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BY","https://www.michelangelofoundation.org/",{"_31":575,"_62":576,"_255":577,"_257":-5,"_258":-5,"_259":578,"_261":579,"_262":-5,"_263":580,"_265":518,"_267":519,"_269":581,"_46":582,"_272":-5,"_273":274,"_275":-5,"_66":583,"_68":583,"_70":584,"_278":-5},76,"fcyvf2nl8hzfkd7vqixf1sk5","logo-mfo.svg",539,119,"logo_mfo_55eabd6b6c",12.04,"/uploads/logo_mfo_55eabd6b6c.svg","2025-04-07T12:55:43.352Z","2025-04-07T12:55:43.354Z","MainFooterNewsletterURI","https://www.homofaber.com/en/subscribe-homo-faber-newsletter","MainFooterNewsletterCTALabel","Subscribe to our newsletter","MainFooterNewsletterInvite","topBanner",{"_31":592,"_62":593,"_594":595,"_596":-5,"_597":598,"_599":-5,"_600":601,"_602":-5,"_603":604,"_605":-5,"_606":607,"_608":609,"_610":154,"_611":612,"_66":613,"_68":614,"_70":615,"_616":595,"_617":598,"_618":619,"_620":621,"_622":623},1,"zww7zy7yk4l92abdveorjg5h","textLeft","HOMO FABER 2026","bgColor","bgImgUrl","https://api.homofaber.com/uploads/9_16_1080x1920_50_175a29db28.png","bgRepeat","bgFit","contain","centerImgUrl","centerText","1 – 30 September 2026, San Giorgio Maggiore Island, Venice","centerImgFit","ctaLabel","Book your ticket","ctaBgColor","#FFFFFF","ctaUrl","textColor","white","2025-05-22T09:42:23.885Z","2026-04-27T09:13:30.731Z","2026-04-27T09:13:30.723Z","textLeftXs","bgImgUrlXs","ctaLabelXs","Book now","ActiveStartDate","2026-04-27T07:00:00.000Z","ActiveEndDate","2026-09-30T21:45:00.000Z","mainAdvert","guideTags",[627,629,631,634],{"_255":187,"_628":-5},"badge_color",{"_255":183,"_628":630},"#115C90",{"_255":632,"_628":633},"Homo Faber Capsule","#f0deca",{"_255":207,"_628":635},"#D9583B","isWebview","userAgent","Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)","emailHash","request",["SingleFetchClassInstance",642],{},"routes/$lang","routes/$lang.artisans._index",{"_646":647,"_2358":647,"_2359":2360,"_2840":2841},"profiles",[648,720,763,808,848,893,928,966,995,1034,1077,1110,1149,1181,1215,1246,1284,1315,1358,1391,1425,1459,1497,1530,1562,1601,1636,1674,1709,1742,1773,1802,1834,1864,1895,1926,1960,2005,2037,2068,2099,2139,2168,2200,2231,2258,2299,2330],{"_649":650,"_31":651,"_652":653,"_255":657,"_378":658,"_659":660,"_661":662,"_664":665,"_668":669,"_676":677,"_683":684,"_689":690,"_695":38,"_696":697,"_699":700,"_702":703,"_704":705,"_706":707,"_708":709,"_710":711,"_712":713,"_714":715,"_718":719},"_meilisearch_id","profile-5452",5452,"picture",[654,655,656],"https://api.homofaber.com/uploads/3_Jiwon_REE_Gestures_Extra3_copy_7ebbff0a85.jpg","https://api.homofaber.com/uploads/1_Jiwon_REE_Gestures_Extra3_e067afd82d.jpg","https://api.homofaber.com/uploads/5_08_Red_clay_dyeing_Heungmapo_02_photo_by_SEO_Heun_Kang_8e7dfdb5ac.jpg","Jiwon Ree","jiwon_ree-weaving-seoul","description","Through research and reconstruction, Jiwon Ree explores woven textile applications in clothing and interiors. His work is rooted in tradition, with a particular focus on kyojig, a weaving technique where different natural materials are interwoven. Jiwon works primarily with natural fibres sourced from different regions, including ramie yarn from Hansan. Trained in traditional fibre crafts, he developed his approach through academic study and independent inquiry. Jiwon learned ramie weaving from master artisans associated with mosi, South Korean ramie weaving, which formed the foundation of his practice. \"I continue to investigate historical textile structures and colour systems, viewing tradition and innovation as part of an ongoing cycle,\" he says.","craft",[663],"Weaving","destinations",[666,667],"South Korea","Seoul","tags",[670,671,672,673,674,675],"Endangered crafts","Mentored","Sustainable","Territory","Traditions","Fashion","objects",[678,679,680,681,682],"Red ochre heukmapo","Banpo","Samyeon-gyojik","Chunpo","Gardenia dyed heukmapo","materials",[685,686,687,688],"Ramie","Silk","Cotton","Fibres and textiles","categories",[691,692,693,694],"Woven fabric","Textile sample","Fabrics","Home textiles","has-experiences","type-of-artisan",[698],"Artisan","craft_person",[701],"Weaver","craft_metier",[663],"latitude",37.48621570661616,"longitude",126.9580714334891,"content_edit_date","2026-05-06T07:32:14.000+0000","city_and_country","Seoul, South Korea","is_new_until","2026-05-14","_geo",{"_716":705,"_717":707},"lat","lng","order",2704,{"_649":721,"_31":722,"_652":723,"_255":727,"_378":728,"_659":729,"_661":730,"_664":732,"_668":733,"_676":736,"_683":742,"_689":747,"_695":38,"_696":752,"_699":753,"_702":755,"_704":756,"_706":757,"_708":758,"_710":759,"_712":760,"_714":761,"_718":762},"profile-5450",5450,[724,725,726],"https://api.homofaber.com/uploads/3_Photo_by_Grid_Studio_courtesy_of_KCDF_Korea_Craft_and_Design_Foundation_Seokhyun_JANG_16_copy_978e4acb2f.jpg","https://api.homofaber.com/uploads/1_Photo_by_Grid_Studio_courtesy_of_KCDF_Korea_Craft_and_Design_Foundation_Seokhyun_JANG_02_79ddd12f1b.jpg","https://api.homofaber.com/uploads/5_EDITED_Objects_Seokhyun_JANG_09_copy_40811c318b.jpg","Seokhyun Jang","seokhyun_jang-ceramics-gimpo-si_gyeonggi-do","Seokhyun Jang reinterprets traditional Korean ceramics with the puredogi technique that fuses Eastern and Western making processes. Captivated by the dark, blue-tinged, high-fired and salt-glazed method, he celebrates the wider lineage of Onggi, Korea’s everyday earthenware culture, through his contemporary works. Seokhyun is established across two studios, and shifts between finely controlled wheel thrown pieces and large-scale Onggi-inspired forms. \"I pursue a distinctly Korean ideal of natural, unforced completeness through the balance of clay and fire,\" he explains. With a research-led, scientific approach, he studies and teaches kiln processes, and in particular carbonisation firing which is central to puredogi. \"Firing does not only achieve a surface finish but a material transformation of clay,\" he says.",[731],"Ceramics",[666],[734,735,673,674,731],"Art de la table","Interiors",[737,738,739,740,741],"Hangseong star jar","Bunjang pure chatsabal","Ottchil namu-ttukkeong pure hangari","Tanhwa hap tea container","Gwiyal bunjang puredok",[743,744,745,746],"Clay","wood","Ceramic","Wood",[748,749,750,751],"Jar","Bowl","Decorative objects","Decoration",[698],[754],"Ceramicist",[731],37.65947198555412,126.6731345658516,"2026-05-06T07:31:53.000+0000","Gimpo-si, Gyeonggi-do, South Korea","2026-05-07",{"_716":756,"_717":757},1167,{"_649":764,"_31":765,"_652":766,"_255":770,"_378":771,"_659":772,"_661":773,"_664":775,"_668":776,"_676":779,"_683":785,"_689":790,"_695":38,"_696":799,"_699":800,"_702":802,"_704":803,"_706":804,"_708":709,"_710":805,"_712":760,"_714":806,"_718":807},"profile-5412",5412,[767,768,769],"https://api.homofaber.com/uploads/3_EDITED_4_copy_6d7b7dde8e.jpg","https://api.homofaber.com/uploads/1_EDITED_9_copy_8546bcc51b.jpg","https://api.homofaber.com/uploads/5_EDITED_6_copy_05b1250c1f.jpg","Seo Dosik","seo_dosik-metal_sculpting-incheon","Dosik Seo is a Korean metal sculptor whose practice is built around sheet metal forming: raising, hammering and chasing silver and copper into forms that range from functional vessels to pure objects. Having taught for over 40 years, he retired from his professorship to find himself, by his own account, more productive than ever. His work draws on familiar Korean motifs such as persimmons, moon jars and domestic utensils. In the early 2000s, Dosik began to use lacquer to finish his works, which brought warmth and colour to the metal surface, and added narrative depth to surfaces that had previously relied on form alone. He continues to exhibit regularly and works daily in his studio within a timber industrial complex, where materials are close at hand and the conditions suit the scale and nature of what he makes.",[774],"Metal sculpting",[666],[777,778,674],"Decorative","Teacher",[780,781,782,783,784],"Persimmon","Bowl or Spoon","Persimmon bowl","Family","New Year",[786,787,788,789],"Brass","Copper","Silver","Metals",[791,792,793,748,794,795,796,750,797,798,751],"Sculpture","Tray","Teapot","Monuments","Serving ware","Coffee and tea","Architecture","Table and kitchen",[698],[801],"Metal sculptor",[774],37.49474113638789,126.6620296995212,"Incheon, South Korea",{"_716":803,"_717":804},230,{"_649":809,"_31":810,"_652":811,"_255":815,"_378":816,"_659":817,"_661":818,"_664":820,"_668":821,"_676":827,"_683":833,"_689":838,"_695":38,"_696":839,"_699":840,"_702":842,"_704":843,"_706":844,"_708":709,"_710":711,"_712":845,"_714":846,"_718":847},"profile-5414",5414,[812,813,814],"https://api.homofaber.com/uploads/3_port_ahyunjeon_1_copy_d2af98cec2.jpg","https://api.homofaber.com/uploads/1_port_ahyunjeon_3_copy_98ca374baf.jpg","https://api.homofaber.com/uploads/5_5_EDITED_objects_ahyunjeon_12_copy_f165b0dbcd.jpg","Ahyun Jeon","ahyun_jeon-resin_art-seoul","Ahyun Jeon's resin works bring South Korea's mountainous landscapes indoors. Her terrains are enclosed within concrete and resin forms that read as furniture in scale, but landscape in feeling. In her Simsаn series, Ahyun draws on the shimwonbeop technique of traditional Korean landscape painting, reverses it and applies it in 3D. She builds each piece from digital models of actual mountains, such as the Jirisan, Seoraksan, Woraksan and Songnisan. \"I keep a running list of mountains I want to work with, visiting them when I can or researching them in the meantime,\" Ahyun says. Her works have featured in international exhibitions, including the 2025 Révélations in Paris.",[819],"Resin art",[666,667],[822,823,824,825,673,674,826],"Craft therapy","Digital tools","Exhibitions/Museums","Mixed media","Under 30",[828,829,830,831,832],"Mt. Jiri 40-40-35","Mt. Worak 120-35-35","Mt. Sokri 3-80-80-26","Mt. Jiri 35-35-37","Mt. Seoraksan",[834,835,836,837],"Concrete","Resin","Cement, plaster, pigments","Synthetic materials and resins",[791,794,797],[698],[841],"Resin artist",[819],37.47399586518429,126.885217221849,"2026-04-30",{"_716":843,"_717":844},1761,{"_649":849,"_31":850,"_652":851,"_255":855,"_378":856,"_659":857,"_661":858,"_664":860,"_668":861,"_676":863,"_683":869,"_689":877,"_695":38,"_696":885,"_699":886,"_702":888,"_704":889,"_706":890,"_708":758,"_710":711,"_712":845,"_714":891,"_718":892},"profile-5415",5415,[852,853,854],"https://api.homofaber.com/uploads/3_250328_02_31025d044c.jpg","https://api.homofaber.com/uploads/1_250328_12_1329657e58.jpg","https://api.homofaber.com/uploads/5_hh4670_c194a08ff4.jpg","Woorim Kang","woorim_kang-furniture_making-seoul","Woorim Kang is a Korean furniture artist whose practice is built around a single, labour-intensive method: laminating wood into solid blocks, then carving back to find the form inside. This process involves high levels of material waste and demands considerable physical effort, but remains the most direct route to the forms he imagines. The resulting pieces are large-scale tables, chairs, lamps and consoles with a quiet presence. \"I finish my objects with lacquer, in a technique drawn from yacht-building,\" Woorim explains. \"It is the best way to reveal the wood grain while preventing distortion.\" His work is shaped by references that range from Korean roof tiles to literati painting. Woorim's approach is about treating the furniture form not as a constraint but as the condition that keeps his work close to how people actually live.",[859],"Furniture making",[666],[862,735,746],"Design",[864,865,866,867,868],"Burnwa coffee table","Organic Relation chaise longue and Lan floor lamp","Organic Relation table 1 and 2","Organic Relation desk 2","Organic Relation console table 2",[744,870,871,872,873,874,875,746,876],"Oak wood","Cherry wood","Mahogany wood","Urushi","Maple wood","Lacquer","Enamel, glaze and lacquer",[878,879,880,881,882,883,884],"Low table","Long chair","Dining table","Console","Tables","Sofa and Chairs","Furniture",[698],[887],"Furniture maker",[859],37.51306867256017,126.8524922019608,{"_716":889,"_717":890},1389,{"_649":894,"_31":895,"_652":896,"_255":900,"_378":901,"_659":902,"_661":903,"_664":905,"_668":906,"_676":907,"_683":913,"_689":915,"_695":38,"_696":918,"_699":919,"_702":921,"_704":922,"_706":923,"_708":924,"_710":805,"_712":925,"_714":926,"_718":927},"profile-5396",5396,[897,898,899],"https://api.homofaber.com/uploads/3_portrait_04_suranpark_copy_6842963518.jpg","https://api.homofaber.com/uploads/1_process_05_suranpark_copy_47b99d189f.jpg","https://api.homofaber.com/uploads/5_EDITED_work_07_suranpark_copy_dcc0de45c6.jpg","Suran Park","suran_park-illustration-incheon","Suran Park shapes each portrait as if it were delicately built by hand. Trained in visual storytelling in South Korea and later refining her practice at Kingston University London, she developed a language rooted in both discipline and intuition. Suran's process begins with hand drawing, capturing the first breath of a figure, then unfolds through carefully layered digital painting in which light and pastel tones are built up. Rather than merely depicting likeness, she crafts atmosphere through dreamlike hues, subtle textures and luminous silence, allowing each face to hold its own quiet, inner world. \"Each work becomes a slow accumulation of touch and time, embodying my belief that beauty is not captured instantly, but carefully formed,\" Suran explains.",[904],"Illustration",[666],[777,823],[908,909,910,911,912],"Berry Sweet Memories","The Softest Companion","Breeze of Azure Petals","Melody of Pink & Blue","The Golden Bloom",[914],"Digital",[904,916,917],"Graphic design","Books and paper",[698],[920],"Illustrator",[904],37.38542854207603,126.6366662948572,"2026-05-06T07:31:00.000+0000","2026-04-23",{"_716":922,"_717":923},2265,{"_649":929,"_31":930,"_652":931,"_255":935,"_378":936,"_659":937,"_661":938,"_664":940,"_668":941,"_676":943,"_683":948,"_689":950,"_695":38,"_696":956,"_699":957,"_702":959,"_704":960,"_706":961,"_708":758,"_710":962,"_712":963,"_714":964,"_718":965},"profile-5386",5386,[932,933,934],"https://api.homofaber.com/uploads/3_Chaehoon_Moon_01_copy_cc8338ca56.jpg","https://api.homofaber.com/uploads/1_Chaehoon_Moon_02_copy_7f143e7c48.jpg","https://api.homofaber.com/uploads/5_Mimiyanghang_01_copy_6d33470873.jpg","Chaehoon Moon","chaehoon_moon-lacquering-yongin-si","Chaehoon Moon's practice is rooted in a sustained engagement with materials and making. Trained in product design at university, her focus gradually shifted toward material research, expanding from industrial substances to traditional Korean materials. \"Rather than viewing tradition as a fixed legacy, I approach it as a flexible medium open to transformation,\" Chaehoon says. Her lacquering is shaped by years of hands-on study and material testing, informed by exchanges with multiple artisans. Drawn to craft during her university years, Chaehoon found lasting pleasure in shaping form through repetition and touch. \"I describe my process as thinking through the hands, gently influenced by the quiet rhythms of nature in my daily life,\" she explains.",[939],"Lacquering",[666,667],[734,942,735,825,674],"Functional",[944,945,946,947],"New Moon","Welding Series","Full Moon","Scenery of Time",[875,786,787,949,876,789,688],"Hemp",[951,952,749,953,954,955,883,750,882,798,884,751],"Dinnerware set","Stool","Plate set","Coffee table","Dishware",[698],[958],"Lacquerer",[939],37.35021166382707,127.0700028997376,"Yongin-si, South Korea","2026-04-02",{"_716":960,"_717":961},4151,{"_649":967,"_31":968,"_652":969,"_255":973,"_378":974,"_659":975,"_661":976,"_664":977,"_668":978,"_676":980,"_683":985,"_689":986,"_695":38,"_696":988,"_699":989,"_702":990,"_704":991,"_706":992,"_708":758,"_710":711,"_712":963,"_714":993,"_718":994},"profile-5282",5282,[970,971,972],"https://api.homofaber.com/uploads/3_Portrait_Copyright_Weon_Rhee_6_0843551adf.jpg","https://api.homofaber.com/uploads/1_EDITED_Atelier_copyright_weon_rhee_10_copy_280e90d01c.jpg","https://api.homofaber.com/uploads/5_2023_Weon_Rhee_Primitive_Structures_Botanical_copyright_Charles_Burnand_Gallery_2025_photo_myoungstudio_2_f83d0e24b2.jpg","Weon Rhee","weon_rhee-furniture_making-seoul","Weon Rhee is a designer and craftsperson whose practice is rooted in material sensitivity and lived experiences. \"Making emerged as a deeply personal act of emotional grounding. I allow objects to act as both functional forms and quiet vessels of endurance and reflection,\" he says. Raised in an environment shaped by crafting, his mother being a fashion designer, Weon developed an early affinity for drawing and building by hand. He pursued his interest in art through university, graduating from the Department of Wooden Furniture Design at Hongik University, and later completing coursework in furniture design at its graduate school. Rather than inheriting skills from a single master artisan, Weon cultivated his practice through hands-on work alongside contemporary Korean artists and designers. \"Not only did I learn technique, I also adopted a serious attitude toward craft as a way of life,\" he explains.",[859],[666,667],[979,777,942,671,826,746],"Fairytale",[981,982,983,984],"Unearthed Forms, Snail’s Way","We Come From Far Away","Primitive Structures, Botanical","Primitive Structures",[744,746],[791,987,794,882,797,884],"Table",[698],[887],[859],37.53731475718567,127.1472097940155,{"_716":991,"_717":992},3938,{"_649":996,"_31":997,"_652":998,"_255":1002,"_378":1003,"_659":1004,"_661":1005,"_664":1007,"_668":1008,"_676":1010,"_683":1016,"_689":1018,"_695":38,"_696":1024,"_699":1025,"_702":1027,"_704":1028,"_706":1029,"_708":758,"_710":1030,"_712":1031,"_714":1032,"_718":1033},"profile-5319",5319,[999,1000,1001],"https://api.homofaber.com/uploads/3_portraitinaction02_Sowon_Joo_3a820ec68d.jpg","https://api.homofaber.com/uploads/1_gesture02_Sowon_Joo_5000ed5ed0.jpg","https://api.homofaber.com/uploads/5_EDITED_object09_Sowon_Joo_copy_1a938f790a.jpg","Sowon Joo","sowon_joo-jewellery_making-seongnam-si","Sowon Joo's practice bridges contemporary jewellery, metalwork and sculptural form. \"Working primarily with silver and other metals, I explore organic structures, bodily movement and the quiet relationship between object and wearer,\" she says. Sowon received her BFA and MFA from Seoul National University before completing an MFA in metal and jewellery design at the School for American Crafts, Rochester Institute of Technology. Her training also includes independent study in sculpture at Cornell University, an experience that broadened her spatial and material approach. Sowon's works have been presented in international exhibitions, and are recognised for their refined craftsmanship, subtle forms and sensitivity to the human body.",[1006],"Jewellery making",[666],[777,824,942,1009],"Jewellery",[1011,1012,1013,1014,1015],"Heart","Buds","The Bounty of Nature","Egg necklace","Norigae",[1017,789],"Sterling silver",[1019,1020,1021,1022,1023],"Necklace","Brooch","Ornament","Jewellery and watches","Mode",[698],[1026],"Jewellery maker",[1006],37.651836778934,126.6672174994564,"Seongnam-si, South Korea","2026-03-26",{"_716":1028,"_717":1029},2800,{"_649":1035,"_31":1036,"_652":1037,"_255":1041,"_378":1042,"_659":1043,"_661":1044,"_664":1045,"_668":1046,"_676":1047,"_683":1053,"_689":1065,"_695":38,"_696":1069,"_699":1070,"_702":1071,"_704":1072,"_706":1073,"_708":1074,"_710":711,"_712":1031,"_714":1075,"_718":1076},"profile-5379",5379,[1038,1039,1040],"https://api.homofaber.com/uploads/3_EDITED_Gesture08_Korea_Heritage_Agency_copy_f23f298522.jpg","https://api.homofaber.com/uploads/1_lee3woong_8_c3f469432f.jpg","https://api.homofaber.com/uploads/5_another_space_low_2_Samwoong_Lee_copy_06c42f24a7.jpg","Sam Woong Lee","sam_woong_lee-furniture_making-seoul","Working across wood, metal and mother-of-pearl, Sam Woong Lee develops objects that translate Korean craft traditions into contemporary expression. Trained in woodworking and furniture design, Sam Woong's practice begins with a deep consideration of each material’s structure, symbolism and physical behaviour. Wood remains central to his work for its warmth, versatility and ability to harmonize with other materials, while metal and mother-of-pearl introduce contrast, reflection and tension. In his mother-of-pearl works, organic forms capture shifting light, transforming a traditional material into a sculptural presence. \"Between function and beauty, my works emphasize meaning and form over technique alone,\" explains Sam Woong. \"Craft is not a relic of the past, but a living, evolving expression of the present.\"",[859],[666,667],[746],[1048,1049,1050,1051,1052],"Star series","Layered sedge lighting","Crossed stick-chair","Octopus Chair 13-1087","Amorphous series",[1054,1055,1056,1057,1058,1059,1060,1061,1062,835,746,1063,1064,837],"Glass","Beech wood","Birchwood","Grass","Ash wood","Leather","Abalone","Plastic","Mother of pearl","Botanical","Animal materials",[1066,1067,883,884,1068],"Chair","Ceiling lamp","Lighting",[698],[887],[859],37.50649607499058,126.8479840571131,"2026-05-06T07:31:36.000+0000",{"_716":1072,"_717":1073},599,{"_649":1078,"_31":1079,"_652":1080,"_255":1084,"_378":1085,"_659":1086,"_661":1087,"_664":1088,"_668":1089,"_676":1092,"_683":1098,"_689":1099,"_695":38,"_696":1100,"_699":1101,"_702":1102,"_704":1103,"_706":1104,"_708":1105,"_710":1106,"_712":1107,"_714":1108,"_718":1109},"profile-5291",5291,[1081,1082,1083],"https://api.homofaber.com/uploads/3_Process_jiyeun_Kang12_by_Sejung_Kim_8ea0f1f578.jpg","https://api.homofaber.com/uploads/1_Process_jiyeun_Kang05_by_Sejung_Kim_copy_2_2c8d9d5db1.jpg","https://api.homofaber.com/uploads/5_Artwork_jiyeun_Kang_Dae_Kyo_Korean_Literature01_copy_58e0d4ff21.jpg","Jiyeun Kang","jiyeun_kang-illustration-yongin","Jiyeun Kang studied visual design at university and was first introduced to illustration through a class. After graduating, she began her career as a digital illustrator by participating in music video projects for the K-pop group Seo Taiji and Boys. “Through that work, I experienced for the first time how images could move freely within music, space and time,” Jiyeun recalls. For someone who had always been interested in observing and depicting people, digital illustration became the ideal canvas. “Digital work was not just an efficient choice, it was a way of thinking that suited me. By repeatedly transforming, erasing and rebuilding forms, I could stay with the process longer than with the result,” she explains. Even now, Jiyeun finds joy in balancing form and sensibility within a small screen.",[904],[666],[1090,823,824,673,1091],"Awarded","Paper",[1093,1094,1095,1096,1097],"The Cheat","A Song Everlasting","Seoul-1964-winter","My Night with the Guerrilla Balloonists of South Korea","Weather",[914],[904,916,917],[698],[920],[904],37.24919108313141,127.1884331218555,"2026-05-06T07:28:35.000+0000","Yongin, South Korea","2026-03-19",{"_716":1103,"_717":1104},4617,{"_649":1111,"_31":1112,"_652":1113,"_255":1117,"_378":1118,"_659":1119,"_661":1120,"_664":1122,"_668":1123,"_676":1124,"_683":1130,"_689":1134,"_695":38,"_696":1141,"_699":1142,"_702":1144,"_704":1145,"_706":1146,"_708":709,"_710":711,"_712":1107,"_714":1147,"_718":1148},"profile-5270",5270,[1114,1115,1116],"https://api.homofaber.com/uploads/3_6_copy_35c9b10fec.jpg","https://api.homofaber.com/uploads/1_EDITED_Yong_il_Jeon_1_copy_907ec27654.jpg","https://api.homofaber.com/uploads/5_EDITED_7_copy_d7986f179f.jpg","Yong-Il Jeon","yong-il_jeon-metalworking-boeun-gun","Yong-Il Jeon first discovered metalwork through Seoul National University's studio programme in 1975. Despite techniques he initially found difficult, he was drawn to metal. Yong-Il pursued metalworking intensively through his foundational degree in Seoul, and later attended a masters in metalwork at the University of Miami. In 1990, he joined Kookmin University, where, for three decades, he balanced teaching and lecturing internationally alongside his artistic practice. \"Today, I create new work from my basement studio in Seoul's Hongje-dong neighbourhood. My motivations, including classic music’s rhythm, structure and sensibility, guide my work,\" he says. Yong-Il's pieces are held in collections at the Museum of Modern and Contemporary Art in Korea, Chiwoo Craft Museum and the V&A.",[1121],"Metalworking",[666],[777,824,942,671,778],[1125,1126,1127,1128,1129],"Resonance","Audio Craft","Double-wall vessel form 1","Pendulum","Double-wall vessel form 2",[1131,786,787,1132,1133,789,746],"Metal","MDF","Cupronickel",[1135,1136,1137,1138,1139,750,751,1140],"Wall hanging","Loudspeaker","Vessel","Wall decorations","Home electronics","Leisure",[698],[1143],"Metalworker",[1121],37.57262990867118,126.9754310890325,{"_716":1145,"_717":1146},2313,{"_649":1150,"_31":1151,"_652":1152,"_255":1156,"_378":1157,"_659":1158,"_661":1159,"_664":1160,"_668":1161,"_676":1165,"_683":1171,"_689":1172,"_695":38,"_696":1173,"_699":1174,"_702":1175,"_704":1176,"_706":1177,"_708":758,"_710":711,"_712":1178,"_714":1179,"_718":1180},"profile-5272",5272,[1153,1154,1155],"https://api.homofaber.com/uploads/3_portraits02_starjang_copy_23f9ed939d.jpg","https://api.homofaber.com/uploads/1_gestures01_starjang_05efc89635.jpg","https://api.homofaber.com/uploads/5_object11_61473f5b86.jpg","Enola Ton","enola_ton-illustration-seoul","After many years of working in exports for a steel company, Kunil Chae adopted the name Enola Ton, his artistic alter ego, in 2018. “I needed to earn a living, but working just for money had become frustrating,” he recalls. This pushed Enola to go back to his true passion, illustration. Even though he had never studied the craft formally, he learned it on his own by drawing tirelessly since childhood. Soon, Timidtales creative studio and shop, based in a lively area of Seoul, Insadong, was born in collaboration with fashion designer Lea Kim. Together, Enola and Lea produce clothing items that feature his own elaborated illustrations. “When we study our products, my drawings always come first,\" he explains. “They are our primary focus and ultimate goal.\"",[904],[666,667],[1162,823,1163,1164,673],"Collaborations","New career","Self-taught",[1166,1167,1168,1169,1170],"Chakho Gapsa","Secret of the last Korean tigers","Wish you best luck","The lotus flowers","Let's go slowly, woof woof",[914],[904,916,917],[698],[920],[904],37.57444286848627,126.9848325419469,"2026-03-12",{"_716":1176,"_717":1177},5467,{"_649":1182,"_31":1183,"_652":1184,"_255":1188,"_378":1189,"_659":1190,"_661":1191,"_664":1192,"_668":1193,"_676":1194,"_683":1200,"_689":1204,"_695":38,"_696":1206,"_699":1207,"_702":1208,"_704":1209,"_706":1210,"_708":1211,"_710":711,"_712":1212,"_714":1213,"_718":1214},"profile-5265",5265,[1185,1186,1187],"https://api.homofaber.com/uploads/3_Namkyung_LEE_profile_17_dbed07ce81.jpg","https://api.homofaber.com/uploads/1_IMG_8653_copy_c4bbe634d4.jpg","https://api.homofaber.com/uploads/5_EDITED_Passage_sterlingsilver_photograph_printedonacrylic_brooch_2023_copy_9d30925ab2.jpg","Namkyung Lee","namkyung_lee-jewellery_making-seoul","Namkyung Lee brings photography into metal jewellery, translating spatial afterimages and personal memory into wearable, architectural forms. Starting with image transfers onto quartz in 2014, she later adopted clear acrylic and UV printing to overcome jewellery’s limits of size and weight. \"In my practice, I combine traditional benchwork with contemporary, digital processes,\" she explains. Namkyung uses photographs she takes herself while travelling, composing and editing digitally to obtain a single image. She turns these images into tactile relief and intaglio to create wearable jewellery pieces such as brooches and earrings. Since 2025, Namkyung has expanded this language through using jesmonite and photo-etching on metal. \"These new materials allow me to extend my experiments in representing architectural spatiality,\" she says.",[1006],[666],[797,823,1009,1164],[1195,1196,1197,1198,1199],"An Empty Room brooch","Ruins and Remains brooch","Gaze earrings","Images for Recording Things Around Me, The 3rd Bottle","Gaze brooch",[1017,1201,1202,789,837,1203],"Acrylic","Jesmonite","Minerals",[1020,1205,1022,1023],"Earring",[698],[1026],[1006],37.577494058243,126.9849795718222,"2026-05-06T07:26:42.000+0000","2026-03-05",{"_716":1209,"_717":1210},2448,{"_649":1216,"_31":1217,"_652":1218,"_255":1222,"_378":1223,"_659":1224,"_661":1225,"_664":1226,"_668":1227,"_676":1228,"_683":1234,"_689":1236,"_695":38,"_696":1237,"_699":1238,"_702":1239,"_704":1240,"_706":1241,"_708":1074,"_710":1242,"_712":1243,"_714":1244,"_718":1245},"profile-5230",5230,[1219,1220,1221],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ey4B_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ey4B_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ey4B_Right2.jpg","Sangsoo Lee","sangsoo_lee-metal_sculpting-paju-si","Sangsoo Lee's metal practice explores how far form can be reduced without losing meaning. Trained in ceramics and sculpture at Busan Design High School, Dong-A University and Hongik University, he approaches 3D work through the logic of drawing. Rather than modelling mass or volume, Sangsoo constructs animals using the minimum number of lines required to evoke their presence. His works are digitally modelled, 3D printed, sanded, painted and assembled, yet they retain the immediacy of a single gesture. \"My work is influenced by modernist drawing and the discipline of subtraction,\" he says. \"The sculptures are like visual riddles that invite viewers to complete the images in their own perception.\"",[774],[666,667],[777,823],[1229,1230,1231,1232,1233],"Cat under the moon","Parrot","Rabbit","Stretching Cat","Dachshund",[1235,835,836,837],"Paint",[791,794,797],[698],[801],[774],37.75166334273462,126.6905359416386,"Paju-si, South Korea","2026-02-12",{"_716":1240,"_717":1241},2509,{"_649":1247,"_31":1248,"_652":1249,"_255":1253,"_378":1254,"_659":1255,"_661":1256,"_664":1257,"_668":1258,"_676":1260,"_683":1266,"_689":1274,"_695":38,"_696":1275,"_699":1276,"_702":1277,"_704":1278,"_706":1279,"_708":758,"_710":1280,"_712":1281,"_714":1282,"_718":1283},"profile-5216",5216,[1250,1251,1252],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyMU_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyMU_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyMU_Right2.jpg","Myungtaek Jung","myungtaek_jung-furniture_making-gyeongsan","Myungtaek Jung investigates the philosophical and spatial nature of materials, transforming furniture from a functional object into a reflective artistic presence. Rooted in traditional Korean architecture, he reinterprets the concepts of muwi, the absence of action, mushim, the absence of desire, and muhyeong, the absence of shape, through a contemporary lens. Myungtaek studied woodworking and furniture design at Hongik University and later earned his master of fine arts at the Rochester Institute of Technology. His work with the Wendell Castle Collection played a formative role in shaping his artistic vision. He has presented solo exhibitions in the USA, Egypt and South Korea, and participated in major international exhibitions including the Triennale Design Museum Milan in 2018, PAD London and Design Miami in 2025. Currently based in Gyeongsan in South Korea, Myungtaek continues to explore new possibilities for art furniture that sits between tradition and modernity.",[859],[666],[824,1259,673,674],"Mixing cultures",[1261,1262,1263,1264,1265],"Seating for Communicating, Over the Rainbow","Anchored Void","Creating a Void series","Dumbung-jucho series","Maru 21001 - 21140",[1267,1268,1269,1270,874,1271,1272,1273,744,688,746,789],"Rattan","Sisal","Plywood","Bronze","Walnut wood","Stainless steel","Steel",[791,880,952,794,882,883,797,884],[698],[887],[859],35.82408700720313,128.7833370144964,"Gyeongsan, South Korea","2026-02-05",{"_716":1278,"_717":1279},4767,{"_649":1285,"_31":1286,"_652":1287,"_255":1291,"_378":1292,"_659":1293,"_661":1294,"_664":1296,"_668":1297,"_676":1298,"_683":1304,"_689":1306,"_695":38,"_696":1307,"_699":1308,"_702":1310,"_704":1311,"_706":1312,"_708":758,"_710":711,"_712":1281,"_714":1313,"_718":1314},"profile-5223",5223,[1288,1289,1290],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyL5_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyL5_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyL5_Right2.jpg","Soobin Lee","soobin_lee-wood_carving-seoul","Soobin Lee's wood practice is grounded in skilled handwork and close attention to material. She frequently works with animal-inspired forms, using familiar creatures as a way to soften the boundary between object and presence. \"My animals suggest gestures, weight and character, rather than holding literal representation,\" Soobin says. She carves these wooden figures slowly, through repetition and technical precision, which allows the grain and resistance of the material to guide each of her decisions. Positioned between craft and object-making. Soobin's work values durability, balance and tactile clarity. It reflects an intimate understanding of wood and form developed through continuous making,",[1295],"Wood carving",[666],[822,825,672,673,746],[1299,1300,1301,1302,1303],"Dog Walk - Cracked Cliff","Human Walk","Soft Burden I","DAMBI Walk","Winter Retreat",[744,1305,746],"Ebony wood",[791,794,797],[698],[1309],"Woodcarver",[1295],37.57480007745686,126.9612840009227,{"_716":1311,"_717":1312},281,{"_649":1316,"_31":1317,"_652":1318,"_255":1322,"_378":1323,"_659":1324,"_661":1325,"_664":1327,"_668":1328,"_676":1330,"_683":1339,"_689":1346,"_695":38,"_696":1349,"_699":1350,"_702":1352,"_704":1353,"_706":1354,"_708":758,"_710":711,"_712":1355,"_714":1356,"_718":1357},"profile-4512",4512,[1319,1320,1321],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyL1_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyL1_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyL1_Right2.jpg","Joohyung Park","joohyung-park-8ezrvr","Joohyung Park transforms wood into forms that disguise the material's nature, drawing on her background in metalwork to create soft, ambiguous surfaces. \"Rather than showcasing its rugged and rough feel, I aim to present wood as soft and silky. I like to challenge viewers' expectations of wood as a material,\" she says. Joohyung's process involves extensive hand carving with a chisel and multiple layers of a Korean lacquer called ottchil. Her objects' final forms often differ from initial sketches, as the work evolves during the creative process and the carving reveals surprising angles. Joohyung's subjects range from memories of her dog to reflections on current events. \"Telling stories through making is easier than communicating them verbally,\" she says.",[1326],"Wood sculpting",[666],[862,777,183,735,1329,746],"Politically engaged",[1331,1332,1333,1334,1335,1336,1337,1338],"Confluence 23-33 (8)","Notes 1","Moment, Pleasure Ⅱ 16-8","Confluence 24-7 (上)","Confluence 24-2","Confluence 23-33","Confluence 24-1","Confluence 24-8",[1340,1017,1341,1342,1343,1131,1344,1271,1345,876,789,746,837,1203],"Ottchil","Wenge wood","Acrylic paint","Elm wood","Stone","Bubinga wood",[1020,1347,954,1022,1348,882,1023,797,884],"Wall panel","Building elements",[698],[1351],"Wood sculptor",[1326],37.53773001959325,127.0132027861305,"2026-01-22",{"_716":1353,"_717":1354},3970,{"_649":1359,"_31":1360,"_652":1361,"_255":1365,"_378":1366,"_659":1367,"_661":1368,"_664":1370,"_668":1371,"_676":1374,"_683":1380,"_689":1381,"_695":38,"_696":1383,"_699":1384,"_702":1386,"_704":1387,"_706":1388,"_708":924,"_710":1242,"_712":1355,"_714":1389,"_718":1390},"profile-5189",5189,[1362,1363,1364],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000ExeZ_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000ExeZ_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000ExeZ_Right2.jpg","Bum Mi Kim","bum_mi_kim-artificial_flower_making-paju-si","By combining her expertise in painting with floral art, Bum Mi Kim creates works in which the flat surface of painting and the 3D form of flowers meet. After majoring in western painting at university, she worked for over 20 years as a florist. \"I realised that no matter how beautiful the flowers are, they cannot stand out without a harmonious background,\" Bum Mi says. To address this, she started applying a backdrop-painting technique to her floral work, so the flowers appear their best and blend naturally with the painted setting. \"Years of working with fresh flowers left me wishing their beauty did not fade so quickly,\" Bum Mi says. \"I asked myself if it is possible to create nature that does not disappear.\" This is the very question that led her to embrace artificial flowers as a genuine artistic medium.",[1369],"Artificial flower making",[666,667],[777,1372,735,1373],"Flowers","Visual Arts",[1375,1376,1377,1378,1379],"Blue Harmony","Sunlight Bloom vase","Pastel Green bouquet","Flower Moon","Soft Blush Garden",[1235,686,836,688],[1382,1138,751],"Decorative painting",[698],[1385],"Artificial flower maker",[1369],37.70569629040479,126.6862083261974,{"_716":1387,"_717":1388},335,{"_649":1392,"_31":1393,"_652":1394,"_255":1398,"_378":1399,"_659":1400,"_661":1401,"_664":1403,"_668":1404,"_676":1405,"_683":1409,"_689":1411,"_695":38,"_696":1415,"_699":1416,"_702":1418,"_704":1419,"_706":1420,"_708":709,"_710":1421,"_712":1422,"_714":1423,"_718":1424},"profile-5185",5185,[1395,1396,1397],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EzyM_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EzyM_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EzyM_Right2.jpg","Changkyun Han","changkyun_han-bamboo_art-namwon-si","Changkyun Han fully makes use of bamboo's dual nature of wood and grass, by creating objects with a mix of techniques from woodworking and straw working. He built a deep foundation in interpreting materials from multiple perspectives through traditional apprenticeships with masters in wood furniture making, straw mat weaving and bamboo hat weaving. Changkyun's works range from small, everyday objects to large-scale installations, through which he explores new applications for the traditional Korean bamboo craft. \"I personally tend to bamboo groves in Gokseong and South Korea, and I source the material myself,\" he says. Through his bamboo craft society, called Changkyun HAN Jukyehoe, he actively shares his knowledge and fosters dialogue. Changkyun ensures that his teaching is rooted in close engagement with bamboo.",[1402],"Bamboo art",[666],[862,777,942,825,674,746],[1406,952,1407,1408],"Pattern 1","Nesket","Pattern 2",[1410,1267,744,688,746],"Bamboo",[1412,952,1413,791,1138,883,1414,794,751,884,1023,797],"Wall decor","Basket","Bags and luggages",[698],[1417],"Bamboo artist",[1402],35.40016444076643,127.3725973567414,"Namwon-si, South Korea","2026-01-15",{"_716":1419,"_717":1420},3527,{"_649":1426,"_31":1427,"_652":1428,"_255":1432,"_378":1433,"_659":1434,"_661":1435,"_664":1436,"_668":1437,"_676":1440,"_683":1446,"_689":1448,"_695":38,"_696":1450,"_699":1451,"_702":1452,"_704":1453,"_706":1454,"_708":709,"_710":1455,"_712":1456,"_714":1457,"_718":1458},"profile-5158",5158,[1429,1430,1431],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EzKY_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EzKY_Right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EzKY_Right2.jpg","Yeonjun Kim","yeonjun_kim-ceramics-icheon","Born to ceramicist parents, Yeonjun Kim grew up constantly playing with clay, and made his first work of a clay crocodile in his early childhood. \"Although studying ceramics at university helped me develop a style different than that of my parents, we still exchange advice and often work together,\" he says. Yeonjun created his Stone series, inspired by people placing small stones on pagodas in Korean temples. “Each stone is just one among countless ordinary stones, yet they are being chosen as individual vessels for people's wishes. That fascinates me,” he says. Wanting his works to hold similar meaning, Yeonjun began using small stones as a medium to connect bowls and their bases. He aims for his works to be naturally absorbed into people's routines and everyday lives.",[731],[666],[734,731,1438,942,1439,826],"Heritage","Hospitality",[1441,1442,1443,1444,1445],"Secret II","Stone bowls","Sailing stone","Secret I","Stone series",[1447,745],"White clay",[791,749,1137,1449,794,750,797,751],"Vase",[698],[754],[731],37.29579799022638,127.387415100556,"Icheon, South Korea","2026-01-01",{"_716":1453,"_717":1454},4073,{"_649":1460,"_31":1461,"_652":1462,"_255":1466,"_378":1467,"_659":1468,"_661":1469,"_664":1471,"_668":1472,"_676":1473,"_683":1479,"_689":1484,"_695":38,"_696":1486,"_699":1487,"_702":1489,"_704":1490,"_706":1491,"_708":1492,"_710":1493,"_712":1494,"_714":1495,"_718":1496},"profile-5067",5067,[1463,1464,1465],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Euja_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Euja_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Euja_Right2.jpg","Ran Hwang","ran_hwang-multimedia_sculpture-paju-si_gyeonggi-do","From her ornate bird of prey wings to her elaborate crystal tiaras, Ran Hwang's large-scale pieces are constructed with thousands of pins, threads and seemingly countless beads, buttons and crystals. She first studied applied arts in her native South Korea before pursuing fine art at the School of Visual Arts in New York. \"While working at an embroidery company in the fashion district, my attention was caught by cast-off materials, particularly buttons and thread,\" she says. From there, Ran's inventory expanded to other common fashion materials, including compressed mulberry buttons, beads, crystals, mother-of-pearls, nails and thread. Witnessing the tragic September 11 attacks led her to incorporate themes of destruction, human fragility and resilience into her work.",[1470],"Mixed media sculpture",[666],[],[1474,1475,1476,1477,1478],"Another Freedom_FB","Becoming Again, Coming Together","Healing oblivious aqua","The Secret Sublime","Secret Beauty",[1480,1481,1482,1483,688,1054,1203],"Thread","Beads","Buttons","Crystal",[1412,1485,1138,751],"Panel",[698],[1488],"Mixed media sculptor",[1470],37.71478907818681,126.6897256524661,"2026-05-06T07:27:48.000+0000","Paju-si, Gyeonggi-do, South Korea","2025-12-18",{"_716":1490,"_717":1491},4730,{"_649":1498,"_31":1499,"_652":1500,"_255":1504,"_378":1505,"_659":1506,"_661":1507,"_664":1508,"_668":1509,"_676":1510,"_683":1516,"_689":1520,"_695":38,"_696":1521,"_699":1522,"_702":1523,"_704":1524,"_706":1525,"_708":1211,"_710":1526,"_712":1527,"_714":1528,"_718":1529},"profile-5050",5050,[1501,1502,1503],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EoxO_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EoxO_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EoxO_Right2.jpg","Jeongbin Lee","jeongbin_lee-ceramics-goheung-gun","Jeongbin Lee creates ceramic guardian-spirit figures inspired by the folktales of his city, Goheung-gun in Jeollanamdo. While majoring in photography, he discovered ceramics by chance during a course reinterpreting Joseon white porcelain in a modern way. This experience marked Jeongbin's entry into the world of ceramics. Since then, he has continued to develop his artistic identity through graduate studies, ceramic research institutes and artist residencies in Korea and abroad. Jeongbin's signature Guardian Figure series symbolises protection and comfort for people living with anxiety. \"My figures are shaped like cats to reflect the comfort I once received from a pet. I hope my works carry small prayers for well-being and warmth in today’s world,\" he says.",[731],[666],[822,777,673,674,826,731],[1511,1512,1513,1514,1515],"Blossom Cat Guardian","We deliver love","The Boundary Cat Guardian","Love-Engraved Cat Guardian","Embracing Love",[743,1517,1518,1519,745,876,746],"Glaze","Stoneware","Ash",[791,794,797],[698],[754],[731],34.62899806175489,127.3332446810512,"Goheung-gun, South Korea","2025-12-04",{"_716":1524,"_717":1525},4905,{"_649":1531,"_31":1532,"_652":1533,"_255":1537,"_378":1538,"_659":1539,"_661":1540,"_664":1541,"_668":1542,"_676":1544,"_683":1550,"_689":1551,"_695":38,"_696":1553,"_699":1554,"_702":1555,"_704":1556,"_706":1557,"_708":1074,"_710":1558,"_712":1559,"_714":1560,"_718":1561},"profile-4963",4963,[1534,1535,1536],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ey49_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ey49_Right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ey49_Right2.jpg","Sukkeun Kang","sukkeun_kang-lacquering-ulsan","Sukkeun Kang started out in making beautiful yet practical wooden tableware for his wife, whose wrists often hurt. The history of Korean lacquered woodenware goes back thousands of years, but it had been kept for the privileged elite. This was because the craft was used mainly for decorative and artistic pieces. In this context, Sukkeun sought to turn lacquerware from decorative to everyday utilitarian. \"In order to produce lacquerware that would not break or smell, I endured five years of constant failure as I perfected my technique,\" he shares. To this day, the self-taught artisan creates functional tableware pieces that exude an artistic sensitivity, as he aims to convey the spectrum of human emotions into every object.",[939],[666],[734,1543,1164,674,746],"Innovation",[1545,1546,1547,1548,1549],"Just after Sunset","Sign of the Wind hamji","The Earth's Language hamji","Sign of the Wind","Time",[744,1344,746,1203],[1552,749,1137,955,750,798,751],"Plate",[698],[958],[939],35.45777,129.16591,"Ulsan, South Korea","2025-11-20",{"_716":1556,"_717":1557},5239,{"_649":1563,"_31":1564,"_652":1565,"_255":1569,"_378":1570,"_659":1571,"_661":1572,"_664":1574,"_668":1575,"_676":1576,"_683":1582,"_689":1584,"_695":38,"_696":1592,"_699":1593,"_702":1595,"_704":1596,"_706":1597,"_708":1074,"_710":711,"_712":1598,"_714":1599,"_718":1600},"profile-4894",4894,[1566,1567,1568],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ey47_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ey47_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ey47_Right2.jpg","Shinwoo Kang","shinwoo_kang-woodwork-seoul","As a university professor and furniture designer, Shinwoo Kang creates works that embody both practical function and digital precision. Rooted in a deep respect for use, Shinwoo's designs focus on how furniture is touched, held and lived with. After studying woodworking at university and spending a decade at a major furniture company in Korea, he began crafting accessible, modern pieces that reflect everyday needs. Shinwoo blends traditional hand carving with digital design processes to create functional objects such as mirrors, trays and wooden utensils that honour the natural pattern and warmth of wood. \"I like giving new life to even the smallest of scraps,\" he says on material repurposing. Shinwoo finds joy in teaching his students how to design and make furniture that is both thoughtful and affordable.",[1573],"Woodwork",[666],[734,862,823,778,746],[1577,1578,1579,1580,1581],"A wine cabinet","Serenity","Spoons and Spatulas","Yuldong 2023","Summer Garden chopping boards",[744,1055,874,1271,1583,746,1063],"Cherry blossom",[1585,1586,1587,792,1588,1589,795,1590,1591,884,798],"Cabinet","Serving platter","Spoon","Cutting board","Storage furniture","Cutlery","Cooking utensils",[698],[1594],"Woodworker",[1573],37.58705386088759,127.0968514298824,"2025-11-13",{"_716":1596,"_717":1597},818,{"_649":1602,"_31":1603,"_652":1604,"_255":1608,"_378":1609,"_659":1610,"_661":1611,"_664":1613,"_668":1614,"_676":1615,"_683":1621,"_689":1622,"_695":38,"_696":1627,"_699":1628,"_702":1630,"_704":1631,"_706":1632,"_708":758,"_710":711,"_712":1633,"_714":1634,"_718":1635},"profile-4923",4923,[1605,1606,1607],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyKt_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyKt_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyKt_Right2.jpg","Kwanghun Hyun","kwanghun_hyun-clockmaking-seoul","Kwanghun Hyun is a metal artist who found his passion in clockmaking and watchmaking. \"I discovered mechanical watches at school while seeking to control exposure time on a pinhole camera for a graduation project. I was fascinated by the structures and movements of machines,\" he says. Kwanghun learned his craft through online videos, workshop observation and repeatedly disassembling and reassembling vintage watches until he fully mastered their mechanical systems. As he had no access to proper tools, he designed and built his own. His studio, 3 Hands, reflects his philosophy towards his craft: the left and right hands, and a third hand representing machines, each integral to the craft. \"Through relentless curiosity, I aim to revive the technical knowledge that has drifted away from human hands under industry dominance,\" he explains.",[1612],"Clockmaking",[666,667],[670,823,1009,1164],[1616,1617,1618,1619,1620],"Heartbeat III","Korean goblin silver-inlaid wristwatch","Owl clock","Spring pendulum clock","Skeleton",[786,1271,788,1272,1340,789,746,1273,876],[1623,1624,1625,750,1022,1626,751,1023,884],"Clock","Watch","Desk clock","Furniture accessories",[698],[1629],"Clockmaker",[1612],37.55129,126.97887,"2025-10-09",{"_716":1631,"_717":1632},2346,{"_649":1637,"_31":1638,"_652":1639,"_255":1643,"_378":1644,"_659":1645,"_661":1646,"_664":1647,"_668":1648,"_676":1649,"_683":1655,"_689":1659,"_695":38,"_696":1665,"_699":1666,"_702":1667,"_704":1668,"_706":1669,"_708":758,"_710":1670,"_712":1671,"_714":1672,"_718":1673},"profile-4487",4487,[1640,1641,1642],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/3)making6(c)Hyunkyeong BAEK.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/1)making15(c)Hyunkyeong BAEK.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/5)(c)Ye Studio_9306.jpg","Sangwook Huh","sangwook_huh-ceramics-yangpyeong","Sangwook Huh specialises in making ceramic objects using his own take on the traditional art of buncheong pottery. He first worked with clay in college in 1988. Deeply inspired by a buncheong celadon exhibition at the Hoam Art Musuem in 1993, Sangwook decided to carry this tradition into his future practice. Even though he learnt his craft's techniques and history at university, he credits his travelling to see traditional artifacts to have given him a deeper sense of aesthetics and his artistic flair. \"I find it miraculous how clay, water and fire transform themselves into something entirely new,\" says Sangwook. In his first work on a traditional admiral Korean bottle, he altered its conventional form and gave it a new shape. Since then, he has focused on harmonising thick clay and white slip and balancing their contrasting properties in his work. \"I get a sense of freedom while applying white slip, drawing leaf patterns and scratching the background,\" he explains.",[731],[666],[734,777,731,942,674,731],[1650,1651,1652,1653,1654],"Buncheong silver plantain admiral bottle","Buncheong silver plantain flat bottle","Buncheong iron silver plantain square vase","Buncheong silver tiger tea cup set","Buncheong silver plantain jar",[1235,1656,788,1657,1658,836,745,789],"Slip","Iron","Red Clay",[1660,1449,1661,1662,1663,750,1664,798,751],"Bottle","Tea cup","Pot","Drinkware","Cookware",[698],[754],[731],37.53868,127.46094,"Yangpyeong, South Korea","2025-08-14",{"_716":1668,"_717":1669},5353,{"_649":1675,"_31":1676,"_652":1677,"_255":1681,"_378":1682,"_659":1683,"_661":1684,"_664":1686,"_668":1687,"_676":1689,"_683":1696,"_689":1699,"_695":38,"_696":1700,"_699":1701,"_702":1703,"_704":1704,"_706":1705,"_708":758,"_710":711,"_712":1706,"_714":1707,"_718":1708},"profile-4514",4514,[1678,1679,1680],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003bfp4AA-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003bfl4AA-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003bfo4AA-right2.jpg","Minyeol Cho","min-yeol-cho-1lgntt","In what he calls a sensory craft, Minyeol Cho transforms discarded materials, specifically denim scraps, into sculptures, vessels, trays, eyeglasses and other objects. His process begins in the streets of Changshin-dong, Seoul's garment district, where he collects textile remnants he falls upon. Minyeol then joins his materials together through experimental restructuring, focusing more on sensation rather than technique. \"I approach craft not as a rebellion against tradition, but as natural evolution within Korea's fast-paced reality. My practice aims to record disappearing cultural fragments,\" he explains. Minyeol's work aim to demonstrate how contemporary craft can function as both a universal language and a marker of specific local culture, through creating new sensory testimonies from urban waste.",[1685],"Textile sculpting",[666,667],[1688,777,672,673,170,632],"Eco-innovation",[1690,1691,1692,1693,1694,1695],"An Expanded Fragment series_Oriental blue","Refined abstraction","Blue texture","Cloud","Oriental white","Oriental blue",[1697,1698,836,688],"Glue","Denim",[791,794,797],[698],[1702],"Textile sculptor",[1685],37.5763,127.01134,"2025-07-30",{"_716":1704,"_717":1705},5258,{"_649":1710,"_31":1711,"_652":1712,"_255":1716,"_378":1717,"_659":1718,"_661":1719,"_664":1720,"_668":1721,"_676":1722,"_683":1728,"_689":1731,"_695":38,"_696":1734,"_699":1735,"_702":1736,"_704":1737,"_706":1738,"_708":758,"_710":711,"_712":1739,"_714":1740,"_718":1741},"profile-4505",4505,[1713,1714,1715],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001n5A4AQ-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001n584AA-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001n594AA-right2.jpg","Yeodong Yun","yeodong-yun-d0mbwk","Yeodong Yun is a metal artist based in Seoul who makes functional objects, jewellery and installations that reflect the subtle dynamism of time. She studied metalworking at Seoul National University and ESADSE in France. Yeodong's works are influenced by the Silla dynasty crowns, refined gold crowns of the 5th–7th centuries. She transforms everyday objects, such as wineglasses, coolers and teapots, into sculptural art, by balancing elegance, history and modernity. \"I would describe my work as JeongJungDong, or 'movement in silence', which is a concept that embodies the subtle tremors and motion within stillness,\" she says. Her pieces are featured in global exhibitions, including Homo Faber 2024: The Journey of Life in Venice.",[774],[666,667],[734,1162,183,826],[1723,1724,1725,1726,1727],"Dancing wine glass","Dessert fork and tea spoon","Round plate set","Oval plate set","Ganymed wine bucket set",[787,1729,1017,1730,786,789,1203],"Silver plate","Aluminium",[1732,1587,953,1733,1663,1590,955,795,798],"Wine glass","Champagne bucket",[698],[801],[774],37.59714,126.96112,"2025-07-10",{"_716":1737,"_717":1738},5606,{"_649":1743,"_31":1744,"_652":1745,"_255":1749,"_378":1750,"_659":1751,"_661":1752,"_664":1753,"_668":1754,"_676":1755,"_683":1761,"_689":1763,"_695":38,"_696":1764,"_699":1765,"_702":1766,"_704":1767,"_706":1768,"_708":1074,"_710":1769,"_712":1770,"_714":1771,"_718":1772},"profile-4133",4133,[1746,1747,1748],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003RN74AM-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003RN34AM-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003RN64AM-right2.jpg","Junyoung Kang","junyoung-kang-gxkvpv","Junyoung Kang is celebrated for his exceptional craftsmanship and innovative approach to ceramics. His mastery of form, texture and glazing techniques allows him to create pieces that blur the lines between functional pottery and sculptural art. He skillfully manipulates clay to produce dynamic, organic shapes, often incorporating intricate patterns and painterly surfaces that reflect his background in drawing and painting. Junyoung's work demonstrates a deep understanding of traditional Korean ceramic techniques while pushing boundaries through modern interpretations. His ability to evoke emotion through material and form has made him a significant figure in contemporary ceramic art.",[731],[666],[777,731,1259,674],[1756,1757,1758,1759,1760],"When our chosen story becomes love","The first duty of love is to listen! (Back)","The first duty of love is to listen! (Front)","Wow! It’s a jar!","Remixed pot!",[1762,745],"Porcelain",[748,1660,750,1663,751,798],[698],[754],[731],37.59893,126.89375,"Goyang-si, South Korea","2025-07-03",{"_716":1767,"_717":1768},1607,{"_649":1774,"_31":1775,"_652":1776,"_255":1779,"_378":1780,"_659":1781,"_661":1782,"_664":1783,"_668":1784,"_676":1785,"_683":1791,"_689":1793,"_695":38,"_696":1794,"_699":1795,"_702":1796,"_704":1797,"_706":1798,"_708":758,"_710":1670,"_712":1799,"_714":1800,"_718":1801},"profile-4494",4494,[1777,1778],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003MaK4AU-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003MaI4AU-left1.jpg","Hun-chung Lee","hun-chung-lee-3lamyn","Hun-chung Lee is a master ceramicist from Seoul, currently living between Seoul and Los Angeles. He has a background in ceramic sculpture from Hongik University and a PhD in Architecture. Hun-chung makes functional art furniture, ceramic objects, as well as large-scale installations and paintings. His approach involves significant engagement with materials, hand-sculpting each piece and applying multiple layers of glaze. Inspired by nature and human life, Hun-chung's aims to connect cultures through his art, and develops international projects and collaborations around this theme. \"To me, boundaries are essential spaces for creativity, and crossing them allows fresh perspectives to surface,\" he explains.",[731],[666],[1162,731,824,1259],[1786,1787,1788,1789,1790],"Dinner Party","Drawing","Stool with Three Legs","Island","Shelter",[743,1517,1792,745,876,836],"Stain",[791,1347,952,794,1348,883,797,884],[698],[754],[731],37.49796,127.42959,"2025-06-19",{"_716":1797,"_717":1798},2923,{"_649":1803,"_31":1804,"_652":1805,"_255":1809,"_378":1810,"_659":1811,"_661":1812,"_664":1814,"_668":1815,"_676":1817,"_683":1823,"_689":1824,"_695":38,"_696":1825,"_699":1826,"_702":1828,"_704":1829,"_706":1830,"_708":1074,"_710":711,"_712":1831,"_714":1832,"_718":1833},"profile-4137",4137,[1806,1807,1808],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002izU4AQ-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002izS4AQ-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002izT4AQ-right2.jpg","Dongwan Kim","dong-wan-kim-iheyce","From a young age, Dongwan Kim displayed a talent for crafting and a passion for creating things by hand. He pursued his studies in the Department of Craft Design at university, and explored various craft techniques, including glass, ceramics, weaving, and lacquer work. Among these, ceramics and glass crafts captivated him the most. After graduation, Dongwan found himself torn between ceramics and glass. His path became clear one day when he opened a kiln and was mesmerised by the sight of molten glass glowing a brilliant orange amidst intense heat. That moment ignited in him a deep fascination for glass craftsmanship, leading him to choose it as his lifelong pursuit. Today, Dongwan continues to shape his artistic journey through the art of glassblowing, enjoying glowing orange glass and searing heat, while adding other techniques such as lacquer to deepen the textures of his works.",[1813],"Glass sculpting",[666,667],[1816,1054],"First generation",[1818,1819,1820,1821,1822],"Swamp","Piece of Memories #1","Layer series, Prunus vase","Layer series, Jar","A desert river",[875,1054,835,876,837],[1485,1054,1449,1662,791,1138,1663,750,1664,794,751,798,797],[698],[1827],"Glass sculptor",[1813],37.53766,127.04903,"2025-02-13",{"_716":1829,"_717":1830},5468,{"_649":1835,"_31":1836,"_652":1837,"_255":1841,"_378":1842,"_659":1843,"_661":1844,"_664":1845,"_668":1846,"_676":1847,"_683":1852,"_689":1854,"_695":38,"_696":1855,"_699":1856,"_702":1857,"_704":1858,"_706":1859,"_708":1074,"_710":1860,"_712":1861,"_714":1862,"_718":1863},"profile-4143",4143,[1838,1839,1840],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002XWC4A2-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002XWA4A2-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002XWB4A2-right2.jpg","Yongjoo Kim","homofaber-l0vtlw","Yongjoo Kim was born and raised in Seoul, a bustling city of 10 million people in which she habitually observed the fashion choices of others. When she moved to Providence in the USA for graduate school in 2007, the contrast was striking. The streets were often empty, and people moved slowly. She began to notice her surroundings differently, sparking curiosity in things she had overlooked before. As she got used to her environment, her choice of materials in her art evolved. While she had previously favoured precious metals, she began exploring ordinary materials such as nails, beans, and hook-and-loop fasteners, discovering their hidden beauty through a process of reconfiguration. In 2009, Yongjoo chose to focus on the fasteners, drawn by their tactile qualities and affordability. Her creative process involves cutting and assembling these materials into unpredictable forms, navigating uncertainty to create surprising and beautiful artwork.",[1685],[666],[822,777],[1848,1849,1850,1851],"44900.8319444444","44144.8152777778","44174.6715277778","Studies in Exeru Formation: Recumbent No. 2",[1853,688],"Textile",[692,693,694],[698],[1702],[1685],37.65085,127.12839,"Namyangju-si, South Korea","2025-01-09",{"_716":1858,"_717":1859},3577,{"_649":1865,"_31":1866,"_652":1867,"_255":1871,"_378":1872,"_659":1873,"_661":1874,"_664":1875,"_668":1877,"_676":1878,"_683":1884,"_689":1886,"_695":38,"_696":1887,"_699":1888,"_702":1889,"_704":1890,"_706":1891,"_708":758,"_710":711,"_712":1892,"_714":1893,"_718":1894},"profile-4507",4507,[1868,1869,1870],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002SRd4AM-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002SOP4A2-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002SUr4AM-right2.jpg","Hyejeong Ko","hye-jeong-ko-slvzv1","Hyejeong Ko's creative journey is deeply rooted in her connection to nature, stemming from her childhood in Jeju Island. This formative experience shaped her artistic sensibility, leading her to pursue metalwork for its unique ability to transform cold, hard materials into warm, poetic expressions. After studying in Seoul, Hyejeong expanded her horizons through international experiences, which enriched her perspective and techniques. Her work, ranging from functional objects to jewellery, is characterised by intricate forms inspired by natural elements. To craft her complex pieces, her artistic process involves meticulous observation of nature, which she then recreates in metal using techniques like micro-welding. Hyejeong's craftsmanship has garnered recognition in recent years, including an accolade at Homo Faber 2024, affirming her position in contemporary metalwork worldwide.",[774],[666,667,1876],"Seoul: crafts inherited from dynasties",[1090,777,824,183,672],[1879,1880,1881,1882,1883],"Dandelion Bowls","Crown dish","Birth","Calmness","Forest.mind",[1017,1885,786,1729,789,876,1203],"Enamel",[791,794,797],[698],[801],[774],37.58248,126.9867,"2024-12-19",{"_716":1890,"_717":1891},5615,{"_649":1896,"_31":1897,"_652":1898,"_255":1902,"_378":1903,"_659":1904,"_661":1905,"_664":1906,"_668":1907,"_676":1908,"_683":1914,"_689":1915,"_695":38,"_696":1919,"_699":1920,"_702":1921,"_704":1922,"_706":1923,"_708":758,"_710":1242,"_712":1892,"_714":1924,"_718":1925},"profile-4491",4491,[1899,1900,1901],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002RfJ4AU-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002RfF4AU-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002RfI4AU-right2.jpg","Yoonkwan Kim","yoonkwan-kim-wrj1qj","One day in his mid-30s, while working in his usual job, Yoonkwan Kim realised that he wanted to exist as himself for the rest of his life, not just as a job title. He was not particularly drawn to carpentry at first, but had a vague desire for a profession that involved working alone and doing manual work. This led him to enroll in a carpentry class. His training journey, however, was deeply personal and unique. “I learned the true craft of woodworking on my own,” Yoonkwan says. He adds, “Even now, I often think that craftsmanship is simply an instinctive collection of actions involved in creating something. My career as a carpenter has been a journey of understanding how these instincts work together.” His furniture reflects this instinct. The designs are simplified, free of imposed patterns, with a focus on direct, clean connections. It is about stripping away the unnecessary while preserving functionality.",[859],[666],[862,1163,1164,746],[1909,1910,1911,1912,1913],"Yeon sabangtakja","Seol bench","sambangtakja_SANG","Sabangtakja Kyung","Mungap Ryu",[744,746],[1916,1917,791,1918,1589,883,794,884,797],"Shelf","Bench","Storage",[698],[887],[859],37.7,126.8,{"_716":1922,"_717":1923},3456,{"_649":1927,"_31":1928,"_652":1929,"_255":1933,"_378":1934,"_659":1935,"_661":1936,"_664":1938,"_668":1939,"_676":1940,"_683":1948,"_689":1949,"_695":38,"_696":1950,"_699":1951,"_702":1953,"_704":1954,"_706":1955,"_708":758,"_710":1956,"_712":1957,"_714":1958,"_718":1959},"profile-4486",4486,[1930,1931,1932],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001hz34AA-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001hyz4AA-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001hz24AA-right2.jpg","Samyong Hwang","samyong-hwang-2dwwcw","Samyong Hwang began working with mother-of-pearl at 17 years old, learning the craft from his older brother, who was already an artisan. Samyong's journey was not easy, especially since he lost all his works in two fires, which almost made him give up. After the second fire, he retreated to the mountains for six months. His wife, using money she had saved for a new washing machine, encouraged him to re-open the workshop, knowing that this work brought him the most happiness. With her support, Samyong took up his work again. When Damien Hirst purchased some of his sculptures in 2015 and 2017 his work began to gain international recognition. Today, his artworks are displayed in museums such as the Asian Art Museum in San Francisco and the Philadelphia Museum of Art.",[1937],"Mother-of-pearl art",[666],[777,824,1438,183,674],[1941,1942,1943,1944,1945,1946,1947],"You and I","White Pebble","Pebble","Water Drop","Mother’s arms","The Pebble Series 1-1","The Pebble Series 1-3",[1062,875,1064,876],[1347,791,1348,794,797],[698],[1952],"Mother-of-pearl artist",[1937],37.58439,127.23357,"Namyangju, South Korea","2024-09-05",{"_716":1954,"_717":1955},2330,{"_649":1961,"_31":1962,"_652":1963,"_255":1967,"_378":1968,"_659":1969,"_661":1970,"_664":1972,"_668":1973,"_676":1974,"_683":1980,"_689":1991,"_695":38,"_696":1995,"_699":1996,"_702":1998,"_704":1999,"_706":2000,"_708":709,"_710":2001,"_712":2002,"_714":2003,"_718":2004},"profile-4789",4789,[1964,1965,1966],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001Xzh4AE-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001Xzd4AE-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001Xzg4AE-right2.jpg","Philmoo Yoo","yoo-philmoo-qijp7z","Philmoo Yoo could not attend high school due to a difficult family situation and had to start working to earn a living. He took on whatever jobs he could find to support himself, and at the age of 16, he entered a brush workshop on a relative's recommendation. Seeing the various brushes on display, Philmoo thought to himself, \"If I learn this craft well, I can become someone who creates valuable things.\" After ten years of focusing on making traditional brushes, he opened his own workshop for the first time. However, with mass production of artificial brushes, traditional Korean brushes were on the verge of losing their place. Despite this, Philmoo did not give up and he has devoted his life to making traditional Korean brushes using techniques unique to Korea. In 2018, he was recognised as a human cultural asset by the Korean government for his effort to preserve this tradition.",[1971],"Brush making",[666],[183,1164,673,674],[1975,1976,1977,1978,1979],"No-pil","Mo-pil brushes","Mushim-pil brushes","Choro-gwanju brushes","Writing Brushes",[1981,1982,1983,1984,1985,1986,1987,1988,1989,1410,1990,1064,1063,688],"Cow hair","Goat hair","Horsehair","Weasel hair","Arrowroot","Reed","Seeds","Silver grass","Wool","Rice straw",[1992,1993,1994],"Brush","Bathroom accessories","Beauty",[698],[1997],"Brush maker",[1971],36.8109,127.61302,"Jeungpyeonggun, South Korea","2024-08-14",{"_716":1999,"_717":2000},3735,{"_649":2006,"_31":2007,"_652":2008,"_255":2012,"_378":2013,"_659":2014,"_661":2015,"_664":2017,"_668":2018,"_676":2019,"_683":2024,"_689":2026,"_695":38,"_696":2027,"_699":2028,"_702":2030,"_704":2031,"_706":2032,"_708":758,"_710":2033,"_712":2034,"_714":2035,"_718":2036},"profile-4503",4503,[2009,2010,2011],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001Ndl4AE-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001Ndh4AE-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001Ndk4AE-right2.jpg","Youngho Park","youngho-park-qcejku","Youngho Park was born in Cheongju, a city renowned for its crafts in Korea. From a young age, he dreamed of becoming a craftsman, inspired by various exhibitions and events. After majoring in craft design in college, he won the main prize at the Cheongju Craft Biennale, an esteemed international event held in his hometown. This marked the beginning of his earnest journey as an artisan. With a passion for harmonising colours in fashion and home decor, Youngho found his niche in glassworking, where he put his talent to good use. The transparency of glass allows him to beautifully express layers of his favourite colours. Currently, Youngho is a resident artisan at the Korean Crafts Center in Cheongju, where he also trains students in lampworking.",[2016],"Lampworking",[666],[1054,183,673,778],[2020,2021,2022,2023],"Drop, navy","Drop, grand","Drop, slate","Memory Drop, green",[2025,1054],"Borosilicate glass",[1054,1663,798],[698],[2029],"Lampworker",[2016],36.65662,127.48891,"Cheongju, South Korea","2024-08-01",{"_716":2031,"_717":2032},847,{"_649":2038,"_31":2039,"_652":2040,"_255":2044,"_378":2045,"_659":2046,"_661":2047,"_664":2048,"_668":2049,"_676":2050,"_683":2058,"_689":2059,"_695":38,"_696":2060,"_699":2061,"_702":2062,"_704":2063,"_706":2064,"_708":758,"_710":711,"_712":2065,"_714":2066,"_718":2067},"profile-4509",4509,[2041,2042,2043],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000018Jl4AI-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000018Jh4AI-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000018Jk4AI-right2.jpg","Dubong Kim","dubong-kim-wijdrc","Dubong Kim has loved crafting since a young age. He pursued metalworking in university to craft his own pieces. In his exchange student semester in the USA, he travelled across the country by car and immersed himself in the diverse facets of nature. It was an experience that profoundly impacted his life. One particular moment was when he ascended a massive sand dune in Colorado's Great Sand Dunes National Park and witnessed the sunset while buffeted by the wind for hours. \"I felt my heart filled up,\" he recalls. Contemplating how to preserve the deep emotions evoked by nature, Dubong resolved to immortalise them in his artwork. Thus, he embarked on crafting his first series, Natural Flow, wherein silver, heated to brilliance, reflects vibrant hues, capturing the serene and graceful beauty of nature.",[1121],[666,667],[777,735],[2051,2052,2053,2054,2055,2056,2057],"Natural Flow #5","Flowing Pillar #1","Harmony of Nature #1","Sound of Shore #1","Sound of Shore #3","Natural flow #5, white","Intensive flow",[788,787,789],[1137,1347,750,1348,751,797],[698],[1143],[1121],37.56938,127.01809,"2024-06-27",{"_716":2063,"_717":2064},3419,{"_649":2069,"_31":2070,"_652":2071,"_255":2074,"_378":2075,"_659":2076,"_661":2077,"_664":2078,"_668":2080,"_676":2081,"_683":2087,"_689":2089,"_695":38,"_696":2090,"_699":2091,"_702":2092,"_704":2093,"_706":2094,"_708":758,"_710":2095,"_712":2096,"_714":2097,"_718":2098},"profile-4492",4492,[2072,2073],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000mSu4AI-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000mSs4AI-left1.jpg","Sanggeun Jeon","sanggeun-jeon-yaorvn","Sanggeun Jeon first encountered the art of ceramics while attending university where he taught himself pottery. To him, pottery was a revelation: it was like painting expressed in three dimensions. Sanggeun then knew he wanted to become a craftsman as making things with his hands had been a passion since his childhood. Ceramics, in particular, was a field he perceived to have unique artistry. He also found it fascinating that the outcome of a piece could not be foreknown when the works entered the kiln. Today, Sanggeun is well known for his modern interpretation of Joseon Dynasty white porcelain. His dishes go beyond the purpose of containing food, being beautiful objects that permeate a space with refinement.",[731],[666,2079],"Daegu",[731,735,1164,673,674],[2082,2083,2084,2085,2086],"Gubdalichangi","Octagonal Diamond Changi","Unmungup Changi","Irregular bowl","Gujeolpan Chanhap",[2088,1762,745],"Black clay",[1552,953,749,951,955,750,798,751],[698],[754],[731],35.84676,128.58022,"Daegu, South Korea","2024-05-02",{"_716":2093,"_717":2094},808,{"_649":2100,"_31":2101,"_652":2102,"_255":2106,"_378":2107,"_659":2108,"_661":2109,"_664":2111,"_668":2113,"_676":2115,"_683":2121,"_689":2127,"_695":38,"_696":2129,"_699":2130,"_702":2132,"_704":2133,"_706":2134,"_708":1074,"_710":2135,"_712":2136,"_714":2137,"_718":2138},"profile-4140",4140,[2103,2104,2105],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000q574AA-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000q534AA-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000q564AA-right2.jpg","Minwook Kim","minwook-kim-xjs91g","Minwook Kim's artistic journey is far from being a conventional narrative. With a background that included school, military service and an office job, Minwook found himself yearning for a life free from societal expectations. In pursuit of an escape, he immersed himself in woodwork, envisioning a future abroad, and discovered a profound passion for woodturning. Each contact and carving of trees became a source of new challenges, with Minwook seeing the trees as entities that \"remain alive even after death.\" Infusing his art with this longing for freedom, he ensures that each piece is a unique expression, never replicating the same artwork. Even when faced with similar woodwork, he adds a distinctive touch to each creation, accentuating the natural qualities inherent to every tree. Minwook's art reflects his deep connection to natural freedom.",[2110],"Woodturning",[666,2112],"Busan",[2114,1163,1164,673,746],"Nature",[2116,2117,2118,2119,2120],"Green twist","Elongated jar vessel","Light-coloured bowl","Turned pot with brass","Raw and Real",[2122,2123,746,786,2124,2125,836,2126,789,1203],"Natural dye","Wax","Wax oil","Beeswax","Natural essences",[749,748,2128,750,1626,751,884],"Plant pot",[698],[2131],"Woodturner",[2110],35.15966,129.17569,"Busan, South Korea","2024-04-25",{"_716":2133,"_717":2134},1413,{"_649":2140,"_31":2141,"_652":2142,"_255":2146,"_378":2147,"_659":2148,"_661":2149,"_664":2150,"_668":2151,"_676":2152,"_683":2158,"_689":2159,"_695":38,"_696":2160,"_699":2161,"_702":2162,"_704":2163,"_706":2164,"_708":758,"_710":711,"_712":2165,"_714":2166,"_718":2167},"profile-4482",4482,[2143,2144,2145],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000002l34AA-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000002kz4AA-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000002l24AA-right2.jpg","Sehee Chae","sehee-chae-bqlorm","If Sehee Chae has found her way and become an illustrator, she says she has two people to thank. The first is her mother, who herself has always had an attraction to art and, when Sehee was a young child, dreamed that she would become either an artist or a musician. That is why she used to give her daughter pens and paper, encouraging her to draw and follow her creative impulses. Sehee did indeed, studying at art college and graduating from the animation department. The other person who helped Sehee was a friend, who passionately encouraged her to try earning a living from her art. “Illustration fascinated me and inspiration kept coming to me every moment,” she admits.",[904],[666],[1816,777,823,1438,1091,1373],[2153,2154,2155,2156,2157],"The snowy day","Someone soaked my heart in tears","Happy Girls","Kaleidoscope","The Goddess of Water",[1091,914,1342,837],[904,916,917],[698],[920],[904],37.30072,126.90721,"2023-12-11",{"_716":2163,"_717":2164},1337,{"_649":2169,"_31":2170,"_652":2171,"_255":2175,"_378":2176,"_659":2177,"_661":2178,"_664":2180,"_668":2181,"_676":2183,"_683":2187,"_689":2189,"_695":38,"_696":2190,"_699":2191,"_702":2193,"_704":2194,"_706":2195,"_708":758,"_710":2196,"_712":2197,"_714":2198,"_718":2199},"profile-4496",4496,[2172,2173,2174],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPaKWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PYJNWA4-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPaLWAW-right2.jpg","Junsu Kim","junsu-kim-leatherworking-korea-republic-of","Junsu Kim originally studied metal work at university and graduate school, but became interested in the performance of leather. He took part in a leather workshop in Italy and has been working as a leather craftsman since graduation. After lots of research on how to craft with leather and transform it to make it look more interesting, he was able to present leather in a novel way. With this innovative approach Junsu has become a craftsman in his own field. His inspiration comes from what he observes: colours, structures and textures from plants in his atelier, or landscapes in new places. Junsu says, \"The joy and sense of accomplishment from having made something with my own hands naturally led me to continue with this craft.\"",[2179],"Leatherworking",[666],[1816,777,2182],"Unusual",[2184,2185,2186],"ALBO","Slice of Life","Sense of Forest",[2188,875,1064,876],"Vegetable tanned leather",[1137,791,750,794,751,797],[698],[2192],"Leatherworker",[2179],37.60315,126.89021,"Goyang, South Korea","2023-05-11",{"_716":2194,"_717":2195},3785,{"_649":2201,"_31":2202,"_652":2203,"_255":2207,"_378":2208,"_659":2209,"_661":2210,"_664":2211,"_668":2212,"_676":2213,"_683":2219,"_689":2222,"_695":38,"_696":2223,"_699":2224,"_702":2225,"_704":2226,"_706":2227,"_708":758,"_710":805,"_712":2228,"_714":2229,"_718":2230},"profile-4499",4499,[2204,2205,2206],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PP4JWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PP4KWAW-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PP4LWAW-right2.jpg","Soyun Jung","soyun-jung-textile-sculpting-korea-republic-of","Soyun Jung’s textile works are organic forms that contain her personal experiences and emotions. Tactility and ethereal beauty of the soft fabric she uses are one of her outstanding characteristics. Soyun plays with transparency and opacity, denseness and lightness which she builds up through a delicate process of transformation by hand and sewing machine. After she received her bachelor's and master's degrees in textile arts from Ewha Womans University, she wanted to keep up manual working process and become a full-time craftswoman. Soyun's creative expression and her energy to create stem from the feeling of vacancy and the longing for her father who passed away in her adolescence. Her creative method, in which thin threads are piled up one after another through time, resembles the quiet and poetic way of life she pursues in a remote village in South Korea.",[1685],[666],[822,1816,777,824,183,735,2114,673,674],[2214,2215,2216,2217,2218],"The way to peace No.2","Someone is praying for you 2020_03","The way to peace No.1","Between anxiety and stability III","Between anxiety and stability II",[2220,2221,688,836],"Monofilament","Dye",[1412,1138,751],[698],[1702],[1685],37.52601,126.63932,"2023-04-20",{"_716":2226,"_717":2227},2612,{"_649":2232,"_31":2233,"_652":2234,"_255":2237,"_378":2238,"_659":2239,"_661":2240,"_664":2241,"_668":2242,"_676":2244,"_683":2249,"_689":2250,"_695":38,"_696":2251,"_699":2252,"_702":2253,"_704":2254,"_706":2255,"_708":758,"_710":711,"_712":2256,"_714":2257,"_718":895},"profile-4484",4484,[2235,2236],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PXetWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PXesWAG-left1.jpg","Sung Hyeoun Cho","sung-hyeoun-cho-ceramics-korea-republic-of","To Sung Hyeoun Cho, the moon jar is the best art you can make with a potter’s wheel. \"It is not easy to make the shape of a large round jar while also saving the shape of the full moon from collapsing in the high temperature of the kiln,\" he explains. It requires great skill, devotion, and luck. Sung Hyeoun started training as a ceramicist when he was a teenager. He has a hearing impairment and so being a craftsman in a calm atmosphere and working by himself from start to finish suits him very well. Even though it can be lonely and tiring, he says he feels secure while creating. Now Sung Hyeoun runs a ceramic studio called SOSOYO with his wife. 'Sosoyo' means 'small and simple atelier'. It also contains the meaning of always fundamentally cherishing the little things in life.",[731],[666,667,1876],[2243,777,731,1438,735,673,674],"Family business",[2245,2246,2247,2248],"Moon jars","Moon jars on a shelf","White moon jar","Upadji moon jar",[1517,1762,876],[1137,750,751],[698],[754],[731],37.56465,126.98363,"2023-01-05",{"_716":2254,"_717":2255},{"_649":2259,"_31":2260,"_652":2261,"_255":2265,"_378":2266,"_659":2267,"_661":2268,"_664":2270,"_668":2271,"_676":2273,"_683":2279,"_689":2284,"_695":38,"_696":2289,"_699":2290,"_702":2292,"_704":2293,"_706":2294,"_708":1074,"_710":2295,"_712":2296,"_714":2297,"_718":2298},"profile-4141",4141,[2262,2263,2264],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPNTWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PXAGWA4-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PXAHWA4-right2.jpg","Seulki Kim","seulki-kim-flower-designing-korea-republic-of","Seoul-based Seulki Kim has been a popular flower designer for a decade, creating stylish arrangements for brand events, fine dinings and magazines, running a flower shop and teaching floristry classes. What made all of this happen was her ability to transform her bad luck into good fortune. First, she turned to flowers because in her late twenties she was stressed at work and needed a hobby to relax. After learning the basics, she couldn’t find an advanced course so she went on practising by herself and developed her own style. Then, she applied for a job in various flower studios, but nobody ever replied. So, in 2012 Seulki launched her own studio, 1304. \"At the beginning it was just a blog\", she explains. But fortune rewards the bold. And the talented, too.",[2269],"Flower designing",[666],[979,1816,777,1372,2272],"Lifestyle",[2274,2275,2276,2277,2278],"Textured floral arch","Autumnal centrepiece","A Piece of Forest","A feast from nature","Adam and Eve",[2280,2281,746,2282,2283,1063],"Clematis","Flower","Iris","Rose",[2285,2286,2287,2288,751],"Floral installation","Floral centerpiece","Botanical arrangement","Botanical art",[698],[2291],"Flower designer",[2269],37.53646,127.01284,"Yongsan-gu, South Korea","2022-12-29",{"_716":2293,"_717":2294},3922,{"_649":2300,"_31":2301,"_652":2302,"_255":2305,"_378":2306,"_659":2307,"_661":2308,"_664":2310,"_668":2311,"_676":2312,"_683":2318,"_689":2319,"_695":38,"_696":2320,"_699":2321,"_702":2323,"_704":2324,"_706":2325,"_708":758,"_710":2326,"_712":2327,"_714":2328,"_718":2329},"profile-4498",4498,[2303,2304],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUesWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUeoWAG-left1.jpg","Lee Jong Min","lee-jong-min-porcelain-crafting-korea-republic-of","South Korean porcelain artist Lee Jong Min defines his work as “the perfect combination of the results of constantly finding, recording, and experimenting in the great flow of nature.” After majoring in Arts and Crafts from Chung-Ang University in Anseong, he pursued his passion for porcelain as a self-taught artisan. Over the years, Lee has mastered the use of dentistry type tools as well as traditional sculpture tools. His skills lie in the ability to make very thin ridges on his sculptures, which produce the light and shadow effect of his work. “My inspiration comes from observing nature in all its forms,” he says. “From beautiful, calm, warm spring days to the harsh, cold winter weather. This is nature in action.”",[2309],"Porcelain crafting",[666],[777,731,824,183,735,825,2114,1164,674,1373],[2313,2314,2315,2316,2317],"Carved vessel 1","Carved vessel 2","Carved vessel 5","Carved vessel 4","Carved vessel 3",[1762,1447,745],[1137,750,751],[698],[2322],"Porcelain maker",[2309],37.03307,127.2663,"Gyeonggi-Do, South Korea","2022-11-03",{"_716":2324,"_717":2325},947,{"_649":2331,"_31":2332,"_652":2333,"_255":2336,"_378":2337,"_659":2338,"_661":2339,"_664":2340,"_668":2341,"_676":2342,"_683":2348,"_689":2349,"_695":38,"_696":2351,"_699":2352,"_702":2353,"_704":2354,"_706":2355,"_708":758,"_710":711,"_712":2327,"_714":2356,"_718":2357},"profile-4488",4488,[2334,2335],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUeCWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUeAWAW-left1.jpg","Jiseon Jang","jiseon-jang-flower-designing-korea-republic-of","At first, Jiseon Jang took up flower design as a remedy for stress. After graduating in metal craft design, she worked for a jewellery maker, but grew exhausted and felt she needed something more stimulating. Flower classes helped her in this process, and after a couple of years of study, her hobby turned into her profession. \"I found a job in a flower shop, but I wanted to express my sensibility and taste to the full,\" she says, \"so I ended up launching my own Seoul-based studio, Sole Moon.\" Since then, she has found her own way, both making arrangements for weddings and events, and teaching flowers in one-to-one workshops. \"Coming up with new designs every day is not easy,\" she admits, \"but this challenge is also my major driving force. I love what I do because I am always studying, thinking and creating.\"",[2269],[666,667,1876],[1162,822,1816,777,1372,2272,2114,1163,674],[2343,2344,2345,2346,2347],"Hanging flower arrangement","Centrepiece","Bouquet","Flower wreath","Vase arrangement",[2281,1063],[2350,2286,2345,2346,2288,751],"Floral arrangement",[698],[2291],[2269],37.47623,127.03603,{"_716":2354,"_717":2355},221,"craftmans","metadata",{"_2361":2362,"_2363":592,"_2364":2365,"_2366":2367,"_2368":2369},"count",64,"page","pageCount",2,"pageSize",48,"facetDistribution",{"_689":2370,"_661":2389,"_664":2395,"_695":2820,"_683":2823,"_668":2837,"_696":2838},{"_797":2371,"_1414":592,"_1413":592,"_1993":592,"_1994":592,"_1917":592,"_917":2372,"_2287":2365,"_2288":2373,"_1660":2373,"_2345":592,"_749":529,"_1020":2374,"_1992":592,"_1348":2372,"_1585":2372,"_2375":592,"_1067":592,"_1066":2365,"_1733":592,"_1623":592,"_2376":592,"_796":592,"_954":2372,"_881":2365,"_1591":592,"_1664":2365,"_1590":2365,"_1588":592,"_751":260,"_750":363,"_1382":592,"_2377":592,"_1625":592,"_880":2373,"_951":2365,"_2378":592,"_955":2379,"_2380":592,"_2381":592,"_1663":2379,"_1205":592,"_693":2365,"_2350":2365,"_2286":2365,"_2285":592,"_2346":592,"_884":2382,"_1626":2373,"_1054":2365,"_916":2372,"_1139":592,"_694":2373,"_904":2372,"_748":2372,"_1022":2379,"_1140":592,"_1068":592,"_879":592,"_1136":592,"_878":592,"_1023":529,"_794":2383,"_1019":2373,"_1021":592,"_1485":2372,"_2128":592,"_1552":2365,"_953":2372,"_1662":2365,"_2384":592,"_791":2383,"_1586":592,"_795":2372,"_1916":592,"_2385":592,"_883":2386,"_2387":592,"_1587":2365,"_952":2374,"_1918":592,"_1589":2374,"_987":592,"_798":564,"_882":529,"_1661":592,"_793":592,"_692":2365,"_792":2365,"_1449":529,"_1137":2388,"_1412":2372,"_1138":529,"_1135":592,"_1347":2372,"_1624":592,"_1732":592,"_691":592},22,4,3,5,"Carafe","Clothing","Desk","Dish",6,"dowry","Dress",18,20,"Screen","Side 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Coruña","Aarhus","Aegina","Albania","Alcabideche","Alicante","Allariz","Altare","Amsterdam","Amsterdam: creativity along the water canals","Andalusia: navigating the creative heart of the region",38,"Angra do Heroísmo","Ankara","Antalya","Antwerp","Ardvasar","Arlon","Armenia",36,"Aschaffenburg","Athens",37,"Athens: the birthplace of the amphora","Aubusson","Australia",57,"Austria",84,"Avignon","Azerbaijan","Baku","Balearic Islands: a deep dive into coastal craft traditions",7,"Barcelona",52,"Barcelona: voyage through clay","Basel","Belfast","Belgium",121,"Belgrade",17,"Bergen","Berlin",35,"Berlin: celebrating women's craft power in the capital","Berlin: celebrating women's craft power in the capital (Draft)","Berlin: women of the city (draft)","Bern","Bernex","Bilbao","Birkirkara","Birmingham","Bodrum","Bologna","Bondorf","Bonn","Bordeaux","Bornem","Bornholm: the wonders of the craft island","Borøy","Bosnia and Herzegovina",25,"Brasilia","Brașov","Bratislava","Brazil",63,"Brienz","Brighton","Brión-A Coruña","Bristol","Brno","Bruges","Brussels","Brussels: where traditional crafts inspire avant-garde design","Bucharest","Budapest",45,"Budapest: fusing form with function","Bukhara","Bulgaria",41,"Bussy-Saint-Georges","Cagliari","Caldas da Rainha","Cambridge","Camisano Vicentino","Canada",46,"Cancale","Cape Town","Cape Town: from ancestral making to contemporary voices","Cardiff","Casablanca","Cascais","Castle Douglas","Champforgeuil","Chile",31,"Coimbra","Cologne","Colombes","Colombia","Copenhagen","Copenhagen: from the pages of a fairy tale","Corcelles-le-Jorat","Corfu","Cork","Croatia","Cyprus","Czech Republic","Dalheim","Denmark",106,"Derby","Dijon","Donegal","Dublin",19,"Dublin: reigniting Celtic craftsmanship","Dubrovnik","Düsseldorf","Ebeltoft","Edinburgh",13,"Edinburgh: a magical city inspiring literature and films","Edinburgh: a magical city inspiring literature and films 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