewer","Furniture accessories",[746],[684],[663],41.4830296998516,-8.25845436224105,"São Torcato, Portugal","2021-09-09",{"_699":1863,"_700":1864},439,{"_649":1870,"_31":1871,"_652":1872,"_255":1875,"_378":1876,"_659":1877,"_661":1878,"_664":1879,"_667":1882,"_673":1884,"_675":1890,"_677":1891,"_679":38,"_680":1894,"_682":1895,"_685":1896,"_687":1897,"_689":1898,"_691":1121,"_693":1899,"_695":1900,"_697":1901,"_701":1902},"profile-2214",2214,[1873,1874],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSFAWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSF8WAO-left1.jpg","Mamikon Mkhitaryan","mkhitaryan-mamikon-mvb6en","Master artisan Mamikon Mkhitaryan lives and works in his own home studio, carrying on a tradition he remembers from his childhood, when he learned how to work with different metals from his father in their small studio in the family home. He recalls making rings for the beautiful girls of his neighbourhood when he was a little boy. Now, Mamikon's work is heavily influenced by Armenian art. He aims to preserve Armenian metalworking traditions and pass on his skills to younger generations. His studio is therefore open to anyone who loves craft and wants to learn various metalworking techniques.",[663],[1880,1881],"Armenia","Yerevan",[717,1883,672,719,721,908],"Fashion",[1885,1886,1887,1888,1889],"Urartian vase","Silver jug and cups","Silver necklace","Animal cup","Silver pigeon",[816],[919,1551,1892,918,742,1274,1893,921,743,820,923],"Cup","Drinkware",[746],[684],[663],40.18111,44.51361,"Yerevan, Armenia","2021-07-15",{"_699":1897,"_700":1898},1622,{"_649":1904,"_31":1905,"_652":1906,"_255":1909,"_378":1910,"_659":1911,"_661":1912,"_664":1913,"_667":1914,"_673":1916,"_675":1922,"_677":1924,"_679":49,"_680":1926,"_682":1927,"_685":1928,"_687":1929,"_689":1930,"_691":969,"_693":1931,"_695":1932,"_697":1933,"_701":1934},"profile-3844",3844,[1907,1908],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNbqWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNboWAG-left1.jpg","Maki Okamoto","maki-okamoto-metalworking-sweden","Maki Okamoto spends her days at Lod, the gallery and workshop of seven metal designers. Born in Japan, she has lived and worked in Stockholm since 2008, exploring the field of contemporary jewellery. She has been part of Lod since 2013 and enjoys the setting, the connections, inspiration and customers. Her work can be divided into public commissions, objects to exhibit and jewellery, custom made. She works in various materials, mainly metal – copper, silver and brass being her favourites – and puts effort into using the materials and shapes in new ways. Wanting to make objects that communicate with the audience, she does not only transform daily objects, giving them a new function, but she also challenges the conventional use of jewellery.",[663],[1426],[670,717,1883,719,881,1915,1429],"Mixing cultures",[1917,1918,1919,1920,1921],"The Cup","Reflection","Bee's Wax Ring","Fog","In Balance Collection earrings",[730,1069,731,1625,1923,734,1510,1002],"Moonstone",[1892,1585,1111,1925,1893,1859,1114,820,1010,1115],"Earring",[746],[684],[663],59.3454,17.88679,"Bromma, Sweden","2021-03-04",{"_699":1929,"_700":1930},4311,{"_649":1936,"_31":1937,"_652":1938,"_255":1942,"_378":1943,"_659":1944,"_661":1945,"_664":1946,"_667":1948,"_673":1949,"_675":1954,"_677":1955,"_679":38,"_680":1960,"_682":1961,"_685":1962,"_687":1963,"_689":1964,"_691":1188,"_693":1965,"_695":1932,"_697":1966,"_701":1967},"profile-1256",1256,[1939,1940,1941],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNoXWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNoYWAW-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNoZWAW-right2.jpg","Jim de Missolz","jim-de-missolz-metalworking-france","Jim de Missolz is a blacksmith-locksmith specialising in fine locksmithing and furniture. In his historic atelier located in the 7th arrondissement of Paris, he perpetuates the savoir-faire of iron craft with a unique expertise. He works with the greatest decorators and ministries who commission him to restore and create metalwork for them, as well as with a network of private clients. Jim started to learn the profession at the age of 16, when he entered Les Compagnons du Devoirs et du Tour de France. After ten years of rigorous training throughout France and Canada, his encounter with Monsieur Bonpunt led him to the great challenge of succeeding the master artisan and taking over his workshop: the last iron working atelier in Paris.",[663],[1031,1947],"Paris",[845,923,717,672,719,881,720,721,908],[1950,1951,1952,1953],"Constellation coffee table","Interior railing","Tabernacle","Ecrin Joséphine",[730,734],[1956,1662,1952,1957,1009,1151,1958,1114,1010,923,1959,1115],"Coffee table","Jewellery box","Ceremonial objects","Spiritual",[746],[684],[663],48.85399,2.32712,"Paris, France",{"_699":1963,"_700":1964},3991,{"_649":1969,"_31":1970,"_652":1971,"_255":1975,"_378":1976,"_659":1977,"_661":1978,"_664":1979,"_667":1980,"_673":1981,"_675":1989,"_677":1992,"_679":38,"_680":1996,"_682":1997,"_685":1998,"_687":1999,"_689":2000,"_691":2001,"_693":2002,"_695":2003,"_697":2004,"_701":2005},"profile-617",617,[1972,1973,1974],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNutWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNuuWAG-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNuvWAG-right2.jpg","Daniele Mingardo","daniele-mingardo-metalworking-italy","The second generation is not always able to maintain and evolve the family business. This is not the case for Daniele Mingardo, who is successfully reinventing the traditional metal workshop founded by his father Ilario in 1970. Growing up in the blacksmith workshop, where he started learning the craft at the age of 18 years, Daniele took inspiration from the masters of functional design, as well as from the more recent makers movement, and grew the business, which was purely focused on high-end custom made pieces before him. Daniele opened the doors to new collaborations with architects and designers, creating a collection of handmade and numbered design objects named Designer Faber. What has not changed is Mingardo’s passion and respect for the unlimited potential of metal.",[663],[666],[845,879,717,672,719,187,881,720,908,1429],[1982,1983,1984,1985,1986,1987,1988],"SHIRUDO","DECO’ LAMP","ILARIO","Satin Tray designed by Chiara Andreatti","BI-TRACK","PIEGA","Mirro’ Vanity Mirror",[1104,731,730,916,1990,777,734,1991],"Satin","Fibres and textiles",[1956,1993,1585,1271,1994,1376,1009,1995,1859,1515,1010,1275,1517],"Pendant lamp","Bike rack","Ceiling lamp",[746],[684],[663],45.2219636747365,11.7502887497692,"2026-05-06T07:27:27.000+0000","Monselice, Italy","2021-02-04",{"_699":1999,"_700":2000},3765,{"_649":2007,"_31":2008,"_652":2009,"_255":2013,"_378":2014,"_659":2015,"_661":2016,"_664":2017,"_667":2018,"_673":2021,"_675":2022,"_677":2023,"_679":38,"_680":2024,"_682":2025,"_685":2026,"_687":2027,"_689":2028,"_691":969,"_693":2029,"_695":2030,"_697":2031,"_701":2032},"profile-3815",3815,[2010,2011,2012],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWwhWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWwfWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWwjWAG-right2.jpg","Martelleria","martelleria-metalworking-germany","Martin Deggelmann has dedicated his entire life to the manual formation of sheet metal. After completing his master's in car body manufacturing, he wanted to work abroad to continue learning from his role models, who were above all the masters of Italian and English bodywork. At the beginning of the 1990s, he was able to train in Switzerland with a Ferrari restorer, and over the years, he visited many countries and met many other companies.",[663],[805],[669,2019,719,1173,2020],"Homo Faber 2018","Transportation",[],[],[],[669],[684],[663],48.188786,11.972224,"Forstern, Germany","2020-11-26",{"_699":2027,"_700":2028},611,{"_649":2034,"_31":2035,"_652":2036,"_255":2040,"_378":2041,"_659":2042,"_661":2043,"_664":2044,"_667":2045,"_673":2047,"_675":2054,"_677":2057,"_679":38,"_680":2058,"_682":2059,"_685":2060,"_687":2061,"_689":2062,"_691":2063,"_693":2064,"_695":2065,"_697":2066,"_701":2067},"profile-235",235,[2037,2038,2039],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNNqWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPMWWA4-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNNsWAO-right2.jpg","Margara Cortés","margara-corts-metalworking-spain","Margara Cortés Maruri was a student in cabinetmaking and furniture restoration when she ended up enrolling in a metalwork course by mistake. This was the beginning of her love story with metal. She initially became a goldsmith and silversmith for jewellery and religious pieces. However, over more than 30 years she mastered all techniques related to metal, with particular interest in embossing and lost wax casting. Until recently her work has remained behind the scenes, as she supports designers and artists in realising their own artistic visions. But in 2010, she started to focus on her own work – bronze sculptures of fruit and vegetables, inspired by traditional still life paintings.",[663],[1743],[1577,717,2046,183],"Celebrities",[2048,2049,2050,2051,2052,2053],"Ceras para fundir (Melting waxes)","De la huerta noble (From the noble garden)","Llegando el otoño... (Fall is coming...)","Bronce y porcelana (Bronze and porcelain)","Flores del patio (Patio flowers)","Still life",[1437,2055,1037,816,2056,1439,1587,734,817],"Oil paint","Fireclay Stoneware",[918,921,923],[746],[684],[663],37.39749,-6.14466,"2026-05-06T07:26:54.000+0000","Villanueva del Ariscal, Spain","2020-09-15",{"_699":2061,"_700":2062},3879,{"_649":2069,"_31":2070,"_652":2071,"_255":2075,"_378":2076,"_659":2077,"_661":2078,"_664":2079,"_667":2080,"_673":2081,"_675":2087,"_677":2088,"_679":38,"_680":2089,"_682":2090,"_685":2091,"_687":2092,"_689":2093,"_691":1447,"_693":789,"_695":2065,"_697":2094,"_701":2095},"profile-3549",3549,[2072,2073,2074],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPGOWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPGPWA4-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPGQWA4-right2.jpg","Juliette Bigley","juliette-bigley-metalworking-united-kingdom","Juliette Bigley grew up in a family of musicians and worked briefly as a classical singer before going on to begin a career in healthcare management. Although she loved it, she was “always sort of looking for something else”. A chance encounter with a jeweller on holiday sparked her interest in metalwork, and after a series of evening classes she took a leap of faith and applied for art school. Juliette now uses base and precious metals to create unique sculptures that seek to express “why people behave the way they do and make the choices they do”, exploring this through the vessel form, which she feels is “a metaphor for the human condition”.",[663],[768,769],[845,717,718,2019,719,881,1232,948,1429],[2082,2083,2084,2085,2086],"Balancing Bowl (1, 3 and 2)","Vessel Scape","Pair (open)","Cylinders","Salt and Pepper Split Bowls",[816,734],[1307,918,742,921,743,923],[746],[684],[663],51.6034423898581,-0.0212744120457957,{"_699":2092,"_700":2093},3831,{"_649":2097,"_31":2098,"_652":2099,"_255":2103,"_378":2104,"_659":2105,"_661":2106,"_664":2107,"_667":2108,"_673":2109,"_675":2115,"_677":2116,"_679":38,"_680":2117,"_682":2118,"_685":2119,"_687":2120,"_689":2121,"_691":1447,"_693":789,"_695":2065,"_697":2122,"_701":2123},"profile-3436",3436,[2100,2101,2102],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPGWWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PYERWA4-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSehWAG-right2.jpg","Adi Toch","adi-toch-metalworking-united-kingdom","Adi Toch fell in love with metal at the age of 14 when she spent a summer working as an apprentice to a jeweller. She pursued metalwork at the Bezalel Academy of Arts, but soon found jewellery’s dependency on the body rather limiting. She started to work on larger metal objects instead, with particular interest in vessels. She came to London in 2007 to study for an MA at The Cass and decided to make the city her home, drawn to its history, multiculturalism and versatility. Exploring the communicative abilities of metal, her work draws inspiration both from history but also investigates contemporary concerns.",[663],[768,769],[845,717,2019,1915,808,721,1429],[2110,2111,2112,2113,2114],"Talk to Me","Spouted vessels","Vivid in Motion","Plump wall objects","Red Sand Bowl",[816],[918,921,923],[746],[684],[663],51.52189,-0.10733,{"_699":2120,"_700":2121},3487,{"_649":2125,"_31":2126,"_652":2127,"_255":2131,"_378":2132,"_659":2133,"_661":2134,"_664":2135,"_667":2137,"_673":2138,"_675":2148,"_677":2151,"_679":38,"_680":2152,"_682":2153,"_685":2154,"_687":2155,"_689":2156,"_691":1188,"_693":2157,"_695":2065,"_697":2158,"_701":2159},"profile-1303",1303,[2128,2129,2130],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVDQWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVDRWA4-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVDSWA4-right2.jpg","Mylinh Nguyen","mylinh-nguyen-metalworking-france","When deciding where and what to study, Mylinh Nguyen was interested in manual crafts and found metalwork's ability to create diverse forms and shapes very appealing. She enrolled in the metalwork department of the Olivier de Serre art school in Paris without having worked with metal before. It was a good choice. “During these studies, I discovered machining and really liked it,” she says. Mylinh was immediately attracted to machining because it requires the use of large, imposing and very noisy machinery, but paradoxically allows the creation of extremely refined objects. “The contrast between all the machinery and the finesse of the pieces really fascinated me right away.”",[663],[1031,2136],"Rennes",[845,717,2019,183,881,1915,808,908,1429],[2139,2140,2141,2142,2143,2144,2145,2146,2147],"Méduse #21 (Draft)","Petits dieux de misère #6","Petits dieux de misère #4","Méduse #21","Choux","Roses ? – noir III-","Courants doux","Roses ? – noir I -","Oursins",[734,730,816,777,2149,2150,1587,1003],"Plaster","Resin",[918,921,923],[746],[684],[663],48.1,-1.7,"Rennes, France",{"_699":2155,"_700":2156},3430,{"_649":2161,"_31":2162,"_652":2163,"_255":2167,"_378":2168,"_659":2169,"_661":2170,"_664":2171,"_667":2173,"_673":2174,"_675":2180,"_677":2181,"_679":38,"_680":2182,"_682":2183,"_685":2184,"_687":2185,"_689":2186,"_691":2187,"_693":2188,"_695":2065,"_697":2189,"_701":2190},"profile-172",172,[2164,2165,2166],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PROcWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PYEUWA4-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PROeWAO-right2.jpg","Elie Hirsch","elie-hirsch-metalworking-france","Elie Hirsch’s professional life began when he discovered a tiny shed hidden away at the end of his parent’s garden that he could use as his workshop. “I found a sense of freedom in that small confined space, the power to make anything I felt like doing,” he says. He had long searched for this freedom, and suddenly had to learn how to respond to the blank page, to the idea that he was free to create whatever he wanted. It was an exciting process, and over the next two years he set himself the task of creating two collections of jewellery. “I’ve always been very demanding. I wanted a perfect result,” he says. The collections were subsequently exhibited in Paris.",[663],[1031,2172],"Sormery",[845,1577,717,718,1883,2019,719,881,1096,1428,1429],[1006,2175,2176,2177,2178,2179],"Beauty Belt (draft)","Resolute","Snail","Beauty Belt","The Monkey",[730,734],[918,921,923],[746],[684],[663],48.08794,3.77168,"2026-05-06T07:26:42.000+0000","Sormery, France",{"_699":2185,"_700":2186},2356,{"_649":2192,"_31":2193,"_652":2194,"_255":2198,"_378":2199,"_659":2200,"_661":2201,"_664":2202,"_667":2203,"_673":2204,"_675":2210,"_677":2211,"_679":38,"_680":2212,"_682":2213,"_685":2214,"_687":2215,"_689":2216,"_691":1727,"_693":789,"_695":2065,"_697":2217,"_701":2218},"profile-3327",3327,[2195,2196,2197],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSQVWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PYM2WAO-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSQWWA4-right2.jpg","Ane Christensen","christensen-ane-msweb4","Originally from Copenhagen, Denmark, Ane Christensen moved to London in 1993 and trained as a jewellery designer, before graduating in metalwork and silversmithing from the Royal College of Art. Her metal sculptures explore the subjects of illusion and balance, space and voids. She always starts with the simple shape of a bowl, then interrupts and deconstructs it by introducing areas of open, delicate structures and patterns, using techniques such as hand piercing, soldering, drilling and patination. She enjoys working in different materials, including silver, gold and stainless steel.",[663],[768,769],[717,719,1915,948,1429],[2205,2206,2207,2208,2209],"Cloud Bowls","Crumbling Bowls","Negative Bowl","Crumbling Bowl","Phantom Bowl",[734,816],[918,921,923],[746],[684],[663],51.55681,-0.04745,{"_699":2215,"_700":2216},2275,{"_649":2220,"_31":2221,"_652":2222,"_255":2226,"_378":2227,"_659":2228,"_661":2229,"_664":2230,"_667":2233,"_673":2235,"_675":2239,"_677":2240,"_679":38,"_680":2242,"_682":2243,"_685":2244,"_687":2245,"_689":2246,"_691":1727,"_693":2247,"_695":2065,"_697":2248,"_701":2249},"profile-3246",3246,[2223,2224,2225],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSdnWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSdlWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSdpWAG-right2.jpg","Laurenz Kyral","laurenz-kyral-metalworking-austria","On his father’s side, Laurenz Kyral comes from a Viennese family of famous tinsmiths and girdlers. His mother works as a paper artist and designer. As their son, he merges both worlds to perfection. He calls himself a generalist, working as artistically as possible with different kinds of metals. His first objects, small metal bowls with differently processed surfaces, were sold even before he started his university studies. Now, still only in his 20s, he is a multi-award-winning artisan. \"It is all about experience and lifelong learning,\" says Laurenz, who exudes maturity and self-confidence, complementing his easy-going and lighthearted attitude.",[663],[2231,2232],"Austria","Vienna",[845,670,717,672,719,881,908,2234,1429],"Under 30",[2236,2237,2238],"Home cheese-making set","Patinated vases","Wind-patinated vases",[734],[2241,919,1630,742,820,743],"Cheese-making set",[746],[684],[663],48.19194,16.30693,"Vienna, Austria",{"_699":2245,"_700":2246},2207,{"_649":2251,"_31":2252,"_652":2253,"_255":2257,"_378":2258,"_659":2259,"_661":2260,"_664":2261,"_667":2263,"_673":2264,"_675":2270,"_677":2271,"_679":38,"_680":2275,"_682":2276,"_685":2277,"_687":2278,"_689":2279,"_691":2280,"_693":2281,"_695":2065,"_697":2282,"_701":2283},"profile-4057",4057,[2254,2255,2256],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POLNWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POLMWA4-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POLOWA4-right2.jpg","Berthold Hoffmann","berthold-hoffmann-metalworking-germany","The longstanding tradition of goldsmithing and silversmithing in the city of Nuremberg and the excellent training at the Academy of Fine Arts Nuremberg had a deep impact on Berthold Hoffmann. His teachers opened his eyes to the profession’s creative potential and the year before he graduated in 1986 he decided to open his own workshop. Today, Berthold is renowned for designing and making award-winning cast iron cooking pots and pans, fondue sets and tabletop grills. 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