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2026","bgColor","bgImgUrl","https://api.homofaber.com/uploads/9_16_1080x1920_50_175a29db28.png","bgRepeat","bgFit","contain","centerImgUrl","centerText","1 – 30 September 2026, San Giorgio Maggiore Island, Venice","centerImgFit","ctaLabel","Book your ticket","ctaBgColor","#FFFFFF","ctaUrl","textColor","white","2025-05-22T09:42:23.885Z","2026-04-27T09:13:30.731Z","2026-04-27T09:13:30.723Z","textLeftXs","bgImgUrlXs","ctaLabelXs","Book 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Casanova","letícia_burkardt_and_tiago_casanova-bookbinding-lisbon","description","Both architects by training, Letícia Burkardt and Tiago Casanova carry an instinct for proportion and structure into their bookbinding projects. \"A beautiful, functional object rests on a solid framework,\" they say. \"For us, a book is architecture on a small scale.\" Their process begins with two questions: what is being bound, and how will it be used? This guides Letícia and Tiago's decisions on paper, colour and technique. Their work spans classical binding, for which they work with Bradel structures, and contemporary binding, for which they use exposed sewing, such as French cross-stitching. With so much now filtered through screens, Letícia and Tiago see their practice as a return to the singular and tangible. \"Nothing replaces the physical and emotional presence of something that truly exists,\" the duo say.","craft",[696],"Bookbinding","destinations",[699],"Portugal","tags",[702,703,704,705,706,707],"Architecture","Exhibitions/Museums","New career","Partners in craft","Sustainable","Paper","objects",[710,711,712,713],"MARCO TIRELLI CLAMSHELL BOX","CHAMA, FICÇÃO","ON LOVE, VIOLENCE & THE LACK OF IT","MURILO NOTEBOOKS","materials",[716,717,718,719,720,707],"Linen","Cardboard","Fabric","paper","Fibres and textiles","categories",[723,724,725,726,727,728,729,730,731,732,733],"Box","Book holder","Book","Notebook","Decorative objects","Furniture accessories","Library","Stationery","Decoration","Furniture","Books and paper","has-experiences","type-of-artisan",[737],"Artisan","craft_person",[740],"Bookbinder","craft_metier",[696],"latitude",38.73105952734642,"longitude",-9.129524400160918,"content_edit_date","2026-05-06T07:26:42.000+0000","city_and_country","Lisbon, Portugal","is_new_until","2026-02-26","_geo",{"_755":744,"_756":746},"lat","lng","order",4349,{"_682":760,"_31":761,"_685":762,"_255":766,"_378":767,"_692":768,"_694":769,"_697":771,"_700":772,"_708":776,"_714":782,"_721":787,"_734":38,"_735":793,"_738":794,"_741":796,"_743":797,"_745":798,"_747":799,"_749":800,"_751":801,"_753":802,"_757":803},"profile-480",480,[763,764,765],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EqiJ_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EqiJ_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EqiJ_Right2.jpg","Ricardo Cupertino","ricardo_cupertino-wood_carving-póvoa_de_santa_iria","When Ricardo Cupertino was asked by a close friend to make a few wooden pieces for a project, little did he know that he was about to discover his vocation as a woodcarver. “I had no experience with wood but I accepted the challenge with an open heart,” he recalls. Ricardo learnt the basics with a few artisans in workshops, bought his first set of tools and improvised his first working space in his kitchen before transforming a room into his current workshop and creative refuge. Working only with traditional hand carving techniques and tools, his pieces are unique. “Each one has a special message that transmits what I was feeling at the time I was making it,” he says. Beyond being objects, every piece is numbered and given a name, as they each carry a part of Ricardo’s soul and story.",[770],"Wood carving",[699],[773,774,704,775,775],"Art de la table","Interiors","Wood",[777,778,779,780,781],"Andorinha do Mar","Nazaré","Big Baleia","Quebra-Côco","Faraó",[783,784,785,786,775],"Cedar wood","Pine wood","wood","Lemon wood",[788,789,790,791,702,792],"Sculpture","Spoon","Monuments","Cutlery","Table and kitchen",[737],[795],"Woodcarver",[770],38.87317,-9.08279,"2026-05-06T07:27:11.000+0000","Póvoa de Santa Iria, Portugal","2025-10-02",{"_755":797,"_756":798},4111,{"_682":805,"_31":806,"_685":807,"_255":811,"_378":812,"_692":813,"_694":814,"_697":816,"_700":818,"_708":821,"_714":827,"_721":829,"_734":38,"_735":838,"_738":839,"_741":841,"_743":842,"_745":843,"_747":799,"_749":844,"_751":845,"_753":846,"_757":847},"profile-472",472,[808,809,810],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003Jnl4AE-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003Jnh4AE-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003Jnk4AE-right2.jpg","Filipa Formigo","filipa-antunes-1yt6ib","Filipa Formigo’s deep connection to wood ties back to her childhood memories with her father's carpentry. She liked working with wood but never imagined opening her own workshop. “I studied conservation and restoration of movable cultural property. Initially I could not imagine picking up woodworking myself, as it is a very masculine field in my region,” Filipa says. However, when faced with unemployment, she found herself turning to wood. Today, Filipa makes unique handcrafted pieces from recovered wood which she combines with other natural materials, such as the sisal plant fibre. When creating her pieces, she often combines traditional techniques with modernity in non-conventional ways. As a result, her handmade stools, lamps, and other functional objects project the balance between the contemporary and the rustic.",[815],"Woodwork",[699,817],"Coimbra",[773,706,819,820,775],"Territory","Traditions",[822,823,824,825,826],"Square stool","Footstool","Boleira","Candeeiro","Almofariz",[784,783,828,775],"Oak wood",[830,831,832,833,834,835,836,732,792,837],"Stool","Cake stand","Lamp","Mortar & pestle","Sofa and Chairs","Serving ware","Cooking utensils","Lighting",[737],[840],"Woodworker",[815],40.0853886658861,-8.37476651258035,"Coimbra, Portugal","2025-06-12",{"_755":842,"_756":843},5260,{"_682":849,"_31":850,"_685":851,"_255":855,"_378":856,"_692":857,"_694":858,"_697":860,"_700":861,"_708":864,"_714":868,"_721":874,"_734":38,"_735":878,"_738":879,"_741":881,"_743":882,"_745":883,"_747":799,"_749":884,"_751":885,"_753":886,"_757":887},"profile-479",479,[852,853,854],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003FCH4A2-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003FCD4A2-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003FCG4A2-right2.jpg","Ronald Moretto","ronald-moretto-fsz4x0","Ronald Moretto’s journey as a luthier began when he was a conservatoire student in wind instruments in Brazil. “My interest in instrument making began in 2007 when I started making small repairs to my own flute,” he explains. This early fascination led him to study physics with a focus on acoustics, laying the foundation for his understanding of instrument construction. Practical experience, including a decade in China, consolidated Ronald's expertise, and following this he began to integrate the use of technology into his violin craftsmanship. Now residing in Portugal, Ronald creates and restores violins, balancing technical precision with tonal versatility. His forward-thinking approach has earned him patents for instruments and their production. “If we truly want to honour the past, we should also embrace innovation,” he says.",[859],"Lutherie",[699],[862,863,706],"Digital tools","Performing Arts",[865,866,867],"Handcrafted violin","Handcrafted violin, reverse view","Maple leaf detail",[869,870,871,872,873,775],"Amber","Ebony wood","Maple wood","Spruce wood","Natural essences",[875,876,877],"Violin","Musical instruments","Performing arts",[737],[880],"Luthier",[859],38.5714076384795,-8.90144418467414,"Palmela, Portugal","2025-05-29",{"_755":882,"_756":883},3094,{"_682":889,"_31":890,"_685":891,"_255":895,"_378":896,"_692":897,"_694":898,"_697":900,"_700":901,"_708":906,"_714":911,"_721":919,"_734":38,"_735":922,"_738":923,"_741":925,"_743":926,"_745":927,"_747":799,"_749":928,"_751":929,"_753":930,"_757":931},"profile-481",481,[892,893,894],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003KiD4AU-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003Ki94AE-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003KiC4AU-right2.jpg","Carlos Pinto","carlos-pinto-3fybqx","Carlos Pinto left his native Madeira Island for Lisbon to study painting in 2018. A professor specialising in plaster moulds, in the ceramics branch of the faculty influenced a change of course for Carlos. “The technical aspect of ceramics sparked my interest to explore art, manufacturing and artisanal processes,\" he explains. Carlos went on to study at the recognised ceramics school in Caldas da Rainha. Back in Madeira, today he fuses his fine arts background in illustration, painting and sculpting with his ceramic pieces. “I like to merge traditional themes with innovative characteristics,” says Carlos. Alongside his artistic production, he seeks to continuously learn and explore the technical aspects of ceramics production to allow more people to experience fine art through ceramic painting.",[899],"Ceramic decorating",[699],[773,902,903,904,819,905],"Collaborations","Ceramics","London Craft Week","Under 30",[907,908,909,910],"Narciso and grapes","Cobra","Narciso in blue","Garças",[912,913,914,915,916,917,918],"Ceramic","Glaze","Gold paint","Oil paint","Enamel, glaze and lacquer","Synthetic materials and resins","Cement, plaster, pigments",[920,921,792],"Plate","Dishware",[737],[924],"Ceramic decorator",[899],32.6533679273542,-16.9922274789322,"Câmara de Lobos, Portugal","2025-05-22",{"_755":926,"_756":927},544,{"_682":933,"_31":934,"_685":935,"_255":939,"_378":940,"_692":941,"_694":942,"_697":944,"_700":946,"_708":951,"_714":957,"_721":960,"_734":38,"_735":965,"_738":966,"_741":968,"_743":969,"_745":970,"_747":799,"_749":750,"_751":971,"_753":972,"_757":973},"profile-478",478,[936,937,938],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000036gr4AA-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000036gn4AA-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000036gq4AA-right2.jpg","Jacky Cavallari","jacky-cavallari-dz6zcr","Jacky Cavallari’s journey spans continents, shaping his approach to marquetry. A French craftsman trained at École Boulle and the Sorbonne, he has lived in Brazil and Portugal, absorbing the cultural influences of each place. In Brazil, his French aesthetic sensibilities evolved to become more attuned to nature. When he arrived in Portugal, he quickly adapted his work to the local cultural setting, drawing from his experiences abroad. Jacky’s creative process is instinctive. “It is not planned, not goal-oriented, and not entirely conscious. Some of the pieces I value most are those that emerged spontaneously,” he says. His style blends Bauhaus simplicity with the curved lines of Louis XV ornamentation and Art Deco’s balance. Yet, in his practice since the late 1990s, nature has become his defining theme. “The focus of my craft is refining, distilling and simplifying the essence of nature,” he says.",[943],"Wood marquetry",[699,945],"Lisbon",[947,948,949,950,820,775],"Decorative","Flowers","Functional","Nature",[952,953,954,955,956],"Carnation memory box","Orange blossom box","Pheasant box","Champ side table","Birds of paradise flower bedside tables",[785,828,958,959,775],"Ash wood","Veneer",[723,961,962,727,963,964,731,732],"Side table","Cabinet","Tables","Storage furniture",[737],[967],"Wood marquetry maker",[943],38.69782,-9.1925,"2025-05-01",{"_755":969,"_756":970},2223,{"_682":975,"_31":976,"_685":977,"_255":981,"_378":982,"_692":983,"_694":984,"_697":985,"_700":986,"_708":988,"_714":994,"_721":1002,"_734":38,"_735":1011,"_738":1012,"_741":1014,"_743":1015,"_745":1016,"_747":799,"_749":750,"_751":1017,"_753":1018,"_757":1019},"profile-477",477,[978,979,980],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000035uS4AQ-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000035uQ4AQ-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000035uR4AQ-right2.jpg","Isac Coimbra & Diogo Ferreira","isac-coimbra--diogo-ferreira-wks0xy","Isac Coimbra and Diogo Ferreira have made a ceramic workshop out of their home in Lisbon. At GRAU° Cerâmica, they explore how ceramics relate to their surroundings, shaped by Isac and Diogo's backgrounds in architecture and visual culture. “Our training gives us a keen sense of spatial awareness, both in relation to the pieces themselves and the settings they inhabit,” they say. In some works, jute and rope add texture while visually extending the form—emphasising verticality or creating connections. Often described as 'modern tribal', the duo's aesthetic is rooted in childhood memories and family ties to Angola. “We grew up surrounded by traditional African crafts,” they explain. “Our interpretation, using clay, results in minimalist, geometric pieces.” They reuse all their clay, repurposing broken pieces into new collections to ensure nothing goes to waste.",[903],[699,945],[773,947,903,987,706],"Creative duos",[989,990,991,992,993],"Ceramic masks","Black XL chain","Red Construction panel","Golden Rope Tube","Black Ring vase",[995,996,997,998,999,1000,912,775,720,1001],"Black clay","Stoneware","Clay","Wooden frame","Jute","Brass","Metals",[1003,1004,1005,1006,1007,1008,1009,727,1010,731,702],"Mask","Wall hanging","Wall panel","Vase","Accessories","Wall decorations","Building elements","Mode",[737],[1013],"Ceramicist",[903],38.74135,-9.15634,"2025-04-24",{"_755":1015,"_756":1016},2191,{"_682":1021,"_31":1022,"_685":1023,"_255":1026,"_378":1027,"_692":1028,"_694":1029,"_697":1030,"_700":1031,"_708":1035,"_714":1040,"_721":1048,"_734":38,"_735":1052,"_738":1053,"_741":1054,"_743":1055,"_745":1056,"_747":799,"_749":750,"_751":1017,"_753":1057,"_757":1058},"profile-474",474,[1024,1025],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000038ST4AY-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000038PF4AY-left1.jpg","Andreia de Almeida","andreia-de-almeida-grogqu","When speaking of her passion for crafts Andreia de Almeida refers to her grandfather who was a tailor. She chose wood over textiles, training in one of the best European woodcarving schools. “My master, Manuel Abrantes, at FRESS taught me everything. I was lucky to be able to work in the Foundation’s woodcarving workshop before opening my own atelier AdeA,” she explains. Her carving, cabinetmaking and gilding skills enable her to restore heritage and sacred art pieces in churches, make classical Portuguese and French pieces, as well as create more contemporary art works. Thanks to this broad experience, Andreia was selected to be a master in the Homo Faber Fellowship programme in 2023. \"It was my turn to transmit knowledge to a younger fellow and contribute to maintaining woodcarving as a relevant craft for future generations,\" she says.",[770],[699,945],[1032,1033,775,207,1034],"Mentored","Teacher","Homo Faber Fellowship 2023-24",[1036,1037,1038,1039],"Romantic-inspired frame","Santo António","Barreto Pharmacy Coat of Arms","Nativity Scene",[1041,1042,1043,1044,1000,1045,1046,1047,775,873,1001,917],"Beech wood","Beeswax","Rosewood","Walnut wood","Acrylic","Mahogany wood","Linden wood",[1049,1050,1051,788,728,790,727,732,702,731],"Mirror","Statue","Coat of arms",[737],[795],[770],38.7426425202376,-9.16373054910891,{"_755":1055,"_756":1056},1615,{"_682":1060,"_31":1061,"_685":1062,"_255":1066,"_378":1067,"_692":1068,"_694":1069,"_697":1070,"_700":1071,"_708":1073,"_714":1079,"_721":1083,"_734":49,"_735":1084,"_738":1085,"_741":1086,"_743":1087,"_745":1088,"_747":799,"_749":750,"_751":1089,"_753":1090,"_757":1091},"profile-475",475,[1063,1064,1065],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000033MO4AY-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000033MM4AY-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000033MN4AY-right2.jpg","Clara Rêgo","homofaber-d6sqws","After studying ceramics for four years, Clara Rêgo chose to broaden her horizons before pursuing her craft professionally. She studied comics and illustration and completed a BA in Fine Arts in the UK. Back in Portugal, she was ready to embrace her initial passion for ceramics. “When I was 11, I experienced a wonderful ceramics retreat with my dad and sister in France. I still keep pieces I made in my studio today.” Spiritually connected, Clara offers a mythical dimension to her work. Using mostly coiling, hand sculpting and carving techniques, her objects are also amulets and energy totems with protective powers. Her large-scale tile murals are also a perfect medium to tell her stories. “Through objects and tiles, I explore imaginary narratives and myths,” explains Clara. Her pieces are reflections of her rich academic journey and experiences.",[903],[699,945],[1072,947,903],"Craft therapy",[1074,1075,1076,1077,1078],"Snowflake","Rock","Untitled 1","Coral","Knot",[997,913,1080,996,1081,912,916,1082,1001],"Lava stone","Tube","Stone",[1006,788,727,790,731,702],[737],[1013],[903],38.73362,-9.14048,"2025-04-17",{"_755":1087,"_756":1088},3216,{"_682":1093,"_31":1094,"_685":1095,"_255":1099,"_378":1100,"_692":1101,"_694":1102,"_697":1103,"_700":1104,"_708":1108,"_714":1113,"_721":1120,"_734":38,"_735":1123,"_738":1124,"_741":1125,"_743":1126,"_745":1127,"_747":799,"_749":1128,"_751":1089,"_753":1129,"_757":1130},"profile-470",470,[1096,1097,1098],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000033cW4AQ-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000033cU4AQ-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000033cV4AQ-right2.jpg","José Lourenço","jos-loureno-jckcqc","José Manuel Lourenço, a former electronics technician, has been dedicated to fine woodworking and marquetry since 2019, crafting artful wooden boxes with concealed locks. “When I began, I did not want to just create an object—I wanted to convey emotions through my craft. The first was for my wife, as a love letter,” he shares. José compares his boxes to the stages of a romantic relationship, unfolding over time. The initial impression—the polished exterior adorned with delicate marquetry—draws the viewer in, inviting them to explore the secret compartments within, mirroring the journey of truly getting to know someone. “People have always been drawn to the mystery of another,” José observes. “Love is about the experience of discovering what lies beneath the surface.” Looking ahead, he hopes to continue refining his craft, incorporating greater intricacy, more hidden elements, and deeper messages of love. “I want to touch more hearts,” says the artisan.",[943],[699],[1105,1106,947,774,1107,775],"Fairytale","Family and Children","Jewellery",[1109,1110,1111,1112],"Patera box","I Love and Protect You","The Bond of Love","Swans in the Moonlight",[1114,1115,1116,1117,1044,870,871,828,1041,1118,1119,775],"Ayous wood","Chestnut","Mahogany","Sycamore wood","Bubinga wood","Wenge wood",[723,1121,727,1122,731,1010],"Jewellery box","Jewellery and watches",[737],[967],[943],39.00873,-9.26936,"Azueira, Portugal",{"_755":1126,"_756":1127},2939,{"_682":1132,"_31":1133,"_685":1134,"_255":1138,"_378":1139,"_692":1140,"_694":1141,"_697":1143,"_700":1144,"_708":1146,"_714":1152,"_721":1158,"_734":49,"_735":1163,"_738":1164,"_741":1166,"_743":1167,"_745":1168,"_747":799,"_749":1169,"_751":1170,"_753":1171,"_757":1172},"profile-574",574,[1135,1136,1137],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002ukX4AQ-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002ukT4AQ-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002ukW4AQ-right2.jpg","Ysaline Ophoff","ysaline-ophoff-n0twjg","Ysaline Ophoff left her life as an architect when she realised she did not want to spend so much time behind a computer. Moving from Belgium to Brazil to work for an NGO located in the Amazon, she discovered basketry through one of the associations' projects that helps basketweavers develop their business by setting up collaborations with Brazilian designers. “It felt so right to be working with artisans and using local resources,” says Ysaline. Later, she moved to the South of Portugal where she learnt palm weaving with the empreita de palma technique. This is where she founded Atelier Balancê. “My atelier pays tribute to slowness and calls for ecological awareness,” she explains. By applying basketry techniques to make modern architectural pieces, Ysaline hopes to shine a light on crafts that are mainly practised by older generations and deserve to be passed on.",[1142],"Basket weaving",[699],[1032,706,820,1145],"Upcycling",[1147,1148,1149,1150,1151],"Lampshade Marcel","Tucumã","Tucumã Lampshade I","Duna","Wall hanging and lampshade Karin",[1153,1154,1155,1156,1157,1001,720],"Grass","Metal wire","Rope","Leaves","Botanical",[1159,1006,1160,1004,1161,727,1162,1008,837,731,1010],"Lamp shade","Basket","Lighting accessories","Bags and luggages",[737],[1165],"Basketweaver",[1142],37.3101985097651,-8.78095548148509,"Aljezur, Portugal","2025-03-20",{"_755":1167,"_756":1168},1325,{"_682":1174,"_31":1175,"_685":1176,"_255":1180,"_378":1181,"_692":1182,"_694":1183,"_697":1185,"_700":1186,"_708":1188,"_714":1189,"_721":1190,"_734":38,"_735":1191,"_738":1192,"_741":1194,"_743":1195,"_745":1196,"_747":799,"_749":1197,"_751":1198,"_753":1199,"_757":1200},"profile-468",468,[1177,1178,1179],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002oFJ4AY-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002oFF4AY-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002oFI4AY-right2.jpg","Sá Nogueira Azulejaria","homofaber-lykjak","Sá Nogueira Azulejaria was founded in 2001 by master artisan José Sá Nogueira. The atelier is dedicated to making traditional 16th century decorative tiles known as azulejos, a word stemming from the Arabic word Al-zellij. José’s wife Amelia joined him in 2012, and ever since, the couple have been working passionately together to keep this unique Portuguese art alive by blending tradition with modern designs. While José masters the centuries-old techniques, ceramic glazes, high-fire pastes and ceramic moulds, Amelia brings a more creative and artistic side.",[1184],"Tile making",[699],[1187,903,987,705,820],"Atelier",[],[],[],[1187],[1193],"Tile maker",[1184],39.3233631958793,-9.05062319587929,"A dos Francos, Portugal","2025-02-27",{"_755":1195,"_756":1196},2590,{"_682":1202,"_31":1203,"_685":1204,"_255":1207,"_378":1208,"_692":1209,"_694":1210,"_697":1211,"_700":1212,"_708":1213,"_714":1219,"_721":1221,"_734":38,"_735":1223,"_738":1224,"_741":1225,"_743":1226,"_745":1227,"_747":1228,"_749":1229,"_751":1230,"_753":1231,"_757":1232},"profile-1749",1749,[1205,1206],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002Ve44AE-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002Ve24AE-left1.jpg","Marina Mendonça","homofaber-e79fci","Marina Mendonça studied ceramics at AR.CO – Centre for Art and Visual Communication, where she was taught by Portuguese ceramicists. She also learned her craft from international masters from universities in Massachusetts, the School of Art Institute of Chicago, and the School of decorative arts in Switzerland. Once Marina had acquired the technical skills, she set off to find her style. “I worked in Lisbon with colleagues but only found my path when I moved back to the Azores and set up my workshop in an old family home, surrounded by pastures on the sea front.” Her moulds and glazes give life to pieces summoning imaginary oceanic legends. Using mostly local clay and traditional roller and potter's wheel techniques, Marina undertakes creative collaborations with local artisans, and thus contributes to the dynamism of Azorean craft.",[903],[699],[902,903,819],[1214,1215,1216,1217,1218],"Little monster, red","Faces","Little monster","Candle cup","Little monster, cream",[1220,996,913,997,918,912,916],"Pigments",[1006,1222,727,731],"Candle holder",[737],[1013],[903],36.96692,-25.09797,"2026-05-06T07:28:59.000+0000","Vila do Porto, Portugal","2025-01-02",{"_755":1226,"_756":1227},5279,{"_682":1234,"_31":1235,"_685":1236,"_255":1240,"_378":1241,"_692":1242,"_694":1243,"_697":1244,"_700":1245,"_708":1247,"_714":1253,"_721":1254,"_734":38,"_735":1256,"_738":1257,"_741":1258,"_743":1259,"_745":1260,"_747":1261,"_749":1262,"_751":1230,"_753":1263,"_757":1264},"profile-591",591,[1237,1238,1239],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002VUP4A2-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002VUL4A2-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002VUO4A2-right2.jpg","Karine Hilaire","homofaber-mfwzgh","Karine Hilaire is a person of many lives. Born and raised in France, she first set out on a career path in fashion, with ceramics for a hobby. She moved to London, where she nurtured her passion for clay and developed her artistic skills. In 2010, she became a full-time ceramicist. “Clay has endless and alluring possibilities. It is a tactile material that responds to your spirit,” says Karine. Over time she has developed her signature techniques of sgraffito and sponging, has experimented slip trailer motifs, and underglaze decorations, without settling on only one particular style which she feels would entrap her. Karine moved to Ericeira, in Portugal in the early 2020s, opening a new studio, reconnecting with nature, and embracing a more sustainable lifestyle.",[903],[699],[903,1246,1032],"Mixing cultures",[1248,1249,1250,1251,1252],"Yemana","Zebra vessel","Aja and Oya","Hi’iaka","Hera and Hi’iaka",[996,912],[1006,1255,788,727,835,790,731,792,702],"Serving platter",[737],[1013],[903],38.9263322044822,-9.39877210710971,"2026-05-06T07:27:27.000+0000","São João das Lampas, Portugal",{"_755":1259,"_756":1260},2311,{"_682":1266,"_31":1267,"_685":1268,"_255":1272,"_378":1273,"_692":1274,"_694":1275,"_697":1277,"_700":1278,"_708":1280,"_714":1286,"_721":1291,"_734":38,"_735":1295,"_738":1296,"_741":1298,"_743":1299,"_745":1300,"_747":1301,"_749":1302,"_751":1303,"_753":1304,"_757":1305},"profile-1730",1730,[1269,1270,1271],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002UN34AM-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002UMz4AM-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002UN24AM-right2.jpg","Rui Daniel","homofaber-gjkimd","As a child, Rui Daniel was exposed to the art of leatherwork from leather workers and shoemakers who lived nearby. “I loved to handle leather but never thought it could become my profession. After my electro-technical training, I ended up working in a bank. It was when I lost my job that I turned to leatherwork.” So Rui began a new adventure. He opened his workshop in 2015, a space where he welcomes clients and anyone interested in leather. Drawing inspiration from childhood memories and objects, his leather objects have a certain nostalgic aura, being both typically Portuguese and functional for use today. The ever useful and timeless leather satchel is a signature piece. Rui makes personalised items to suit his clients' needs and they are all fine examples of how objects of the past made today can connect us to our childhood.",[1276],"Leatherworking",[699],[1279,704,819,1033],"Lifestyle",[1281,1282,1283,1284,1285],"Caderno A5","Satchel bag","Travel bag","Holder","Camera strap",[1287,1288,1289,1290,1001],"Vegetable tanned leather","Cowhide","Metal","Animal materials",[726,1292,1293,1294,730,1162,733,1010],"Bag","Luggage","Briefcase",[737],[1297],"Leatherworker",[1276],39.5381631576611,-8.16202179008112,"2026-05-06T07:28:45.000+0000","Sardoal, Portugal","2024-12-26",{"_755":1299,"_756":1300},970,{"_682":1307,"_31":1308,"_685":1309,"_255":1313,"_378":1314,"_692":1315,"_694":1316,"_697":1318,"_700":1319,"_708":1321,"_714":1328,"_721":1331,"_734":38,"_735":1332,"_738":1333,"_741":1335,"_743":1336,"_745":1337,"_747":1228,"_749":1338,"_751":1339,"_753":1340,"_757":1341},"profile-1745",1745,[1310,1311,1312],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002Rdg4AE-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002Rde4AE-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002Rdf4AE-right2.jpg","Helena Imaginário","homofaber-e7xo6s","Helena Imaginário’s creative path unexpectedly steered her away from her initial technical training in conservation and restoration. It all happened during the Covid lockdown in 2020 when she began to restore old furniture to occupy her time. “I found an old string lamp in the rubbish bin, completely destroyed. I took it home and began to imagine it full of colour and new shapes,” she says. After approaching a nearby workshop to help build the wooden structure she wove the lamp back to life with coloured wool yarn. Since then, the self-taught artisan and rising talent opened a space in Evora’s town market, started studying design at the University of Evora and was invited to take part in the Lisbon By Design event in 2022.",[1317],"Lamp making",[699],[862,703,774,775,207,1320],"Homo Faber Fellowship 2025-26",[1322,1323,1324,1325,1326,1327],"Vincent","Gustavo","Júlio","Magda","Vincente","Light of Longing",[1329,1330,785,716,720,775],"Linen thread","Plywood",[1159,832,1161,837],[737],[1334],"Lamp maker",[1317],38.568885,-7.910125,"Évora, Portugal","2024-12-19",{"_755":1336,"_756":1337},3035,{"_682":1343,"_31":1344,"_685":1345,"_255":1349,"_378":1350,"_692":1351,"_694":1352,"_697":1354,"_700":1355,"_708":1358,"_714":1359,"_721":1360,"_734":38,"_735":1361,"_738":1363,"_741":1365,"_743":1366,"_745":1367,"_747":1228,"_749":1368,"_751":1369,"_753":1370,"_757":1371},"profile-1774",1774,[1346,1347,1348],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002I7N4AU-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002I7J4AU-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002I7M4AU-right2.jpg","Viarco","viarco-aob6sp","In Portugal, people will for the most part associate Viarco with high-quality pencils and artistic drawing supplies. Indeed, the only pencil manufacturer left in the country was founded by Manuel Viera Araújo in 1936 and has been running ever since. Viarco’s strength is that it has stayed true to manufacturing its signature traditional graphite pencils, while evolving with the times. Viarco pencils are very much appreciated for their smooth application and quality. The manufacturer introduced innovative artistic and professional drawing materials such as water-soluble graphite and ink pencils in recent decades.",[1353],"Pen making",[699],[1356,949,1357],"Family business","Manufacturer",[],[],[],[1362],"Manufacture",[1364],"Pen maker",[1353],40.9047,-8.49009,"São João da Madeira, Portugal","2024-11-14",{"_755":1366,"_756":1367},2085,{"_682":1373,"_31":1374,"_685":1375,"_255":1379,"_378":1380,"_692":1381,"_694":1382,"_697":1384,"_700":1385,"_708":1388,"_714":1394,"_721":1395,"_734":38,"_735":1398,"_738":1399,"_741":1401,"_743":1402,"_745":1403,"_747":1301,"_749":1404,"_751":1405,"_753":1406,"_757":1407},"profile-1731",1731,[1376,1377,1378],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000M5R4AU-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000M5N4AU-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000M5Q4AU-right2.jpg","Wesley Sacardi","wesley-sacardi-hl0k0q","Wesley Sacardi defines himself as a lifelong learner in love with creativity. He is a self-taught furniture maker and sculptor shifting between creating functional and decorative pieces from wood. Wesley established his artistic career in 2016 when he decided to leave his job in advertising, to revive the creative spirit he had fostered as a child and to work with his hands again. He handmakes pieces with wood in various forms, such as naturally pruned, discarded and recycled. His influences range from rationalist architecture to traditional Japanese aesthetics like wabi-sabi, where the acceptance of transience and imperfection is key. Wesley's aesthetics can be described as one of appreciating beauty that is imperfect and incomplete.",[1383],"Furniture making",[699],[1386,1387,947,949,775],"First generation","Design",[1389,1390,1391,1392,1393],"Serra armchair","Levante stool","Engrenagens stool","Inicio bench","Desequilibrio stool",[784,775],[1396,830,1397,834,732],"Armchair","Bench",[737],[1400],"Furniture maker",[1383],37.13734,-8.02032,"Loulé, Portugal","2024-02-22",{"_755":1402,"_756":1403},2124,{"_682":1409,"_31":1410,"_685":1411,"_255":1415,"_378":1416,"_692":1417,"_694":1418,"_697":1420,"_700":1421,"_708":1423,"_714":1428,"_721":1429,"_734":38,"_735":1431,"_738":1432,"_741":1434,"_743":1435,"_745":1436,"_747":1301,"_749":1437,"_751":1438,"_753":1439,"_757":1440},"profile-1741",1741,[1412,1413,1414],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000006lR4AQ-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000006lN4AQ-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000006lQ4AQ-right2.jpg","Marta Barros","marta-barros-rp3nau","Macramé entered Marta Barros’ life unexpectedly when a friend showed her some pictures at a dinner. “It sparked my interest, I did a workshop and immediately felt in harmony with the ropes.” So, she moved on from her TV production life and created TEX MB. Marta uses traditional macramé knot-weaving techniques in innovative ways. “By adding design, functionality and mixing materials such as cotton and raffia, I try to give a modern edge to my work.” She also happily collaborates with designers on commissioned projects. Her talent was noticed abroad and Marta was selected to take part in the Artigianato & Pallazzo in Florence. The young artisan was also recently invited to teach macramé in a residency in Greece, showing that macramé has a place in contemporary craftsmanship.",[1419],"Macramé",[699,945],[1386,947,1422,704,819],"Heritage",[1424,1425,1426,1427],"Macramé wall hanging MP1707","Macramé wall hanging with white fringes","Macramé Angel","Macramé wall hanging with black fringes",[],[1430,727,731],"Tapestry",[737],[1433],"Macramé maker",[1419],40.76084,-8.70366,"Torreira, Portugal","2023-12-28",{"_755":1435,"_756":1436},611,{"_682":1442,"_31":1443,"_685":1444,"_255":1448,"_378":1449,"_692":1450,"_694":1451,"_697":1453,"_700":1455,"_708":1456,"_714":1462,"_721":1465,"_734":38,"_735":1470,"_738":1471,"_741":1473,"_743":1474,"_745":1475,"_747":1228,"_749":1476,"_751":1477,"_753":1478,"_757":1479},"profile-1744",1744,[1445,1446,1447],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004VvfWAE-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004VvYWAU-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004VvkWAE-right2.jpg","Liliana Guerreiro","liliana-guerreiro-vhloah","Liliana Guerreiro studied art and jewellery making in Porto, with a clear vision of one day making her own jewellery and integrating Portuguese filigree techniques into her work. Her approach has always been collaborative. “As a designer I work hand in hand with filigree artisans as I really think we cannot work in isolation; we are stronger together,” she explains. Liliana likes to celebrate the artisans’ skills. Her pieces have been exhibited in prestigious places such as the MoMa and Museum of Arts and Design in New York and she has also won best jewellery prizes in fairs such as Inhorgenta Munich. An ambassador for Portuguese jewellery, Liliana continuously researches local traditions and techniques, keeping them alive through modern interpretations that capture the hearts of handmade jewellery aficionados.",[1452],"Jewellery making",[699,1454],"Porto",[1107,1032,819,820],[1457,1458,1459,1460,1461],"Ring Bocais","Necklace Elements/Lightness","Brooch Cheio de Ramo","Ring Mesh","Bracelet Lightness",[1463,1464,1001],"Gold","Sterling silver",[1466,1467,1468,1469,1122,1010],"Ring","Necklace","Brooch","Bracelet",[737],[1472],"Jewellery maker",[1452],41.14911,-8.62078,"Porto, Portugal","2023-10-26",{"_755":1474,"_756":1475},2100,{"_682":1481,"_31":1482,"_685":1483,"_255":1487,"_378":1488,"_692":1489,"_694":1490,"_697":1492,"_700":1493,"_708":1494,"_714":1498,"_721":1502,"_734":38,"_735":1504,"_738":1505,"_741":1507,"_743":1508,"_745":1509,"_747":1301,"_749":1510,"_751":1511,"_753":1512,"_757":1513},"profile-1739",1739,[1484,1485,1486],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004VGgWAM-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004VGnWAM-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004VGvWAM-right2.jpg","Diogo Amaro","diogo-amaro-vruzup","Diogo Amaro was set to pursue a career in architecture when a trip to Chicago radically changed his path. Curiously it was a city tour of architect Frank Lloyd Wright's key projects that drew Diogo to cabinetmaking. “I was confronted with his work and how he managed to get the best out of the master craftsmen of his time.” Once back in Lisbon, Diogo quit his job to study cabinetmaking at the renowned Fundação Ricardo Espirito Santo Silva (FRESS). Two years later, he set up his workshop using his architectural eye to make bespoke furniture with traditional joinery and inlay techniques. His first collection, the Chicago series, pays tribute to 20th-century Chicago architecture. Diogo's pieces reflect a continuous dialogue between traditional woodwork and contemporary design made to last.",[1491],"Cabinetry",[699],[1387,1279,707,706,819,775],[1495,1496,1497],"Ozen table","Shado rp-v lamp","Shado lamp",[1499,1500,1501,775,707],"Macacauba wood","Satinwood","Rice paper",[1503,832,963,732,837],"Low table",[737],[1506],"Cabinetmaker",[1491],40.95925,-8.63554,"Esmoriz, Portugal","2023-10-12",{"_755":1508,"_756":1509},5271,{"_682":1515,"_31":1516,"_685":1517,"_255":1521,"_378":1522,"_692":1523,"_694":1524,"_697":1526,"_700":1527,"_708":1528,"_714":1534,"_721":1540,"_734":38,"_735":1544,"_738":1545,"_741":1547,"_743":1548,"_745":1549,"_747":1228,"_749":750,"_751":1550,"_753":1551,"_757":1552},"profile-1742",1742,[1518,1519,1520],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004V7yWAE-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004V83WAE-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004V7zWAE-right2.jpg","Joana Diogo","joana-diogo-kclga6","Joana Diogo holds an architecture degree but chose to restyle furniture instead. “It sounds surprising but there are actually similarities with building rehabilitation, as both have a before and after.” This shift in her professional ambitions occurred after winning a Calouste Gulbenkian Foundation scholarship to study wood restoration, marquetry and gilding at the Istituto per l’Arte e il Restauro in Florence. Back in Portugal, Joana opened her workshop, in a small garden office in her family’s weekend house, to manually restyle furniture using applied arts techniques. Each piece is highly detailed. “Sometimes I use a dentistry tool to perfect a finishing.” Whether in a public space or a private house, Joana’s pieces initiate intergenerational conversations. She works today with private clients and designers.",[1525],"Furniture decorating",[699,945],[702,1387,947,774,1279,707],[1529,1530,1531,1532,1533],"Tribal Folie","Mixed Folklore","Cactus Gardener and Botanica Cycle","Underwater Dream","Safari Trip",[1535,718,1536,1537,1538,1539,918,720,1001,1290,707],"Paint","Gold Leaf","Leather","Wallpaper","Silver leaf",[1541,1542,1543,964,963,732],"Cupboard","Table","Chest of drawers",[737],[1546],"Furniture decorator",[1525],38.69501,-9.21716,"2023-09-21",{"_755":1548,"_756":1549},1256,{"_682":1554,"_31":1555,"_685":1556,"_255":1560,"_378":1561,"_692":1562,"_694":1563,"_697":1565,"_700":1566,"_708":1567,"_714":1568,"_721":1569,"_734":38,"_735":1570,"_738":1571,"_741":1573,"_743":1574,"_745":1575,"_747":1228,"_749":1476,"_751":1576,"_753":1577,"_757":1578},"profile-1768",1768,[1557,1558,1559],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PcqgWAC-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PcqdWAC-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PcqqWAC-right2.jpg","inusitado","inusitado-ddx9ru","Founded in 2017 in Porto, inusitado, meaning unusual in Portuguese, was the name founders Ana Brandão and Joana Bernardo chose for their graphic design studio. Its focus is the exploration of the sensorial world of paper, combining traditional binding techniques with contemporary design. Collaborating closely with artisans, Ana and Joana seek to preserve the artisanal techniques of handmade stationary where details such as texture, the smell of paper, the type of ink and binding methods are considered. This may seem quite unusual these days but they remain convinced of the importance of paper to sketch out ideas and make notes.",[1564],"Printmaking",[699,1454],[1187,987,949,707,820],[],[],[],[1187],[1572],"Printmaker",[1564],41.152545,-8.62854,"2023-07-13",{"_755":1574,"_756":1575},3112,{"_682":1580,"_31":1581,"_685":1582,"_255":1586,"_378":1587,"_692":1588,"_694":1589,"_697":1590,"_700":1591,"_708":1592,"_714":1593,"_721":1594,"_734":38,"_735":1595,"_738":1596,"_741":1597,"_743":1598,"_745":1599,"_747":1228,"_749":750,"_751":1600,"_753":1601,"_757":1602},"profile-1812",1812,[1583,1584,1585],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POUcWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POUhWAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POUeWAO-right2.jpg","Fundação Ricardo do Espírito Santo Silva","fundao-ricardo-do-espirito-santo-silva-workshops-craft-portugal","Stepping into the Fundação Ricardo do Espírito Santo Silva (FRESS) Azurara 16th century palace is a historical voyage to discover the richness of ancestral Portuguese decorative arts and crafts. The mastery of woodcarving and cabinetmaking is evident in the woodwork workshop. The metalwork workshop is unique with its ancestral sand-casting technique of brass and bronze, refined chiselling of tinwork and delicate application of gold leaf by a master gold beater. The decoration and book binding workshop are one of the few remaining in Europe while the decorative painting atelier uses rare processes with fine burnished gold and silver plating.",[815],[699,945],[1187,947,183,820,775],[],[],[],[1187],[840],[815],38.71216,-9.13034,"2023-07-06",{"_755":1598,"_756":1599},3664,{"_682":1604,"_31":1605,"_685":1606,"_255":1610,"_378":1611,"_692":1612,"_694":1613,"_697":1615,"_700":1616,"_708":1617,"_714":1623,"_721":1629,"_734":49,"_735":1631,"_738":1632,"_741":1634,"_743":1635,"_745":1636,"_747":1228,"_749":1637,"_751":1638,"_753":1639,"_757":1581},"profile-1803",1803,[1607,1608,1609],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PbxMWAS-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PbxWWAS-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000Pbx9WAC-right2.jpg","Rita Martins Pereira","martins-pereira-rita-4zqcxa","Rita Martins Pereira thanks her secondary school textile teachers for instilling in her the passion for weaving. “They touched my heart. The courses were given in an exciting atmosphere, a big weaving studio with lots of looms.” She went on to study fashion design only to return to weaving. “I felt happiest weaving, so I invested in a loom and opened my workshop,\" she explains. Determined to sustain her craft activity, the artisan has also followed entrepreneurial courses. To complement her wearable pieces, Rita now welcomes interior decorators and clients to her atelier where they can access her loom and consult an array of samples of fibres and threads for inspiration. Currently, Rita is working on an interior design project for a UK-based five-star chain hotel opening soon in Lisbon.",[1614],"Weaving",[699],[1386,947,774],[1618,1619,1620,1621,1622],"Cascais Large Scarf","Nautical Large Scarf","Sunset scarf","Alentejo Large Scarf","Lousal Large Scarf",[1624,1625,1626,1045,1627,1628,720,917],"Alpaca wool","wool","Acrylic yarn","Polyamide","Viscose",[1630,1007,1010],"Scarf",[737],[1633],"Weaver",[1614],38.78609,-9.17936,"Odivelas, Portugal","2023-06-15",{"_755":1635,"_756":1636},{"_682":1641,"_31":1642,"_685":1643,"_255":1646,"_378":1647,"_692":1648,"_694":1649,"_697":1650,"_700":1651,"_708":1653,"_714":1659,"_721":1663,"_734":38,"_735":1667,"_738":1668,"_741":1669,"_743":1670,"_745":1671,"_747":1228,"_749":750,"_751":1672,"_753":1673,"_757":1674},"profile-1798",1798,[1644,1645],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PbDpWAK-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PbDfWAK-left1.jpg","Iany Gayo & Lucrezia Papillo","iany-gayo--lucrezia-papillo-basket-weaving-portugal","Iany Gayo and Lucrezia Papillo met at a basketry summer school organised by the Portuguese Ministry of Culture and Michelangelo Foundation. One was an architect and the other a product designer, and they had no idea of the uniting force basketry would have or that it would change their lives. “We fell in love with Manuel Ferreira’s bunho technique and found each other in that joint appreciation.” Discovering that Manuel is one of the few remaining artisans who master bunho using locally-grown bulrush, the young duo decided to take destiny into their hands and continue learning with their master. In 2021 they opened their own workshop with the vision of applying ancestral basketry to contemporary architectural and design spheres, featuring natural fibres connected to a place, to nature and to our time.",[1142],[699,945],[773,1652,987,187,706,819,820],"Endangered crafts",[1654,1655,1656,1657,1658],"Weave it Yourself Kit","Laranja Pendular","Weave it Yourself Kit: the result","Bruma Lamp","For Plano Restaturant, Lisbon",[1660,1661,1662,720,775],"Cotton","Wicker","Glass",[1664,1160,1159,788,1665,1162,1161,790,1666,1010,837,702],"DIY set","Wellness","Leisure",[737],[1165],[1142],38.72654,-9.11843,"2023-05-18",{"_755":1670,"_756":1671},1340,{"_682":1676,"_31":1677,"_685":1678,"_255":1682,"_378":1683,"_692":1684,"_694":1685,"_697":1686,"_700":1687,"_708":1689,"_714":1695,"_721":1697,"_734":38,"_735":1699,"_738":1700,"_741":1701,"_743":1702,"_745":1703,"_747":1228,"_749":1704,"_751":1705,"_753":1706,"_757":1707},"profile-1796",1796,[1679,1680,1681],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PP35WAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PP33WAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PP37WAG-right2.jpg","Maria Catarina Fernandes","maria-catarina-fernandes-jewellery-making-portugal","Maria Catarina Fernandes describes herself as a contemporary jewellery maker but she is first and foremost a sculptor who transforms material into wearable jewellery. “I was drawn to the immense possibilities of shaping my ideas in the material world.” Mastering traditional techniques such as forging, casting, welding, filing, sanding and polishing, she uses noble materials along with brass, stones, shells, seeds and even fossils to bring her jewellery to life. Her pieces are filled with symbolism inspired by ancient civilisations and surrounding nature. “I feel a deep connection to the micro and macro cosmos. I like to believe that people who wear my jewellery feel strong.” Maria Catarina designs and makes her jewellery but is also open to commissions.",[1452],[699],[947,1688,949,1107,1279,1032,950],"Fashion",[1690,1691,1692,1693,1694],"Coral brooch","Amarna earrings","Pendulum","Uno pin","Istambul ring",[1000,1696,1001],"Silver 925",[1468,1698,1467,1466,1122,1010],"Earring",[737],[1472],[1452],38.70488,-9.28034,"Caxias, Portugal","2023-04-13",{"_755":1702,"_756":1703},2195,{"_682":1709,"_31":1710,"_685":1711,"_255":1715,"_378":1716,"_692":1717,"_694":1718,"_697":1720,"_700":1721,"_708":1725,"_714":1731,"_721":1734,"_734":38,"_735":1735,"_738":1736,"_741":1738,"_743":1739,"_745":1740,"_747":1228,"_749":1476,"_751":1741,"_753":1742,"_757":1743},"profile-1799",1799,[1712,1713,1714],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POa5WAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POa6WAG-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POa7WAG-right2.jpg","Caio Marcolini","caio-marcolini-metal-sculpting-portugal","Caio Marcolini has a rich background in design and goldsmithing. He has developed his own techniques for weaving thin metal wires into poetic and three-dimensional sculptures. It all happened quite naturally for this Brazilian artist who lives in Porto. “I believe the craft chose me in an ethereal kind of way.” Indeed, Caio creates without prior sketching. His craft requires patience and as he begins to weave a piece to life, he feels as if in a trance, connected to the wider universe. Inspired by organic and microscopic shapes and forms, Caio’s imposing pieces are more than sculptures – they are permanent investigations in the field of goldsmithing, design and contemporary art, fuelled by the continuous tensions between material and vision.",[1719],"Wire sculpting",[699,1454],[1386,947,703,1722,1723,1724],"Innovation","Unusual","Visual Arts",[1726,1727,1728,1729,1730],"ORG 169, série colônia","ORG 162, série híbridos","BLTS 01, série bilaterais","ORG 70, série capturados","ORG 163, série capturados",[1000,1732,1733,1001],"Iron","Copper",[788,790,702],[737],[1737],"Wire sculptor",[1719],41.15843,-8.60468,"2023-03-23",{"_755":1739,"_756":1740},3510,{"_682":1745,"_31":1746,"_685":1747,"_255":1751,"_378":1752,"_692":1753,"_694":1754,"_697":1756,"_700":1757,"_708":1759,"_714":1765,"_721":1769,"_734":49,"_735":1775,"_738":1776,"_741":1778,"_743":1779,"_745":1780,"_747":1228,"_749":1476,"_751":1781,"_753":1782,"_757":1783},"profile-1789",1789,[1748,1749,1750],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PY25WAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PY23WAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PY27WAG-right2.jpg","Marta Afonso","marta-afonso-textile-printing-portugal","Marta Afonso’s special connection to textiles comes from her grandmother who taught her how to sew. While studying textile design to a post-graduate level she took practical courses in pattern making and garment sewing. It was natural to open her workshop in 2015 to creatively use her knowledge to find her own expression. A trip to India influenced her direction. “I learned the rare block printing technique from a few local artisans and use it in my work with other manual methods such as stencil printing or painting directly onto fabric.” Marta’s hands are creating from the initial drawing all the way to the manual pressure applied to the textile. Sensitive to transmission, she runs workshops to show how fabric can be a canvas for boundless imagination.",[1755],"Textile printing",[699,1454],[947,949,1758,950,1033],"Hospitality",[1760,1761,1762,1763,1764],"BLOOM on green napkin","TERRA table runner and napkin","Block printed fabric","LILY in onion cushion","BLOOM in green lumbar cushion",[1766,1767,716,1768,775,1157,720,918],"Ink","Cotton fabric","Dye",[1770,1771,1772,1773,1774],"Napkin","Cushion","Table linen","Soft furnishings","Home textiles",[737],[1777],"Textile printer",[1755],41.15685,-8.60002,"2023-02-23",{"_755":1779,"_756":1780},1464,{"_682":1785,"_31":1786,"_685":1787,"_255":1791,"_378":1792,"_692":1793,"_694":1794,"_697":1796,"_700":1798,"_708":1800,"_714":1806,"_721":1812,"_734":38,"_735":1814,"_738":1815,"_741":1817,"_743":1818,"_745":1819,"_747":1228,"_749":1820,"_751":1821,"_753":1822,"_757":1823},"profile-1777",1777,[1788,1789,1790],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POLbWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POLZWA4-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POLdWAO-right2.jpg","Sofia Caldas","sofia-caldas-millinery-portugal","Sofia Caldas studied painting but was drawn to the world of traditional hat making when working as an assistant in a hat shop. \"I did not see the making process of the hats that were in this shop as they came from a manufacturer. I believed it was possible to do more than what I saw and became curious to experiment with shaping the felt myself.” Crafting her own artistic path in millinery, Sofia believed in learning traditional hat making techniques while experimenting with shapes and exploring new materials like wood and stone sheets. Today, each hat she makes becomes a wearable canvas used to tell a unique story. Her beautifully-finished and sculptural hats may also contain messages hidden within the piece, or even house a music box to brighten the day of the wearer.",[1795],"Millinery",[699,1797],"Cascais",[947,1688,1422,949,1722,1799,819,820],"Self-taught",[1801,1802,1803,1804,1805],"Scarpa","A Bailarina","Peacock Love","Blue Mountain","These hats are made for walkin'",[1807,1537,1660,1808,1809,1810,1290,720,1811],"Fur felt","Satin","Marble","Velvet","Minerals",[1813,1007,1010],"Hat",[737],[1816],"Milliner",[1795],38.72379,-9.33707,"Cascais, Portugal","2023-02-09",{"_755":1818,"_756":1819},2776,{"_682":1825,"_31":1826,"_685":1827,"_255":1831,"_378":1832,"_692":1833,"_694":1834,"_697":1835,"_700":1836,"_708":1838,"_714":1843,"_721":1844,"_734":38,"_735":1847,"_738":1848,"_741":1849,"_743":1850,"_745":1851,"_747":1228,"_749":1852,"_751":1853,"_753":1854,"_757":1855},"profile-1779",1779,[1828,1829,1830],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWu7WAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWu5WAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWu9WAG-right2.jpg","Delfim Manuel","delfim-manuel-ceramics-portugal","Delfim Manuel first touched clay when he was 10 years old and today specialises in creating detailed figurative scenes of Portuguese traditional and religious festivities. After many years in a ceramics school he opened his studio in 1990 to freely pursue his own individual style. “I enjoy carving the most intricate details, perfecting each gesture and technique as I go along. My mind is incessantly thinking about where I can improve.” Delfim has for example developed his own firing technique allowing the clay to dry naturally, by pre-cooking at low temperatures and then high-temperature firing. His clients are mostly collectors and he insists on meeting them personally to establish an emotional connection with each piece he crafts.",[903],[699],[947,903,1422,1837,819,820],"Religion",[1839,1037,1840,1841,1842],"Chalice","Nossa Senhora dos Rosários","Nossa Senhora das Flores","The Good Shepherd",[997,912],[1839,788,1845,790,1846,702],"Ceremonial objects","Spiritual",[737],[1013],[903],41.34871,-8.43308,"Rebordões, Portugal","2022-12-22",{"_755":1850,"_756":1851},2728,{"_682":1857,"_31":1858,"_685":1859,"_255":1863,"_378":1864,"_692":1865,"_694":1866,"_697":1867,"_700":1868,"_708":1869,"_714":1874,"_721":1875,"_734":38,"_735":1876,"_738":1877,"_741":1878,"_743":1879,"_745":1880,"_747":1228,"_749":1881,"_751":1882,"_753":1883,"_757":1884},"profile-1778",1778,[1860,1861,1862],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWWhWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWWfWAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWWjWAO-right2.jpg","André Panoias","andr-panoias-wood-carving-portugal","André Panoias may have studied Design at the Faculty of Architecture in Lisbon but his heart and mind were set on returning to Alentejo to help improve the perceived value of rural crafts. “I started working with wood as a child with my grandfather and after spending time with him and other artisans I felt the need to do my part to preserve local woodworking traditions.” The carving techniques he uses to make his spoons are the same that have been used by shepherds in the fields for generations. André enjoys the daily touch and smell of wood. His profound respect for the surrounding nature and desire to take the necessary time to create well-made objects has guided this modern shepherd to bring local wood craft back into everyday contemporary life.",[770],[699],[773,1652,1422,819,820,905,775],[1870,1871,1872,1873],"Colher dos Namorados","Cooking spoon","Colher Oliva","Colher Provadeira",[828,775],[789,791,792],[737],[795],[770],38.56939,-7.91107,"Evora, Portugal","2022-12-08",{"_755":1879,"_756":1880},1851,{"_682":1886,"_31":1887,"_685":1888,"_255":1892,"_378":1893,"_692":1894,"_694":1895,"_697":1897,"_700":1898,"_708":1900,"_714":1907,"_721":1913,"_734":38,"_735":1914,"_738":1915,"_741":1917,"_743":1918,"_745":1919,"_747":1228,"_749":750,"_751":1920,"_753":1921,"_757":1922},"profile-1780",1780,[1889,1890,1891],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003MGz4AM-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003MGv4AM-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003MGy4AM-right2.jpg","Maria Pratas","maria-pratas-textile-sculpting-portugal","Maria Pratas combines the technical and emotional aspects of craftsmanship to reinterpret the coil basketry technique in her sculptural works. Fuelled by her curiosity and love of experimentation, as well as her passion for sourcing natural materials, she transforms two-dimensional textiles into wondrous shapes. Maria mixes textiles, natural fibres and wood to create eclectic sculptures using different techniques. “When I go out, I often come back home with a collection of logs, roots, pieces from abandoned wooden furniture or textiles that caught my attention,” she says. It is in this veritable treasure box that Maria seeks inspiration when she starts a new piece.",[1896],"Textile sculpting",[699,945],[947,1422,774,1899,950,704,820,1724,207,1320],"Mixed media",[1901,1902,1903,1904,1905,1906],"Lady Forest","Semente","Colar","Coração","Conta","Roliça",[1908,1155,1660,1909,716,1625,1910,775,1911,999,1912,720],"Fibres","Hemp","Palm wood","Sisal","Raffia",[788,790,702],[737],[1916],"Textile sculptor",[1896],38.70538,-9.20611,"2022-10-27",{"_755":1918,"_756":1919},1667,{"_682":1924,"_31":1925,"_685":1926,"_255":1930,"_378":1931,"_692":1932,"_694":1933,"_697":1934,"_700":1935,"_708":1937,"_714":1943,"_721":1944,"_734":38,"_735":1946,"_738":1947,"_741":1948,"_743":1949,"_745":1950,"_747":1228,"_749":1951,"_751":1952,"_753":1953,"_757":1605},"profile-1790",1790,[1927,1928,1929],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PRx2WAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PYJAWA4-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PRx4WAG-right2.jpg","Inês Barbosa","ins-barbosa-jewellery-making-portugal","Inês Barbosa is proud to be the fifth generation safeguarding her family’s jewellery expertise. “Filigree and granulation techniques run in my family’s blood and I knew when I was 13 that this was what I would love to do for the rest of my life.” Creating her own workshop 15 years later enabled her to apply traditional methods to modern designs inspired by ancient Portuguese jewellery and nature. In Portugal, Inês is regularly invited to prestigious television shows to talk about her art and she represents Portuguese jewellery in exhibitions around the world. Today, she is already transmitting her skills to her daughter Rita, who wishes to pursue the family’s craft and is fully aware of the immense dedication required to master this craft.",[1452],[699],[1936,947,1422,949,1107,1032,1033,820],"Awarded",[1938,1939,1940,1941,1942],"Etruscan ring","Etruscan Flower Ring","Etruscan Flower Earrings","Pattern collection","Minhoto’s Portuguese Heart",[1463,1001],[1466,1698,1469,1945,1122,1010],"Pendant",[737],[1472],[1452],41.5763613469611,-8.27112043543323,"Póvoa de Lanhoso, Portugal","2022-09-15",{"_755":1949,"_756":1950},{"_682":1955,"_31":1956,"_685":1957,"_255":1960,"_378":1961,"_692":1962,"_694":1963,"_697":1965,"_700":1966,"_708":1967,"_714":1968,"_721":1969,"_734":38,"_735":1970,"_738":1971,"_741":1973,"_743":1974,"_745":1975,"_747":1976,"_749":1977,"_751":1978,"_753":1979,"_757":1980},"profile-1754",1754,[1958,1959],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUq8WAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUq6WAG-left1.jpg","Gárgula Gótica","grgula-gtica-stonemasonry-portugal","Gárgula Gótica is dedicated to the art of stonemasonry. Founded in 1998 by Alzira Antunes and a partner, their story began within the walls of the Monastry of Batalha, a masterpiece of Portuguese Gothic art with incredible stone lace-work and carvings, commissioned by King João in 1385 to celebrate winning the battle of Aljubarrota. Through conservation and restoration, Gárgula Gótica gained a deep understanding of the raw material and achieved a high level of execution, becoming a national and international reference for artwork in natural stone.",[1964],"Stone sculpting",[699],[702,1357,1724],[],[],[],[1362],[1972],"Stone sculptor",[1964],39.66237,-8.83310682657196,"2026-05-06T13:57:13.000+0000","Batalha, Portugal","2022-06-09",{"_755":1974,"_756":1975},3840,{"_682":1982,"_31":1983,"_685":1984,"_255":1988,"_378":1989,"_692":1990,"_694":1991,"_697":1993,"_700":1994,"_708":1995,"_714":2001,"_721":2002,"_734":38,"_735":2004,"_738":2005,"_741":2007,"_743":2008,"_745":2009,"_747":1228,"_749":2010,"_751":2011,"_753":2012,"_757":2013},"profile-1767",1767,[1985,1986,1987],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUn9WAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUn7WAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUnBWAW-right2.jpg","António Adauta","antnio-adauta-embroidery-portugal","António Adauta taught himself Arraiolos (long-legged cross stitching) embroidery, choosing this creative path over a career in electrical engineering. The traditional technique, which dates back to the 15th century and takes its name from the southern Portuguese town of Arraiolos, uses wool thread on burlap. Living in the north of the country, António felt free to break away from traditional Arraiolos patterns to create embroidery pieces that tell mythological stories inspired by the Roman mosaics of Conímbriga. The master patterns are duly protected and registered by the Portuguese Department of General Inspection of Cultural Activities. True Arraiolos embroidery has a label, on which the work’s name and the author are identified, followed by an axe seal symbolising the authenticity of the craft. In 2022, António was Gold Winner in the Art and Luxury Design Built category at The Architecture & Design Collection Awards, and in 2023 his project Conimbriga Mosaics Framed Embroidery was Bronze Winner at the A' Design Awards 2022-23.",[1992],"Embroidery",[699],[1386,947,1246,704,1799,819,820],[1996,1997,1998,1999,2000],"Centauro Marinho","Centro Entrelaçado","Minotauro","Actéon","Cruzes",[1660,1662,775,720],[2003,1008,731],"Wall decor",[737],[2006],"Embroiderer",[1992],40.65779,-7.92007,"Viseu, Portugal","2022-06-02",{"_755":2008,"_756":2009},5245,{"_682":2015,"_31":2016,"_685":2017,"_255":2021,"_378":2022,"_692":2023,"_694":2024,"_697":2025,"_700":2026,"_708":2027,"_714":2033,"_721":2035,"_734":49,"_735":2036,"_738":2037,"_741":2038,"_743":2039,"_745":2040,"_747":1228,"_749":2041,"_751":2042,"_753":2043,"_757":2044},"profile-1792",1792,[2018,2019,2020],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUZHWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUZFWA4-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUZJWA4-right2.jpg","Rosa Campos","rosa-campos-jewellery-making-portugal","Rosa Campos thanks her secondary school art teacher who, spurred on by her artistic talents, recommended jewellery as a possible professional path. “When I experienced drawing and making my own piece at ESAD Design School, I realised that jewellery was my passion and vocation.” The opportunity to open her workshop arose in 2018 after being selected for a programme Empreende Já (Entrepreneurial Now) offering financial support and an introductory course to set up a business. When the Mayor of Bragança invited Rosa to make a special piece as a tribute to a regional costume, declared an Intangible Cultural Heritage of Humanity by UNESCO, she felt an immense gratitude for being given the possibility to confidently spread her jeweller wings and fly.",[1452],[699],[1936,947,1688,1107],[2028,2029,2030,2031,2032],"Fíbula earrings","Branch bracelet","Graças earrings","Heterotepala earrings","Honeycomb necklace",[1000,2034,1696,1001],"Gold plated",[1698,1469,1467,1122,1010],[737],[1472],[1452],41.8179883879259,-6.7610396981468,"Bragança, Portugal","2022-05-26",{"_755":2039,"_756":2040},437,{"_682":2046,"_31":2047,"_685":2048,"_255":2052,"_378":2053,"_692":2054,"_694":2055,"_697":2056,"_700":2059,"_708":2060,"_714":2066,"_721":2068,"_734":38,"_735":2070,"_738":2071,"_741":2072,"_743":2073,"_745":2074,"_747":1228,"_749":750,"_751":2075,"_753":2076,"_757":2077},"profile-1748",1748,[2049,2050,2051],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PULBWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUL9WAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PULDWA4-right2.jpg","Cécile Mestelan","mestelan-cecile-3gr7fm","Cécile Mestelan playfully says that destiny brought ceramics to her – she had never considered the craft during her time at Biarritz Fine Art School. However, fate entered into play when she met a Portuguese student at the ECAL in Switzerland and he encouraged her to apply for a residency at Vista Alegre, Portugal’s prestigious porcelain brand. They married and today have three children. “I am grateful to my husband and the artisans who planted my first ceramic seeds.” Cécile opened her space in Lisbon after a successful crowdfunding campaign to buy a kiln. She brings French elegance to her work but also a deeper spiritual world of imagination connected with the universe. “I am not the sole producer, the final piece is a collaboration between the elements and my hands.”",[903],[699,945,2057,2058],"Lisbon: the city built on tiles","Lisbon: the city built on tiles (C)",[773,947,903,949,1246],[2061,2062,2063,2064,2065],"Soft pink bowl","Cool-toned bowls and plates","Colourful bowls and plates","Vibrant bowls and plates","Warm-toned bowls and plates",[2067,996,912],"Porcelain",[2069,727,731],"Bowl",[737],[1013],[903],38.71087,-9.15115,"2022-05-12",{"_755":2073,"_756":2074},5305,{"_682":2079,"_31":2080,"_685":2081,"_255":2085,"_378":2086,"_692":2087,"_694":2088,"_697":2089,"_700":2090,"_708":2091,"_714":2096,"_721":2097,"_734":38,"_735":2100,"_738":2101,"_741":2102,"_743":2103,"_745":2104,"_747":1228,"_749":2105,"_751":2106,"_753":2107,"_757":2108},"profile-1785",1785,[2082,2083,2084],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PS0lWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PS0jWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PS0nWAG-right2.jpg","Ana Luisa Santos","ana-luisa-santos-embroidery-portugal","Ana Luisa Santos belongs to a community of talented women embroiderers spread over the island of Madeira who are keeping their craft alive. “I was given the choice when I was 12 to learn wicker or embroidery. As my mother and grandmother were embroiderers I followed their steps.” When she returned to Madeira after spending 10 years abroad, she enrolled in an embroidery course at the IVBAM Madeira Wine, Embroidery and Handicraft Institute where she now teaches. The craft requires various steps from the design to the final execution but it is the quiet and intricate manual perfection such as Ana’s that makes Madeira embroidery so refined. There are less embroiderers today but IVBAM is actively working to safeguard their island’s historical and cultural treasure.",[1992],[699],[1652,1422,949,1246,819,820],[2092,2093,2094,2095],"White Tablecloth","Table centrepiece","Bathroom towel set","Colorful Tablecloth",[716,1660,720],[2098,2099,1772,1773,1774],"Tablecloth","Towel",[737],[2006],[1992],32.75937,-16.8287,"Porto Da Cruz, Portugal","2022-05-05",{"_755":2103,"_756":2104},2739,{"_682":2110,"_31":2111,"_685":2112,"_255":2116,"_378":2117,"_692":2118,"_694":2119,"_697":2120,"_700":2121,"_708":2123,"_714":2126,"_721":2127,"_734":38,"_735":2129,"_738":2130,"_741":2131,"_743":2132,"_745":2133,"_747":1228,"_749":2105,"_751":2134,"_753":2135,"_757":2136},"profile-1747",1747,[2113,2114,2115],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPscWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPsaWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPseWAG-right2.jpg","Ana Lemos","ana-lemos-embroidery-portugal","Ana was born in Madeira and, like many local women, learnt the island’s traditional embroidery from her family. Her craft constitutes part of Madeira’s historical and cultural identity, and has done since the 19th century when exports increased as European nobility appreciated the finesse and beauty of their pieces. Their exports expanded again in the 20th century when countries further afield, such as the US, discovered their work. “Madeira embroidery requires many preparatory steps from the design to perforating and stamping the drawing on the fabric with blue washable paint but it is our hands that bring soul to the pieces.” After the intricate embroidery stage, the piece is returned to the factory to be cut, washed, ironed and certified by IVBAM Madeira Wine, Embroidery and Handicraft Institute as a gauge of authenticity and quality.",[1992],[699],[1356,947,1422,2122,820],"Homo Faber 2018",[2093,2124,2125],"Hand towel","Red table centrepiece decorated with poinsettias",[1660,716,720],[2128,2099,1772,1773,1774],"Table runner",[737],[2006],[1992],32.8557264973133,-17.1697969829016,"2022-04-07",{"_755":2132,"_756":2133},5173,{"_682":2138,"_31":2139,"_685":2140,"_255":2144,"_378":2145,"_692":2146,"_694":2147,"_697":2149,"_700":2150,"_708":2152,"_714":2153,"_721":2154,"_734":49,"_735":2155,"_738":2156,"_741":2158,"_743":2159,"_745":2160,"_747":2161,"_749":2162,"_751":2134,"_753":2163,"_757":2164},"profile-4609",4609,[2141,2142,2143],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PQB2WAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PQB0WAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PQB4WAO-right2.jpg","Vista Alegre","vista-alegre-porcelain-crafting-portugal","The Vista Alegre porcelain manufactory, located in Ílhavo – a quiet seaside city in Northern Portugal – is unquestionably part of the country’s cultural heritage. Founded in 1824 by José Ferreira Pinto Basto, a visionary merchant, Vista Alegre was given the Royal Factory title by King João VI in recognition of its achievements. The manufactory continuously refined its pieces as porcelain techniques improved and international master artisans were invited to train local artisans who in turn became highly skilled.",[2148],"Porcelain crafting",[699],[2151,903,703,1357,819,820],"Celebrities",[],[],[],[1362],[2157],"Porcelain maker",[2148],40.6,-8.7,"2026-05-06T07:32:05.000+0000","Ílhavo, Portugal",{"_755":2159,"_756":2160},1836,{"_682":2166,"_31":2167,"_685":2168,"_255":2172,"_378":2173,"_692":2174,"_694":2175,"_697":2176,"_700":2177,"_708":2178,"_714":2184,"_721":2190,"_734":38,"_735":2193,"_738":2194,"_741":2195,"_743":2196,"_745":2197,"_747":1228,"_749":2198,"_751":2199,"_753":2200,"_757":488},"profile-1746",1746,[2169,2170,2171],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNp8WAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNp9WAG-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNpAWAW-right2.jpg","Zsombi Keresztes","keresztes-zsombi-mol6ta","Romanian wood sculptor Zsombi Keresztes learnt to carve from his father and grandfather. “I have been whittling with a pocket knife ever since I can remember.” When he moved to the Azores and couldn’t find any wooden cooking tools in the kitchen of his rented house, he broke a board off a pallet to make a spatula with a paring knife. His next spatulas were offered to friends who share his passion for cooking and they encouraged him to sell his pieces. “I realised there was perhaps an interest in what I do, so I quit my graphic designer job and the Azorean artisan centre (CRAA) helped me set up a workshop within their start-up incubator programme.” Protective of his environment, Zsombi’s uniquely shaped kitchen tools are made from driftwood he finds on his island’s shores.",[770],[699],[1422,949,706,1799,775],[2179,2180,2181,2182,2183],"Black locust spatula","Set of spatulas and pan scraper","Hornbeam wooden spoon","Cooking spatulas","Cedar flipping spatula",[2185,2186,2187,2188,2189,1042,785,783,873,775],"Walnut oil","Black locust wood","Linseed oil","Ironwood","Hornbeam wood",[2191,789,2192,791,792],"Spatula","Cookware",[737],[795],[770],37.7524,-25.65159,"Ponta Delgada, Portugal","2022-03-24",{"_755":2196,"_756":2197},{"_682":2202,"_31":2203,"_685":2204,"_255":2208,"_378":2209,"_692":2210,"_694":2211,"_697":2213,"_700":2214,"_708":2215,"_714":2219,"_721":2220,"_734":38,"_735":2224,"_738":2225,"_741":2227,"_743":2228,"_745":2229,"_747":1228,"_749":2230,"_751":2231,"_753":2232,"_757":2233},"profile-1755",1755,[2205,2206,2207],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNSwWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNSuWAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNSzWAO-right2.jpg","José Quintão","quinto-jos-ttqpt1","The third generation of a barrel-making family, José Quintão says that his professional name is also inherited, as his father and grandfather were also nicknamed Zé Espiga. The last cooper from Bucelas, a town with a winemaking tradition once known for its coopers, Zé Espiga prides himself on keeping his craft intact, using inherited tools and keeping his technique as pure as possible, working in what he calls an “almost medieval way”. Barrels have historical significance for his country, Portugal, which has a heritage in wine production. Manual barrel production has been greatly reduced, especially with the development of industrial production in oak-rich countries. Today, oak barrels have taken over a market with over 16 traditional wood choices.",[2212],"Barrel making",[699],[1422,949,183,820],[2216,2217,2218],"A stool","Balseiro","A barrel",[1732,775,1001],[830,2221,2222,834,728,2223,732,702],"Container","Barrel","Patio and Garden",[737],[2226],"Barrel maker",[2212],38.9012179174741,-9.11993307025656,"Bucelas, Portugal","2022-03-17",{"_755":2228,"_756":2229},142,{"_682":2235,"_31":2236,"_685":2237,"_255":2241,"_378":2242,"_692":2243,"_694":2244,"_697":2245,"_700":2247,"_708":2248,"_714":2254,"_721":2256,"_734":38,"_735":2258,"_738":2259,"_741":2260,"_743":2261,"_745":2262,"_747":1228,"_749":2263,"_751":2264,"_753":2265,"_757":2266},"profile-1773",1773,[2238,2239,2240],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PX6jWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PX6kWAG-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PX6lWAG-right2.jpg","Adolfo Mendonça","adolfo-mendona-ceramics-portugal","When Adolfo Mendonça left Angra do Heroísmo to study Equipment Design in Lisbon’s prestigious Faculty of Art, he quickly felt a need to complement theory with practice. “I explored ceramics during my studies. It enabled me to express myself and materialise my ideas.” After completing his degree, Adolfo returned to his island eager to create handmade ceramic objects inspired by the lush nature and the sound of the ocean. He uses traditional tools, such as the potter’s wheel, but innovates with representative textures and shapes of maritime life such as sea urchins. 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As an even younger child, whenever he went to his grandparent’s atelier after school, his grandfather Ayres Carneiro da Silva – who was a first generation tailor who had learnt the art of tailoring in Italy – taught him. His passion for the craft led him to study at a prestigious tailoring academy in Spain, before realising his big dream of trying his hand at Savile Row, where he was successfully accepted into training with legendary tailor Andrés Gomez – the latter only taught four trainees, one of whom was Alexander McQueen. While at Savile Row, Ayres made suits for royalty and celebrities, before leaving for professional adventures in Hong Kong and New York. Now, Ayres is back at his family roots in Oporto, where he welcomes his own clients by appointment.",[2305],"Tailoring",[699,1454],[1936,2151,1688,1422,949,1032],[2309,2310,2311],"Bespoke jacket","Overcoat","Blazer suit",[2313,1290],"Cashmere",[2315,2316,2317,2318,1010],"Jacket","Coat","Blazer","Clothing",[737],[2321],"Tailor",[2305],41.14791,-8.61247,"2022-01-13",{"_755":2323,"_756":2324},4433,{"_682":2329,"_31":2330,"_685":2331,"_255":2335,"_378":2336,"_692":2337,"_694":2338,"_697":2339,"_700":2340,"_708":2341,"_714":2347,"_721":2350,"_734":38,"_735":2353,"_738":2354,"_741":2355,"_743":2356,"_745":2357,"_747":1228,"_749":2358,"_751":2325,"_753":2359,"_757":2360},"profile-1769",1769,[2332,2333,2334],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSkkWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSkiWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSkmWAG-right2.jpg","Francisco Roberto Pereira","francisco-roberto-pereira-woodwork-portugal","Born in the Azorean Terceira Island, Francisco Roberto Pereira learnt carpentry at an early age with his uncle and continued to hone his skills alone. His eclectic pieces include barrels, religious sculptures, toys and traditional Azorean adornments. “I feel like a rebel, restless to try out new techniques.” In his workshop, he can use a scroll saw, lathing machine or focus on marquetry. He is one of the few artisans still manually making barrels and has also been prized for his traditional Azorean Espirito Santo festivity crowns. Creating one for his daughter inspired Francisco to develop a wooden filigree jewellery collection. 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Azulejo tilemaking comes from the Arabic word azzelij (or al zuleycha, al zuléija, al zulaiju, al zulaco), which means little polished stone. Present in Portugal since the 16th century, this art is part of its cultural heritage. Until recently Rui worked alongside his sister Maria, and today he runs the atelier alone. “We studied design and landscape architecture but naturally gravitated back to the studio where we spent hours as children experimenting with clay and glazing.” Each piece is made in-house, from modelling to hand painting. Working simultaneously with the Portuguese Nacional Azulejo Museum and with architects in contemporary contexts enables Rui to contribute to the safeguarding of this art.",[1184],[699],[1356,947,903,1422,774,820],[2375,2376],"Aresta Viva patchwork","17th century pattern",[912],[2379,1009,702],"Tile",[737],[1193],[1184],37.01663,-7.92505,"Faro, 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