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BY","https://www.michelangelofoundation.org/",{"_31":575,"_62":576,"_255":577,"_257":-5,"_258":-5,"_259":578,"_261":579,"_262":-5,"_263":580,"_265":518,"_267":519,"_269":581,"_46":582,"_272":-5,"_273":274,"_275":-5,"_66":583,"_68":583,"_70":584,"_278":-5},76,"fcyvf2nl8hzfkd7vqixf1sk5","logo-mfo.svg",539,119,"logo_mfo_55eabd6b6c",12.04,"/uploads/logo_mfo_55eabd6b6c.svg","2025-04-07T12:55:43.352Z","2025-04-07T12:55:43.354Z","MainFooterNewsletterURI","https://www.homofaber.com/en/subscribe-homo-faber-newsletter","MainFooterNewsletterCTALabel","Subscribe to our newsletter","MainFooterNewsletterInvite","topBanner",{"_31":592,"_62":593,"_594":595,"_596":-5,"_597":598,"_599":-5,"_600":601,"_602":-5,"_603":604,"_605":-5,"_606":607,"_608":609,"_610":611,"_612":613,"_66":614,"_68":615,"_70":616,"_617":595,"_618":598,"_619":620,"_621":622,"_623":624},1,"zww7zy7yk4l92abdveorjg5h","textLeft","3DAYSOFDESIGN","bgColor","bgImgUrl","https://api.homofaber.com/uploads/BANNER_622x191_92f3416d90.png","bgRepeat","bgFit","contain","centerImgUrl","centerText","10 – 12 June 2026, Bianca d'Alessandro Gallery, Copenhagen","centerImgFit","ctaLabel","Book your visit","ctaBgColor","#FFFFFF","ctaUrl","/news/3daysofdesign","textColor","white","2025-05-22T09:42:23.885Z","2026-05-18T07:03:09.925Z","2026-05-18T07:03:09.894Z","textLeftXs","bgImgUrlXs","ctaLabelXs","Book 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","Target","_self","ContentText","ButtonText","Discover","TextColor","ButtonBackgroundColor","#ffffff","HorizontalAlign","bottom","VerticalAlign","center","guideTags",[661,663,665,668],{"_255":187,"_662":-5},"badge_color",{"_255":183,"_662":664},"#115C90",{"_255":666,"_662":667},"Homo Faber Capsule","#f0deca",{"_255":207,"_662":669},"#D9583B","isWebview","userAgent","Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)","emailHash","request",["SingleFetchClassInstance",676],{},"routes/$lang","routes/$lang.artisans._index",{"_680":681,"_641":681,"_1624":1625,"_2097":2098},"profiles",[682,756,802,845,883,921,963,992,1028,1075,1112,1143,1185,1223,1246,1270,1293,1332,1367,1401,1435,1467,1500,1525,1553,1574,1596],{"_683":684,"_31":685,"_686":687,"_255":691,"_378":692,"_693":694,"_695":696,"_698":699,"_702":703,"_707":708,"_714":715,"_723":724,"_731":38,"_732":733,"_735":736,"_738":739,"_740":741,"_742":743,"_744":745,"_746":747,"_748":749,"_750":751,"_754":755},"_meilisearch_id","profile-5132",5132,"picture",[688,689,690],"https://api.homofaber.com/uploads/3_9c97385135.jpg","https://api.homofaber.com/uploads/1_Gestures_Lia_Bagrationi_2025_Photo_Giorgi_Induashvili_54_18d2073e91.jpg","https://api.homofaber.com/uploads/5_Objects_Lia_Bagrationi_21_976ac0b3ea.jpg","Lia Bagrationi","lia_bagrationi-ceramics-tbilisi","description","Lia Bagrationi's ceramic works bridge conceptual thinking with deep material intelligence. She approaches clay as a memory vessel, treating the medium as both material and metaphor. After returning to ceramics following a long hiatus, Lia received the grand prize at the first symposium of Georgian ceramicists. Her installations transform clay into a carrier of time, silence and reflection. \"Each project begins with a sudden spark of intuition and is brought to life only when matched with the environment that allows its full meaning to emerge,\" she says. Today, Lia is a member of the International Academy of Ceramics (IAC) and co-founder of The Clay Office, through which she contributes to the development of contemporary ceramics in Georgia.","craft",[697],"Ceramics","destinations",[700,701],"Georgia","Tbilisi","tags",[704,697,705,706],"Awarded","Exhibitions/Museums","Teacher","objects",[709,710,711,712,713],"The Seal","Penelope’s Tools","Orderly Mind","Tree","Akhenaten’s Crown","materials",[716,717,718,719,720,721,722],"Chamotte clay","Stoneware","Earthenware","Porcelain","Terracotta","Ceramic","Clay","categories",[725,726,727,728,729,730],"Vessel","Sculpture","Decorative objects","Monuments","Decoration","Architecture","has-experiences","type-of-artisan",[734],"Artisan","craft_person",[737],"Ceramicist","craft_metier",[697],"latitude",41.69505755040211,"longitude",44.80218198636343,"content_edit_date","2026-05-06T07:32:05.000+0000","city_and_country","Tbilisi, Georgia","is_new_until","2026-05-07","_geo",{"_752":741,"_753":743},"lat","lng","order",65,{"_683":757,"_31":758,"_686":759,"_255":763,"_378":764,"_693":765,"_695":766,"_698":768,"_702":769,"_707":773,"_714":779,"_723":784,"_731":38,"_732":793,"_735":794,"_738":796,"_740":797,"_742":798,"_744":745,"_746":747,"_748":799,"_750":800,"_754":801},"profile-4909",4909,[760,761,762],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyRd_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyRd_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyRd_Right2.jpg","Grigol Dalakishvili & Baia Lomsadze","grigol_dalakishvili__baia_lomsadze-block_printing-tbilisi","Grigol Dalakishvili and Baia Lomsadze create block printed textiles, carved wooden décor and custom ex libris stamps. They hand carve stamps and blend traditional motifs with contemporary design. In April 2020, Grigol and Baia founded their workshop Igrika, which revives the forgotten beauty of Georgian ornaments and symbols. Each piece begins with research into cultural heritage, followed by meticulous craftsmanship that transforms raw materials into meaningful, lasting works. Grigol and Baia's mission is to keep these stories alive, as they invite the owner of each piece to become its keeper. \"This way, the story of each object will keep narrating through whoever owns it,\" they say.",[767],"Block printing",[700,701],[770,771,772],"Territory","Traditions","Wood",[774,775,776,777,778],"Tablecloth 2","Tablecloth 1","Heaven Gateway","Vineyard","Tote bag",[780,781,782,783,772],"Cotton","Cotton fabric","Walnut wood","Fibres and textiles",[785,786,787,788,789,790,791,729,792],"Tablecloth","Wall decor","Bag","Table linen","Wall decorations","Bags and luggages","Home textiles","Mode",[734],[795],"Block printer",[767],41.72662023915773,44.74497172081438,"2026-03-12",{"_752":797,"_753":798},3457,{"_683":803,"_31":804,"_686":805,"_255":809,"_378":810,"_693":811,"_695":812,"_698":814,"_702":815,"_707":819,"_714":824,"_723":832,"_731":38,"_732":837,"_735":838,"_738":840,"_740":841,"_742":842,"_744":745,"_746":747,"_748":843,"_750":844,"_754":478},"profile-5159",5159,[806,807,808],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyRi_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyRi_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyRi_Right2.jpg","Guram Sutidze","guram_sutidze-enamelling-tbilisi","Guram Sutidze grew up surrounded by Georgian art, which shaped the intuitive sense of composition he carries in his enamelling. He studied architecture at Tbilisi State Academy of Arts, where he encountered the newly revived tradition of enamel and trained in a workshop alongside his studies. \"The years I spent as a professional rugby player have strengthened the patience and steadiness I apply to this precise craft,\" Guram says. Today, he begins each piece with a hand drawn sketch before moving to metal and fire. Guram creates enamel jewellery and small compositions marked by simple lines, folkloric themes and the deep colours familiar to Georgian decorative arts.",[813],"Enamelling",[700,701],[816,817,770,771,818],"Decorative","New career","Visual Arts",[820,712,821,822,823],"Earrings","Chief","Vikings","Cross",[825,826,827,828,829,830,831],"Enamel","Silver","Carnelian","Copper","Enamel, glaze and lacquer","Minerals","Metals",[833,834,835,836,789,792,729],"Earring","Pendant","Panel","Jewellery and watches",[734],[839],"Enameller",[813],41.71081980003282,44.8137543291082,"2026-01-22",{"_752":841,"_753":842},{"_683":846,"_31":847,"_686":848,"_255":852,"_378":853,"_693":854,"_695":855,"_698":857,"_702":858,"_707":861,"_714":867,"_723":870,"_731":38,"_732":874,"_735":875,"_738":877,"_740":878,"_742":879,"_744":745,"_746":747,"_748":880,"_750":881,"_754":882},"profile-5039",5039,[849,850,851],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyRh_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyRh_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyRh_Right2.jpg","Ekaterine Beridze","ekaterine_beridze-doll_making-tbilisi","In her Tbilisi studio, Ekaterine Beridze designs and handcrafts dolls using clay, fabric and thread. Each figure begins as a sculpted base and gradually develops through sewing, layering and painting, combining several disciplines in one precise handmade process. Since 2017, her studio has also served as a teaching space, where she shares techniques for building structure, proportion and expression. \"I teach my students the techniques and processes of the craft. What I cannot teach is character, as it is something that comes which each person's unique personal touch,\" Ekaterine says. She creates each of her pieces individually, and pays careful attention to form and detail.",[856],"Doll making",[700,701],[816,859,860,706],"Lifestyle","Mixed media",[862,863,864,865,866],"Ruth","Layla","Miriam","Babyface Teddy Bear","Glenda",[868,869],"Polymer clay","Synthetic materials and resins",[871,872,873],"Doll","Games and toys","Leisure",[734],[876],"Doll maker",[856],41.78244940443532,44.76855915795874,"2026-01-08",{"_752":878,"_753":879},1478,{"_683":884,"_31":885,"_686":886,"_255":890,"_378":891,"_693":892,"_695":893,"_698":895,"_702":896,"_707":900,"_714":901,"_723":912,"_731":38,"_732":913,"_735":914,"_738":916,"_740":917,"_742":918,"_744":745,"_746":747,"_748":919,"_750":920,"_754":382},"profile-5010",5010,[887,888,889],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyRj_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyRj_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyRj_Right2.jpg","Dariko Chikhladze","dariko_chikhladze-gold_thread_embroidery-tbilisi","Dariko Chikhladze is a master of all types of embroidery, though she has specialised in gold thread embroidery. She works to revive Georgian national dress, religious ornament, and traditional symbolism through her craft. This art form had disappeared from Georgia for nearly 200 years up until the 1990s, during which no practising specialists remained. Through extensive museum research, Dariko's teachers reconstructed the forgotten techniques once reserved for the royal court. \"These techniques originally used real gold threads and precious stones,\" she explains. Georgian embroidery stands apart from all others, distinguished by details unseen elsewhere, though it is stylistically related to Russian, Ukrainian and Turkish work. Dariko represents this rebirth: her practice demands precision, endurance and devotion. Today, she strives for Georgian embroidery to gain official recognition as a national cultural heritage.",[894],"Gold thread embroidery",[700,701],[816,897,898,899,770,771,898],"Endangered crafts","Fashion","Mentored",[],[902,903,904,905,906,907,908,909,783,910,831,911,869],"Silk","Velvet","Beads","Metal thread","Gold thread","Pearl","Felt","Metal","Glass","Animal materials",[],[734],[915],"Gold thread embroiderer",[894],41.73229,44.82692,"2025-12-18",{"_752":917,"_753":918},{"_683":922,"_31":923,"_686":924,"_255":928,"_378":929,"_693":930,"_695":931,"_698":933,"_702":934,"_707":938,"_714":944,"_723":948,"_731":38,"_732":957,"_735":958,"_738":960,"_740":917,"_742":918,"_744":745,"_746":747,"_748":919,"_750":961,"_754":962},"profile-5004",5004,[925,926,927],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyRm_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyRm_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyRm_Right2.jpg","Lado Lomitashvili","lado_lomitashvili-furniture_making-tbilisi","Lado Lomitashvili makes sculptural furniture and site-specific installations that reject ornament in favour of proportion and quality of wood, iron and mineral matter. \"Design is both discipline and discovery,\" he explains. Trained first as an architect in Tbilisi and later in contextual design in Eindhoven, Lado founded Studio Gypsandconcrete in 2020. He uses his imagination to transform the language of architecture into objects, spaces and installations with precision. \"I create narratives through geometry. I choose materials that carry memories and use them to make objects shaped by context. Space plays a big role in my work, which is why I consider them to be contextual,\" he says.",[932],"Furniture making",[700,701],[730,935,936,937,772],"Design","Functional","Interiors",[939,940,941,942,943],"Side table","Floor Lamp","Candle Holder","The Chess","Stools",[945,946,947,831,772],"Aluminium","wood","Limewood",[939,949,950,951,952,953,727,872,954,955,956,729,873],"Floor lamp","Candle holder","Chess set","Stool","Tables","Sofa and Chairs","Furniture","Lighting",[734],[959],"Furniture maker",[932],{"_752":917,"_753":918},85,{"_683":964,"_31":965,"_686":966,"_255":970,"_378":971,"_693":972,"_695":973,"_698":975,"_702":976,"_707":979,"_714":980,"_723":984,"_731":38,"_732":985,"_735":986,"_738":988,"_740":917,"_742":918,"_744":745,"_746":747,"_748":989,"_750":990,"_754":991},"profile-4958",4958,[967,968,969],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyRk_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyRk_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyRk_Right2.jpg","Ia Gulisashvili","ia_gulisashvili-felting-tbilisi","Ia Gulisashvili transforms wool, silk and cotton into sculptural felt garments that unite softness with precision. Trained as an architect, she has long nurtured a passion for clothing design, even staging a fashion show in Tbilisi’s Tea House in the 1990s. \"My encounter with felt at an exhibition in 2002 was transformative. I was captivated by its expressive freedom,\" Ia says. She developed her own signature felting technique that merges nuno-felting, eco-printing, as well as shibori and batik dyeing to result in a unique sculptural style. Since 2015, she has created wearable art for theatre, film and private collections. Recognised at Ethnofest 2018 and featured in Belle Armoire 2018, her works reimagine the Georgian spirit in contemporary form.",[974],"Felting",[700,701],[936,977,817,978,898],"Innovation","Upcycling",[],[780,981,982,902,983,783],"Merino wool","Chiffon","Organza",[],[734],[987],"Felt maker",[974],"2025-12-04",{"_752":917,"_753":918},3886,{"_683":993,"_31":994,"_686":995,"_255":999,"_378":1000,"_693":1001,"_695":1002,"_698":1004,"_702":1005,"_707":1008,"_714":1014,"_723":1017,"_731":38,"_732":1019,"_735":1020,"_738":1022,"_740":1023,"_742":1024,"_744":745,"_746":747,"_748":1025,"_750":1026,"_754":1027},"profile-4908",4908,[996,997,998],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyRo_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyRo_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyRo_Right2.jpg","Ketevani Nozadze","ketevani_nozadze-miniature_making-tbilisi","In 2019, Ketevani Nozadze founded her studio, Lampino, where she makes decorative objects inspired by Georgian architecture. Each work is both a functional object and a cultural tribute, often inspired by Old Tbilisi’s iconic doorways, stained glass, and turrets. Entirely handcrafted using wood, cement, glass, textiles and metal, Ketevani also hand paints lamps, magnets and miniature objects to convey a sense of coziness and memory, inviting viewers to see history through craftsmanship. Today, Ketevani hopes to share Georgian culture with a wider audience. \"What began in a small apartment has grown into a creative enterprise that I hope will continue to grow,\" she says.",[1003],"Miniature making",[700,701],[730,1006,1007,772,772],"Self-taught","Under 30",[1009,1010,1011,1012,1013],"Door from Turgenev Street","Door magnet from Turgenev Street","Entrance door from Old Batumi","Balcony from Mtskheta","Balcony on Wine Rise",[1015,946,1016,869,772],"Acrylic","Plywood",[1018,727,729],"Model",[734],[1021],"Miniature maker",[1003],41.69873977504136,44.80380486791182,"2025-11-20",{"_752":1023,"_753":1024},4711,{"_683":1029,"_31":1030,"_686":1031,"_255":1035,"_378":1036,"_693":1037,"_695":1038,"_698":1040,"_702":1041,"_707":1043,"_714":1049,"_723":1064,"_731":38,"_732":1068,"_735":1069,"_738":1071,"_740":917,"_742":918,"_744":745,"_746":747,"_748":1072,"_750":1073,"_754":1074},"profile-4836",4836,[1032,1033,1034],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyRb_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyRb_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyRb_Right2.jpg","Elene Ramishvili","elene_ramishvili-beadwork-tbilisi","Elene Ramishvili is a Georgian artisan and trained art historian with a background in archaeology and diplomacy. Her work blends symbolism with scholarly discipline, using beadwork, embroidery, and thread-based sculptural techniques to create wearable artworks. Each piece she makes, whether it be a ceremonial bracelet or a sculptural shoulder adornment, carries ancestral and mythical narratives. Elene uses materials ranging from Murano glass and galvanized soutache, to crystals and metal elements, which she carefully selects for their meaning. \"My adornments are not decorative, they are intended to be tactile myths, built stitch by stitch with precision, intention and reverence,\" explains Elene.",[1039],"Beadwork",[700,701],[1042,817,771],"Jewellery",[1044,1045,1046,1047,1048],"Sacred Vessel","Night of the Cranes","Return","Sward cuffs","Hecate’s Veil cuffs",[904,1050,1051,1052,1053,1054,1055,1056,1057,1058,1059,1060,910,830,783,1061,1062,1063],"Crystal","Soutache","Ribbon","Thread","Glass beads","Lava stone","Murano glass","Buttons","Swarovski crystals","Plaster","Silk thread","Stone","Gemstones","Cement, plaster, pigments",[1065,1066,1067,836,792],"Adornment","Necklace","Bracelet",[734],[1070],"Beadworker",[1039],"2025-11-13",{"_752":917,"_753":918},5522,{"_683":1076,"_31":1077,"_686":1078,"_255":1082,"_378":1083,"_693":1084,"_695":1085,"_698":1086,"_702":1087,"_707":1090,"_714":1096,"_723":1102,"_731":38,"_732":1104,"_735":1105,"_738":1106,"_740":1107,"_742":1108,"_744":745,"_746":747,"_748":1109,"_750":1110,"_754":1111},"profile-4861",4861,[1079,1080,1081],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyRx_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyRx_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyRx_Right2.jpg","Nika Gabiskiria, Ulla Alla & Luka Abashidze","nika_gabiskiria_ulla_alla__luka_abashidze-furniture_making-tbilisi","Trained in architecture but driven by instinct, Nika Gabiskiria, Luka Abashidze and Ulla Alla craft one-off furniture pieces that feel alive, clever, feral and never quite still. From their atelier Garbage Kids, a Georgian-Estonian collective, they turn what the world tosses away into objects that look like folklore but have a humorous appeal. Storm-felled branches, invasive trees, leftover tiles and even shadows constitute their raw materials. Their fuzzy-legged chairs twitch, their crocodile stools grin and even their backgammon boards watch. Each of Nika, Luka and Ulla’s works is a protest, a story and a dare. “We do not decorate space, we haunt it,” the trio says. Regulars on the international scene, they build with humour, memory and materials nobody else wanted. “The more you look, the more our objects reveal,” they explain.",[932],[700,701],[935,1088,1089,1007],"Creative duos","Sustainable",[1091,1092,1093,1094,1095],"Backgammon","Dead Crocodile","Shadow Chair 1","Swamp Crocodile","Chairman of the Board",[1097,1098,1099,1100,1101,772],"Pogoda wood","Linden wood","Beech wood","Pine wood","Ash wood",[1091,952,1103,872,954,873,955],"Chair",[734],[959],[932],41.7,44.8,"2025-11-06",{"_752":1107,"_753":1108},4459,{"_683":1113,"_31":1114,"_686":1115,"_255":1119,"_378":1120,"_693":1121,"_695":1122,"_698":1123,"_702":1124,"_707":1125,"_714":1131,"_723":1135,"_731":38,"_732":1137,"_735":1138,"_738":1139,"_740":917,"_742":918,"_744":745,"_746":747,"_748":1140,"_750":1141,"_754":1142},"profile-4567",4567,[1116,1117,1118],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002DAv4AM-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002DAr4AM-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002DAu4AM-right2.jpg","Nino Rostomashvili","nino-rostomashvili-rgikbj","Nino Rostomashvili is a woman of many talents. After starting out in the field of biophysics, she switched to freight forwarding and logistics, while at the same time following her artistic calling. Gradually, she delved deeper and deeper into the ancient art of cloisonné enamel. “This is a craft with a remarkably rich historical tradition in Georgia in particular, where it was very popular for many centuries,” explains Nino. The heyday of this art in her home country was from the 10th to the 15th century, after which it almost disappeared. But a revival is currently taking place, to which Nino is contributing. Her elegant, colourful jewellery and artworks are the result of a painstaking process. “I follow the traditional ways, which takes a lot of patience but leads to unique creations,” she says.",[813],[700,701],[1042,817,770,771],[1126,1127,1128,1129,1130],"Always on my mind","Cool mermaid","Dreaming mermaid","Fashion boot girl","Adam and Eve",[825,828,826,1132,1133,1134,829,831],"Steel","Sterling silver","Brass",[834,786,1136,836,789,792,729],"Wall hanging",[734],[839],[813],"2024-11-07",{"_752":917,"_753":918},3004,{"_683":1144,"_31":1145,"_686":1146,"_255":1150,"_378":1151,"_693":1152,"_695":1153,"_698":1154,"_702":1155,"_707":1158,"_714":1164,"_723":1169,"_731":38,"_732":1178,"_735":1179,"_738":1180,"_740":917,"_742":918,"_744":1181,"_746":747,"_748":1182,"_750":1183,"_754":1184},"profile-4559",4559,[1147,1148,1149],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001W4K4AU-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001W4I4AU-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001W4J4AU-right2.jpg","Teona Gorgiashvili","teona-gorgiashvili-6ifdfb","Teona Gorgiashvili’s story is a true testament to the power of pursuing one’s passion. As a project manager in road construction for over a decade, Teona came to a point when she felt the need to express herself more creatively. So as a hobby after work, she started attending ceramic classes. “When I went deep inside the ceramic making process, I understood that it was the field of art I always wanted to be in,” she explains. This newfound passion led her to explore traditional techniques in pottery from different parts of the world. After learning wheel throwing and hand building techniques from Georgian ceramic masters, she travelled to Vietnam to be trained in the traditional drawing and glazing techniques in Bat Trang. Then she went to Morocco to master drawing and sculpting, and she even attended private masterclasses in flower moulding techniques from the Ceramic Istituto Superiore Caselli in Milan. Teona’s dedication and hard work paid off when she was chosen among ten European artists from all over the world to exhibit her works at the 28th edition of Artigianato e Palazzo in Florence, in September 2022.",[697],[700,701],[704,1156,1157,697,770],"Art de la table","Digital tools",[1159,1160,1161,1162,1163],"Jardin Majorelle basin","Pomegranate Harmony dishes","Gemstone Blossoms tray","Celestial Dandelion Teatime Keeper","Sun lit Fields tea set",[721,1165,1166,1167,1168,946,830,772],"Agate","Amethyst","Amazonite","Tourmaline",[1170,1171,1172,1173,1174,1175,1176,727,730,1177,729],"Wash basin","Tea set","Tray","Clock","Building elements","Coffee and tea","Serving ware","Table and kitchen",[734],[737],[697],"2026-05-06T07:31:53.000+0000","2024-08-14",{"_752":917,"_753":918},1727,{"_683":1186,"_31":1187,"_686":1188,"_255":1192,"_378":1193,"_693":1194,"_695":1195,"_698":1197,"_702":1198,"_707":1200,"_714":1206,"_723":1210,"_731":38,"_732":1215,"_735":1216,"_738":1218,"_740":1219,"_742":1220,"_744":1181,"_746":747,"_748":1221,"_750":1222,"_754":407},"profile-4556",4556,[1189,1190,1191],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PRzFWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PRzGWAW-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PRzHWAW-right2.jpg","Teimuraz Jalaghania","jalaghania-teimuraz-y7v1uw","Born in 1939, Master Teimuraz Jalaghania has been practising the craft of Damascening for more than 35 years. Following his great interest in weapons, he began collecting and restoring antique Caucasian weapons since childhood. “I’ve been fascinated with this craft since early childhood. As kids, we used to play war games at the Narikala Fortress in Old Tbilisi with homemade wooden guns. I enjoyed tinkering, and this is how I gradually moved from wood to metal.” Later, he met Master Guram Gabashvili, who revitalised the tradition of Damascening in Georgia. Working as his apprentice for some time, Teimuraz became a skilful Master of gold and silver inlay. Today, in his workshop, located at the spectacular Old Bath district in Tbilisi, he teaches his apprentices, in order to ensure the transmission of this precious tradition to future generations.",[1196],"Knife making",[700,701],[1199,936,187,859,770,706,771],"Family business",[1201,1202,1203,1204,1205],"Shield","Caucasian sword","Dagger with golden inlay","Dagger with silver niello 1","Dagger with silver niello 2",[1207,831,772,1208,1209,911],"Leather","Ivory","Buffalo horn",[726,1211,1212,728,1213,1175,730,1214,1177],"Sword","Knife","Cinema and Theatre","Performing arts",[734],[1217],"Knife maker",[1196],41.7433658715738,44.7721683224075,"2022-07-07",{"_752":1219,"_753":1220},{"_683":1224,"_31":1225,"_686":1226,"_255":1230,"_378":1231,"_693":1232,"_695":1233,"_698":1234,"_702":1235,"_707":1237,"_714":1238,"_723":1239,"_731":38,"_732":1240,"_735":1241,"_738":1242,"_740":917,"_742":918,"_744":1181,"_746":747,"_748":1243,"_750":1244,"_754":1245},"profile-4552",4552,[1227,1228,1229],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUoDWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUoBWAW-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUoFWAW-right2.jpg","Ceramic Room","ceramic-room-te5xbc","In 2010 Ninka Sajaia and Ketevan Chichveishvili, graduates of Tbilisi State Academy of Arts, established a workshop called Ceramic Room to showcase their diverse artistic backgrounds in the art of ceramics. The duo work on a wide variety of ceramic objects including interior accessories, tableware, exterior décor, lamps, vases and decorative tiles. Work from this studio can be easily distinguished for its signature style - a mixture of bright colours and specific patterns, which reflect the diversity and contrast of these artists’ characters.",[697],[700,701],[1236,697,770,771],"Atelier",[],[],[],[1236],[737],[697],"2022-06-02",{"_752":917,"_753":918},4749,{"_683":1247,"_31":1248,"_686":1249,"_255":1253,"_378":1254,"_693":1255,"_695":1256,"_698":1258,"_702":1259,"_707":1260,"_714":1261,"_723":1262,"_731":49,"_732":1263,"_735":1264,"_738":1266,"_740":917,"_742":918,"_744":1181,"_746":747,"_748":1267,"_750":1268,"_754":1269},"profile-4561",4561,[1250,1251,1252],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUM4WAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUM2WAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUM6WAO-right2.jpg","Kebzari","kebzari-p9rxrl","Georgian jewellery atelier Kebzari was established in 2018 to showcase the beauty of ancient Georgian jewellery. All three founders of the studio Nino Mamulashvili, Luarsab Togonidze and Nino Andriashvili were inspired by the idea of creating jewellery based on the synthesis of traditional and contemporary aesthetics. Kebzari develops jewellery collections based on the regions of Georgia. Each jewellery line begins with a preliminary detailed study and observation of artifacts, regional museum collections and scholarly literature, after which the new designs are made.",[1257],"Jewellery making",[700,701],[1236,897,1042,771],[],[],[],[1236],[1265],"Jewellery maker",[1257],"2022-05-12",{"_752":917,"_753":918},2597,{"_683":1271,"_31":1272,"_686":1273,"_255":1277,"_378":1278,"_693":1279,"_695":1280,"_698":1281,"_702":1282,"_707":1283,"_714":1284,"_723":1285,"_731":38,"_732":1286,"_735":1287,"_738":1288,"_740":1289,"_742":1108,"_744":1181,"_746":747,"_748":1290,"_750":1291,"_754":1292},"profile-4562",4562,[1274,1275,1276],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PT4PWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PT4NWAW-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PT4RWAW-right2.jpg","Zarapxana","zarapxana-d1j53d","Zarapxana is the first and the largest jewellery manufacturer in Georgia renowned for its high quality luxurious handmade products. Founded in 1939, the story of the company begins with the small studio located in the historic district of the city, which for 82 years continuously created authentic jewellery – playing a significant role in preserving and developing Georgian goldsmithing traditions.",[1257],[700,701],[1236,1042,771],[],[],[],[1236],[1265],[1257],41.8,"2022-04-28",{"_752":1289,"_753":1108},4607,{"_683":1294,"_31":1295,"_686":1296,"_255":1300,"_378":1301,"_693":1302,"_695":1303,"_698":1305,"_702":1306,"_707":1307,"_714":1313,"_723":1319,"_731":38,"_732":1325,"_735":1326,"_738":1328,"_740":917,"_742":918,"_744":745,"_746":747,"_748":1329,"_750":1330,"_754":1331},"profile-4569",4569,[1297,1298,1299],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPmKWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPmIWAW-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPmMWAW-right2.jpg","Eka Khuntsaria","khuntsaria-eka-o7pgrq","When Eka Khuntsaria graduated from the Faculty of Graphic Design, she got the chance to study batik from her friends. In 1994, she co-founded a textile art studio, La Maison Bleue, which was a well-known textile showroom in Tbilisi. After more than 20 years, Eka decided to start her solo career by opening her own studio, Silkroom, which combines a workshop with a showroom – for her colourful collections – in one space. “I call my technique 'painting on silk' as I apply textile and acrylic paints over the silk, setting the colours by wax and paraffin without using wax-resist lines. My attitude to silk is similar to what the canvas means to the painter – a space without borders.” Over the years Eka’s decorative compositions have been showcased at various exhibitions in Georgia and abroad. Her works are part of many private collections in the UK, USA, Spain, Italy and beyond.",[1304],"Textile dyeing",[700,701],[704,816,705,771],[1308,1309,1310,1311,1312],"Georgians","Scarves","Cushion cover","Blue meadow","My pomegranates",[1314,1315,902,1316,1317,903,1063,783,772,1318],"Paint","Acrylic fabric","Wooden frame","Ink","Botanical",[1136,1320,1321,1322,789,1323,1324,729,792,791],"Scarf","Pillow","Triptych","Accessories","Soft furnishings",[734],[1327],"Textile dyer",[1304],"2021-12-20",{"_752":917,"_753":918},5336,{"_683":1333,"_31":1334,"_686":1335,"_255":1339,"_378":1340,"_693":1341,"_695":1342,"_698":1343,"_702":1344,"_707":1347,"_714":1353,"_723":1358,"_731":38,"_732":1360,"_735":1361,"_738":1362,"_740":1363,"_742":1364,"_744":745,"_746":747,"_748":1329,"_750":1365,"_754":1366},"profile-4571",4571,[1336,1337,1338],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPnIWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPnGWAW-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPnKWAW-right2.jpg","Medea Qoqiashvili","qoqiashvili-medea-gea7ki","A graduate of the Tbilisi State Academy of Arts, Medea Qoqiashvili chose her artistic career at the age of 16, when she decided to express her feelings and human stories through clay and expressive shapes. “It felt wonderful to tell a story by modelling the details with my own hands. Sculpting is the nicest part of the process.” After finishing her studies, Medea worked at various ceramics workshops, where she received valuable experience from prominent ceramics masters, who gave her encouragement as well as freedom of creativity. Medea works on decorative objects – kitchenware and household items – by applying various techniques. “Ceramics has a crucial role in my life. It makes me feel accomplished, as I can express my thoughts, happiness and anger with it. Some people need a vacation or friends to relax and feel good; for me, clay is enough!”",[697],[700,701],[1156,1345,1346,816,697,936,771],"Craft therapy","First generation",[1348,1349,1350,1351,1352],"The Golden Man","They","Two","Father and son","Portrait of me",[1354,1355,1356,1357,721,829],"Red Clay","Glaze","Terra sigillata","White clay",[1359,727,729],"Vase",[734],[737],[697],41.68515,44.75945,{"_752":1363,"_753":1364},4558,{"_683":1368,"_31":1369,"_686":1370,"_255":1374,"_378":1375,"_693":1376,"_695":1377,"_698":1378,"_702":1379,"_707":1381,"_714":1387,"_723":1390,"_731":38,"_732":1394,"_735":1395,"_738":1396,"_740":1397,"_742":1398,"_744":1181,"_746":747,"_748":1329,"_750":1399,"_754":1400},"profile-4563",4563,[1371,1372,1373],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPmvWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPmtWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPmxWAG-right2.jpg","Maya Baratashvili","baratashvili-maya-ykxdc3","Maya Baratashvili developed an interest in sculpture during her student years, but it wasn’t until 2013, when the prominent Georgian ceramist Gigisha Pachkoria introduced her to the craft, that her love of ceramics was born. After acquiring her MA in Fine Arts, she continued her studies in Germany, before receiving valuable experience in casting at a workshop in Paris. “I still consider myself a self-taught ceramicist, as I graduated from the Faculty of Fine Arts, at the Tbilisi State Academy of Arts, with an MA in Painting. I have since developed my skills and learnt ceramic techniques through the internet and online masterclasses” says the artist. The most important part of her work is hand-building and clay-trimming, as it makes the process adventurous and interesting for her. “The moment of trimming the clay helps me to achieve amazing textures on the surface. I like to play with contrasts – the simplicity of shapes and small details of décor, as well as merging ancient motives with the contemporary” – she says.",[697],[700,701],[1346,816,697,1380,1006,770],"Mixing cultures",[1382,1383,1384,1385,1386],"Column vase","Mascarons bowl","Ceramic bottle","The Monsters Easter egg","Marble effect bowl",[722,1355,1388,1389,721,829,1063],"Pigments","Slip",[1359,1391,1392,726,727,1393,728,729,1177,730],"Bowl","Bottle","Drinkware",[734],[737],[697],41.64664,44.75486,{"_752":1397,"_753":1398},4059,{"_683":1402,"_31":1403,"_686":1404,"_255":1408,"_378":1409,"_693":1410,"_695":1411,"_698":1413,"_702":1414,"_707":1415,"_714":1421,"_723":1422,"_731":38,"_732":1427,"_735":1428,"_738":1430,"_740":1431,"_742":1432,"_744":1181,"_746":747,"_748":1329,"_750":1433,"_754":1434},"profile-4551",4551,[1405,1406,1407],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPmdWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPmbWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPmfWAG-right2.jpg","Irakli Bochorishvili","bochorishvili-irakli-sln4x3","Irakli Bochorishvili is a bespoke shoemaker, who learned the techniques of his craft years ago from Italian shoemakers at the Tbilisi factory, Qartu Isani. After receiving this valuable experience, Irakli decided to pursue his own career in shoemaking and, in 2002, he founded his studio, Shoesofrenia. \n“The workshop was named by my friend, who always joked about my obsession with shoes and the extensive working hours at my studio, which looked like schizophrenia,” Irakli laughs.\nHaving been trained as a painter, he was always passionate about sculpture, which today plays an essential role in the shoemaking process. “I had always struggled to find high-quality shoes that would comfortably suit my feet, so I decided to take a chance and study new crafts that would embody all my artistic interests. Shoes have a lot to do with sculpture, in terms of modelling three-dimensional shapes.\"",[1412],"Shoemaking",[700,701],[898,936,977,770],[1416,1417,1418,1419,1420],"Transformer boots","Calf-high boots","Handmade leather boots","Stiletto pumps","Brogues",[1207,911],[1423,1424,1425,1426,792],"Boots","Heels","Oxfords","Shoes",[734],[1429],"Shoemaker",[1412],41.7085,44.75954,{"_752":1431,"_753":1432},3882,{"_683":1436,"_31":1437,"_686":1438,"_255":1442,"_378":1443,"_693":1444,"_695":1445,"_698":1446,"_702":1447,"_707":1451,"_714":1458,"_723":1459,"_731":38,"_732":1460,"_735":1461,"_738":1462,"_740":1463,"_742":1464,"_744":745,"_746":747,"_748":1329,"_750":1465,"_754":1466},"profile-4566",4566,[1439,1440,1441],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPmlWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPmjWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPmnWAG-right2.jpg","Irina Salmina","salmina-irina-jr8bk2","Having a background in computer technologies, Tbilisi-based ceramicist Irina Salmina first encountered clay thanks to the well-known ceramicist Gigisha Pachkoria. “I was so passionate about ceramics that I quit my office job and dedicated myself to the craft. My profession has nurtured in me a love of challenges and innovation, helping me to experiment with new sculpting techniques.” In 2017, Irina launched her workshop “Mess Ceramic”, where she tries to erase borders and challenge the traditional perception of ceramics by transforming ceramic works into decorative objects, compositions, sculptures and wall installations. “I have a great interest in working on unusual surfaces and textures.” Irina has participated in a number of local and international symposiums and exhibitions. In 2019, she received an award at the International Symposium of Ceramics, organised by the National Centre of Ceramic Art: Sidi Kacem Jelizi.",[697],[700,701],[704,1448,816,697,705,187,1449,1450,771],"Fairytale","Nature","Politically engaged",[1452,1453,1454,1455,1456,1457],"Reptile shell","Plush Shell","Wild souls","Nude shell","Vintage shell","Volcanic shell",[718,1355,772,910,722,829],[726,728,730],[734],[737],[697],41.72106789379153,44.79529752692721,{"_752":1463,"_753":1464},3771,{"_683":1468,"_31":1469,"_686":1470,"_255":1473,"_378":1474,"_693":1475,"_695":1476,"_698":1478,"_702":1479,"_707":1480,"_714":1486,"_723":1491,"_731":38,"_732":1492,"_735":1493,"_738":1495,"_740":1496,"_742":1497,"_744":1181,"_746":747,"_748":1329,"_750":1498,"_754":1499},"profile-4564",4564,[1471,1472],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPniWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPngWAG-left1.jpg","Nino Kipshidze","kipshidze-nino-wjduqy","Having a background in art history, Nino Kipshidze has developed a special interest in textiles based on her admiration of Georgian folk crafts and textile pieces in particular. After experimenting with easel paintings, handmade paper, bookbinding, etc. she turned to patchwork and felt as the most suitable techniques to express her artistic identity. Combining small pieces of cloth of different colours and texture, including those from old vintage embroideries and fabrics, Nino’s works explore different genres of Still life, landscape and figurative compositions. Despite the largely decorative flavour of multi-layered patches, the distinctive themes and shapes of the objects, the use of perspective, as well as the overall monumental size of the pieces, seem to break the limits of decorative art and enter the realm of painting.",[1477],"Patchwork",[700,701],[816,705,817,770,771],[1481,1482,1483,1484,1485],"White Field","Winter Night","White still life","The Spring","Still life",[1487,1488,1489,1490,902,783],"Fabric","Paper","Linen","Vintage embroidery",[1136,789,729],[734],[1494],"Patchworker",[1477],41.6968235606248,44.7002263316103,{"_752":1496,"_753":1497},3488,{"_683":1501,"_31":1502,"_686":1503,"_255":1507,"_378":1508,"_693":1509,"_695":1510,"_698":1511,"_702":1512,"_707":1513,"_714":1518,"_723":1519,"_731":38,"_732":1520,"_735":1521,"_738":1522,"_740":917,"_742":918,"_744":745,"_746":747,"_748":1329,"_750":1523,"_754":1524},"profile-4574",4574,[1504,1505,1506],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPmBWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPm9WAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPmDWAW-right2.jpg","Ana Japaridze & Nino Kopaladze","kopaladze-nino--japaridze-ana-lmik1n","Ana Japaridze and Nino Kopaladze are ceramicists, designers but first and foremost close friends from Tbilisi. They are united by their love of clay and have shared their creative lives for more than 20 years. The duo founded the workshop, Ceramic Art, which brings together their artistic experiments and novel ideas. “After graduating from Tbilisi State Academy of Arts, we decided to work together. We always wanted to create works which would combine modern elements and traditional motifs.” Now, they create decorative objects and mugs, plates and different kitchenware which is distinguished by the irregularly slab-built, hand-modelled shapes and faded textures achieved through the extensive use of the monoprint technique. Their works are inspired by nature and Georgian heritage motifs, for example the balconies of Old Tbilisi or traditional textiles. “We love traveling together, wandering in nature, visiting the cultural heritage monuments of Georgia, and thinking about innovative ideas.”",[697],[700,701],[1156,816,697,1088,936,770,771],[1514,1515,1516,1517],"Ceramic wine ware-inspired vase","Nature Illusion – Blue","Set of ceramic objects","Flower",[716,1355,722,721,829],[1359,786,726,727,789,728,729,730],[734],[737],[697],{"_752":917,"_753":918},2880,{"_683":1526,"_31":1527,"_686":1528,"_255":1532,"_378":1533,"_693":1534,"_695":1535,"_698":1536,"_702":1537,"_707":1538,"_714":1544,"_723":1545,"_731":38,"_732":1546,"_735":1547,"_738":1548,"_740":1549,"_742":1550,"_744":745,"_746":747,"_748":1329,"_750":1551,"_754":1552},"profile-4570",4570,[1529,1530,1531],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPnRWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPnPWAW-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPnTWAW-right2.jpg","Salome Gavasheli","gavasheli-salome-5tfecf","Salome Gavasheli developed an interest in ceramics and glass in her early childhood. At the age of 16, she studied artistic glass design for two years until she decided to choose ceramics as a future profession at Tbilisi State Academy of Arts. “My mother played an essential role in guiding me in my career as she noticed my skills in hand building and advised me to think about ceramics as my future occupation” says Salome. The young ceramicist’s works are distinguished by the simplicity of their shapes and design. “I mainly work with red clay, using hand-building techniques, applying various glazes and creating natural, minimalistic objects. I love to use grogged clay as a main material, which enables me to experiment with various surface textures.” In 2019, Salome founded “Ceramic Studio Sio_2”, which unites a workshop and showroom in one space. Moreover, the young artist offers visitors master classes in hand-building, glazing and throwing.",[697],[700,701],[1346,816,697,937,770],[1539,1540,1541,1542,1543],"Set of three ceramic objects","Clay object","Decorative object","Set of oval ceramic objects","Cylinder Vase",[722,1355,721,829],[726,1359,728,727,730,729],[734],[737],[697],41.69146,44.79626,{"_752":1549,"_753":1550},787,{"_683":1554,"_31":1555,"_686":1556,"_255":1560,"_378":1561,"_693":1562,"_695":1563,"_698":1564,"_702":1565,"_707":1566,"_714":1567,"_723":1568,"_731":38,"_732":1569,"_735":1570,"_738":1571,"_740":917,"_742":918,"_744":1181,"_746":747,"_748":1329,"_750":1572,"_754":1573},"profile-4557",4557,[1557,1558,1559],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPn8WAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPn6WAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPnAWAW-right2.jpg","Estia","estia-dqkbrg","Ceramic Studio “Estia” was established in 2014 in Tbilisi by three enthusiastic women – lawyer Elizabeth Dimitriadi, clothes designer Natia Kalmakhelidze, and classical philologist Natia Nozadze. The diverse backgrounds of the founders contributed greatly to the success of the studio, a studio which aims to offer a space that stands for the promotion of Georgian cultural heritage through the art of ceramics. Works created in the studio are inspired by Georgian traditional ceramics, literature, textile, alphabet and other national crafts. The collections of ceramic tableware, interior décor and souvenirs make the history and heritage tangible to the audience through an innovative approach to design.",[697],[700,701],[1236,1156,697],[],[],[],[1236],[737],[697],{"_752":917,"_753":918},438,{"_683":1575,"_31":1576,"_686":1577,"_255":1580,"_378":1581,"_693":1582,"_695":1583,"_698":1584,"_702":1585,"_707":1586,"_714":1587,"_723":1588,"_731":38,"_732":1589,"_735":1590,"_738":1591,"_740":1592,"_742":1593,"_744":1181,"_746":747,"_748":1329,"_750":1594,"_754":1595},"profile-4560",4560,[1578,1579],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPn2WAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPn0WAG-left1.jpg","White Studio","white-studio-aqrutj","White Studio is an award-winning ceramic studio renowned for its contemporary approach in fusing traditional Georgian ceramics with highly skilled porcelain artistry. The studio was founded in 2013 in Tbilisi by friends – ceramic artist Nato Eristavi and designer Nino Kambarashvili – who have created the first ceramic centre in Georgia, bringing together an exhibition space, creative workshops and courses for amateurs. The company has grown to become one of the most prominent porcelain/ceramics producers in the country – with several production facilities – employing local artists and developing educational programs for new artisans coming into the industry.",[697],[700,701],[1236,697,1088,937,706,771],[],[],[],[1236],[737],[697],41.69973,44.79792,{"_752":1592,"_753":1593},318,{"_683":1597,"_31":1598,"_686":1599,"_255":1603,"_378":1604,"_693":1605,"_695":1606,"_698":1607,"_702":1608,"_707":1609,"_714":1615,"_723":1617,"_731":38,"_732":1619,"_735":1620,"_738":1621,"_740":917,"_742":918,"_744":745,"_746":747,"_748":1329,"_750":1622,"_754":1623},"profile-4568",4568,[1600,1601,1602],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPmTWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPmRWAW-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPmVWAW-right2.jpg","Gigisha Pachkoria","pachkoria-gigisha-7o3gn3","Gigisha Pachkoria is one of the renowned ceramic artists of Georgia. His interest in ceramics started in early childhood, within the artistic environment of his family. “My father was a painter, he used to bring clay home and I would model different objects. I remember my mother taking me to museums, where I got acquainted with ancient Georgian pottery.” At 16, Gigisha decided to pursue a career as a professional ceramic artist. Gigisha’s works are recognisable for his signature shapes and unique textures, achieved through a synthesis of various ceramic techniques – an approach resulting from ongoing and constant experiments. “My primary subject of interest has always been teapots, as they have unlimited possibilities for improvisation. You can experiment with the shapes of handles, body, spout and lids. Moreover, I really love tea!\" The artist’s works have been exhibited at galleries and symposiums worldwide: Madrid, Milan, Moscow, Tokyo, Baku, and beyond.",[697],[700,701],[704,1156,697,705,936,771],[1610,1611,1612,1613,1614],"Wine vessel","Wrinkled Teapot","Ceramic vessel","Teapot and cup set","Pear-shaped 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