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2026","bgColor","bgImgUrl","https://api.homofaber.com/uploads/9_16_1080x1920_50_175a29db28.png","bgRepeat","bgFit","contain","centerImgUrl","centerText","1 – 30 September 2026, San Giorgio Maggiore Island, Venice","centerImgFit","ctaLabel","Book your ticket","ctaBgColor","#FFFFFF","ctaUrl","textColor","white","2025-05-22T09:42:23.885Z","2026-04-27T09:13:30.731Z","2026-04-27T09:13:30.723Z","textLeftXs","bgImgUrlXs","ctaLabelXs","Book 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Studio","the_goodman_studio-glassblowing-toronto","description","The Goodman Studio is a modern glass design and fabrication studio based in Toronto, Canada. Jeff Goodman founded the studio in 1989 as a space where designers, artists and architects could explore the potential of glass. Today, led by creative and executive director Sylvia Lee, head glassblower Brad Turner, and a dedicated team of glass artisans, the studio produces handmade installations, lighting, vessels and architectural glass for luxury projects worldwide.","craft",[696],"Glassblowing","destinations",[699,700],"Canada","Ontario","tags",[703,704,705,706,707],"Atelier","Collaborations","Glass","Innovation","Science","objects",[],"materials",[],"categories",[],"has-experiences","type-of-artisan",[703],"craft_person",[719],"Glassblower","craft_metier",[696],"latitude",43.71570692703629,"longitude",-79.30891279529136,"content_edit_date","2026-05-06T07:32:23.000+0000","city_and_country","Toronto, Canada","is_new_until","2026-05-14","_geo",{"_734":723,"_735":725},"lat","lng","order",3637,{"_682":739,"_31":740,"_685":741,"_255":745,"_378":746,"_692":747,"_694":748,"_697":750,"_701":752,"_708":758,"_710":764,"_712":772,"_714":38,"_715":776,"_717":778,"_720":780,"_722":781,"_724":782,"_726":783,"_728":729,"_730":784,"_732":785,"_736":786},"profile-5470",5470,[742,743,744],"https://api.homofaber.com/uploads/3_K_Bondy_Headshot_2_Photo_by_Jodianne_Beckford_copy_cad2d2d2c8.jpg","https://api.homofaber.com/uploads/2_K_Bondy_Gestures_3_Photo_by_Jodianne_Beckford_copy_fbe3a471f9.jpg","https://api.homofaber.com/uploads/5_K_Bondy_Gestures_7_Photo_by_Amber_Ellis_copy_c78c1bae80.jpg","Kathryn Bondy","kathryn_bondy-paper_art-toronto","\"I have been an artist my whole life,” says Kathryn Bondy, who sculpts plants and insects out of paper. She also uses paint, polymer clay and other materials to achieve her signature hyperrealistic works. During her studies in the Art Criticism and Curatorial Practices programme at the Ontario College of Art and Design from 2003 to 2007, Kathryn reports having learned about activating material and giving it life by working as a store artist to craft elaborate displays. “I had to tell a story with the objects and materials at hand,” she says. Storytelling still informs Kathryn's practice today, along with keen observation skills. Looking closely and shaping paper to mimick not only the shapes but the textures of flowers, plants and insects is the foundation of Kathryn's work. Clients contact her to create bespoke sculptures commemorating lives, stories and milestones, and she also holds workshops to share her skills and paperworking techniques.",[749],"Paper art",[699,751],"Toronto",[753,754,755,756,757],"Decorative","Flowers","Nature","Visual Arts","Paper",[759,760,761,762,763],"Monarch and Zinnia","Two Snails","Queen Anne’s Lace","Peach Blossoms","Mourning Cloak Butterfly",[765,766,767,768,769,770,757,771],"Crepe de Chine","paper","Polymer clay","Rice paper","Yarn","Fibres and textiles","Synthetic materials and resins",[773,774,775],"Ornament","Jewellery and watches","Mode",[777],"Artisan",[779],"Paper artist",[749],43.67700616704731,-79.4037826834045,"2026-05-06T07:32:14.000+0000","2026-05-07",{"_734":781,"_735":782},2196,{"_682":788,"_31":789,"_685":790,"_255":794,"_378":795,"_692":796,"_694":797,"_697":799,"_701":800,"_708":805,"_710":811,"_712":813,"_714":38,"_715":817,"_717":818,"_720":820,"_722":821,"_724":822,"_726":783,"_728":729,"_730":823,"_732":824,"_736":825},"profile-5462",5462,[791,792,793],"https://api.homofaber.com/uploads/3_R_Davidovitz_Workshop_1_Photo_by_sarah_bodri_copy_232992e950.jpg","https://api.homofaber.com/uploads/1_R_Davidovitz_Action_2_Photo_by_sarah_bodri_copy_c8e68befdf.jpg","https://api.homofaber.com/uploads/5_R_Davidovitz_Works_3_2745a369d5.jpg","Robert Davidovitz","robert_davidovitz-decorative_painting-toronto","Robert Davidovitz specialises in paint weaving, a unique technique of weaving piped paint on a table using adapted looming techniques. \"Born into a family of makers, I was always interested in art, even as a child,\" he says. In 2006, while studying painting and photography at York University and working part-time as a pastry maker, he was inspired to explore paint and painting in a whole new way. “I had this eureka moment,” he recalls. “I wondered, what if, instead of piping icing, I piped paint, and put it on a canvas?” The insight led him to experiment with creating multicoloured acrylic paint strands and weaving them into works that, by 2010, would feature intricate optical effects and strong elements of tactility and relief. Robert’s practice involves digital tools such as AutoCAD and analogue tools like mixing bowls and spatulas. \"My current workshop resembles a bakery,” he says.",[798],"Decorative painting",[699,751],[801,802,706,803,804,756],"Exhibitions/Museums","Heritage","Mixed media","Unusual",[806,807,808,809,810],"Koi","Wave 4","Intersections","Formation Flight","Étude",[812,771],"Acrylic paint",[814,815,816],"Wall decor","Wall decorations","Decoration",[777],[819],"Decorative painter",[798],43.64664683388033,-79.39418567002045,"2026-04-30",{"_734":821,"_735":822},2142,{"_682":827,"_31":828,"_685":829,"_255":833,"_378":834,"_692":835,"_694":836,"_697":838,"_701":839,"_708":842,"_710":848,"_712":854,"_714":38,"_715":860,"_717":861,"_720":863,"_722":864,"_724":865,"_726":866,"_728":867,"_730":868,"_732":869,"_736":870},"profile-5044",5044,[830,831,832],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EvoQ_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EvoQ_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EvoQ_Right2.jpg","Kye-Yeon Son","kye-yeon_son-metal_sculpting-hubley","Kye-Yeon Son’s metalwork explores fragility and tenacity in nature-inspired sculptures. She uses fine steel wire structures to create a subtle, wind-led movement. Kye-Yeon trained as a silversmith and jeweller at Seoul National University, gaining an MFA in jewellery design and silversmithing from Indiana University in 1984. She later settled in Canada. Kye-Yeon’s aim is to translate the kinetics of reeds, grasses and bare branches into wire-built forms that respond to the slightest air current. Since the 1990s, her focus has been on refining metal’s behaviour to draw out its tensile line. “Lines as observed in nature are at the centre of my practice,” she says. Kye-Yeon’s processes include graded gold plating over silver, micro-welding steel, enamelling, Korean lacquering or ottchil, and electroplating. Kye-Yeon won Canada’s Saidye Bronfman Award for fine craft in 2011 and is a professor at NSCAD University in Halifax.",[837],"Metal sculpting",[699],[840,753,801,755,841,804],"Awarded","Teacher",[843,844,845,846,847],"Innate Beauty 2023-8","Innate Beauty Brooch 2023-3","Innate Beauty 2022-4","Innate Beauty 2023-2","Innate Beauty 2023-9",[849,850,851,852,853],"Gold plated","Steel","Silver plate","Metals","Minerals",[855,856,857,858,859,774,816,775],"Centrepiece","Brooch","Vessel","Vase","Decorative objects",[777],[862],"Metal sculptor",[837],44.65757221291438,-63.79041464050759,"2026-05-06T07:27:48.000+0000","Hubley, Canada","2026-04-09",{"_734":864,"_735":865},5483,{"_682":872,"_31":873,"_685":874,"_255":878,"_378":879,"_692":880,"_694":881,"_697":882,"_701":884,"_708":888,"_710":894,"_712":895,"_714":38,"_715":896,"_717":897,"_720":898,"_722":899,"_724":900,"_726":783,"_728":901,"_730":868,"_732":902,"_736":903},"profile-5397",5397,[875,876,877],"https://api.homofaber.com/uploads/3_20_Verre_d_Onge_copy_f43357e861.jpg","https://api.homofaber.com/uploads/1_28_Verre_d_Onge_copy_950f4d38d1.jpg","https://api.homofaber.com/uploads/5_29_Verre_d_Onge_copy_0ea9876b81.jpg","Jérémie St-Onge","jérémie_st-onge-glassblowing-montreal","Jérémie St-Onge trained to be a glassmaker in Quebec and spent several years working in professional studios. Working largely alone, he launched his eponymous collection in 2019. Jérémie’s pieces favour precise gestures and aim for perfection, utilising tonal colours and ombre tones with a frosted glass finish. “I allow the material to guide me, trusting that the end result will answer my penchant for asymmetry and subtle variation,” he says. Jérémie’s colour palette reflects his childhood memories of mineral collecting, country landscapes and historic objects. Alongside his studio work at Verre d‘Onge, he is developing a body work featuring more sculptural pieces to explore glass as a contemporary object with historical depth.",[696],[883,699],"Montreal",[753,705,885,886,755,887],"Functional","Interiors","Under 30",[889,890,891,892,893],"Frosted glass vases","Piece No.527","Collection No.7","Piece No.772","Piece No.537",[705],[858,859,816],[777],[719],[696],45.46373304275087,-73.59467939781142,"Montréal, Canada",{"_734":899,"_735":900},5285,{"_682":905,"_31":906,"_685":907,"_255":911,"_378":912,"_692":913,"_694":914,"_697":916,"_701":917,"_708":920,"_710":926,"_712":934,"_714":38,"_715":937,"_717":938,"_720":940,"_722":941,"_724":942,"_726":727,"_728":943,"_730":868,"_732":944,"_736":945},"profile-5184",5184,[908,909,910],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000F09g_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000F09g_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000F09g_Right2.jpg","Gabrielle Desmarais","gabrielle_desmarais-jewellery_making-chambly","Gabrielle Desmarais uses the body as a canvas to tell stories with her jewellery. \"My practice emerged from a personal turning point, as I left my science studies and discovered jewellery in Mexico. Later, this path helped me process the loss of my father through a major enamel and fibre piece I created,\" she says. Gabrielle received formal training at the École de Joaillerie de Montreal and Alchimia in Florence. In her riverside studio outside Montreal, she creates both one-of-a-kind works and more accessible collections, often reworking fragments, ruins and family gold into new forms. In her practice, Gabrielle brings together wood, embroidery with stones, fibres, resin and precious metals. She is a community builder who employs a small team and teaches final year students.",[915],"Jewellery making",[699],[704,918,753,919,841],"Craft therapy","Jewellery",[921,922,923,924,925],"Garden no.1","Garden no.46","La Géode","Ce qui n’est pas là no.7","Ce qui n’est pas là no.3",[927,928,929,930,931,932,852,853,933],"Gold","Silver","Amethyst","Quartz","wood","Onyx","Wood",[856,935,936,774,775],"Necklace","Ring",[777],[939],"Jewellery maker",[915],45.4446787705567,-73.26567899803022,"Chambly, Canada",{"_734":941,"_735":942},4877,{"_682":947,"_31":948,"_685":949,"_255":953,"_378":954,"_692":955,"_694":956,"_697":958,"_701":959,"_708":963,"_710":973,"_712":981,"_714":38,"_715":989,"_717":990,"_720":992,"_722":993,"_724":994,"_726":995,"_728":901,"_730":868,"_732":996,"_736":997},"profile-3735",3735,[950,951,952],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPLmWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWujWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWumWAG-right2.jpg","Jonathän Jouan","jonathän_jouan-furniture_making-montréal","Rooted in storytelling, Jonathän Jouan's work draws from mythology and symbolic forms, transforming wood and straw marquetry into luminous, living surfaces. Each piece becomes a microcosm, an intimate world where organic shapes, delicate textures and subtle light interplay invite reflection and emotional engagement. A French Breton artist now based in Montreal, Jonathän studied art history in France and trained as a fine cabinetmaker in Canada, further developing his practice in Copenhagen. \"Craft is inseparable from concept: the hand, the material and the narrative are inseparable. Each gesture carries intention and presence,\" he says. Through this fusion of technique and imagination he offers viewers furniture pieces that are at once functional, poetic and profoundly human.",[957],"Furniture making",[883,699],[960,961,753,885,706,962],"First generation","Design","Mixing cultures",[964,965,966,967,968,969,970,971,972],"Eggÿ (blue)","Eggÿ","Invisible Monster 15","Invisible Monster 05","Invisible Monster 12","Eggÿ (red)","Invisible Monster 21","Eggÿ (green)","KitSü",[974,975,976,977,931,978,979,980,705,852,933],"Straw","Mirror","Brass","Plywood","Gold Leaf","Oak wood","Botanical",[975,982,983,984,985,986,987,988],"Sculpture","Desk","Furniture accessories","Monuments","Tables","Furniture","Architecture",[777],[991],"Furniture maker",[957],45.53906403536095,-73.5834676556837,"2026-04-22T14:16:00.000+0000",{"_734":993,"_735":994},4790,{"_682":999,"_31":1000,"_685":1001,"_255":1005,"_378":1006,"_692":1007,"_694":1008,"_697":1010,"_701":1011,"_708":1014,"_710":1020,"_712":1026,"_714":38,"_715":1033,"_717":1034,"_720":1036,"_722":1037,"_724":1038,"_726":866,"_728":1039,"_730":868,"_732":1040,"_736":1041},"profile-5404",5404,[1002,1003,1004],"https://api.homofaber.com/uploads/3_6_Layne_Beckner_Grime_f8321b2f18.jpg","https://api.homofaber.com/uploads/1_15_Layne_Beckner_Grime_841a33ffb3.jpg","https://api.homofaber.com/uploads/5_16_Yvonne_Iten_Scott_Studio_copy_c0982cdd5b.jpg","Yvonne Iten-Scott","yvonne_iten-scott-textile_sculpting-erin","Yvonne Iten-Scott relies on traditional techniques of rug hooking and tapestry making to create contemporary wall pieces and sculptural objects. “I never sketch my patterns, I always begin with a colour palette and allow each piece to unfold intuitively from the centre,” she says. Yvonne is particularly inspired by landscape and place. Residencies in Iceland, Scotland and Shetland have shaped her practice, offering her locally sourced wools and materials that allow her to create works anchored in a specific environment. Yvonne’s figurative pieces are colourful and textured, often depicting animals, while her abstract works reflect a deep engagement with colour, fibre and form.",[1009],"Textile sculpting",[699,700],[753,801,755,1012,1013,841],"New career","Territory",[1015,1016,1017,1018,1019],"Agate rug","Woolly pods","Hamish in the highlands","Origin","Honeycomb footstool",[1021,1022,1023,1024,1025,770],"Wool","Linen","Cotton thread","Cotton","Silk",[1027,982,1028,1029,1030,985,815,1031,1032,988,816,775],"Rug","Wall hanging","Embroidery","Soft furnishings","Clothing","Home textiles",[777],[1035],"Textile sculptor",[1009],43.74404106355277,-80.05194172829923,"Erin, Canada",{"_734":1037,"_735":1038},4677,{"_682":1043,"_31":1044,"_685":1045,"_255":1049,"_378":1050,"_692":1051,"_694":1052,"_697":1054,"_701":1055,"_708":1057,"_710":1063,"_712":1067,"_714":38,"_715":1070,"_717":1071,"_720":1073,"_722":1074,"_724":1075,"_726":783,"_728":1076,"_730":868,"_732":1077,"_736":1078},"profile-5348",5348,[1046,1047,1048],"https://api.homofaber.com/uploads/3_40_Lisa_Cresky_Ceramics_copy_2f790af515.jpg","https://api.homofaber.com/uploads/1_44_Lisa_Cresky_Ceramics_copy_738d727991.jpg","https://api.homofaber.com/uploads/5_48_Lisa_Cresky_Ceramics_copy_f49eaae0aa.jpg","Lisa Creskey","lisa_creskey-ceramics-chelsea","Lisa Creskey began her career as a painter, drawn to traditional techniques such as egg tempera and fresco. Clay became her primary medium in 2010 when she started hand building in porcelain, using it as a durable surface for carved and painted imagery. Living on a rugged property bordering Gatineau Park, Lisa observes wildlife closely, and in particular the interdependence between beings. “I believe that craft shares a DNA with human beings and all life,” she says. Lisa’s large ceramic installations expand these observations at scale, often incorporating multiple materials and inviting close, sometimes tactile, engagement from the viewer.",[1053],"Ceramics",[699],[1056,1053,801,755,756],"Fairytale",[1058,1059,1060,1061,1062],"Holding on and letting go","Figure of a finch, dreaming of flight","Internal landscape","Their breath soon will form mists","Halocline",[1064,1065,1066],"Underglaze","Porcelain","Enamel, glaze and lacquer",[982,857,1068,985,859,1069,988,816],"Mosaic","Building elements",[777],[1072],"Ceramicist",[1053],45.57889181265827,-75.87349622758356,"Chelsea, Canada",{"_734":1074,"_735":1075},4484,{"_682":1080,"_31":1081,"_685":1082,"_255":1086,"_378":1087,"_692":1088,"_694":1089,"_697":1090,"_701":1091,"_708":1092,"_710":1098,"_712":1102,"_714":38,"_715":1107,"_717":1108,"_720":1109,"_722":1110,"_724":1111,"_726":727,"_728":1112,"_730":868,"_732":1113,"_736":1114},"profile-5426",5426,[1083,1084,1085],"https://api.homofaber.com/uploads/3_Kino_Guerin_Making_3_image_by_Elyse_Belanger_2fea76b328.jpg","https://api.homofaber.com/uploads/1_Kino_Guerin_Hands_3_4d0169ae34.jpg","https://api.homofaber.com/uploads/5_Kino_Guerin_Wave_Bench_image_by_Elyse_Belanger_998269867a.jpg","Kino Guérin","kino_guérin-furniture_making-quebec","Kino Guérin has been fascinated with making things since childhood, when he fashioned bows and arrows from wood gathered in his backyard and roamed the woodlands of Saguenay, Québec. “From an early age, I was attracted to the material,” he says. Kino’s colour blindness drew him to work with sculptural, 3D forms made from wood. During his cabinetmaking degree at Cégep du Vieux Montréal, he began experimenting with more artful objects, using a vacuum-press lamination process to create pliable ribbons of wood for tables, shelves and other pieces of furniture. Kino has since refined and mastered this technique, moulding and shaping continuous stretches of wood into functional objects characterised by intricate knots and sinuous curves. His work is supported by the Conseil des Métiers d'Art du Québec and the Canada Council for the Arts.",[957],[699],[961,706,886,755,933],[1093,1094,1095,1096,1097],"Himalaya table","Why knot bench","Sirocco table","Nebula table","Phoenix dining table",[979,977,1099,1100,1101,933],"Walnut wood","Maple wood","Elm wood",[1103,1104,1105,986,1106,987],"Console","Bench","Dining table","Sofa and Chairs",[777],[991],[957],45.57411012760269,-72.21577262499129,"Quebec, Canada",{"_734":1110,"_735":1111},4392,{"_682":1116,"_31":1117,"_685":1118,"_255":1122,"_378":1123,"_692":1124,"_694":1125,"_697":1126,"_701":1128,"_708":1129,"_710":1135,"_712":1140,"_714":38,"_715":1141,"_717":1142,"_720":1143,"_722":1144,"_724":1145,"_726":783,"_728":729,"_730":868,"_732":1146,"_736":1147},"profile-5182",5182,[1119,1120,1121],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000F08R_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000F08R_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000F08R_Right2.jpg","Susan Collett","susan_collett-ceramics-toronto","Susan Collett creates sculptural forms and pieces influenced by nature in her ceramic practice. She is recognised with designations from the Royal Canadian Academy of Arts (RCA) and the International Academy of Ceramics (IAC). Originally trained as a printmaker, a craft she continues to pursue in tandem with ceramics, she discovered clay late in her studies. Over time, she has developed an unconventional technique within her ceramics work that integrates wire armatures and finely hammered porcelain strips. Susan’s sculptures play with translucency, shadow and the idea of life as layered and cumulative. \"I use light and how it plays through stacked clay platelets to explore the idea of fragility,\" she says.",[1053],[699,1127,751],"Ontario: new beginnings in craft",[753,1053,755],[1130,1131,1132,1133,1134],"Ember","Vernal","Roseladen","Parchment","Thicket",[1065,1136,1137,1138,1139,757],"Clay","Paper clay","Japanese paper (Washi)","Ceramic",[982,1028,985,815,988,816],[777],[1072],[1053],43.64476154381936,-79.40937731265656,{"_734":1144,"_735":1145},4245,{"_682":1149,"_31":1150,"_685":1151,"_255":1155,"_378":1156,"_692":1157,"_694":1158,"_697":1159,"_701":1160,"_708":1161,"_710":1167,"_712":1169,"_714":38,"_715":1170,"_717":1171,"_720":1172,"_722":1173,"_724":1174,"_726":783,"_728":729,"_730":868,"_732":1175,"_736":1176},"profile-5183",5183,[1152,1153,1154],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000F08T_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000F08T_Right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000F08T_Right2.jpg","Kathy Kranias","kathy_kranias-ceramics-toronto","Kathy Kranias creates pieces inspired by Greek mythology, dance and the evolving phases of her life. Her practice is intensely tactile and involves hand building each piece with coils and countless clay elements. Trained in visual arts at Concordia University, Kathy established her practice during the early 1990s in Canada and has taught for many years. She approaches sculpture without sketches. “My ideas develop slowly as I work directly with the clay,” she says. “Form and meaning arise through direct engagement with the material.” Kathy’s pieces are defined by organic sculptural forms and white, unglazed surfaces.",[1053],[699,751,700],[753,1053,755],[1162,1163,1164,1165,1166],"Surge","I am a dancer","I am a tree","Deep breath","Invisibility cloak 1",[1136,1137,1168,1064,1139,1066],"Glaze",[982,985,988],[777],[1072],[1053],43.65950368064128,-79.50236321265345,{"_734":1173,"_735":1174},4206,{"_682":1178,"_31":1179,"_685":1180,"_255":1184,"_378":1185,"_692":1186,"_694":1187,"_697":1188,"_701":1189,"_708":1191,"_710":1196,"_712":1198,"_714":38,"_715":1199,"_717":1200,"_720":1201,"_722":1202,"_724":1203,"_726":727,"_728":901,"_730":868,"_732":1204,"_736":1205},"profile-5195",5195,[1181,1182,1183],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000F09f_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000F09f_Right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000F09f_Right2.jpg","Pascale Girardin","pascale_girardin-ceramics-montréal","Pascale Girardin is a ceramicist who creates large-scale architectural works such as sculptural murals and suspended installations. She brings her background in painting and ceramics into every project. In managing so many complex and diverse projects, Pascale finds inspiration in the structure and precision of a professional. “I lead my studio team in a disciplined way that balances creative practice with structured project management,” she says. Pascale’s work features in hospitality settings including Saks Fifth Avenue in New York, and Four Seasons hotels in Toronto, Montreal and Las Vegas.",[1053],[883,699],[988,753,1053,801,885,1190,886],"Hospitality",[1192,1193,1194,1195],"Figura 03","Bust 09","Figura 07","Figura 04",[1197,1139],"Stoneware",[982,985,988],[777],[1072],[1053],45.54045739394054,-73.58420865013332,{"_734":1202,"_735":1203},4178,{"_682":1207,"_31":1208,"_685":1209,"_255":1213,"_378":1214,"_692":1215,"_694":1216,"_697":1217,"_701":1218,"_708":1219,"_710":1225,"_712":1226,"_714":38,"_715":1232,"_717":1233,"_720":1234,"_722":1235,"_724":1236,"_726":727,"_728":1237,"_730":868,"_732":1238,"_736":1239},"profile-5263",5263,[1210,1211,1212],"https://api.homofaber.com/uploads/3_4_Genevieve_Lesieur_67eb13271c.jpg","https://api.homofaber.com/uploads/1_1_C_Huckel_0cedaac084.jpg","https://api.homofaber.com/uploads/5_EDITED_14_Genevieve_Lesieur_copy_1cb93861ba.jpg","Coralie Huckel","coralie_huckel-porcelain_crafting-waterloo","A childhood spent collecting clay with her sisters laid the foundations for Coralie Huckel’s second career as a maker. While working in academia, health challenges prompted her to enrol in a throwing class with a Montreal ceramicist in 2012. Ten years later, Coralie left her job to devote herself fully to the studio. Her practice is driven by a search for freedom, harmony and beauty, and a desire to transmit emotion through touch and sight. Coralie presses stones, leaves, flowers and carved stamps into the surface of her forms, seeing clay as a medium that can carry traces of nature and inner life. “Beauty is fundamental to our well-being. I want my pieces to help people reconnect with their own sense of wonder,” she says.",[1053],[699],[753,1053,754,755,1012],[1220,1221,1222,1223,1224],"Large bowl and base","Embossed vase","Ivory vase","Airy cup","Lidded box",[1197,1065,1099,1139,933],[1227,858,1228,1229,859,1230,816,1231],"Bowl","Cup","Box","Drinkware","Table and kitchen",[777],[1072],[1053],45.3519332728569,-72.51766863852649,"Waterloo, Canada",{"_734":1235,"_735":1236},4077,{"_682":1241,"_31":199,"_685":1242,"_255":1245,"_378":1246,"_692":1247,"_694":1248,"_697":1249,"_701":1250,"_708":1252,"_710":1258,"_712":1265,"_714":38,"_715":1269,"_717":1270,"_720":1272,"_722":1273,"_724":1274,"_726":866,"_728":1275,"_730":868,"_732":1276,"_736":1277},"profile-895",[1243,1244],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EvnK_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EvnK_Left1.jpg","Julia Vysokova","julia-vysokova-7nye3m","Julia Vysokova creates hand embroidered jewellery and accessories inspired by 19th-century European fashion. She uses a combination of old necklaces, Swarovski crystals, Japanese beads, antique silk ribbons, silk and lace in her pieces to reflect a refined aristocratic style. Julia is a self-taught artist. Her initial interest in cross-stitch for dolls has, over time, evolved into an artistic practise creating fine bead embroidery and award-winning couture-inspired purses. Now living in Canada, she continues to create from her Edmonton studio, repurposing antique materials sourced from markets and collections. “My practice is concerned with nostalgia, patience and an enduring fascination with beauty and craftsmanship,” she says.",[1029],[699],[753,183,919,1251],"Fashion",[1253,1254,1255,1256,1257],"Rose garden","Lady from France","Shepherd and shepherdess","Nostalgia","a1VTG000000f3GV",[1259,1025,1260,1261,1024,1022,1262,1263,1264,770,705,852,853],"Silk thread","Velvet","Beads","Metallic thread","Metal wire","Rhinestone",[856,1266,1267,774,1268,815,775,816],"Purse","Panel","Bags and luggages",[777],[1271],"Embroiderer",[1029],53.48129177720568,-113.4456152810494,"Edmonton, Canada",{"_734":1273,"_735":1274},3964,{"_682":1279,"_31":1280,"_685":1281,"_255":1285,"_378":1286,"_692":1287,"_694":1288,"_697":1290,"_701":1291,"_708":1295,"_710":1300,"_712":1311,"_714":38,"_715":1315,"_717":1316,"_720":1318,"_722":1319,"_724":1320,"_726":783,"_728":729,"_730":868,"_732":1321,"_736":1322},"profile-5154",5154,[1282,1283,1284],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000F08Q_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000F08Q_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000F08Q_Right2.jpg","Marina Dempster","marina_dempster-mixed_media_sculpture-toronto","Marina Dempster transforms discarded objects such as mannequin limbs, used shoes, basketballs and even her wedding dress, into luminous works that explore transformation and wholeness. Born in Mexico and now based in Toronto, she enjoys working with a pre-Columbian Wixárika technique of embedding yarn and beads into a beeswax and pine-resin ‘skin’. “Working bead by bead becomes an act of seeing and seeding, a devotional practice that asks how we care for what has been disregarded, for the earth and for one another,” Marina says. She invites viewers to imagine inhabiting the forms she creates in her basketball planets collection and acclaimed shoe series, exhibited at the Bata Shoe Museum and Cheongju Craft Biennale, as well as in art museums across North America. Alongside her studio work, Marina mentors artists, curates exhibitions and champions collaboration in craft communities.",[1289],"Mixed media sculpture",[699,751,700],[840,704,801,1251,962,1292,1293,1294],"Politically engaged","Sustainable","Upcycling",[1296,1297,1298,1299],"AWAKE","Bust commission","Immune","Horny",[1301,1302,1303,1304,1305,1306,1307,1308,1309,1310,705,852],"Mother of pearl","Crystal beads","Glass beads","Metal beads","Pearl","Flamingo feathers","Rabbit fur","Deer horn","Animal materials","Cement, plaster, pigments",[982,1312,1313,985,1031,1314,988,775],"Top","Heels","Shoes",[777],[1317],"Mixed media sculptor",[1289],43.66260021560093,-79.44760603870682,{"_734":1319,"_735":1320},3951,{"_682":1324,"_31":1325,"_685":1326,"_255":1330,"_378":1331,"_692":1332,"_694":1333,"_697":1335,"_701":1336,"_708":1337,"_710":1342,"_712":1346,"_714":38,"_715":1349,"_717":1350,"_720":1352,"_722":1353,"_724":1354,"_726":783,"_728":1355,"_730":868,"_732":1356,"_736":1357},"profile-5064",5064,[1327,1328,1329],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EzXi_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EzXi_Right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EzXi_Right2.jpg","Jacqui Oakley","jacqui_oakley-illustration-hamilton","Jacqui Oakley creates paintings, ink drawings, paper masks and large-scale murals. Born in Hamilton and raised across Libya, Zambia, Bahrain, England and Canada, she studied illustration at Sheridan College, Toronto. Jacqui has been working in editorial, publishing and advertising since the early 2000s, while simultaneously developing an artistic studio practice. Her process includes disciplined draftsmanship, pencil to ink work and open-ended discovery. “My pieces evolve by themselves as I paint on textured paper and cut and collage the fragments together,” she says. Jacqui has taught at Sheridan College and Ontario College of Art & Design and mentors emerging illustrators.",[1334],"Illustration",[699],[753,754,962,757],[1338,1339,1340,1341],"Transmutation No. 1","Through ripples and embers","Reach","Traveller",[1343,1344,1345,1310,771,980],"Paint","Acrylic","Ink",[1347,749,1348],"Collage","Books and paper",[777],[1351],"Illustrator",[1334],43.24979895937536,-79.88234309924896,"Hamilton, Canada",{"_734":1353,"_735":1354},3902,{"_682":1359,"_31":1360,"_685":1361,"_255":1365,"_378":1366,"_692":1367,"_694":1368,"_697":1369,"_701":1370,"_708":1372,"_710":1378,"_712":1381,"_714":38,"_715":1384,"_717":1385,"_720":1386,"_722":1387,"_724":1388,"_726":783,"_728":729,"_730":868,"_732":1389,"_736":1390},"profile-5398",5398,[1362,1363,1364],"https://api.homofaber.com/uploads/3_EDITED_14_Ian_Patterson_copy_2_df7ddbe123.jpg","https://api.homofaber.com/uploads/4_8_Ian_Patterson_acf30a5817.jpg","https://api.homofaber.com/uploads/5_5_Charlotte_Blake_cde5b28d9e.jpg","Charlotte Blake","charlotte_blake-textile_sculpting-toronto","Charlotte Blake creates vivid textile sculptures with weaving at the core of her practice. Trained in drawing and painting at OCAD University, she came to textiles through a dissatisfaction with the constraints and approach she felt in painting. “Weaving allows me to embrace mistakes and offers greater creative freedom,” she says. Blake works primarily with floor looms, using materials such as rattan and other semi-rigid fibres that allow woven surfaces to be shaped into 3D forms after being released from the loom. She often uses negative space as a tool to emphasise the material in her creations. “I see weaving as part of a continuum of labour, skill and transmission, where tools and knowledge are passed from one maker to another,” she says.",[1009],[699,1127,751],[918,801,1371,756],"Traditions",[1373,1374,1375,1376,1377],"Way out","Cradle","Stutter","Twill","Jam tarts and black pudding",[1024,1379,1380,770],"Rattan","Cane",[1382,1383,1032],"Woven fabric","Fabrics",[777],[1035],[1009],43.66240613392652,-79.44764357032537,{"_734":1387,"_735":1388},3548,{"_682":1392,"_31":1393,"_685":1394,"_255":1398,"_378":1399,"_692":1400,"_694":1401,"_697":1402,"_701":1403,"_708":1404,"_710":1410,"_712":1412,"_714":38,"_715":1413,"_717":1414,"_720":1415,"_722":1416,"_724":1417,"_726":866,"_728":1418,"_730":868,"_732":1419,"_736":1420},"profile-4872",4872,[1395,1396,1397],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EvjH_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EvjH_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EvjH_Right2.jpg","Toni Losey","toni_losey-ceramics-dartmouth","Toni Losey grew up in an artistic family and started practising her craft in 1995, straight out of high school. She began as a potter, making decorative and functional objects, and exhibited in galleries across Canada and the USA. She decided to explore clay as an artist, and went back to school for a BA in fine arts in 2016. Since then, Toni has created sculptures inspired by lichen, slime moulds, moss and her garden. \"I apply the same wheel throwing techniques I had used to make my pots, and supplement these parts with coiled and hand built elements,\" she explains. The sculptures are sprayed with slips, underglazes and glazes then fired to create highly textural surfaces that express the cycles of growth and decay. Alongside her studio practice, Toni teaches entrepreneurship at NSCAD and leads workshops across North America and the UK, mentoring emerging makers.",[1053],[699],[753,1053,755,841],[1405,1406,1407,1408,1409],"Flourish","Awaken","Resurgence","Continuum","Interstice",[1411,1064,1136,1066],"Earthenware",[982,985,988],[777],[1072],[1053],44.66841454491177,-63.55571790653873,"Dartmouth, Canada",{"_734":1416,"_735":1417},3148,{"_682":1422,"_31":1423,"_685":1424,"_255":1428,"_378":1429,"_692":1430,"_694":1431,"_697":1432,"_701":1433,"_708":1434,"_710":1440,"_712":1441,"_714":38,"_715":1443,"_717":1444,"_720":1445,"_722":1446,"_724":1447,"_726":1448,"_728":729,"_730":868,"_732":1449,"_736":1450},"profile-5005",5005,[1425,1426,1427],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EqPI_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EqPI_Right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EqPI_Right2.jpg","Brad Turner","brad_turner-glassblowing-toronto","Brad Turner is a glassblower who creates sculptural and technically-innovative decorative pieces. He discovered glassblowing as an elective while studying illustration at the Alberta University of the Arts. Brad’s craft developed when he cemented his technique and broadened his approach with a residency at Toronto’s Harbourfront Centre followed by a MFA at Alfred University. He has exhibited internationally and won major grants and national awards for his detailed and innovative objects. While also pursuing his personal approach to glass sculpture, Brad leads blown-glass production at Goodman Studio in Toronto. “My practice is process-led, planned, measured and composed over multiple hot shop sessions,” he says. His work is known for its focus on pared-back forms, bold colour and finely tuned assemblies.",[696],[699,751,700],[753,705,886,841],[1435,1436,1437,1438,1439],"Blue vitridome","Maroon sculpture","Redundant vessel","Red vitridome","Red and white sculpture",[705],[1442,857,859,816],"Glass sculpture",[777],[719],[696],43.69699483624894,-79.47101855497297,"2026-05-06T07:27:11.000+0000",{"_734":1446,"_735":1447},3022,{"_682":1452,"_31":1453,"_685":1454,"_255":1458,"_378":1459,"_692":1460,"_694":1461,"_697":1463,"_701":1464,"_708":1465,"_710":1471,"_712":1473,"_714":38,"_715":1474,"_717":1475,"_720":1477,"_722":1478,"_724":1479,"_726":727,"_728":729,"_730":868,"_732":1480,"_736":1481},"profile-5302",5302,[1455,1456,1457],"https://api.homofaber.com/uploads/3_1_DNA_Photography_102b74165a.jpg","https://api.homofaber.com/uploads/1_EDITED_36_DNA_Photography_2_copy_86697aee97.jpg","https://api.homofaber.com/uploads/5_12_Brian_Medina_4a5757b6a2.jpg","David Constantino Salazar","david_constantino_salazar-bronze_sculpting-toronto","David Salazar approaches sculpture as a balance between material knowledge and conceptual inquiry. His practice studies how cultures use animals and fables to articulate human experience, particularly regarding loss, faith and transformation. David hand models clay, creates moulds and works with bronze casting. His ongoing installation series, Forever Birds Botanicals, presents birds in transition into plant forms. “I am interested in experimenting with the physical properties of clay to depict trauma and renewal,” he says. Alongside his studio practice, David teaches foundry and casting processes, impressing the importance of patience, safety and a deep respect for the material’s history.",[1462],"Bronze sculpting",[699,751,700],[753,1053,755,841],[1466,1467,1468,1469,1470],"Owl","Loon","Fox","Beaver","Turtle",[1472,852],"Bronze",[982,985,988],[777],[1476],"Bronze sculptor",[1462],43.65320428815973,-79.39149024686874,{"_734":1478,"_735":1479},2968,{"_682":1483,"_31":1484,"_685":1485,"_255":1489,"_378":1490,"_692":1491,"_694":1492,"_697":1493,"_701":1494,"_708":1496,"_710":1502,"_712":1504,"_714":38,"_715":1506,"_717":1507,"_720":1508,"_722":1509,"_724":1510,"_726":1511,"_728":1512,"_730":868,"_732":1513,"_736":1514},"profile-5102",5102,[1486,1487,1488],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Exa0_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Exa0_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Exa0_Right2.jpg","Calvin Nicholls","calvin_nicholls-paper_art-kawartha_lakes","Calvin Nicholls creates intricate wildlife reliefs entirely from paper. As a graphic designer in Toronto in the 1980s, he discovered the sculptural potential of paper while working with clients, developing his own detailed and thoughtful process of layering, tooling and lighting as a self-taught artist. “Every piece begins with drawing. No cut is made before the entire form is planned,” he says. Calvin’s materials are 100% cotton and mulberry papers, chosen for their permanence and ability to hold and reflect subtle light and shadow. His larger pieces take hundreds of hours of careful, detailed attention. Calvin’s meticulous craftsmanship makes his luminous sculptures enduring pieces of contemporary paper art.",[749],[699,1127],[753,755,757,1495,756],"Self-taught",[1497,1498,1499,1500,1501],"Leaning in","Splash dance","Eager to know","Sheer power","Pound per pound",[766,1503,757],"Cotton paper",[1505,749,1348],"Cut paper art",[777],[779],[749],44.35786391972883,-78.74434530182127,"2026-05-06T07:31:00.000+0000","Kawartha Lakes, Canada",{"_734":1509,"_735":1510},2874,{"_682":1516,"_31":1517,"_685":1518,"_255":1522,"_378":1523,"_692":1524,"_694":1525,"_697":1527,"_701":1528,"_708":1531,"_710":1537,"_712":1544,"_714":38,"_715":1548,"_717":1549,"_720":1551,"_722":1552,"_724":1553,"_726":727,"_728":1554,"_730":868,"_732":1555,"_736":1556},"profile-5335",5335,[1519,1520,1521],"https://api.homofaber.com/uploads/3_R_Larocque_Portrait_6_photo_by_Bonnie_Joyce_fab2cec22e.jpg","https://api.homofaber.com/uploads/1_R_Larocque_Action_3_Photo_by_Bonnie_Joyce_bcb3279942.jpg","https://api.homofaber.com/uploads/5_R_Larocque_work_8_photo_by_Ranelle_Larocque_Converted_to_300_DPI_copy_cd170ec930.jpg","Ranelle Larocque","ranelle_larocque-millinery-mcdonalds_corners","Ranelle Larocque is an award-winning milliner who creates bold, bespoke headpieces for special occasions. Her business began as a personal practice: unable to find headwear that suited her taste, she turned her creative skills to making her own. In 2019, her hobby blossomed into a full time business when fellow military spouses started flocking to her Instagram page to purchase her one-of-a-kind pieces. “I occasionally create traditional hats, but more often favour sculptural, racing-forward creations in the flamboyant mode seen at horse races in Britain and the Commonwealth,” she says. Ranelle’s boutique, Queen Bee Millinery, opened in 2020 and she was the official milliner for the King’s Plate horse race, Canada’s most prestigious horse race, in 2025.",[1526],"Millinery",[699,700],[1529,754,1530,1012,1495,1251],"Celebrities","Mentored",[1532,1533,1534,1535,1536],"Race day ready","Iris","Garbo","Ascension","Victoria",[1538,1539,1025,1540,1541,974,1542,1543,770,1309,980],"Sinamay","Satin","Feathers","Lace","Fur felt","Rooster feathers",[1545,1546,1547,775],"Headpiece","Hat","Accessories",[777],[1550],"Milliner",[1526],44.95695317846229,-76.52025840432493,"McDonalds Corners, Canada",{"_734":1552,"_735":1553},2797,{"_682":1558,"_31":1559,"_685":1560,"_255":1564,"_378":1565,"_692":1566,"_694":1567,"_697":1569,"_701":1570,"_708":1571,"_710":1577,"_712":1579,"_714":38,"_715":1581,"_717":1582,"_720":1584,"_722":1585,"_724":1586,"_726":727,"_728":1587,"_730":868,"_732":1588,"_736":1589},"profile-5408",5408,[1561,1562,1563],"https://api.homofaber.com/uploads/3_Anastasia_Tiller_2025_c_Johnny_C_Y_Lam_46_copy_0686281fdb.jpg","https://api.homofaber.com/uploads/1_Anastasia_Tiller_2025_c_Johnny_C_Y_Lam_35_copy_2_5dd01085a8.jpg","https://api.homofaber.com/uploads/5_Anastasia_Tiller_Bonavista_Huger_at_the_studio_c_Johnny_C_Y_77cef731e3.jpg","Anastasia Tiller","anastasia_tiller-tapestry_making-lethbridge","Anastasia Tiller is a multidisciplinary artist living on the Bonavista Peninsula in Newfoundland and Labrador. She brings a whimsical, contemporary sensibility to the province’s craft of rug hooking. Rooted in the traditional technique of looping yarn through burlap, she pushes the craft towards sculptural wall hangings, chairs, and immersive installations. \"I was trained in drawing and painting,\" says Anastasia. \"My approach to rug hooking is as to a painterly medium, selecting bright colours on intuition and treating yarn as pigment.\" Local flora and fauna inspire her textile creations, which feature fantastical aquatic creatures and imagined ecosystems. Anastasia's practice is guided by a philosophy of symbiosis, imagining humans and nature in a shared balance.",[1568],"Tapestry making",[699],[840,886,1013,756],[1572,1573,1574,1575,1576],"Strawberry and Cherry and Fish in the Belly","Mysterious Creature from the Bottom of the Catalina Harbor","Bird Fish","Terra Nova","Happy Trilobites Are Having Fun Swimming in the Ocean Under the Sun",[1021,1024,1344,1578,770,771],"Nylon",[1580,982,859,985,816,988],"Tapestry",[777],[1583],"Tapestry maker",[1568],48.36959045155154,-53.85650985316597,"Lethbridge, Canada",{"_734":1585,"_735":1586},2748,{"_682":1591,"_31":1592,"_685":1593,"_255":1597,"_378":1598,"_692":1599,"_694":1600,"_697":1602,"_701":1603,"_708":1604,"_710":1610,"_712":1611,"_714":38,"_715":1612,"_717":1613,"_720":1615,"_722":1616,"_724":1617,"_726":783,"_728":1076,"_730":868,"_732":1618,"_736":1619},"profile-5437",5437,[1594,1595,1596],"https://api.homofaber.com/uploads/3_ITE_7328_Tom_Evans_cec9a4d988.jpg","https://api.homofaber.com/uploads/1_20160615_20160615_DSC_05179_Version_2_Chris_Munro_8052b2fb17.jpg","https://api.homofaber.com/uploads/5_EDITED_IMG_1457_Paula_Murray_copy_8a939f2e3f.jpg","Paula Murray","paula_murray-porcelain_crafting-chelsea","Paula Murray's work has evolved from functional forms to sculptural vessels where material tension results in visible fractures and movement. She came to ceramics while studying science at the University of Ottawa, and learned the craft in a cooperative studio before pursuing further training at Sheridan College. \"The tactility of working directly with a material and shaping it by hand led me to change my path and open my ceramics studio,\" she explains. Paula relies on her background in science to understand high-temperature processes and oversee material transformation. Her studies also allow her to solve technical issues, which fulfil her desire to challenge the properties of porcelain and create work that seems impossible at first glance. Alongside her studio practice, Paula has played a significant role in developing community-based ceramic spaces, supporting access, skill transmission and long-term engagement with craft.",[1601],"Porcelain crafting",[699],[1012,707,1053],[1605,1606,1607,1608,1609],"The Sun Continues to Rise","Still Breathing","Vibrant Space","Blue Veins II","Untitled II",[1065],[1227,857,859,816],[777],[1614],"Porcelain maker",[1601],45.53193750034735,-75.88713659431347,{"_734":1616,"_735":1617},2344,{"_682":1621,"_31":1622,"_685":1623,"_255":1627,"_378":1628,"_692":1629,"_694":1630,"_697":1631,"_701":1632,"_708":1634,"_710":1640,"_712":1641,"_714":38,"_715":1645,"_717":1646,"_720":1647,"_722":1648,"_724":1649,"_726":727,"_728":1650,"_730":868,"_732":1651,"_736":1652},"profile-5394",5394,[1624,1625,1626],"https://api.homofaber.com/uploads/3_EDITED_Debra_Kuzyk_with_work_copy_b9209c438c.jpg","https://api.homofaber.com/uploads/1_Debra_Kuzyk_hands_and_birds_c_Andrew_Tolson_d23d1656c5.jpg","https://api.homofaber.com/uploads/5_EDITED_Debra_Kuzyk_Fishing_finished_object_copy_164b59dcc8.jpg","Debra Kuzyk","debra_kuzyk-ceramics-annapolis_royal","Rooted in the landscape of rural Nova Scotia, Debra Kuzyk creates ceramic sculptures and objects shaped by her connection to the natural world. Her colourful and celebratory pieces focus on local wildlife and the impacts of a disappearing wilderness. Debra often paints with bright underglazes, carving into the clay to depict joyful natural imagery, and adorns her pieces with sculpted animals. From 1999 to 2023, she ran Lucky Rabbit gallery and studio with her partner, reflecting a core belief about art. “Artists working together can create something none of us can achieve alone,” she says. Today, Debra brings that same care to her solo practice, handcrafting tiles and large sculptural vessels with added wonder and delight.",[1053],[699],[1633,753,1053,755,756],"Art de la table",[1635,1636,1637,1638,1639],"Earth bowl","Blanding’s Turtle casserole","Pair of kingfisher vases","Forest","Sandy cove garden",[1064,1065,1197,1066,1139],[1227,1642,858,857,1643,859,1644,1069,816,1231,988],"Dish","Tile","Dishware",[777],[1072],[1053],44.72938908466181,-65.51671785508665,"Annapolis Royal, Canada",{"_734":1648,"_735":1649},2267,{"_682":1654,"_31":1655,"_685":1656,"_255":1660,"_378":1661,"_692":1662,"_694":1663,"_697":1665,"_701":1666,"_708":1667,"_710":1673,"_712":1675,"_714":38,"_715":1676,"_717":1677,"_720":1679,"_722":1680,"_724":1681,"_726":727,"_728":729,"_730":868,"_732":1682,"_736":1683},"profile-5301",5301,[1657,1658,1659],"https://api.homofaber.com/uploads/3_21_Dale_Tomlinson_no_credit_732d963891.jpg","https://api.homofaber.com/uploads/1_14_Dale_Tomlinson_no_credit_c372f41683.jpg","https://api.homofaber.com/uploads/5_EDITED_3_D_ale_Tomlinson_no_credit_copy_e1562283bd.jpg","Dale Tomlinson","dale_tomlinson-quilting-toronto","Dale Tomlinson creates large scale quilted pieces conceived as wall art. As part of her practice, she seeks to centre the tradition of quilting in an artistic landscape. “In my mind, fabric-based abstraction should be valued on the same level as painting,” she says. Dale came to quilting after a long career in the non-profit sector, moving to a full-time studio practice in 2019. Her pieces are noted for their use of solid block colour, an interest of hers from a young age. “I learned from my mother to notice subtle variations in greens, clouds and monochrome winter landscapes, developing a deep sensitivity to how colours interact and change in relation to each other,” she says. Long-standing observations of derelict rural buildings inform her current projects as Dale explores how structure, light and decay reshape form over time.",[1664],"Quilting",[699,1127,751],[753,1012,756],[1668,1669,1670,1671,1672],"Structures 6","Shift 7","Shift 3","Connection 1","Shenanigans 4",[1021,1024,1674,770,771],"Polyester",[1028,815,816],[777],[1678],"Quilter",[-5],43.71205385233655,-79.39405291264235,{"_734":1680,"_735":1681},2063,{"_682":1685,"_31":1686,"_685":1687,"_255":1691,"_378":1692,"_692":1693,"_694":1694,"_697":1695,"_701":1696,"_708":1698,"_710":1704,"_712":1705,"_714":38,"_715":1706,"_717":1707,"_720":1708,"_722":1709,"_724":1710,"_726":727,"_728":1711,"_730":868,"_732":1712,"_736":1713},"profile-5342",5342,[1688,1689,1690],"https://api.homofaber.com/uploads/3_DITED_N_Oakley_portrait_1_photo_by_N_Sgovernment_copy_a2e23d04ab.jpg","https://api.homofaber.com/uploads/1_N_Oakley_gesture_4_photo_by_nancy_oakley_copy_0dfb40af94.jpg","https://api.homofaber.com/uploads/5_N_Oakley_works_8_photo_by_nancy_oakley_copy_fa472fc7bf.jpg","Nancy Oakley","nancy_oakley-ceramics-eskasoni","Nancy Oakley is a Mi’kmaq and Wampanoag artist based in Eskasoni, Nova Scotia. A long-time potter, she has also studied photography at the Institute of American Indian Arts and learned several traditional crafts from her family. Her pieces’ surprising combinations speak to this multidisciplinary background and cultural heritage. \"In 2019, I could not find anyone making traditional Mi’kmaq pottery on Canada’s East Coast,” she explains. \"I felt compelled to help resurrect this ancestral craft.\" To achieve this, Nancy sought out the guidance of Richard Zane Smith and KC Adams. In archaeology records, traditional Mi’kmaq pottery was last found about 500 years ago, which presented various questions and challenges. Nancy works to address these in dialogue with craftspeople across Turtle Island and beyond.",[1053],[699],[1697,1530,1495,1013,1371],"Indigenous",[1699,1700,1701,1702,1703],"Nemu’loq","Sacrifice","Spirit Turtles","Nukumij","Mi’kmaq conical pot with sweetgrass",[1411,1168,1064,1136,1066],[857,1227,859,816],[777],[1072],[1053],45.92338269707953,-60.64590989867148,"Eskasoni, Canada",{"_734":1709,"_735":1710},2025,{"_682":1715,"_31":1716,"_685":1717,"_255":1721,"_378":1722,"_692":1723,"_694":1724,"_697":1725,"_701":1726,"_708":1727,"_710":1733,"_712":1738,"_714":38,"_715":1739,"_717":1740,"_720":1741,"_722":1742,"_724":1743,"_726":727,"_728":1744,"_730":868,"_732":1745,"_736":1746},"profile-5418",5418,[1718,1719,1720],"https://api.homofaber.com/uploads/3_9_Greg_Glover_copy_61b1c42258.jpg","https://api.homofaber.com/uploads/1_6_Greg_Glover_copy_b8fd821c3f.jpg","https://api.homofaber.com/uploads/5_13_Ted_Clarke_copy_7a9b705196.jpg","Michelle Sirois Silver","michelle_sirois_silver-textile_sculpting-victoria","Michelle Sirois Silver creates hand hooked rugs and textile sculptures with a sense of legacy and a link to the environment. Growing up, crafting and making things by hand were part of daily life, and a practical necessity. Michelle initially approached crafting as a hobby, in parallel with a career in broadcasting. “My shift to a professional artistic textile practice came from a need to transform materials into objects,” she says. Using her cultural heritage as a tool for enquiry about personal topics, Michelle began creating functional rugs from reclaimed textiles. Her practice has since expanded to include hand stitching, felting, deconstructed screen printing and the creation of soft 3D forms and sculptures, made with diverse objects and materials such as scales, plates and concrete.",[1009],[699],[753,803,755,1012,1293,841,1294],[1728,1729,1730,1731,1732],"Determine your value","Belonging","Desire","Balance","Ice islands",[1734,1735,1021,769,1736,1737,770,771],"Fabric","Recycled materials","Textile","Resin",[982,985,988],[777],[1035],[1009],48.44061806423458,-123.3065456974441,"Victoria, Canada",{"_734":1742,"_735":1743},1979,{"_682":1748,"_31":1749,"_685":1750,"_255":1754,"_378":1755,"_692":1756,"_694":1757,"_697":1758,"_701":1759,"_708":1760,"_710":1766,"_712":1768,"_714":38,"_715":1770,"_717":1771,"_720":1772,"_722":1773,"_724":1774,"_726":727,"_728":1775,"_730":868,"_732":1776,"_736":438},"profile-5339",5339,[1751,1752,1753],"https://api.homofaber.com/uploads/3_E_Campbell_Portraits_1_Photo_by_Wiebke_Schroeder_b4b228cf2a.jpg","https://api.homofaber.com/uploads/1_E_Campbell_Gestures_2_Photo_by_Wiebke_Schroeder_b51bd75cfc.jpg","https://api.homofaber.com/uploads/5_E_Campbell_Works_4_Photo_by_Prateek_Tamta_4cca6a7c02.jpg","Elise Campbell","elise_campbell-textile_sculpting-stillwater_lake","Elise Campbell’s whimsical, brightly-coloured felt sculptures offer a playful take on scenes from her local landscape. She sources inspiration and materials from the natural world, whose cycles and seasons are reflected in her own unhurried approach to creativity. Wool, silk, needle felting and wet felting techniques are among the key features of Elise’s practice. Mushrooms, generally oversized with beautiful detailing, are a prominent theme that runs through her work. “I am endlessly inspired by their beauty and texture, and I find the idea of mycelium speaking to other kingdoms fascinating,” she says. Elise’s work was shown at the Collect Art Fair in London in 2025.",[1009],[699],[1056,801,754,755,1293,1495],[1761,1762,1763,1764,1765],"Cauliflower crispa","Shaggy mane","Portrait of a heart","Watercolour cape","Chanterelle",[1021,1025,1767,770,1309],"Bone",[982,1769,985,1031,988,775],"Cape",[777],[1035],[1009],44.70927581743273,-63.84601477297394,"Stillwater Lake, Canada",{"_734":1773,"_735":1774},{"_682":1778,"_31":1779,"_685":1780,"_255":1784,"_378":1785,"_692":1786,"_694":1787,"_697":1789,"_701":1790,"_708":1791,"_710":1797,"_712":1801,"_714":38,"_715":1802,"_717":1803,"_720":1805,"_722":1806,"_724":1807,"_726":727,"_728":729,"_730":868,"_732":1808,"_736":1809},"profile-5072",5072,[1781,1782,1783],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000F0AQ_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000F0AQ_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000F0AQ_Right2.jpg","Jen Arron","jen_arron-weaving-toronto","Jen Arron creates ethereal and delicate wall hangings using raw and recycled fibres. The textures of wool, raw silk, linen, cotton and flax are regular features of her compositions. Jen employs a Japanese-style floor loom alongside a large custom wall loom and portable frame looms to create her pieces. After a career as a professional photographer, she discovered a love for weaving during a weekend workshop. As a largely self-taught weaver, Jen tests yarn structure as she works, looking to the material to guide her in the composition of the piece. Finished pieces include layers of knots, frays and irregularities, working in layers with a range of textures. “My practice privileges touch, structure and speaking in layers,” she says.",[1788],"Weaving",[699,1127,751],[886,1293,1495,1294,756],[1792,1793,1794,1795,1796],"Expansion","Feeling good feelings","Weight of tears","Flowstate","#44",[1798,1022,1799,1800,1025,1021,1024,1309,770],"Horsehair","Merino wool","Hemp",[1028,815,816],[777],[1804],"Weaver",[1788],43.70413942992457,-79.46285107031647,{"_734":1806,"_735":1807},1659,{"_682":1811,"_31":1812,"_685":1813,"_255":1817,"_378":1818,"_692":1819,"_694":1820,"_697":1821,"_701":1823,"_708":1824,"_710":1829,"_712":1831,"_714":38,"_715":1832,"_717":1833,"_720":1834,"_722":1835,"_724":1836,"_726":727,"_728":1837,"_730":868,"_732":1838,"_736":1839},"profile-5406",5406,[1814,1815,1816],"https://api.homofaber.com/uploads/3_Suzanne_Ward_8bf32ba4e8.jpg","https://api.homofaber.com/uploads/1_Suzanne_Ward_16c59a4644.jpg","https://api.homofaber.com/uploads/5_Suzanne_Ward_525f12e216.jpg","Brendan Lee Satish Tang","brendan_lee_satish_tang-ceramics-vancouver","Brendan Lee Satish Tang is a Trinidadian-Chinese-Irish-Canadian ceramic artist. His research-driven practice in ceramic sculptures studies hybridity, technology and the plurality of cultural identity. Brendan is best known for his long-running Manga Ormolu series, in which he fuses blue and white vessel forms referencing Chinese dynasties with robotic, manga-inspired ornament, all modelled in clay. Now based in Vancouver and teaching at Emily Carr University, he puts his technical virtuosity to the service of storytelling about migration, memory and the tempo of technological change.",[1053],[1822,699],"Vancouver",[753,1053,962,1292,841],[1825,1826,1827,1828],"Manga Ormolu Ver. 5.0-y","Manga Ormolu Ver. 5.0-n","Manga Ormolu Ver. 6.0-a","Manga Ormolu Ver. 5.0-v",[1139,1830,771],"Synthetic materials",[857,982,859,985,816,988],[777],[1072],[1053],49.28156904683662,-123.0791944183531,"Vancouver, Canada",{"_734":1835,"_735":1836},1606,{"_682":1841,"_31":1842,"_685":1843,"_255":1847,"_378":1848,"_692":1849,"_694":1850,"_697":1851,"_701":1852,"_708":1853,"_710":1859,"_712":1860,"_714":38,"_715":1862,"_717":1863,"_720":1864,"_722":1865,"_724":1866,"_726":727,"_728":1837,"_730":868,"_732":1867,"_736":1868},"profile-5299",5299,[1844,1845,1846],"https://api.homofaber.com/uploads/3_2_Madeleine_Lahaie_11e09aed1a.jpg","https://api.homofaber.com/uploads/1_c4a548bfcf.jpg","https://api.homofaber.com/uploads/5_1_Michael_Haines_copy_6882383697.jpg","Jaan Andres Poldaas","jaan_andres-glassblowing-vancouver","Jaan Andres Poldaas strives for perfection in the making of glass objects. After training at Alberta College of Art & Design in Calgary, his pursuit of excellence took him to JamFactory’s production-based associate program in Adelaide, where six years of daily hot shop work refined his control of form. Jaan’s studio practice is focused on blown glass vessels and pared-back sculpture work using coiled clear glass. “My considered pieces are layered, referencing the sedimentary rock I studied in the Rockies when I lived in Calgary and ice cores I have seen in documentaries,” he says. Jaan has trained, exhibited and taught internationally in Australia, China and the United States. A constant point of reference is his uncle Jaan Aare Poldaas, a Toronto colour-field painter, whose example continues to shape his ambitions.",[696],[1822,699],[753,705,755],[1854,1855,1856,1857,1858],"Coded bowl","Axis bowl","Copper blue potions","Cone sphere coin","White potions",[705],[1227,1861,1442,857,859,1230,816,1231],"Bottle",[777],[719],[696],49.27635068913936,-123.0790699114006,{"_734":1865,"_735":1866},1547,{"_682":1870,"_31":1871,"_685":1872,"_255":1876,"_378":1877,"_692":1878,"_694":1879,"_697":1880,"_701":1881,"_708":1882,"_710":1888,"_712":1891,"_714":38,"_715":1893,"_717":1894,"_720":1895,"_722":1896,"_724":1897,"_726":866,"_728":1898,"_730":868,"_732":1899,"_736":1900},"profile-5295",5295,[1873,1874,1875],"https://api.homofaber.com/uploads/3_Peter_Blaiklock_copy_824d5e5ab9.png","https://api.homofaber.com/uploads/1_Tara_Noelle_copy_817adffdc2.png","https://api.homofaber.com/uploads/5_Tara_Noelle_copy_f442daa786.png","Tracey Lawko","tracey_lawko-textile_sculpting-glen_huron","Tracey Lawko transforms embroidery into large-scale 3D works, often featuring native plants and pollinators. Her inspiration draws directly on the natural environment of the Niagara Escarpment and its local flora and fragile ecosystems. “I describe my practice as life drawing with threads as my palette,” she says. Combining hand embroidery, machine stitching and sculptural construction, Tracey’s pieces range from intimate reliefs to life sized botanical forms. “Problem solving and innovation drive my approach, and pieces evolve as I experiment with the material,” she says. Tracey’s textile sculptures advocate for environmental awareness while foregrounding the labour, time and technical mastery embedded in her creative practice.",[1009],[699,700],[753,754,755,1012,1292,1495],[1883,1884,1885,1886,1887],"Milkweed & grasses","Rudbeckia laciniata and monarch","A pollinator garden flower wreath","Red-spotted purples","Tulips in my garden",[1024,1889,1890,1025,770,771],"Thread","Felt",[1892,982,1545,984,985,1547,987,988,775],"Frame",[777],[1035],[1009],44.326973872125,-80.17840688367455,"Glen Huron, Canada",{"_734":1896,"_735":1897},1293,{"_682":1902,"_31":1903,"_685":1904,"_255":1908,"_378":1909,"_692":1910,"_694":1911,"_697":1912,"_701":1913,"_708":1914,"_710":1918,"_712":1920,"_714":38,"_715":1921,"_717":1922,"_720":1923,"_722":1924,"_724":1925,"_726":727,"_728":1926,"_730":868,"_732":1927,"_736":1928},"profile-5180",5180,[1905,1906,1907],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000F0A8_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000F0A8_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000F0A8_Right2.jpg","Sophie Manessiez","sophie_manessiez-ceramics-shefford","Sophie Manessiez creates hanging sculptures made from articulated porcelain woven together with thread. After studying art in Belgium and communications in Paris, she began a long career in event production. In 2007, she returned to the art world to pursue ceramics, later completing a ceramic diploma in Montréal. Sophie’s signature process involves shaping thousands of small porcelain ovals, piercing each by hand, and weaving them together. “They sit like soft, floating blankets,” she says. This labour-intensive technique, unique to her practice, sits alongside small-series functional tableware. Sophie oscillates between creating practical objects and sculptural art. Through all her works, the red thread is the exploration of the singular unit versus the whole.",[1053],[699],[753,1053,886,1012],[1915,1916,1917],"Orange thread","Calciflore","Chronolithique",[1889,1065,1919,770],"Porcelain stoneware",[1028,815,816],[777],[1072],[1053],45.35315642199365,-72.6297184712987,"Shefford, Canada",{"_734":1924,"_735":1925},1286,{"_682":1930,"_31":1931,"_685":1932,"_255":1936,"_378":1937,"_692":1938,"_694":1939,"_697":1941,"_701":1942,"_708":1944,"_710":1950,"_712":1955,"_714":38,"_715":1958,"_717":1959,"_720":1961,"_722":1962,"_724":1963,"_726":783,"_728":1964,"_730":868,"_732":1965,"_736":1966},"profile-5425",5425,[1933,1934,1935],"https://api.homofaber.com/uploads/3_J_Glendinning_Portait_6_Photo_by_Marjorie_Rae_copy_7880e3e8ed.jpg","https://api.homofaber.com/uploads/1_J_Glendinning_Action_3_Photo_by_Marjorie_Rae_copy_c6ff075078.jpg","https://api.homofaber.com/uploads/5_J_Glendinning_Works_4_Phot_by_Peter_Berra_fbc2e39556.jpg","John Glendinning","john_glendinning-woodwork-sutton","A self-described wood artist, John Glendinning crafts furniture and other objects that push the boundaries of creative woodworking and design. From his early discovery of his late grandfather’s antique woodworking tools to his ongoing exploration of digital modelling technologies and computer-controlled cutting machines, John’s creative journey is shot through with a restless curiosity. “The direction of my work is constantly evolving and under re-evaluation,” he says. Inspired by the structures and processes of the natural world, his pieces reflect a deep reverence for the wood he works with and the environment that provides it. John has been a member of the Royal Canadian Academy of the Arts since 2008 and has worked from his Sutton workshop since 2011.",[1940],"Woodwork",[699],[1943,886,755,933],"Digital tools",[1945,1946,1947,1948,1949],"Plus table","Shift bowl","Rocking stool","Turquoise rocking stool","Surf box",[1951,1100,1952,1099,1953,1954,1343,933],"Casein paint","Teak wood","Ash wood","Pine wood",[1956,857,1957,1229,986,859,1106,987,816],"High table","Stool",[777],[1960],"Woodworker",[1940],45.1296270046077,-72.50272838459733,"Sutton, Canada",{"_734":1962,"_735":1963},1088,{"_682":1968,"_31":1969,"_685":1970,"_255":1974,"_378":1975,"_692":1976,"_694":1977,"_697":1978,"_701":1979,"_708":1981,"_710":1987,"_712":1990,"_714":38,"_715":1992,"_717":1993,"_720":1994,"_722":1995,"_724":1996,"_726":866,"_728":901,"_730":868,"_732":1997,"_736":1998},"profile-5304",5304,[1971,1972,1973],"https://api.homofaber.com/uploads/3_Portrait_Emmanuelle_Melancon_4_1618e8f289.jpg","https://api.homofaber.com/uploads/4_Portraitatwork_Sophie_Gailliot_b0aebe1deb.jpg","https://api.homofaber.com/uploads/5_Table_Variation_Jerome_Guibord_06_copy_edc7c11d28.jpg","Sophie Gailliot & Richard Pontais","sophie_gailliot__richard_pontais-furniture_making-montréal","It is rare for two artisans from different crafts to combine their skills but Sophie Gailliot, a leather marquetry specialist, and Richard Pontais, a cabinetmaker, knew early on that they wanted to work together. “I could probably have studied any craft, however, it was obvious for Richard and I that our materials needed to be compatible so I chose leather marquetry,” says Sophie. Opening Atelier C.U.B in Montreal, they first made sleek furniture using both materials before making a bold aesthetic shift. “We gave ourselves permission to do what we want, which is covering furniture with leather in unconventional, colourful and graphical ways,” says Richard. Their striking pieces are regularly exhibited across Canada and the USA and have featured in prestigious European events including Révélations in Paris and Contemporania in Barcelona.",[957],[883,699],[704,1980,933],"Creative duos",[1982,1983,1984,1985,1986],"Specimen 01","Mouvement","Specimen 04","Sunday morning","Delphes",[1988,1100,1989,1309,933],"Calf leather","Cherry wood",[1991,1103,1956,858,986,859,987,816],"Side table",[777],[991],[957],45.54073750479057,-73.5809486018825,{"_734":1995,"_735":1996},1006,{"_682":2000,"_31":2001,"_685":2002,"_255":2006,"_378":2007,"_692":2008,"_694":2009,"_697":2011,"_701":2012,"_708":2013,"_710":2017,"_712":2022,"_714":38,"_715":2023,"_717":2024,"_720":2026,"_722":2027,"_724":2028,"_726":783,"_728":729,"_730":868,"_732":2029,"_736":2030},"profile-4788",4788,[2003,2004,2005],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EziH_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EziH_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EziH_Right2.jpg","Alexandria Carmona","finespun-cakes-wjpm3r","Toronto-based Alexandria Carmona creates botanically faithful sugar flowers and handcrafted wedding cakes. A former fashion student, she moved into sugar work after training as a pastry chef and teaching herself via books and videos. Alexandria’s process includes working with a gum paste she makes on her own to achieve a fine, pliable material that dries cleanly, and creating life-like sugar flowers coloured with a pale tint. Edible dust pigments supply depth, highlights and the slight bruising or fade found in real flora. Alexandria works with a deep respect for the practice of sugar craft and admires early 20th-century British traditions, especially the Lambeth style. “I advocate for handmade sugar work and the continuity of craft skills in my teaching, in a field crowded by shortcuts and moulds,” she says.",[2010],"Sugar sculpting",[699,1127],[753,754,755,1495],[2014,2015,2016],"Painted tulips and poppy pods","Anthurium, tulip and daffodil cascade","The wedding cake",[2018,766,2019,2020,1024,2021,757,1310,771,980,770,852],"Sugar paste","Foam","Flower","Wire",[982,985,988],[777],[2025],"Sugar sculptor",[2010],43.65070994197322,-79.44481013289224,{"_734":2027,"_735":2028},645,{"_682":2032,"_31":2033,"_685":2034,"_255":2038,"_378":2039,"_692":2040,"_694":2041,"_697":2042,"_701":2043,"_708":2044,"_710":2050,"_712":2051,"_714":38,"_715":2053,"_717":2054,"_720":2055,"_722":2056,"_724":2057,"_726":727,"_728":729,"_730":868,"_732":2058,"_736":2059},"profile-5283",5283,[2035,2036,2037],"https://api.homofaber.com/uploads/3_10_Daryl_Barnes_5e7e526c48.jpg","https://api.homofaber.com/uploads/1_1_Daryl_Barnes_copy_72c0a7ab71.jpg","https://api.homofaber.com/uploads/5_8_Loren_Kaplan_Studio_4443cf4fee.jpg","Loren Kaplan","loren_kaplan-ceramics-toronto","Loren Kaplan trained in fine art and photography in South Africa before illness redirected her towards clay. A friend took her to a ceramics class and the immediate tactile connection to the material became both a form of therapy and the basis of a new career. “Through repetition and silence, the making becomes meditative,” she says. Loren’s practice aided her recovery and has allowed her to connect with her roots through art. Working first in shared studios, then in her own, she developed a language of hand built vessels and lighting strongly influenced by botanical and African basket forms. Now based in Toronto, Loren continues to explore the tension between structure and fluidity in clay, from meticulously built forms to more intuitive and distorted silhouettes.",[1053],[699,1127,751],[918,753,1053,801,755,1013],[2045,2046,2047,2048,2049],"Conversations","Engraved vessel with flower motif","Conversations in white","Engraved ginger jars","Silver linings",[1065,1197,1139],[857,2052,859,816],"Jar",[777],[1072],[1053],43.66601698093059,-79.45005574823391,{"_734":2056,"_735":2057},484,{"_682":2061,"_31":2062,"_685":2063,"_255":2067,"_378":2068,"_692":2069,"_694":2070,"_697":2071,"_701":2073,"_708":2075,"_710":2079,"_712":2080,"_714":38,"_715":2081,"_717":2082,"_720":2083,"_722":2084,"_724":2085,"_726":783,"_728":2086,"_730":868,"_732":2087,"_736":2088},"profile-5095",5095,[2064,2065,2066],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000F09W_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000F09W_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000F09W_Right2.jpg","Carl Stewart","carl_stewart-weaving-ottawa","Carl Stewart (he/him) was born and raised on a potato farm on Prince Edward Island. He found his vocation when he walked into the weaving studio of the former School of Visual Arts. The experience led him to study textiles. He has woven since 1985, balancing a full-time day job with a studio practice. Carl’s artworks include clò mòr, which he developed in response to the criminalisation of homosexuality in more than 60 countries around the world, and Nice Shoes Faggot, a piece about the homophobic murder of a waiter in Ottawa. His creations are woven with conventional yarns and a miscellany of items including recycled fishing nets, cassette tape and yogurt-foil turned into yarn. “Technique is central to my practice: I test unfamiliar materials, weave colour gamps, create wrappings and conduct research,” he says. Carl started teaching in 2022 and models a generous, confidence-building approach.",[1788],[2072,699],"Ottawa",[2074,960,801,1292,1293],"Eco-innovation",[2076,2077,2078],"Icon 16 from belated","Swoon 04","clò mòr",[1021,770],[1382,1383,1032],[777],[1804],[1788],45.32998629137354,-75.77683916811206,"Ottawa, Canada",{"_734":2084,"_735":2085},459,{"_682":2090,"_31":2091,"_685":2092,"_255":2096,"_378":2097,"_692":2098,"_694":2099,"_697":2100,"_701":2101,"_708":2102,"_710":2108,"_712":2109,"_714":38,"_715":2110,"_717":2111,"_720":2112,"_722":2113,"_724":2114,"_726":727,"_728":2115,"_730":868,"_732":2116,"_736":2117},"profile-5303",5303,[2093,2094,2095],"https://api.homofaber.com/uploads/3_24_Marion_Desjardins_copy_2_5a8207913f.png","https://api.homofaber.com/uploads/1_22_Marion_Desjardins_5cb4d16672.png","https://api.homofaber.com/uploads/5_7_Marion_Desjardins_c808f6670b.png","Maggie Jalbert","maggie_jalbert-ceramics-sainte-pétronille","Based on Île d’Orléans near Québec City, Maggie Jalbert works at the meeting point of material research, atmospheric firing and landscape influence. After training in visual arts and glass, she turned to clay at the Maison des métiers d’art de Québec, where she now also teaches glaze chemistry. Maggie’s practice spans wall-mounted tondos, sculptural forms and selected functional commissions, often incorporating wild clay and local ceramic materials. Wood, gas and smoke firings are central to her work, extending her physical engagement with the kiln and allowing fire, ash and chance to leave visible traces of process on the finished surface. In Maggie’s work, she captures the island light, river trees and natural environment surrounding her studio.",[1053],[699],[1053,803,755,1012,1013,841],[2103,2104,2105,2106,2107],"Obvara shells","Vases smoky obvara","Le fil toujours séducteur","Pétille d’automne","A vol d’oiseau les battures",[1197,1137,1168,1139,1066],[982,858,857,814,985,859,815,988,816],[777],[1072],[1053],46.85168018074463,-71.1196548849733,"Sainte-Pétronille, Canada",{"_734":2113,"_735":2114},387,{"_682":2119,"_31":2120,"_685":2121,"_255":2125,"_378":2126,"_692":2127,"_694":2128,"_697":2129,"_701":2130,"_708":2132,"_710":2138,"_712":2139,"_714":38,"_715":2140,"_717":2141,"_720":2142,"_722":2143,"_724":2144,"_726":727,"_728":2145,"_730":868,"_732":2146,"_736":2147},"profile-5297",5297,[2122,2123,2124],"https://api.homofaber.com/uploads/3_11_AJ_Valadka_bd23f4b978.png","https://api.homofaber.com/uploads/1_AJ_Valadka_copy_f42f4eb150.png","https://api.homofaber.com/uploads/5_John_Dean_ee4091c2b7.png","Julia Reimer","julia_reimer-glassblowing-diamond_valley","After training in political science and economics, and a career in refugee policy work, an evening class at Alberta College of Art drew Julia Reimer into a second career as a glass artist. Working from Firebrand Glass, the studio she runs with her husband, she maintains a dual practice of sculptural one-off works and refined production pieces. Julia’s vessels and wall works reveal the possibilities of molten material, translating river ice, grasses and shifting light into gestural, blown and sculpted forms. “Glass is a lifelong teacher,” she says. \"It is a demanding, collaborative material that continues to offer new ways to explore movement, translucency and the everyday beauty of the natural world.”",[696],[699],[753,705,755,1012,2131,1013],"Partners in craft",[2133,2134,2135,2136,2137],"Gossamer vessels part two","Nest","Limber series","Crystaline","Gossamer vessels part one",[705,850,852],[857,1227,982,1442,859,985,816,988],[777],[719],[696],50.68150446458667,-114.2380334840871,"Diamond Valley, Canada",{"_734":2143,"_735":2144},379,{"_682":2149,"_31":2150,"_685":2151,"_255":2155,"_378":2156,"_692":2157,"_694":2158,"_697":2160,"_701":2161,"_708":2162,"_710":2168,"_712":2174,"_714":38,"_715":2177,"_717":2178,"_720":2180,"_722":2181,"_724":2182,"_726":727,"_728":1112,"_730":868,"_732":2183,"_736":2184},"profile-5428",5428,[2152,2153,2154],"https://api.homofaber.com/uploads/3_Dave_sableuse_Sebastien_Gros_caf0d13a12.jpg","https://api.homofaber.com/uploads/1_sablage_a_la_main_Sebastien_Gros_ee46834496.jpg","https://api.homofaber.com/uploads/5_Couteaux_Deva_chef_lam_Caroline_Flibotte_f78997af6e.jpg","Dave Fortin","dave_fortin-knife_making-quebec","Dave Fortin is a bladesmith and taillandier who forges custom knives and tools from carbon steel. Working from his two sites, a rented historic forge on Île d’Orléans where he welds and forges Damascus steel, and a downtown studio where he shapes and fits blades, he creates functional knives for chefs and tools for workers. Wooden handles are often made of reclaimed materials. “I favour reclaimed Quebec woods which often comes from my farm or from my clients,” he says. Dave builds patterned damask steel by stacking, welding and reworking layers, then combines the blades with wood that has been stabilised through low-pressure resin treatment. The resulting pieces have an ergonomic warmth in their handles that enhances their function.",[2159],"Knife making",[699],[1633,1190,1371,933],[2163,2164,2165,2166,2167],"Poisson","Fillet knife","Hunting knife with sheath","Forest billhook with sheath","Oyster knife",[2169,2170,2171,1100,2172,2173,1989,979,1099,850,933,1309],"Carbon steel","Stainless steel","Applewood","Vegetable tanned leather","Birchwood",[2175,2176,1231],"Knife","Coffee and tea",[777],[2179],"Knife maker",[2159],46.81062372969994,-71.22085741125959,{"_734":2181,"_735":2182},330,{"_682":2186,"_31":2187,"_685":2188,"_255":2192,"_378":2193,"_692":2194,"_694":2195,"_697":2196,"_701":2197,"_708":2198,"_710":2204,"_712":2205,"_714":38,"_715":2207,"_717":2208,"_720":2209,"_722":2210,"_724":2211,"_726":783,"_728":1418,"_730":868,"_732":2212,"_736":2213},"profile-5360",5360,[2189,2190,2191],"https://api.homofaber.com/uploads/3_David_Muir_copy_8f408373ac.jpg","https://api.homofaber.com/uploads/1_David_Muir_copy_4986bf7784.jpg","https://api.homofaber.com/uploads/5_David_Muir_copy_9d2e2c6173.jpg","Heather Waugh Pitts","heather_waught_pitts-ceramics-dartmouth","Heather Waugh Pitts is a self-taught ceramicist working primarily in high-fired porcelain with a secondary practice creating functional pieces for chefs. She came to ceramics after a long career in interior design and mural painting, developing her practice independently in her home studio. Heather is inspired by landscape and architecture, referencing bogs, refinery fields and Baroque and Brutalist forms in her pieces. “I use surface, glaze and structure as a language,” she says. Heather’s sculptural vessels use these aspects along with tactility and organic shapes to explore imperfection, memory and the emotional weight objects can carry. Her recent pieces have incorporated layered glazes, carving and fragments of inherited porcelain as she questions what is prized and preserved.",[1053],[699],[753,1053,801,755,1012],[2199,2200,2201,2202,2203],"Sentinel","Bog","Sentinel 2","Worthiness","Tethered",[1065],[858,857,2206,859,816],"Candle holder",[777],[1072],[1053],44.67711014867487,-63.56350518545272,{"_734":2210,"_735":2211},223,{"_682":2215,"_31":2216,"_685":2217,"_255":2221,"_378":2222,"_692":2223,"_694":2224,"_697":2225,"_701":2226,"_708":2227,"_710":2233,"_712":2235,"_714":38,"_715":2236,"_717":2237,"_720":2238,"_722":2239,"_724":2240,"_726":783,"_728":729,"_730":868,"_732":2241,"_736":540},"profile-4994",4994,[2218,2219,2220],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EzXl_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EzXl_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EzXl_Right2.jpg","Jess Riva Cooper","jess_riva_cooper-ceramics-toronto","Jess Riva Cooper is a multi-disciplinary artist with a deep connection to the environment. She builds her ceramic sculptures by applying layers of ceramics, paint and fragments. Typically, Jess reuses older pieces in this process to minimise waste and tell a more complex story about nature and the environment. Her process also involves carving, scarifying and marking the clay to add visual depth to her otherwise pristine figures. “My sculptures of mythical human figures in the midst of invasive nature invite the viewer to reflect on our relationship to the environment,” she says. As well as creating ceramic sculptures, Jess enjoys teaching, a practice she centres on a practical, thinking through making methodology.",[1053],[699,751,700],[1053,754,755,1293,1294],[2228,2229,2230,2231,2232],"Shark teeth sharp teeth. 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literature and films (Test)","Eindhoven","Ependes-Fribourg","Estonia",23,"Eswatini","Exeter","Faenza","Fez","Finland","Fischbach","Florence",49,"Florence: in the light of the Renaissance","Florida","Fontainebleau","France",529,"Frankfurt","Frederiksberg","Gärsnäs","Geneva","Genoa","Georgia",33,"Germany",269,"Ghent","Girona","Glasgow","Gothenburg","Göteborg","Göttingen","Graz","Greece",99,"Groningen","Grottaglie","Grödig","Gualdo Tadino","Gudhjem","Hamburg","Hamme","Hammenhög","Hanover","Harare","Haro","Hellerup","Helsinki","Heule","Hildesheim","Hilperton","Höhr-Grenzhausen","Hundested","Hungary",65,"Hyères","Iceland",29,"Innsbruck","Ireland","Istanbul","Italy",716,"Japan","Kanazawa","Keispelt","Kilkenny","Kortrijk","Kyiv","Kyoto","Kyoto: a pilgrimage to preserved craft","La Louvière","Larnaca","Latvia",40,"Lausanne","Leerdam","Leipzig","Lewes","Liège","Limerick","Limoges","Lisbon",21,"Lisbon: the city built on tiles","Lisbon: the city built on tiles 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