Jacky Oliver

Cockpit Bloomsbury

Metalworker

©Stefan Stefanou

©Jim Wileman

Intuitive metalwork

Jacky's love of working with metals began while studying jewellery at university
She creates small handheld objects and large-scale installations
She works intuitively allowing the object’s form to develop as she creates the piece

Jacky Oliver creates sculptural pieces that combine the heaviness of blacksmithing with the refinement and delicacy of jewellery work, giving her objects an unexpected lightness. Jacky’s work is defined by two strands: one side of her practice is about conducting in-depth research to create work that tells a story, to help draw people in and spark conversations around the piece. The other strand is about creating work that is purely about exploring line, compositions, space and creating shadows. “The one thing common to all my work is my attention to detail in the quality of finish. Each joint and line is created with care, thought and refinement.” Jacky works from her London studio at Cockpit Bloomsbury. Jacky is also a committed teacher of her craft, and believes in the power of creativity to enrich lives.

Interview

©Jim Wileman

©Barbara K

What inspired your interest in metalwork?: I discovered my love of metal while studying jewellery at Middlesex University. I then deepened my understanding of the potential of metal on the Royal College of Art's Goldsmithing, Silversmithing, Metalwork and Jewellery course. I have had amazing tutors. As soon as I discovered the different properties of metal I was hooked. I just love soldering and piercing.
What is your production process?: I have an idea and start making it, and then it always changes, and that is one of the things I like. I work intuitively, letting my ideas respond to the process. I research my chosen subject, then use drawing and collage to work through the ideas, followed by extensive model making and sampling before I carefully make the final object. I also collaborate with others, such as glassblowers and leather workers, which helps to push my craft in different ways.
What do you find fascinating about the research element of your process?: I get so involved in research because it allows me to tell a story. I spend a lot of time on research, and it has evolved to become an integral part of the making process. My work brings together research from museums, archives and local communities to help me create thought-provoking objects that give a sense of a place or an event to stimulate viewers to consider, reflect and interact with the piece on many levels.
Why is it important for you to teach your craft?: I am highly passionate about sharing my love of metal and helping others experience the potential of working in metal and, more broadly in the world of craft. I lecture, go into schools to teach, facilitate and run craft programmes, run workshops for people from a diverse range of backgrounds and ages, including school children, pensioners, youth offenders, participants with special needs, and practising artists wishing to develop their creative skills.

Jacky Oliver is a master artisan: she began her career in 1998 and she started teaching in 1998