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2026","bgColor","bgImgUrl","https://api.homofaber.com/uploads/9_16_1080x1920_50_175a29db28.png","bgRepeat","bgFit","contain","centerImgUrl","centerText","1 – 30 September 2026, San Giorgio Maggiore Island, Venice","centerImgFit","ctaLabel","Book your ticket","ctaBgColor","#FFFFFF","ctaUrl","textColor","white","2025-05-22T09:42:23.885Z","2026-04-27T09:13:30.731Z","2026-04-27T09:13:30.723Z","textLeftXs","bgImgUrlXs","ctaLabelXs","Book 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Nelson","james_nelson-mixed_media_sculpture-houston_tx","description","In 2017, Jim Nelson officially pivoted to pottery after a career as a professional ballet dancer. In his studio, Heights Pottery, he creates ceramics, turned wood objects and functional ceramic pieces with turned wood elements. Jim’s patience for practice and precision, cultivated as a dancer, is demonstrated by his mastery of both clay throwing and wood turning. He remains open to new inspirations and experimentation and follows a path he considers to be continually in development. Jim has long been inspired by the Arts and Crafts movement, favouring the functional aspect of pottery. “I love it when people want to use my work and do not feel nervous about handling it,” he says. “When someone tells me, ‘it is my favourite piece, I use it every day,’ that makes me so happy.”","craft",[696],"Mixed media sculpture","destinations",[699],"USA","tags",[702,703,704,705,706,707,708,709],"Ceramics","Functional","Interiors","Mixed media","New career","Sustainable","Territory","Wood","objects",[712,713,714,715],"Wood rim vase","Blue vase","Green flared vase","Brown vase","materials",[718,719,720,709],"Stoneware","wood","Ceramic","categories",[723,724,725,726,727,728,729],"Vessel","Planters","Vase","Decorative objects","Outdoor furnitures","Decoration","Furniture","has-experiences","type-of-artisan",[733],"Artisan","craft_person",[736],"Mixed media sculptor","craft_metier",[696],"latitude",29.78124223622008,"longitude",-95.39653461404804,"content_edit_date","2026-05-07T05:00:05.000+0000","city_and_country","Houston, TX, USA","is_new_until","2026-05-21","_geo",{"_751":740,"_752":742},"lat","lng","order",4906,{"_682":756,"_31":757,"_685":758,"_255":762,"_378":763,"_692":764,"_694":765,"_697":766,"_700":768,"_710":774,"_716":778,"_721":782,"_730":38,"_731":790,"_734":791,"_737":792,"_739":793,"_741":794,"_743":795,"_745":796,"_747":748,"_749":797,"_753":798},"profile-5545",5545,[759,760,761],"https://api.homofaber.com/uploads/3_IMG_9044_c725d339cd.jpg","https://api.homofaber.com/uploads/1_EDITED_image13_copy_00fbf9b795.jpg","https://api.homofaber.com/uploads/5_image9_1_copy_1a7bbc5ad9.jpg","Francesca DiMattio","francesca_dimattio-mixed_media_sculpture-new_york_ny","Trained in painting at Cooper Union and Columbia, Francesca DiMattio came to ceramic sculpture sideways, drawn to a medium dismissed by the fine art world in which she was immersed. “I hand sculpt every element without moulds, and shift the scale and proportion of domestic objects until they stop behaving as they should,” she says. Ornamental references, borrowed from diverse traditions including French 18th-century porcelain, Ming dynasty ceramics and Greco-roman mosaic, are rendered loosely as if seen in a dream. Floral motifs tip into something intense and viral, from sweet to threatening. Images from dishes wrap chairs and patterns do not behave as they should. Francesca applies the same intuitive rigour at all levels, to a teacup as to a chandelier. In 2019, she covered every inch of the home she grew up in with painted tiles, hand modelled porcelain and handmade furniture using plywood and paper mâché. “A domestic setting is a space for rebellion,” she says.",[696],[767,699],"New York",[769,770,703,771,705,772,773,145],"Fairytale","Flowers","Mixing cultures","Nature","Unusual",[775,776,777],"Sèvres cups","Blue lapis chair","Mirror de fleur",[779,780,781],"Porcelain","Paper pulp","Paper",[783,784,785,786,787,788,789,729],"Cup","Chair","Mirror","Drinkware","Sofa and Chairs","Furniture accessories","Table and kitchen",[733],[736],[696],40.74618110437542,-73.99675202506006,"2026-05-07T07:36:00.000+0000","New York, NY, USA",{"_751":793,"_752":794},4359,{"_682":800,"_31":801,"_685":802,"_255":806,"_378":807,"_692":808,"_694":809,"_697":810,"_700":811,"_710":815,"_716":821,"_721":828,"_730":38,"_731":834,"_734":835,"_737":836,"_739":837,"_741":838,"_743":839,"_745":840,"_747":748,"_749":841,"_753":842},"profile-5484",5484,[803,804,805],"https://api.homofaber.com/uploads/3_3_A_21667b6efc.jpg","https://api.homofaber.com/uploads/1_EDITED_1_B_Timothy_Horn_Portrait_Studio_c_Art_Corriveau_copy_0aa5a1db85.jpg","https://api.homofaber.com/uploads/5_EDITED_11_D_a837442b3e.jpg","Timothy Horn","timothy_horn-mixed_media_sculpture-provincetown_ma","While he initially aspired to become a jeweller, Timothy Horn soon realised that the larger physical scale of sculpture suited him better. Trained in sculpture and glass, he draws on a strong technical background to create works that combine glass and cast bronze. Timothy has also experimented with materials such as transparent rubber, sugar, paper and cardboard, and allows his vision to dictate the medium and the process he will follow. His opulent visual aesthetic reflects diverse references, from baroque jewellery and historical decorative arts to scientific studies of natural forms. “Through these contrasting influences, I want to convey a sense of simultaneous growth and decomposition, and explore the tensions between opposing qualities,” he says.",[696],[699],[769,812,813,814,772,145],"Decorative","Glass","Jewellery",[816,817,818,819,820],"Gorgonia 17","Bearded clam","Titania","Purple rain","Gorgonia 15",[822,823,813,824,825,826,827],"Bronze","Nickel","Blown glass","Crystal","Metals","Minerals",[829,830,831,832,728,833],"Wall decor","Sculpture","Wall decorations","Monuments","Architecture",[733],[736],[696],42.05239536050787,-70.19840631399916,"2026-05-07T07:43:04.000+0000","Provincetown, MA, USA",{"_751":837,"_752":838},3963,{"_682":844,"_31":845,"_685":846,"_255":850,"_378":851,"_692":852,"_694":853,"_697":854,"_700":855,"_710":857,"_716":863,"_721":871,"_730":38,"_731":872,"_734":873,"_737":874,"_739":875,"_741":876,"_743":877,"_745":878,"_747":748,"_749":879,"_753":880},"profile-5312",5312,[847,848,849],"https://api.homofaber.com/uploads/3_cutting_glass_copy_Suzanne_Schmid_834d54a2d0.jpg","https://api.homofaber.com/uploads/1_studio_work2_copy_Kirsten_Schmid_f9b2b2221b.jpg","https://api.homofaber.com/uploads/5_Rhinoceros_Beetle_and_Gold_Verical_copy_0f1458a848.jpg","Suzanne Schmid","suzanne_schmid-mixed_media_sculpture-springfield_il","Suzanne Schmid is a sculptor and jeweller who creates unusual modern-day reliquaries for nature. Her lifelong love of making began with welding tractor parts and water troughs on a farm in California, and later took shape through a BFA in sculpture and installation art from UC Santa Barbara. After years of building large-scale public pieces and working as a photojournalist, Suzanne returned to 3D art-making through jewellery before fully shifting into sculpture. Today, she brings together her love of industrial materials and the natural world in her pieces, which preserve nature’s remnants beneath unique hand blown glass domes. “In my practice, I invite people to see the ephemeral as something worthy of reverence, care and lasting preservation,” she says.",[696],[699],[705,772,706,773,856],"Visual Arts",[858,859,860,861,862],"Goliath Beetle wall sculpture","Cerogenes Planthopper and almandine garnet gemstone wall sculpture","Walking Leaf Insect freestanding sculpture","Fruit Bat and sapphire freestanding sculpture","Snake freestanding sculpture",[864,813,865,866,867,868,869,870,826,827],"Dried insect","Metal","Gold","Garnet","Bone","Sapphire","Animal materials",[829,830,831,832,728,833],[733],[736],[696],39.76615850848471,-89.67563377497899,"2026-05-07T07:35:59.000+0000","Springfield, IL, USA",{"_751":875,"_752":876},3050,{"_682":882,"_31":564,"_685":883,"_255":887,"_378":888,"_692":889,"_694":890,"_697":891,"_700":892,"_710":896,"_716":903,"_721":916,"_730":38,"_731":921,"_734":922,"_737":923,"_739":924,"_741":925,"_743":744,"_745":926,"_747":748,"_749":927,"_753":928},"profile-12",[884,885,886],"https://api.homofaber.com/uploads/3_EDITED_L1023961_copy_e14007feb8.jpg","https://api.homofaber.com/uploads/1_EDITED_1_3_copy_7e7120aa43.jpg","https://api.homofaber.com/uploads/5_EDITED_Encroachment5_copy_a4b7ada12c.jpg","Jennifer Trask","jennifer_trask-mixed_media_sculpture-kingston_ny","Ever since she can remember, Jennifer Trask has been enamoured with the natural world and possessed by the need to create. Her main practice for over 15 years was sculptural jewellery making, and she continues to work with a similar level of detail in her sculptures today, in which she uses similar techniques. As her practice developed, scientific research led her to consider how bones can be a metaphor for a living record of life. “I started adding small pieces into my jewellery. When I became fully aware of how fascinated I was with the bone itself, the pieces just grew,” she says. Jennifer has trained several interns and continues to focus her practice on creating pieces related to nature that incorporate natural items. “The material needs to serve the idea, and the material is also part of the idea,” she says.",[696],[767,699],[893,183,705,772,894,895,709,856],"Exhibitions/Museums","Teacher","Upcycling",[897,898,899,900,901,902],"Vanitas with embedded heart","Accretio","Landscape","Germinate neckpiece","Suture","Vanitas with wasp’s nest",[868,904,905,906,866,907,908,909,910,911,912,913,870,826,827,914,915,709],"Pearl","Shell","Teeth","Mineral","Gesso","Resin","Petrified wood","Recycled wood","Diamond","Brass","Cement, plaster, pigments","Synthetic materials and resins",[830,917,918,832,831,919,833,728,920],"Wall hanging","Necklace","Jewellery and watches","Mode",[733],[736],[696],41.86098248777442,-74.08727312567618,"Kingston, NY, USA",{"_751":924,"_752":925},2321,{"_682":930,"_31":931,"_685":932,"_255":936,"_378":937,"_692":938,"_694":939,"_697":940,"_700":942,"_710":945,"_716":951,"_721":952,"_730":38,"_731":961,"_734":962,"_737":963,"_739":964,"_741":965,"_743":966,"_745":967,"_747":748,"_749":968,"_753":969},"profile-5666",5666,[933,934,935],"https://api.homofaber.com/uploads/3_credit_Anna_Dave_Scott_Daniel_Strickstein_Studio_Portrait_017_5f0586fcd9.jpg","https://api.homofaber.com/uploads/1_c_Joseph_Kramm_Tashtego_02062024_138_Edit_1_7064aa396f.jpg","https://api.homofaber.com/uploads/5_credit_Jeff_Klapperich_Scott_Daniel_Design_Ceramic_Ensemble_Chandelier_42_D_78_W_00_8329ed4ff3.jpg","Scott Strickstein","scott_strickstein-mixed_media_sculpture-brooklyn_ny","Scott Strickstein creates sculptural furniture by bringing clay and metal wire into dialogue with each other. A native of Detroit, his approach has been influenced by his studies at the College for Creative Studies, where he joined a programme in interdisciplinary craft, and by the city’s automotive industry. Working at a large scale, Scott’s design pieces take shape through an experimental process developed over many years. Metal wire mesh is formed then dipped repeatedly into liquid clay. His works, particularly his lighting, explore the contrast between the density of the material and the way light passes through a perforated structure. “I seek to give basic materials such as clay and wire a greater emotional value, and help viewers reflect on the physical experience of the object,” he says.",[696],[767,699,941],"Brooklyn",[943,702,704,705,772,944],"Design","Self-taught",[946,947,948,949,950],"Bloom chandelier","Ceramic wall tiles","Mobius fixture","Lopez chandelier","Mangrove tables",[720,865,826],[953,954,955,956,726,957,958,959,728,833,960,729],"Chandelier","Tile","Pendant lamp","Low table","Building elements","Ceiling lamp","Tables","Lighting",[733],[736],[696],40.7095606852226,-73.93618664122117,"2026-05-07T13:15:00.000+0000","Brooklyn, NY, USA",{"_751":964,"_752":965},2103,{"_682":971,"_31":972,"_685":973,"_255":977,"_378":978,"_692":979,"_694":980,"_697":981,"_700":982,"_710":983,"_716":989,"_721":992,"_730":38,"_731":994,"_734":995,"_737":996,"_739":997,"_741":998,"_743":744,"_745":999,"_747":748,"_749":1000,"_753":1001},"profile-5144",5144,[974,975,976],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000F05W_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000F05W_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000F05W_Right2.jpg","Rachel Hubbard Kline","rachel_hubbard_kline-mixed_media_sculpture-kansas_city_mo","Rachel Hubbard Kline embeds quilting motifs and historic newsprints into clay. She uses the material as a physical and metaphorical vessel to hold impressions for future generations, working with its permanence as a counterpoint to the fragility of textile, printed matter and memory. Research is inseparable from Rachel’s practice. She delves into news archives, quilt patterns, architectural references and period pottery, refining ideas through sketches before her pieces are shaped. “This approach speaks to a Midwestern identity shaped by textile traditions sustained by women in domestic spaces,” she says. By honouring women’s work in textiles and preserving history, Rachel’s pieces reflect how individual stories weave together to shape the larger fabric of society.",[696],[699],[812,702,893,894,856],[984,985,986,987,988],"Crimson fabricated Americana","Tumbling blocks","Men’s department 1955","Kansas City, a quilted history","Flying colors",[718,990,720,991],"Glaze","Enamel, glaze and lacquer",[829,917,993,831,957,728,833],"Wall panel",[733],[736],[696],39.0577266907047,-94.57419143753344,"Kansas City, MO, USA",{"_751":997,"_752":998},1236,{"_682":1003,"_31":1004,"_685":1005,"_255":1009,"_378":1010,"_692":1011,"_694":1012,"_697":1013,"_700":1015,"_710":1017,"_716":1023,"_721":1025,"_730":38,"_731":1026,"_734":1027,"_737":1028,"_739":1029,"_741":1030,"_743":744,"_745":1031,"_747":748,"_749":1032,"_753":1033},"profile-5508",5508,[1006,1007,1008],"https://api.homofaber.com/uploads/3_EDITED_Timea_Tihanyi_studio7_copy_7e176752c6.jpg","https://api.homofaber.com/uploads/1_Timea_Tihanyi_studio5_680972b423.jpg","https://api.homofaber.com/uploads/5_EDITED_Timea_Tihanyi_Blue_Cross_Roads_set04_copy_cab001ac63.jpg","Timea Tihanyi","timea_tihanyi-mixed_media_sculpture-seattle_wa","Timea Tihanyi combines art and science to advance the field of ceramic and mixed media sculpture as she creates large and small pieces using new techniques. After moving from Hungary to the USA in 1993 to pursue a PhD in neuropsychology, she took a ceramics class that changed the direction of her life completely. Timea took an MFA in ceramics and her practice progressed from figurative sculpture to large porcelain installations. Her interest in science and technology persisted, and she taught herself 3D printing, coding and digital systems. She now combines these tools with traditional methods to address the use of technology in clay in her research space, SlipRabbit. Timea is interested in rule-breaking as she pioneers this practice, often collaborating with mathematicians to apply algorithmic principles and achieve innovative forms. “I firmly believe in a growth mindset of continuous change and transformation,” she says.",[696],[1014,699],"Washington",[705,1016,702],"Science",[1018,1019,1020,1021,1022],"The flux balancer stupad","Winged corpus","Mothering","Sose Halunk Meg, we will never die","The fool’s teacher stupad",[1024,779,813,915],"Plastic",[830,832,833],[733],[736],[696],47.66297876089413,-122.3330553822564,"Seattle, WA, USA",{"_751":1029,"_752":1030},942,{"_682":1035,"_31":1036,"_685":1037,"_255":1041,"_378":1042,"_692":1043,"_694":1044,"_697":1045,"_700":1047,"_710":1048,"_716":1054,"_721":1055,"_730":38,"_731":1058,"_734":1059,"_737":1060,"_739":1061,"_741":1062,"_743":1063,"_745":1064,"_747":748,"_749":1065,"_753":1066},"profile-5372",5372,[1038,1039,1040],"https://api.homofaber.com/uploads/3_Portrait_3_copy_275cce148c.jpg","https://api.homofaber.com/uploads/1_Gesture4_copy_5083abe133.jpg","https://api.homofaber.com/uploads/5_IMG_8695_copy_1e226eedab.jpg","Christina Bothwell","christina_bothwell-mixed_media_sculpture-stillwater_pa","Christina Bothwell’s figurative sculptures give physical form to inner visions and out-of-body experiences. Trained as a painter at the Pennsylvania Academy of Fine Arts, she spent years working in ceramics before a 1999 workshop at the Corning Museum of Glass reshaped her practice. “In glass I found a material that could hold light,” she says. It is this quality Christina needed to convey the spiritual and mystical worlds she explores. Her pieces hold glass and clay in tension, the first evoking the otherworldly, the second the earthly. Coming full circle, the Corning Museum now holds Christina’s work, alongside major public collections in the USA, Europe and Asia.",[696],[699,1046],"Pennsylvania",[769,702,893,813,705,944,773],[1049,1050,1051,1052,1053],"Baby mermaid","Evolution is a state of mind","Dreaming in colour","Secrets","MOTHER AND CHILD",[813,720],[1056,1057,726,728],"Glass sculpture","Figurine",[733],[736],[696],41.17337861398268,-76.34151752764745,"2026-05-07T07:39:55.000+0000","Stillwater, PA, USA",{"_751":1061,"_752":1062},836,{"_682":1068,"_31":1069,"_685":1070,"_255":1074,"_378":1075,"_692":1076,"_694":1077,"_697":1078,"_700":1081,"_710":1082,"_716":1086,"_721":1088,"_730":38,"_731":1089,"_734":1090,"_737":1091,"_739":1092,"_741":1093,"_743":1094,"_745":1095,"_747":1096,"_749":1097,"_753":1098},"profile-5324",5324,[1071,1072,1073],"https://api.homofaber.com/uploads/3_0_M0_A6510_d522776607.jpg","https://api.homofaber.com/uploads/1_EDITED_0_M0_A6416_copy_3543170e44.jpg","https://api.homofaber.com/uploads/5_HARL_1_3aa269dd1d.jpg","Sandra Shashou","sandra_shashou-mixed_media_sculpture-london","Sandra Shashou collects beautiful vintage fine bone tea and coffee cups, pots and small plates, and turns them into her sculpting medium. Carefully breaking each precious object with a fine hammer, she transforms beautiful porcelain into abstract fragments, which she then interlaces to form a new whole. Sandra pursued this passion for fine arts in her forties, leaving behind a career she built at her father's business. “I was more afraid of not doing it than doing it” she recalls. Studying at the Slade School of Fine Art and City & Guilds in London, Sandra initially focused on painting, but in 2013, she created her first sculpture, and her porcelain practice was born. \"By breaking and reassembling, I create a dialogue between destruction and creation, fragility and strength, giving the broken porcelain a renewed life,\" she explains.",[696],[1079,1080],"United Kingdom","London",[812,702,772,706,773],[1083,1084,1085],"Tower Balance","Roses Are Forever","Celebration of Love",[1087,779,827],"Jesmonite",[830,829,832,831,833,728],[733],[736],[696],51.51123433402569,-0.1280447419312673,"2026-05-06T07:32:23.000+0000","London, United Kingdom","2026-04-16",{"_751":1092,"_752":1093},853,{"_682":1100,"_31":1101,"_685":1102,"_255":1106,"_378":1107,"_692":1108,"_694":1109,"_697":1110,"_700":1114,"_710":1119,"_716":1124,"_721":1132,"_730":38,"_731":1137,"_734":1138,"_737":1139,"_739":1140,"_741":1141,"_743":1142,"_745":1143,"_747":1144,"_749":1145,"_753":1146},"profile-5154",5154,[1103,1104,1105],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000F08Q_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000F08Q_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000F08Q_Right2.jpg","Marina Dempster","marina_dempster-mixed_media_sculpture-toronto","Marina Dempster transforms discarded objects such as mannequin limbs, used shoes, basketballs and even her wedding dress, into luminous works that explore transformation and wholeness. Born in Mexico and now based in Toronto, she enjoys working with a pre-Columbian Wixárika technique of embedding yarn and beads into a beeswax and pine-resin ‘skin’. “Working bead by bead becomes an act of seeing and seeding, a devotional practice that asks how we care for what has been disregarded, for the earth and for one another,” Marina says. She invites viewers to imagine inhabiting the forms she creates in her basketball planets collection and acclaimed shoe series, exhibited at the Bata Shoe Museum and Cheongju Craft Biennale, as well as in art museums across North America. Alongside her studio work, Marina mentors artists, curates exhibitions and champions collaboration in craft communities.",[696],[1111,1112,1113],"Canada","Toronto","Ontario",[1115,1116,893,1117,771,1118,707,895],"Awarded","Collaborations","Fashion","Politically engaged",[1120,1121,1122,1123],"AWAKE","Bust commission","Immune","Horny",[1125,1126,1127,1128,904,1129,1130,1131,870,914,813,826],"Mother of pearl","Crystal beads","Glass beads","Metal beads","Flamingo feathers","Rabbit fur","Deer horn",[830,1133,1134,832,1135,1136,833,920],"Top","Heels","Clothing","Shoes",[733],[736],[696],43.66260021560093,-79.44760603870682,"2026-05-06T07:32:14.000+0000","Toronto, Canada","2026-04-09",{"_751":1140,"_752":1141},3951,{"_682":1148,"_31":1149,"_685":1150,"_255":1154,"_378":1155,"_692":1156,"_694":1157,"_697":1158,"_700":1160,"_710":1163,"_716":1169,"_721":1173,"_730":38,"_731":1177,"_734":1178,"_737":1179,"_739":1180,"_741":1181,"_743":1182,"_745":1183,"_747":1184,"_749":1185,"_753":1186},"profile-5325",5325,[1151,1152,1153],"https://api.homofaber.com/uploads/3_EDITED_Nathalie_Solene_2025_Thomas_Kuchel_091_copy_e6af1d166b.jpg","https://api.homofaber.com/uploads/1_EDITED_Nathalie_Solene_2025_Thomas_Kuchel_075_copy_ea04b343c6.jpg","https://api.homofaber.com/uploads/5_EDITED_Nathalie_Solene_2_2025_Thomas_Kuchel_023_copy_7edc13a09f.jpg","Solène Rolland-Huckel","solène_rolland-huckel-mixed_media_sculpture-bischwiller","Solène Rolland-Huckel is a jewellery maker and metalworker based in Bischwiller in the Alsace region. At her Atelier de Salem, she combines traditional jewellery and goldsmithing techniques with flame worked glass, lacquer and etching to create objects and jewellery adorned with intricate motifs. Solène dabbled with lampworked glass as a child, and trained at CERFAV, the European Centre for Research and Training in Glass Arts, before moving naturally into metalwork. Trained in jewellery making and dinanderie through Alsace’s Frémaa programme, she masters hammering, embossing and stretching for sculptural pieces. \"My workshop explores materials, techniques and colour in a continual pursuit of experimentation to produce contemporary, poetic and elegant forms,\" explains Solène.",[696],[1159],"France",[812,1161,814,705,708,1162],"Heritage","Under 30",[1164,1165,1166,1167,1168],"Chandeliers byzantin","Le bestiaire minuscule, Microcosme","Coupelle Réminiscence Maya","Serenity 1","La colombe et la fourmis, Trésors",[1170,913,1171,1172,991,826],"Lacquer","Silver","Copper",[1174,830,1175,993,726,832,1176,957,728,833,789],"Candle holder","Dish","Dishware",[733],[736],[696],48.76630236018494,7.857697359448575,"2026-05-06T07:28:35.000+0000","Bischwiller, France","2026-03-19",{"_751":1180,"_752":1181},3329,{"_682":1188,"_31":1189,"_685":1190,"_255":1194,"_378":1195,"_692":1196,"_694":1197,"_697":1198,"_700":1200,"_710":1201,"_716":1207,"_721":1212,"_730":38,"_731":1214,"_734":1215,"_737":1216,"_739":1217,"_741":1218,"_743":1142,"_745":1219,"_747":1184,"_749":1220,"_753":1221},"profile-5292",5292,[1191,1192,1193],"https://api.homofaber.com/uploads/3_Photo_Aldas_Kazlauskas_4_9d12d9e79b.jpg","https://api.homofaber.com/uploads/1_Photo_credit_Kristina_Sereikaite_Tomas_Mikuta_5_0f202ea4e9.jpg","https://api.homofaber.com/uploads/5_15_Spring_is_in_the_Air_Photo_by_Modestas_Ezerskis_96151d05ab.jpg","Severija Inčirauskaitė","severija_inčirauskaitė-mixed_media_sculpture-vilnius","Severija Inčirauskaitė is one of the most renowned contemporary textile artists in Lithuania. Growing up in an artistic family, she continued the path set by her parents, first studying knitwear fashion, followed by textile art. Today, her creative practice unfolds not on a flat surface but in space. Severija makes installation art pieces, working with various ready-made objects, which she decorates using traditional cross-stitch embroidery. Her objects, familiar elements of everyday life, gain new meaning through embroidery, from household buckets and containers to ammunition and helmets. \"My embroidered works explore social, philosophical, and military themes,\" she says. \"I am interested in banality, the hierarchy of the arts, and the divide between professional and amateur art,\" explains Severija.",[696],[1199],"Lithuania",[812,1118,707,895],[1202,1203,1204,1205,1206],"Object from Offside","Morning Trio","Object from Kill for Peace","Object from Sports at Home","Public sculpture",[1208,1209,1210,1211],"Thread","Cotton thread","Yarn","Fibres and textiles",[1213,830,726,832,728,833],"Installation",[733],[736],[696],54.67282517231437,25.31182671874301,"Vilnius, Lithuania",{"_751":1217,"_752":1218},1945,{"_682":1223,"_31":1224,"_685":1225,"_255":1229,"_378":1230,"_692":1231,"_694":1232,"_697":1233,"_700":1235,"_710":1236,"_716":1242,"_721":1247,"_730":38,"_731":1249,"_734":1250,"_737":1251,"_739":1252,"_741":1253,"_743":1094,"_745":1254,"_747":1255,"_749":1256,"_753":1257},"profile-5264",5264,[1226,1227,1228],"https://api.homofaber.com/uploads/3_PORTRAIT_1_Michaela_Pegum_C_Astrid_Mulder_50c8a904e2.jpg","https://api.homofaber.com/uploads/1_EYE_GESTURE_6_Michaela_Pegum_9345f56ecb.jpg","https://api.homofaber.com/uploads/5_OBJECT_3_Michaela_Pegum_C_Matthew_Stanton_db1de737a1.jpg","Michaela Pegum","michaela_pegum-mixed_media_sculpture-preston","Assembled through an intuitive, impromptu language, Michaela Pegum's jewellery and sculptures transmits an energy so strong, it prompts viewers to wonder if they emit sound, continue to grow, or exist as something organic, alive and uncontained. Working with materials such as electroformed velvet, she manipulates amperage, chemicals and metals to allow sediments to accrete over time. Michaela creates forms that may be rigid or porous, smooth and metallic, or bulbous and mineral-like, with organic finishes that range in hue from vibrant to subtle. \"I begin with an idea or instruction and respond instinctively,\" she says, drawing on the same sensibility from her experimental dance background. “It is a conversation based on feelings, with a sense of something being uncovered.\"",[696],[1234],"Australia",[814,706],[1237,1238,1239,1240,1241],"Calls VI","Fallinglight II","Subtle Body V","Unseen I","All is Intimate I",[1243,1172,1244,1245,1246,1211,826],"Velvet","Organza","Silk","Satin",[1248,830,919,832,920,833],"Brooch",[733],[736],[696],-37.73623755042001,145.0334524435748,"Preston, Australia","2026-03-05",{"_751":1252,"_752":1253},1075,{"_682":1259,"_31":1260,"_685":1261,"_255":1265,"_378":1266,"_692":1267,"_694":1268,"_697":1269,"_700":1272,"_710":1273,"_716":1279,"_721":1284,"_730":38,"_731":1285,"_734":1286,"_737":1287,"_739":1288,"_741":1289,"_743":1142,"_745":1290,"_747":1291,"_749":1292,"_753":1293},"profile-5287",5287,[1262,1263,1264],"https://api.homofaber.com/uploads/3_Chris_Soal_HR_10_e59e1d1ae9.jpg","https://api.homofaber.com/uploads/4_Chris_Soal_HR_4_Matt_Slater_copy_e63e04aa4d.jpg","https://api.homofaber.com/uploads/5_Soal_Chris_2024_The_things_that_only_time_will_teach_you_HR_2_Matt_Slater_copy_5456e72057.jpg","Chris Soal","chris_soal-mixed_media_sculpture-cape_town","Chris Soal takes discarded objects and pushes their physical limits to produce tactile illusions that shift with the viewer’s perspective. He first adopted this medium at Wits University, when he fixed a technical problem by mounting a cement bust on rebar steel rods. “I take things that go unnoticed and try to reimagine them as objects of consideration,” Chris explains. He uses sandpaper and beer caps to construct sci-fi forms. He aggregates toothpicks into organic textures that sometimes resemble corals, drawing inspiration from his upbringing on the Eastern Cape coast. Chris rejects mechanical efficiency for a labour-intensive studio process. \"The value lies in the making,\" he says. \"Sometimes, it is worth taking the long road just because it is scenic.\"",[696],[1270,1271],"South Africa","Cape Town",[893,1118,707,708,894,895,773],[1274,1275,1276,1277,1278],"Threshold","Inferno","Critical Mass","Hide","As below so above",[1280,1281,1282,1283,1211,709,914,915],"Bamboo","Birchwood","Concrete","Recycled materials",[830,832,833],[733],[736],[696],-33.9268065587905,18.44273121430823,"Cape Town, South Africa","2026-02-26",{"_751":1288,"_752":1289},3299,{"_682":1295,"_31":1296,"_685":1297,"_255":1301,"_378":1302,"_692":1303,"_694":1304,"_697":1305,"_700":1307,"_710":1308,"_716":1314,"_721":1317,"_730":38,"_731":1319,"_734":1320,"_737":1321,"_739":1322,"_741":1323,"_743":1324,"_745":1325,"_747":1326,"_749":1327,"_753":1328},"profile-5067",5067,[1298,1299,1300],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Euja_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Euja_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Euja_Right2.jpg","Ran Hwang","ran_hwang-multimedia_sculpture-paju-si_gyeonggi-do","From her ornate bird of prey wings to her elaborate crystal tiaras, Ran Hwang's large-scale pieces are constructed with thousands of pins, threads and seemingly countless beads, buttons and crystals. She first studied applied arts in her native South Korea before pursuing fine art at the School of Visual Arts in New York. \"While working at an embroidery company in the fashion district, my attention was caught by cast-off materials, particularly buttons and thread,\" she says. From there, Ran's inventory expanded to other common fashion materials, including compressed mulberry buttons, beads, crystals, mother-of-pearls, nails and thread. Witnessing the tragic September 11 attacks led her to incorporate themes of destruction, human fragility and resilience into her work.",[696],[1306],"South Korea",[],[1309,1310,1311,1312,1313],"Becoming Again, Coming Together","The Secret Sublime","Healing oblivious aqua","Another Freedom_FB","Secret Beauty",[1315,1316,825,1208,813,827,1211],"Beads","Buttons",[829,1318,831,728],"Panel",[733],[736],[696],37.71478907818681,126.6897256524661,"2026-05-06T07:27:48.000+0000","Paju-si, Gyeonggi-do, South Korea","2025-12-18",{"_751":1322,"_752":1323},790,{"_682":1330,"_31":1331,"_685":1332,"_255":1336,"_378":1337,"_692":1338,"_694":1339,"_697":1340,"_700":1341,"_710":1343,"_716":1349,"_721":1353,"_730":49,"_731":1357,"_734":1358,"_737":1359,"_739":1360,"_741":1361,"_743":1324,"_745":1290,"_747":1362,"_749":1363,"_753":1364},"profile-5026",5026,[1333,1334,1335],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EvqR_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EvqR_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EvqR_Right2.jpg","Atang Tshikare","atang_tshikare-multimedia_sculpture-cape_town","Atang Tshikare is a mixed media artist who shares the legacies of Bantu culture through his work. “I see value where others see objects. I turn tools into bridges, spaces into rituals, and every project into a conversation about belonging, beauty and becoming,” he says. Having studied graphic design before moving into graffiti, surface design, furniture design and art, Atang learned skills in several African countries, each a master of their craft. In his studio today, he uses soil, bronze and woodwork to create handmade objects that convey a narrative. \"What I love most about my craft is being able to reawaken, preserve and globalise Bantu philosophy and craftmanship through contemporary design and cultural storytelling,\" he explains. From ether to drawing, words to sculpture, or idea to audio, Atang's creative process has become his way of life. \"The toughest part of my practice is dispelling myths about African creativity, skill and quality.\"",[696],[1270,1271],[1116,943,705,1342],"Traditions",[1344,1345,1346,1347,1348],"Mollo oa Leifo (Mme)","Kepisi","Diatla","Metsing","Tau-Tau",[1350,1315,719,1351,822,709,1352,813,826],"Grass","Cast Glass","Botanical",[784,1354,830,1355,787,1356,832,959,729,920,833],"Hat","Side table","Accessories",[733],[736],[696],-33.92624111539504,18.44779959630135,"2025-12-11",{"_751":1360,"_752":1361},4436,{"_682":1366,"_31":1367,"_685":1368,"_255":1372,"_378":1373,"_692":1374,"_694":1375,"_697":1376,"_700":1377,"_710":1379,"_716":1380,"_721":1381,"_730":38,"_731":1382,"_734":1383,"_737":1384,"_739":1385,"_741":1386,"_743":1387,"_745":1290,"_747":1362,"_749":1388,"_753":1389},"profile-5106",5106,[1369,1370,1371],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ey2i_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ey2i_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ey2i_Right2.jpg","Reticence Studio","reticence_studio-multimedia_sculpture-cape_town","Driaan Claassen founded Reticence Studio in 2015, where he and his team create sculptural objects using a wide range of materials, including steel, wood and ceramic. Building on a childhood fascination and appreciation for materiality and making, Driaan develops innovative processes from scratch. This allows for a deep understanding of the nuances, constraints, tolerances and breadth of a material or technique’s ability and expression.",[696],[1270,1271],[1378,1118,709],"Atelier",[],[],[],[1378],[736],[696],-33.92734062920835,18.45284686746562,"2026-05-06T07:31:36.000+0000",{"_751":1385,"_752":1386},3031,{"_682":1391,"_31":1392,"_685":1393,"_255":1397,"_378":1398,"_692":1399,"_694":1400,"_697":1401,"_700":1402,"_710":1403,"_716":1408,"_721":1412,"_730":38,"_731":1413,"_734":1414,"_737":1415,"_739":1416,"_741":1417,"_743":1142,"_745":1290,"_747":1362,"_749":1418,"_753":1419},"profile-5018",5018,[1394,1395,1396],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Eznc_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Eznc_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Eznc_Right2.jpg","Ledelle Moe","ledelle_moe-multimedia_sculpture-cape_town","Ledelle Moe builds hollow monoliths using materials such as clay, cement, steel and chicken wire, and standard tools such as a handheld welding machine, a hammer and a spanner. The processes behind her creations are complex and ever evolving. \"I begin with a small, unfired clay sketch,\" she explains. Alongside this 3D mock-up, she makes a mould and adds expanding foam to map the contours and dimensions of the shape. From bent steel and chicken wire she then builds a scaled-up armature of this shape, and drapes cement over the framework. \"This acts as a sort of skin,\" says Ledelle. Texture and markmaking are applied to the cement skin, and the final form is assembled out of individual pieces. \"This process of breaking down and building up allows me to create the illusion of a solid mass,\" she says.",[696],[1270,1271],[812,893,705,894],[1404,1405,1406,1407],"Congregation","Memorial","Untitled (clay model)","Erosion",[1282,1409,1410,1411,914,826,720],"Gold Leaf","Steel","Clay",[829,830,831,832,728,833],[733],[736],[696],-33.9264326689706,18.4452178069493,{"_751":1416,"_752":1417},1276,{"_682":1421,"_31":1422,"_685":1423,"_255":1427,"_378":1428,"_692":1429,"_694":1430,"_697":1431,"_700":1432,"_710":1433,"_716":1439,"_721":1444,"_730":38,"_731":1446,"_734":1447,"_737":1448,"_739":1449,"_741":1450,"_743":1142,"_745":1451,"_747":1452,"_749":1453,"_753":1454},"profile-4954",4954,[1424,1425,1426],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EzuF_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EzuF_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EzuF_Right2.jpg","Elissa Lacoste","elissa_lacoste-multimedia_sculpture-étang-sur-arroux","Elissa Lacoste experiments with art, craftsmanship and collectible design. She creates lights, tables, mirrors and objects that are characteristically textured, organic and sculptural. \"My pieces sway between the representational and the otherworldly, but still retain their functionality. They challenge perception and often blur boundaries,\" Elissa says. She tends to work with minerals, pigments, as well as stones and gypsum, but never feels bound to them. Elissa often sources these materials in nature and at charity shops, finding metal scraps, glass and other parts to use in her sculptures. \"My approach is instinctive, inexplicable, even. Once I master a technique, I experiment to create my own new recipes, often with new materials,\" she explains. Elissa is currently experimenting with the pâte de verre technique.",[696],[1159],[703,705,772,707,895],[1434,1435,1436,1437,1438],"Opus Vermiculatum cupid side table","Bronze Mirror","Epimorph side table","Pisoliths, coffee table","Cymbalaria Muralis wall tray and mirror",[1440,1410,1441,1442,785,907,1443,826,827,915,813],"Aluminium","Stone","Fiberglass","Acrylic resin",[1355,785,1445,917,959,788,831,729,728],"Coffee table",[733],[736],[696],46.87791954700133,4.184360368248712,"Étang-sur-Arroux, France","2025-12-04",{"_751":1449,"_752":1450},2393,{"_682":1456,"_31":1457,"_685":1458,"_255":1462,"_378":1463,"_692":1464,"_694":1465,"_697":1466,"_700":1468,"_710":1469,"_716":1475,"_721":1479,"_730":38,"_731":1480,"_734":1481,"_737":1482,"_739":1483,"_741":1484,"_743":1485,"_745":1486,"_747":1487,"_749":1488,"_753":1489},"profile-4846",4846,[1459,1460,1461],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Extx_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Extx_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Extx_Right2.jpg","Laura Blake","laura_blake-multimedia_sculpture-dals_långed","Laura Blake is a multimedia artist who likes to work with recycled wood and textiles. She has a master of fine arts in textile body space from the University of Gothenburg in Sweden. \"In my journey towards my craft practice, I was greatly influenced by my mother who was a self-taught seamstress. She used to make clothes for the whole family,\" she explains. Laura approaches choosing her materials with great respect for the nature that surrounds her. Her studio is based near many papermakers and wood furniture makers, and Laura collects unwanted cotton and wood. \"I dye my own textiles and make a priority not to use chemicals in this process,\" says Laura. She worked in collaboration with woodworker Álvaro Aramburu for several projects, finding great inspiration in how different crafts collide.",[696],[1467],"Sweden",[1116,1161,705,707,895,709,709],[1470,1471,1472,1473,1474],"Blomma","Fester","Endless Sky","Microcosm","Let it flow",[1476,1281,1477,719,1209,1246,1478,1211,709,915],"Cotton","Perspex","Pine wood",[830,829,832,831,833,728],[733],[736],[696],58.92219,12.30988,"2026-05-06T07:31:26.000+0000","Dals Långed, Sweden","2025-11-13",{"_751":1483,"_752":1484},5624,{"_682":1491,"_31":1492,"_685":1493,"_255":1497,"_378":1498,"_692":1499,"_694":1500,"_697":1501,"_700":1502,"_710":1503,"_716":1507,"_721":1512,"_730":38,"_731":1515,"_734":1516,"_737":1517,"_739":1518,"_741":1519,"_743":1142,"_745":1520,"_747":1521,"_749":1522,"_753":1523},"profile-4847",4847,[1494,1495,1496],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ezu9_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ezu9_Right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ezu9_Right2.jpg","Tadeas Podracky","tadeas_podracky-multimedia_sculpture-prague","Tadeas Podracky’s creative path spans graphic design, glass art, and wood sculpting. He pursued a master’s degree in glass at the Academy of Arts Architecture and Design in Prague (UMPRUM) and in contextual design at Design Academy Eindhoven. He further trained with internships at the Academy of Fine Arts in Prague and at the School of Visual Arts in New York, as well as through residencies on glass at Wheaton Arts in New Jersey, through researching traditional Chinese crafts in Hangzhou, working with traditional Venetian mirror craftspeople in Venice, and further glass studies at Schloss Hollenegg in Austria. Most recently, Tadeas went on a teaching fellowship in Hong Kong. “The multi-faceted people and diverse environments, especially during residencies, shape my practice year after year,” he remarks. \"I advise aspiring artists at UMPRUM to work hard, stay curious, and try different methods and environments to develop their unique voice.\"",[696],[],[813,771,705,894,709,709],[1504,1505,1506],"The Bloom of Bones","Morana","Risen from the Ashes",[785,719,1508,1509,1510,1511,813,709],"Spruce wood","Ash wood","Walnut wood","Crystal glass",[785,784,1513,1514,788,787,959,729,960],"Table","Light",[733],[736],[696],50.0759309404599,14.44645088170307,"Prague, Czech Republic","2025-10-30",{"_751":1518,"_752":1519},4393,{"_682":1525,"_31":1526,"_685":1527,"_255":1531,"_378":1532,"_692":1533,"_694":1534,"_697":1535,"_700":1536,"_710":1537,"_716":1543,"_721":1546,"_730":49,"_731":1547,"_734":1548,"_737":1549,"_739":1550,"_741":1551,"_743":1552,"_745":1553,"_747":1554,"_749":1555,"_753":1556},"profile-3680",3680,[1528,1529,1530],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Exmd_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Exmd_Right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Exmd_Right2.jpg","Vic Wright","vic_wright-multimedia_sculpture-stockport","Vic Wright’s sculptures emerge from joining together cement-cast forms in contrasting materials. She finds inspiration by riffling through the library of shapes, materials and colours she has built up over years, in which she records outcomes of her experimentation with cement. Growing up in northwest England, Vic was surrounded by creativity through her mother, a fine arts tutor, and was able to explore art with experimental materials. She studied painting and sculpture, then worked in and around London for 20 years. Vic rekindled her sculpture practice after moving back to the north of England in 2017, where she now works from her home studio near Manchester. “I am inspired by echoes of the natural world, with its colour, form and inherent beauty,” she says.",[696],[1079],[705,706,856],[1538,1539,1540,1541,1542],"Fleck","Truss II","Stilt","Block","Banded",[1544,1545,914,826],"Cement","Iron",[830,832,833],[733],[736],[696],53.4,-2.2,"2026-04-22T14:16:00.000+0000","Stockport, United Kingdom","2025-10-23",{"_751":1550,"_752":1551},1435,{"_682":1558,"_31":1559,"_685":1560,"_255":1564,"_378":1565,"_692":1566,"_694":1567,"_697":1568,"_700":1570,"_710":1573,"_716":1579,"_721":1584,"_730":38,"_731":1585,"_734":1586,"_737":1587,"_739":1588,"_741":1589,"_743":1387,"_745":1590,"_747":1591,"_749":1592,"_753":1593},"profile-4117",4117,[1561,1562,1563],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ey3N_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ey3N_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ey3N_Right2.jpg","Berndt Schweizer & Irene Orecher","berndt_schweizer_irene_orecher-multimedia_sculpture-peissenberg","Blacksmith Berndt Schweizer and mosaic maker Irene Orecher have lived and worked together since 2006. They combine their passions to create unique metal and mosaic artworks. At 18, Berndt studied metalworking at the Aachen University of Applied Sciences. “I owe my practice to my professor, Fritz Ulrich, who took me under his wing because he believed in my talent,” he says. In his mid-20s, Berndt opened his own workshop in an abandoned cement factory in Peißenberg, where he still works to this day. Irene, who works with ancient mosaic techniques and materials, works with Berndt on numerous renovation and creative projects. \"Although my true passion lies in sculpture, I create pieces from special cement, adorn them with mosaics and develop their colour schemes using natural pigments,\" Irene says. She is also highly skilled in traditional floor-laying techniques. \"What unites us is our independence from contemporary art trends and our commitment to craftsmanship as the foundation of artistic expression,\" the duo says.",[696],[1569],"Germany",[1116,812,1571,1572,856],"Creative duos","Partners in craft",[1574,1575,1576,1577,1578],"Grave cross","Crane","Wind chime butterflies 2","Butterfly wind chime 1","GETRAGEN",[813,1580,822,1581,913,1582,1583,826,1410],"Murano glass","Silver leaf","Stainless steel","Titanium",[830,832,833],[733],[736],[696],47.79374,11.058514,"Peißenberg, Germany","2025-09-18",{"_751":1588,"_752":1589},1861,{"_682":1595,"_31":1596,"_685":1597,"_255":1601,"_378":1602,"_692":1603,"_694":1604,"_697":1605,"_700":1608,"_710":1612,"_716":1618,"_721":1626,"_730":49,"_731":1627,"_734":1628,"_737":1629,"_739":1630,"_741":1631,"_743":1142,"_745":1632,"_747":1633,"_749":1634,"_753":1635},"profile-4833",4833,[1598,1599,1600],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000F06I_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000F06I_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000F06I_Right2.jpg","Nati Rodríguez","nati_rodríguez-multimedia_sculpture-jaén","Nati Rodríguez creates unique sculptures with a wide variety of biodegradable materials. Although she was trained in millinery and contemporary jewellery, her curiosity led her to researching new materials and creating unique objects. “It is necessary and urgent to find solutions to the huge problem we have with the waste we produce. In contemporary craft, I seek answers through research, experimentation and emotional and conceptual design,” Nati says. She opened her workshop in 2005 as a laboratory for research and the pursuit of new languages of expression. There, Nati studies the dialogue between materials and techniques, from ceramics, metal, textiles, leather, esparto grass and polymers, to new technologies such as 3D printing. She created the Biomateria project, and worked on a series of biomaterial flowers that reinterpret the embroidery of Manila shawls for the Carmen collection by designer Leandro Cano.",[696],[1606,1607],"Spain","Andalusia: navigating the creative heart of the region",[1115,1609,812,1610,1611,705,1016,707,944,895,170,665],"Eco-innovation","Digital tools","Innovation",[1613,1614,1615,1616,1617],"Untitled 3","Untitled 5","Untitled 4","Sea of Jeans","Untitled 2",[1619,1620,1621,1622,1623,1624,1625,870,781,915,709,914,1211],"Eggshell","paper","Synthetic materials","Sawdust","Olivewood","Pigments","Denim",[830,832,833],[733],[736],[696],37.7734,-3.7941,"Jaén, Spain","2025-09-11",{"_751":1630,"_752":1631},2637,{"_682":1637,"_31":1638,"_685":1639,"_255":1642,"_378":1643,"_692":1644,"_694":1645,"_697":1646,"_700":1647,"_710":1648,"_716":1654,"_721":1661,"_730":38,"_731":1662,"_734":1663,"_737":1664,"_739":1665,"_741":1666,"_743":1667,"_745":1668,"_747":1669,"_749":1670,"_753":1671},"profile-107",107,[1640,1641],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/3)Portrait1_©Maxime-Chanet.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/1)Making-of-Beehave_Marlene-Huissoud_Sir-Ian-Blatchford-(Science-Museum)_AHEC_(Petr-Krejci)-(1).jpg","Marlène Huissoud","marlène_huissoud-multimedia_sculpture-nangy","“I like not to define my practice too much, to keep the doors open for exploring new territories,\" states Marlène Huissoud, who defines herself as a mix between a craftswoman, an artist, and a designer. \"I deeply embrace my 'strangeness’”, she adds. Since the mid-2010s, Marlène has been developing a distinctive practice in which techniques from many disciplines converge. She draws on natural materials that she sources herself, particularly insect-derived materials from the common honeybee or Indian silkworm. Whether through marquetry, ceramics or glasswork, Marlène revisits these crafts with a fresh perspective, adapting the techniques to organic matter. From furniture to abstract sculptures and installations, Marlène's work delves deeply into both form and material.",[696],[1159],[1609,943,1611,707],[1649,1650,1651,1652,1653],"The Beehave","Sworm","The Chair, Please Stand By","Mama","From Insects",[1655,1656,719,1624,1411,1657,865,1658,1659,915,709,914,720,1352,826,1660],"Bio resin","Oak wood","Straw","Wax","Ash","Natural essences",[830,832,833],[733],[736],[696],46.1,6.3,"2026-05-06T07:26:42.000+0000","Nangy, France","2025-09-04",{"_751":1665,"_752":1666},4218,{"_682":1673,"_31":1674,"_685":1675,"_255":1679,"_378":1680,"_692":1681,"_694":1682,"_697":1683,"_700":1684,"_710":1685,"_716":1691,"_721":1695,"_730":38,"_731":1696,"_734":1697,"_737":1698,"_739":1699,"_741":1700,"_743":1701,"_745":1702,"_747":1703,"_749":1704,"_753":1705},"profile-1725",1725,[1676,1677,1678],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/3)ARTISAN6_José-Francisco-Blaso_©Alfonso-Sarabia.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/1)PROCESS1_Jose-Francisco-Blaso_©Alfonso-Sarabia.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/5)PROCESS18_Jose-Francisco-Blaso_©Alfonso-Sarabia.jpg","José Francisco Blasco Rivero","josé_francisco_blasco_rivero-multimedia_sculpture-gines","José Francisco Blasco Rivero’s works are driven by his keen eye for the subtleties of expression. His high sensitivity to soft forms adds a soothing quality to his religious art and sets his work apart. José Francisco majored in sculpture and graduated with honours from School of Arts of Seville at the age of 21. He received an honorary diploma from the Academy of Santa Isabel of Hungary in Seville. Most of his works have been commissioned by and devoted to brotherhoods. \"Although tradition holds a strong place in my life, I am now venturing into traditional non-clerical sculpture. I am surprised that these works have found resonance abroad – they are opening new artistic avenues for me,\" José Francisco says. His works received the best sculpture awards from the Paris Press Exhibition and the French Academic Society of Arts, Sciences and Literature in Paris.",[696],[1606],[],[1686,1687,1688,1689,1690],"Taint","Deadpool","Ecce Homo","Pharaoh","Virgin of the Sorrows",[1692,1693,1411,1694,1409,1478,914,720,709,826],"Oil paint","Stucco","Cedar wood",[830,832,833],[733],[736],[696],37.38492,-6.0812,"2026-05-06T07:28:45.000+0000","Gines, Spain","2025-08-21",{"_751":1699,"_752":1700},2600,{"_682":1707,"_31":1708,"_685":1709,"_255":1713,"_378":1714,"_692":1715,"_694":1716,"_697":1717,"_700":1719,"_710":1720,"_716":1726,"_721":1736,"_730":38,"_731":1737,"_734":1738,"_737":1739,"_739":1740,"_741":1741,"_743":1182,"_745":1742,"_747":1743,"_749":1744,"_753":1745},"profile-1387",1387,[1710,1711,1712],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003aOj4AI-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003aQL4AY-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003aVB4AY-right2.jpg","Joseph Arzoumanov-Dhedin","joseph-dhedin-oyj6nv","Joseph Arzoumanov-Dhedin is a multi-disciplinary artist who creates dazzling figurines and sculptures with silversmithing techniques and embroidery. He uses new technologies such as 3D modelling and printing to support his traditional craftsmanship. \"I hope to bridge the gap between younger generations and traditional crafts,\" he explains. Ever since Joseph was a child, he has collected and assembled materials. \"My statuettes are steeped in symbols and emotions. I explore and create worlds I dream of discovering,\" Joseph says. His work is both intricate and labour-intensive, with some works requiring over 500 hours to reach completion. He employs a multitude of techniques, from preparing waxes and embroidering, to sculpting gems, pearls and metals, chasing and setting, or achieving patinas on bronze and silver. One of the rings Joseph made in 2025 includes parts of a piano, set with 88 diamonds, which represent the number of piano keys.",[696],[1159,1718],"Paris",[1610,183,814,705,1162],[1721,1722,1723,1724,1725],"The Date Basket","The Mausoleum","The Violinist","The Storyteller","The Child",[1727,822,866,1728,1729,720,1411,1476,1730,1172,1731,719,1732,869,1733,1734,912,1735,1352,826,914,1211,827,709],"Leaves","Sterling silver","India ink","18 carat gold","Semi-precious stones","Ruby","Silk thread","Gold thread","Emerald",[830,1213,1057,832,726,833,728],[733],[736],[696],48.8429,2.28898,"Paris, France","2025-08-08",{"_751":1740,"_752":1741},2985,{"_682":1747,"_31":1748,"_685":1749,"_255":1753,"_378":1754,"_692":1755,"_694":1756,"_697":1757,"_700":1759,"_710":1760,"_716":1766,"_721":1770,"_730":38,"_731":1771,"_734":1772,"_737":1773,"_739":1774,"_741":1775,"_743":1776,"_745":1777,"_747":1778,"_749":1779,"_753":1780},"profile-1068",1068,[1750,1751,1752],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003QsP4AU-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003Qu14AE-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003Qyr4AE-right2.jpg","Cedric Laquieze","cedric-laquieze-wv5b76","From an early age, sculpting became Cedric Laquieze’s language of expression. As a child, he crafted his own toys from clay, and it was those early creations that secured him a place at the Rietveld Academy. Originally from Los Angeles, Cedric spent a decade in Paris and is now based in Zaandam. This is where he dedicates hours in his studio to make surrealist pieces that ingeniously blend his passion for the natural world with endless fantasy. Working with materials like ethically sourced insects, Cedric’s art is a fusion of organic beauty with design, fashion and sculpture. His detailed craftsmanship is reflected in a series that includes an impressive collection of ethereal fairy sculptures, floral taxidermy and ancient deity busts made with colourful glass beads.",[696],[1758],"Netherlands",[1116,769,812,183,771,705,772,707,773,856],[1761,1762,1763,1764,1765],"Purple fairy","Albedo","Fairy","Pink fairy","Blue fairy",[864,868,1767,904,1409,1768,719,1769,870,826,915,709,1352],"Pheasant feathers","Acrylic","Seeds",[830,832,833],[733],[736],[696],52.4,4.9,"2026-05-01T09:25:58.000+0000","Zaandam, Netherlands","2025-07-03",{"_751":1774,"_752":1775},1744,{"_682":1782,"_31":1783,"_685":1784,"_255":1788,"_378":1789,"_692":1790,"_694":1791,"_697":1792,"_700":1793,"_710":1794,"_716":1800,"_721":1803,"_730":38,"_731":1806,"_734":1807,"_737":1808,"_739":1809,"_741":1810,"_743":1182,"_745":1811,"_747":1812,"_749":1813,"_753":1814},"profile-1394",1394,[1785,1786,1787],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003Irh4AE-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003Ird4AE-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003Irg4AE-right2.jpg","Aurélien Veyrat","aurelien-veyrat-gtqxir","Aurélien Veyrat, a cabinetmaker by training, developed his creative skills by taking up further studies in design and decorative arts. He opened his studio in 2007, and has since collaborated on prestigious projects with Mobilier National and Jean Nouvel. His interest in the endless possibilities of making, along with his inventiveness and research led him to specialise in producing sculptures and installations. Aurélien found in bricks the material he was looking for. \"Thanks to bricks, I can bring my vision to life, and create a bridge between past and present, made from earth, but on an industrial scale,\" he explains. Today, he works with discarded materials above all, as they are available to be transformed and given new life, reflecting his ethos around circularity and sustainability in craftsmanship.",[696],[1159],[1116,702,705,707,895],[1795,1796,1797,1798,1799],"Objet résiduel OR_03","« Objet résiduel » OR_03","[aglɔmeʀa] Furniture AGF_01","Fragment","Brick Disk BD_A_2024",[1801,1283,1802,720,915,914],"Refractory brick","Plaster",[830,1804,829,832,1805,831,833,729,728],"Cabinet","Storage furniture",[733],[736],[696],50.63505,3.02317,"Lille, France","2025-06-12",{"_751":1809,"_752":1810},4975,{"_682":1816,"_31":1817,"_685":1818,"_255":1822,"_378":1823,"_692":1824,"_694":1825,"_697":1826,"_700":1827,"_710":1828,"_716":1834,"_721":1836,"_730":38,"_731":1837,"_734":1838,"_737":1839,"_739":1840,"_741":1841,"_743":1667,"_745":1842,"_747":1843,"_749":1844,"_753":1845},"profile-126",126,[1819,1820,1821],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003EmT4AU-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003EmP4AU-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003EmS4AU-right2.jpg","Samuel Latour","samuel-latour-hwrqhb","Samuel Latour discovered the art of woodturning at the age of 16 and was quickly captivated by the potential of this craft, so centred around the tool. He trained for five years at the École Boulle, refining his skills while also studying bronze chiselling. “I have always wanted to work with sculpture. Learning bronze chiselling opened the door to working in art foundries and collaborating with designers and sculptors,” he explains. Since 2016, he and his partner, metalworker Laura Demichelis, have been running their own workshop in Toulouse. Whether working with wood, plaster, bronze, or steel, Samuel's practice starts with the material itself and explores the distinct techniques each material calls for. He approaches sculpting with an abstract view, studying how lines interact to convey emotion.",[696],[1159],[1116,705,709],[1829,1830,1831,1832,1833],"Eclat","Point Virgule","Collision","Drôlerie 1","Eclipse",[822,1171,709,719,1835,1510,720,826],"Sipo wood",[830,832,833],[733],[736],[696],43.82662,1.72779,"Rabastens, France","2025-05-22",{"_751":1840,"_752":1841},5455,{"_682":1847,"_31":1848,"_685":1849,"_255":1853,"_378":1854,"_692":1855,"_694":1856,"_697":1857,"_700":1858,"_710":1860,"_716":1866,"_721":1871,"_730":38,"_731":1872,"_734":1873,"_737":1874,"_739":1875,"_741":1876,"_743":1667,"_745":1877,"_747":1878,"_749":1879,"_753":1880},"profile-134",134,[1850,1851,1852],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000039TQ4AY-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000039TO4AY-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000039TP4AY-right2.jpg","Katia Terpigoreva","katia-terpigoreva-haub5o","For Katia Terpigoreva, becoming an artist was not an option in Post-Soviet Russia, so although it had been her dream to do so, she worked as a journalist in design and architecture instead. When she moved to France in 2010, everything changed. With a garden and plenty of raw materials at her disposal, Katia had a sudden burst of creativity, fuelled by the encounter with master ceramicist Thierry Breuvart, who taught her to make porcelain. Over time, Katia evolved her practice into a multimedia artform by combining different crafts and materials to create sculptures, installations and jewellery pieces, in which porcelain intertwines with knitted fibres. “Porcelain alone may look static and icy. In order to make it fluid, lively and vibrant, I have become an embroiderer, knitter and tapestry-maker, too,” explains Katia.",[696],[1159],[702,1859,705,706],"Mentored",[1861,1862,1863,1864,1865],"Quantum principle I","Garoé","Tambourine of Iemanjá","Essential II","Wild Relic",[1867,1868,1869,865,779,1870,719,720,1211,826,709],"Limoges porcelain","Linen thread","Canvas","Metal wire",[830,832,833],[733],[736],[696],44.4,1.9,"La Capelle-Balaguier, France","2025-05-08",{"_751":1875,"_752":1876},4298,{"_682":1882,"_31":1883,"_685":1884,"_255":1888,"_378":1889,"_692":1890,"_694":1891,"_697":1892,"_700":1894,"_710":1895,"_716":1901,"_721":1903,"_730":38,"_731":1904,"_734":1905,"_737":1906,"_739":1907,"_741":1908,"_743":1909,"_745":1910,"_747":1911,"_749":1912,"_753":1913},"profile-2876",2876,[1885,1886,1887],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000036XB4AY-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000036X74AI-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000036XA4AY-right2.jpg","Alice Crepaldi","alice-crepaldi-n2avnc","Alice Crepaldi is a multidisciplinary artist whose creative interpterion is rooted in functional art, sculpture and furniture design. A graduate of Central Saint Martins in London, her industrial design background allows her to integrate sculptural characteristics into functional everyday objects. Alice’s vision is fueled by her fascination with human movement and nature, elements that inspire the unconventional and organic forms of her creations. Using metal and Murano glass together, she aims to elevate traditional techniques by adding a refined contemporary touch. Her work has been featured in multiple international publications such as Il Giorno, Elle Decor, Design Wanted, Collateral Magazine, and Stir World Magazine.",[696],[1893],"Italy",[943,813,705,1162],[1896,1897,1898,1899,1900],"Mr. Joe console table top","Embryo","Harmony in Motion","Babà vase","Mr. Joe console table base",[1902,1410,1545,813,826],"Fused-glass",[1445,830,725,959,832,726,729,833,728],[733],[736],[696],45.69378,9.28708,"2026-05-06T07:30:21.000+0000","Besana In Brianza, Italy","2025-05-01",{"_751":1907,"_752":1908},454,{"_682":1915,"_31":1916,"_685":1917,"_255":1921,"_378":1922,"_692":1923,"_694":1924,"_697":1925,"_700":1927,"_710":1928,"_716":1934,"_721":1938,"_730":38,"_731":1939,"_734":1940,"_737":1941,"_739":1942,"_741":1943,"_743":1909,"_745":1944,"_747":1945,"_749":1946,"_753":1947},"profile-2871",2871,[1918,1919,1920],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002sxF4AQ-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002sxB4AQ-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002sxE4AQ-right2.jpg","Massimiliano Guerrisi","massimiliano-guerrisi-yh7pwg","A globetrotter by vocation, Massimiliano Guerrisi lived many lives in the name of continuous transformation. Born in Florence, initially a film operator, he lived in Argentina, Brazil and then Australia. For 10 years he had a fruit tree farm there that was completely destroyed by the fires of 2019. Sculpture came as the healing therapy that saved him after losing everything. Self-taught and intuitive, Massimiliano's technique is atypical, and personal. Back in Florence, he opened his sculptor’s atelier in Santo Spirito, where he works with different materials, mediating between the themes of the past, such as the great classical myths, and modernity. “Our responsibility is to go beyond what has been handed down to us,” he says.",[696],[1893,1926],"Florence",[705,706,944,709],[1929,1930,1931,1932,1933],"Putti crystal lamp","Rising","Venere","Florentine Putti","Migration",[1409,1087,1935,822,1936,1937,719,826,827,915,709],"Quartz","Amethyst","LED",[830,832,833],[733],[736],[696],43.7655,11.2477,"Florence, Italy","2025-03-20",{"_751":1942,"_752":1943},5476,{"_682":1949,"_31":1950,"_685":1951,"_255":1955,"_378":1956,"_692":1957,"_694":1958,"_697":1959,"_700":1960,"_710":1961,"_716":1967,"_721":1976,"_730":38,"_731":1977,"_734":1978,"_737":1979,"_739":1980,"_741":1981,"_743":1982,"_745":1983,"_747":1984,"_749":1985,"_753":1986},"profile-3645",3645,[1952,1953,1954],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002miA4AQ-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002mi64AA-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002mi94AA-right2.jpg","Helen Pailing","helen-pailing-0cwgrn","Helen Pailing is a multidisciplinary creative artisan whose work celebrates the tactile, experimental, and playful possibilities of materials. Completing a PhD in Recrafting Waste, Helen explores haptic knowledge and the value inherent in every scrap, challenging the notion of what is waste. Her approach is rooted in formative childhood experiences with her family who fostered a deep appreciation for craftsmanship and materiality. Trained in textiles, Helen has expanded her skills to include spinning, weaving, cordage making, and, most recently, glass lampworking. Her work is a collaboration between maker and matter. Helen’s large scale site-specific works reconfigure, reassemble and re-organise matter in spaces, in direct response to the location.",[696],[1079],[1609,812,704,705,707,856],[1962,1963,1964,1965,1966],"Vibrant Matter","Lament","Growth Collection","Catalyst 2","Brooch 1",[1902,1968,1969,1970,1971,1972,1973,1172,1410,1974,1937,1975,813,915,826,781,709,1352,1211],"Acrylic paint","Copper wire","Cardboard","Foam","Soot","Plants","Wool","Padauk wood",[1213,830,726,832,728,833],[733],[736],[696],55.01102,-1.43945,"2026-05-01T09:27:55.000+0000","North Shields, United Kingdom","2025-02-27",{"_751":1980,"_752":1981},2157,{"_682":1988,"_31":1989,"_685":1990,"_255":1994,"_378":1995,"_692":1996,"_694":1997,"_697":1998,"_700":2001,"_710":2002,"_716":2008,"_721":2010,"_730":38,"_731":2011,"_734":2012,"_737":2013,"_739":2014,"_741":2015,"_743":2016,"_745":2017,"_747":2018,"_749":2019,"_753":2020},"profile-4529",4529,[1991,1992,1993],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002h7N4AQ-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002h7J4AQ-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002h7M4AQ-right2.jpg","Emrah Sonad","emrah-sonad-jkk7t7","Acting, set and costume design for the theatre and his own mother’s ceramic art were the active elements in Emrah Sonad’s path to becoming a sculptor. He clearly remembers the moment at which his own artistic journey began to unfold, as he worked with raku firing on ceramics. “This firing process, which is highly unpredictable in its final stage, greatly impressed me. Being completely involved in every stage of the work was immensely satisfying,” he recalls. In 2008, Emrah founded his own workshop, Talya Art, Sculpture and Design Studio, where he created his most notable project: Turkey's first deep-sea sculpture park, aiming to draw attention to underwater tourism in Antalya. In his recent works, Emrah has turned to metal, perfecting the application technique of this new material at the highest possible level to create unique artistic sculpture design. “I believe art should be designed not to overpower or obliterate the material itself, but to fully harness its potential,” he says.",[696],[1999,2000],"Türkiye","Antalya",[1115,1116,705],[2003,2004,2005,2006,2007],"The Sun Disk","Fertility Goddess","Phoenix","The Moon Disk","Ouroboros",[2009,826],"Recycled metal",[830,832,833],[733],[736],[696],36.91925,30.68804,"2026-05-06T07:31:53.000+0000","Antalya, Türkiye","2025-02-06",{"_751":2014,"_752":2015},5117,{"_682":2022,"_31":2023,"_685":2024,"_255":2028,"_378":2029,"_692":2030,"_694":2031,"_697":2032,"_700":2035,"_710":2036,"_716":2041,"_721":2044,"_730":38,"_731":2045,"_734":2046,"_737":2047,"_739":2048,"_741":2049,"_743":1485,"_745":2050,"_747":2051,"_749":2052,"_753":2053},"profile-3901",3901,[2025,2026,2027],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002bI14AI-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002bJd4AI-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002bOT4AY-right2.jpg","Zuzanna Spaltabaka & Igor Jansen","zuzanna-spaltabaka--igor-jansen-oxuzys","Zuzanna Spaltabaka and Igor Jansen prefer to not limit their creativity to one realm of craft. Their objects incorporate techniques and approaches typically associated with one craft into another, and combine different materials to achieve novel outcomes. The duo started creating together in 2022 after Igor helped Zuzanna with her master's thesis at the Academy of Fine Arts in Warsaw, which was focused on reinventing traditional craft approaches. Their works embody both practical considerations and artistic expression and explore the boundaries between utility and aesthetics. Igor and Zuzanna's making process usually includes new-generation techniques such as CNC machining, laser cutting, and 3D printing. In parallel to this, they have a deep appreciation for simple, traditional materials and hands-on craftsmanship.",[696],[2033,2034],"Poland","Warsaw",[943,812,1610,1571,703,183],[2037,2038,2039,2040],"Coffee Table 00","Cabinet 01","Fragile objects","Candelabra – Cybersigilism series",[1410,1509,2042,813,913,2043,718,779,1658,826,709,720,1660],"Veneer","Carbon steel",[1445,1804,723,1174,959,1805,726,729,728],[733],[736],[696],52.2422271305927,21.0168318843212,"Warsaw, Poland","2025-01-16",{"_751":2048,"_752":2049},3044,{"_682":2055,"_31":2056,"_685":2057,"_255":2060,"_378":2061,"_692":2062,"_694":2063,"_697":2064,"_700":2065,"_710":2066,"_716":2072,"_721":2077,"_730":38,"_731":2079,"_734":2080,"_737":2081,"_739":2082,"_741":2083,"_743":1667,"_745":2084,"_747":2085,"_749":2086,"_753":2087},"profile-128",128,[2058,2059],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002QjE4AU-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002QjC4AU-left1.jpg","Rozenn Alapetite","homofaber-aqphqf","Rozenn Alapetite crafts innovative works of contemporary decorative art that combine sculpture and mosaic. Born in Paris, Rozenn grew up in the French countryside, where she became adept in the tools and techniques of woodworking, carpentry, metalwork and mechanics by observing her father and grandfather. After studying applied arts and teaching, Rozenn tried out woodworking and artisanal cutlery making before working with the mosaicist Christine Dalibert as an apprentice and collaborator. Over years of experimentation, Rozenn developed her own style and methods to create unique mosaic sculptures. Her work is frequently exhibited in Paris, Albi and across France. She also offers regular workshops and classes in traditional and new mosaic techniques.",[696],[1159],[1116,812,893,1859,705,894],[2067,2068,2069,2070,2071],"Flow","Memory","Torn","Feuillages","Blue Note",[1544,1802,813,719,2073,2074,2075,2076,865,914,709,827,915,826],"Slate","Wedi","Dye","Paint",[2078,830,957,832,833],"Mosaic",[733],[736],[696],43.9376,2.13825,"Albi, France","2024-12-19",{"_751":2082,"_752":2083},5468,{"_682":2089,"_31":2090,"_685":2091,"_255":2095,"_378":2096,"_692":2097,"_694":2098,"_697":2099,"_700":2102,"_710":2103,"_716":2109,"_721":2112,"_730":38,"_731":2118,"_734":2119,"_737":2120,"_739":2121,"_741":2122,"_743":1485,"_745":2123,"_747":2124,"_749":2125,"_753":2126},"profile-3775",3775,[2092,2093,2094],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002KAm4AM-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002KAk4AM-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002KAl4AM-right2.jpg","Anne Nowak","homofaber-y0pd2f","Anne Nowak is a multidisciplinary artist living and working in Copenhagen, Denmark. She was born on the island of Bornholm, whose prehistoric nature and unlit skies infused her artistic vision and work. Anne studied textile printing and ceramics in Denmark, took art lessons in New York, as well as studied with Ulrik Hoff and Tuula Emborg. She works with a variety of mediums to communicate about the infinity of the cosmos, continuously expanding her palette of crafts and techniques. Whether exploring functionality in lamps or experimenting with mirrors and reflection, Anne's work is about bridging polarities and playing with our perception of space. \"My work is never either-or but always both, and that makes it a transcending and transforming experience,\" she says.",[696],[2100,2101],"Denmark","Frederiksberg",[812,704,705],[2104,2105,2106,2107,2108],"Mirage","Blue Moon Light (II)","Hazy Grey","Hazy Horizon","Blue Moon Light",[2110,1440,1968,2076,2111,914,826,915],"Spray paint","Mesh",[2113,2114,2115,2116,831,2117,960,728],"Silk-screen print","Lamp","Fabric painting","Printing","Books and paper",[733],[736],[696],55.67384,12.54343,"Frederiksberg, Denmark","2024-11-28",{"_751":2121,"_752":2122},1637,{"_682":2128,"_31":2129,"_685":2130,"_255":2134,"_378":2135,"_692":2136,"_694":2137,"_697":2138,"_700":2139,"_710":2140,"_716":2145,"_721":2148,"_730":38,"_731":2149,"_734":2150,"_737":2151,"_739":2152,"_741":2153,"_743":1982,"_745":1095,"_747":2154,"_749":2155,"_753":2156},"profile-3608",3608,[2131,2132,2133],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001nZp4AI-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001nZl4AI-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001nZo4AI-right2.jpg","Rebecca Stevenson","rebecca-stevenson-owfway","In her sculptural works, Rebecca Stevenson wishes to address themes and questions around human existence and embodiment. Her pieces are inspired by many historical periods. “As a child, I made things incessantly out of whatever I could find – cardboard, paper, fabric, yarn. I taught myself techniques from library books and would often lie awake at night planning my next project (I still do that!),” she shares. Her lifelong enchantment has led her to become the first sculptor to be an artist-in-residence at the V&A in London. Outside of such residencies, she works from her vibrant studio. \"This is where I craft my 'wunderkammer', my life's work-in-progress,” explains Rebecca.",[696],[1079,1080],[769,812,893,183,705],[2141,2142,2143,2144],"Goliath","Trumpettes","Melancholia","Splendour in Darkness vessels",[1658,822,2146,2147,1660,826,915],"Glass fibre fabric","Polyester resin",[830,832,833],[733],[736],[696],51.48076,-0.07308,"2024-10-24",{"_751":2152,"_752":2153},2952,{"_682":2158,"_31":2159,"_685":2160,"_255":2163,"_378":2164,"_692":2165,"_694":2166,"_697":2167,"_700":2169,"_710":2170,"_716":2176,"_721":2181,"_730":38,"_731":2182,"_734":2183,"_737":2184,"_739":2185,"_741":2186,"_743":1387,"_745":2187,"_747":2188,"_749":2189,"_753":2190},"profile-4147",4147,[2161,2162],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000029AT4AY-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000029C54AI-left1.jpg","Lukas Wegwerth","lukas-wegwerth-iudtim","Lukas Wegwerth is a designer and trained carpenter with a profound respect for traditional craftsmanship and the natural qualities of materials. As Lukas pursued a degree in product design at the University of the Arts in Berlin, he sought to break free from conventional methods and explore new creative possibilities. Breaking his favourite coffee cup one day led Lukas to explore kintsugi, which in turn inspired his Crystallization series, in which broken clay vessels develop crystalline structures along the cracks. This growth out of fracture highlights the unique beauty of the breaks. Lukas’ design philosophy is centred on the idea that the material should play an active role in shaping the final product. Rather than imposing his will entirely, he engages in a dialogue with the material, allowing it to guide the form and reveal its inherent beauty.",[696],[1569,2168],"Berlin",[1116,183,1611,705,707],[2171,2172,2173,2174,2175],"Crystallization No. 168","Crystallization No. 126","Armadillo cabinet","Blankenau No. 20","Crystallization No. 170",[720,2177,1478,813,2178,2179,709,915,2180],"Larch wood","Shellac","Clear quartz","Gemstones",[830,1804,1355,832,1805,959,833,729],[733],[736],[696],52.4591508097465,13.4170117535655,"Berlin, Germany","2024-10-03",{"_751":2185,"_752":2186},2683,{"_682":2192,"_31":2193,"_685":2194,"_255":2197,"_378":2198,"_692":2199,"_694":2200,"_697":2201,"_700":2202,"_710":2203,"_716":2208,"_721":2213,"_730":38,"_731":2215,"_734":2216,"_737":2217,"_739":2218,"_741":2219,"_743":1552,"_745":1095,"_747":2220,"_749":2221,"_753":2222},"profile-3670",3670,[2195,2196],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001o1E4AQ-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001o1C4AQ-left1.jpg","Annick L Petersen","annick-petersen-8wli7a","Annick Petersen's journey with craftsmanship began in Lausanne where she trained as an interior architect. Moving to London, she was greatly influenced by the vibrant design scene and worked in several design firms to hone her skills. In 2009 she decided to found her own studio, Alp Design. Annick's work today is a testament to her unbridled creativity and her fascination with materials of all types, including plaster, leather and cord. She pushes boundaries through relentless experimentation, enjoying the unexpected, and finding beauty in controlled chaos. Her objects and space designs aim to highlight textures, strengths and weaknesses. Each project is crafted to evoke emotion and transform spaces, reflecting Annick's belief that interiors should be both functional and deeply moving.",[696],[1079,1080],[833,943,812,703,183,704],[2204,2205,2206,2207],"Alp Wall Light 335","Alp Light 351","Alp Stool 140","Alp Mirror 710",[2209,2210,2211,1802,2111,2212,785,870,1211,914,915,813],"Leather","Waxed thread","Cord","Cloth",[1514,2114,2214,785,787,788,960,729],"Stool",[733],[736],[696],51.54049,-0.13707,"2024-09-18",{"_751":2218,"_752":2219},2729,{"_682":2224,"_31":2225,"_685":2226,"_255":2230,"_378":2231,"_692":2232,"_694":2233,"_697":2234,"_700":2235,"_710":2236,"_716":2243,"_721":2250,"_730":38,"_731":2251,"_734":2252,"_737":2253,"_739":2254,"_741":2255,"_743":1667,"_745":2256,"_747":2257,"_749":2258,"_753":2259},"profile-132",132,[2227,2228,2229],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001sG94AI-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001sG54AI-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001sG84AI-right2.jpg","Cathy Hirchenhahn","cathy-hirchenhahn-1lzu30","Cathy Hirchenhahn, a graduate of the Strasbourg School of Decorative Arts, has always been drawn to art. Living by the sea in Brittany today, she finds inspiration in nature and creates works where textures, colours, and organic forms take centre-stage. Her studio, a cabinet of curiosities, is filled with eclectic finds such as plants, furs, algae, and electronic parts that she finds on her daily walks. Cathy creates assembled sculptures that blend the precious with the mundane, flora with fauna, and the past with the present. Her pieces evoke biological wonders through the fusion or contrast of geometry with organic, and craftsmanship with industry. Cathy’s minimalist approach brings harmony to these opposites, revealing what often escapes the eye.",[696],[1159],[183,705,944,856],[2237,2238,2239,2240,2241,2242],"Untitled, copper","Untitled, red","Untitled, gold","Untitled, black","Untitled, cream","No Title",[2244,2245,865,2246,2247,905,1973,2248,1130,1769,1658,2249,870,826,1211,1352,1660],"Natural fur","Sponge","Feathers","Textile","Cow bone","Fibres",[830,832,833],[733],[736],[696],47.7863567911632,-3.68017971710283,"Moëlan-sur-Mer, France","2024-09-12",{"_751":2254,"_752":2255},4023,{"_682":2261,"_31":2262,"_685":2263,"_255":2267,"_378":2268,"_692":2269,"_694":2270,"_697":2271,"_700":2272,"_710":2273,"_716":2280,"_721":2286,"_730":38,"_731":2287,"_734":2288,"_737":2289,"_739":2290,"_741":2291,"_743":2292,"_745":2293,"_747":2294,"_749":2295,"_753":2296},"profile-4285",4285,[2264,2265,2266],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001Utl4AE-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001Uth4AE-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001Utk4AE-right2.jpg","Jody Loaring","jody-loaring-ibgyyz","Born in Margaret River, now based in Broome, Jody Loaring studied textiles in a Bachelor of Art. Today, this influences her sculptures, coiled forms and woven works, that include found natural materials. Her family history and personal life experiences feed the thematics of her artworks. Jody's process begins with gathering as she explores environments such as the shoreline, looking for interesting textures she can use in her artworks. She collects natural fibres such as driftwood and grass fibres, as well as recycled discarded nylon beach rope. Jody draws inspiration from the collected materials with their beauty and natural colouration. She combines these with other manufactured fibres, metals, and plaster to create sculptural works that stand on a handmade armature base.",[696],[1234],[183,705,708,894],[2274,2275,2276,2277,2278,2279],"The Ballad of Mary Smith","The Servant","Bound to the Martuwarra","Retreat. The Whaling.","The Eternal Sea","To the Place of the Moon",[1172,2281,2246,905,2282,1802,2283,1208,2284,2285,1243,1409,826,709,870,914,1211,1660],"Driftwood","Oil varnish","Rope","Beeswax","Twine",[830,832,833],[733],[736],[696],-17.94457,122.234337,"2026-05-06T07:31:46.000+0000","Djugun, Australia","2024-08-29",{"_751":2290,"_752":2291},327,{"_682":2298,"_31":2299,"_685":2300,"_255":2304,"_378":2305,"_692":2306,"_694":2307,"_697":2308,"_700":2309,"_710":2310,"_716":2316,"_721":2319,"_730":38,"_731":2321,"_734":2322,"_737":2323,"_739":2324,"_741":2325,"_743":1485,"_745":2326,"_747":2327,"_749":2328,"_753":2329},"profile-3916",3916,[2301,2302,2303],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001PNo4AM-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001PNm4AM-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001PNn4AM-right2.jpg","Jill Barnes-Dacey","jill-barnes-dacey-himuxy","Jill Barnes-Dacey has developed a unique style of double-sided decoupage on glass and porcelain to create whimsical and striking vases and other objets d’art. An American-British artist now based in France, Jill trained to be an artist before entering the world of art galleries and auction houses in New York, London and Paris. As an art dealer, Jill fine-tuned her eye for fine art, decorative art and architecture – collecting rare art books and engravings along the way. Jill’s zeal for collage on paper led her to Leporello works being sold at the Victoria and Albert Museum, the Louvre and the Museum of Fine Arts-Boston, among others. Seeking new ways to apply paper to surfaces, Jill began exploring decoupage on glass, and her eccentric works can now be seen in galleries across Europe.",[696],[1159],[893,813,183,705,781,894],[2311,2312,2313,2314,2315],"Utopian Fantasy","Shimmering Snakes","The Sultan of Babylon, and Wedding Cake","Bronze Age, and Untitled","La Maison Cachée",[2317,813,2318,781,779,822,914,826],"Varnish","Wrought iron",[830,725,2320,723,832,726,833,728],"Bowl",[733],[736],[696],43.53163,2.85607,"Olargues, France","2024-08-01",{"_751":2324,"_752":2325},5651,{"_682":2331,"_31":2332,"_685":2333,"_255":2337,"_378":2338,"_692":2339,"_694":2340,"_697":2341,"_700":2344,"_710":2345,"_716":2351,"_721":2353,"_730":38,"_731":2358,"_734":2359,"_737":2360,"_739":2361,"_741":2362,"_743":2363,"_745":2364,"_747":2365,"_749":2366,"_753":2367},"profile-1899",1899,[2334,2335,2336],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001JdN4AU-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001JdJ4AU-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001JdM4AU-right2.jpg","Armand Vreshtazi","homofaber-bvrqsy","According to Armand Vreshtazi, there is a perfect harmony between metal and wood because of the connection between the strength and endurance of metal and the natural beauty of wood. He was a master in metalworking when he felt the need to experiment with woodworking to create novel designs. In contrast to metal, which he learned with a master for three years, Armand gained all his expertise in wood himself. What Armand enjoys most about this profession is the diversity and creativity involved in creating entirely handmade, one-of-a-kind items. The majority of his creations are furnishing pieces, and he finds inspiration from both the client's philosophy and the space in which the final product will be placed. \"In combining these two together,\" he says \"I always gets a round of applause.\"",[696],[2342,2343],"Albania","Tirana",[704,772,944,709],[2346,2347,2348,2349,2350],"Walnut office desk","The Cave mirror","The Snake, coffee table","Olive Light lampshade","The Sun lamp",[1510,709,2352,813,1441,1656,1937,1623,822,1172,827,915,826],"Chestnut wood",[2354,785,2355,2356,959,788,2357,729,960],"Desk","Lamp shade","Table lamp","Lighting accessories",[733],[736],[696],41.315215467121,19.8143463436689,"2026-05-06T07:28:59.000+0000","Tirana, Albania","2024-07-25",{"_751":2361,"_752":2362},1915,{"_682":2369,"_31":2370,"_685":2371,"_255":2375,"_378":2376,"_692":2377,"_694":2378,"_697":2379,"_700":2381,"_710":2382,"_716":2388,"_721":2394,"_730":49,"_731":2399,"_734":2400,"_737":2401,"_739":2402,"_741":2403,"_743":1909,"_745":2404,"_747":2405,"_749":2406,"_753":2407},"profile-2868",2868,[2372,2373,2374],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000z8P4AQ-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000z8L4AQ-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000z8O4AQ-right2.jpg","Michela Bortolozzi","michela-bortolozzi-bqfuvo","Michela Bortolozzi is a maker who was born and raised in Venice. After a number of years of academic and artistic studies, travels and projects around the world, she accumulated the know-how and experience needed to open her own atelier in the lagoon area of the city. Michela's work showcases a sustainable vision of tourism with objects created to breathe new life into local and discarded materials. She sculpts candles, lollipops, soaps and jewellery that recreate the architecture of well-known Venetian buildings with a message to \"Relight Venice.\" Michela has made her workshop a place open to the exchange of ideas, workshops and joint ventures. Her creations draw on the motifs and shapes found in urban architecture and celebrate the history of the artisans and crafts of Venice. Since 2022 she collaborates with Rio Terà dei Pensieri Cooperative, a work-in-jail cooperative that aims at reintegrating into society people detained in Venice prisons.",[696],[1893,2380],"Venice",[1116,833,812,183,705,708],[2383,2384,2385,2386,2387],"Palazzo Ducale, Pop Earrings","Ca' d'Oro candles","Enjoy Venice lollipop","Venezia candle","Shrimp brooch",[2389,2390,2391,2392,2393,913,915,1660,709,914,826],"PLA","Plexiglass","Soy wax","Limewood","Sugar paste",[2395,2396,830,1248,919,2397,832,920,2398,833],"Earring","Candle","Wellness","Leisure",[733],[736],[696],45.44354,12.33236,"Venice, Italy","2024-06-13",{"_751":2402,"_752":2403},2369,{"_682":2409,"_31":2410,"_685":2411,"_255":2415,"_378":2416,"_692":2417,"_694":2418,"_697":2419,"_700":2422,"_710":2423,"_716":2429,"_721":2438,"_730":38,"_731":2442,"_734":2443,"_737":2444,"_739":2445,"_741":2446,"_743":2292,"_745":2447,"_747":2448,"_749":2449,"_753":2450},"profile-4284",4284,[2412,2413,2414],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000oo54AA-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000oo14AA-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000oo44AA-right2.jpg","Silvia Umpierrez","silvia-umpierrez-v8lmlk","Silvia Umpierrez began her training in the 1980s with several artists such as José Cardozo, Doreen Bayley, and the Polish artist Antoni Starczewski. \"When I was young, I liked to visit exhibitions: I went into museums, galleries, and looked at everything,\" she says. It all began in 1980 with a visit to Maestro Cardozo's workshop. \"In 1982 Cardozo proposed that I become his weaver. At that time, tapestries were exported to Japan. I remember working in the mornings and weaving in his workshop in the afternoons,\" recounts Silvia. The first tapestry piece she produced was hand-spun from cotton thread. She submitted it to the Tapestry Competition at the Banco República de Uruguay in 1983. \"It took me six months to complete it, and I was selected for the first prize. A great surprise,\" she explains.",[696],[2420,2421],"Uruguay","Montevideo",[704,1859,705,1342],[2424,2425,2426,2427,2428],"Uruguayan Mountains","Interweaving sculptural basket","Chrysalis installation","Sunset frame","A recolectar",[2430,2431,2432,2433,2434,2435,1727,709,2436,1352,1211,2437],"Ficus","Philodendron","Palm wood","Wicker","Woven fabrics","Elm inflorescence","Flax","Linen",[2439,2440,1213,726,2441,728,920],"Tapestry","Basket","Bags and luggages",[733],[736],[696],-34.88698,-56.10816,"Montevideo, Uruguay","2024-05-16",{"_751":2445,"_752":2446},1538,"metadata",{"_2453":2454,"_2455":592,"_2456":2457,"_2458":2459,"_2460":2461},"count",82,"page","pageCount",2,"pageSize",48,"facetDistribution",{"_721":2462,"_694":2514,"_697":2750,"_730":2772,"_716":2775,"_700":2822,"_731":2833},{"_1356":2457,"_833":2463,"_2441":592,"_2440":592,"_2464":592,"_2465":592,"_2466":2457,"_2117":2457,"_2320":2467,"_1248":2468,"_957":2469,"_1804":2467,"_2396":592,"_1174":2468,"_958":592,"_784":2469,"_953":592,"_2470":592,"_1135":592,"_2471":592,"_1445":2469,"_2472":592,"_2473":592,"_2474":592,"_2475":592,"_2476":592,"_2477":592,"_783":2457,"_2478":592,"_728":2479,"_726":2480,"_2354":592,"_2481":592,"_2482":592,"_1175":592,"_1176":2457,"_786":2457,"_2395":592,"_2115":592,"_1057":2468,"_2483":592,"_2484":592,"_729":2480,"_788":529,"_2485":592,"_1056":592,"_2486":592,"_1354":592,"_1134":592,"_2487":592,"_1213":2469,"_2488":592,"_919":2489,"_2490":592,"_2491":592,"_2492":592,"_2114":2467,"_2355":592,"_2398":2457,"_1514":2457,"_960":529,"_2357":592,"_2493":592,"_956":2457,"_785":2469,"_920":2494,"_832":2495,"_2078":592,"_918":2468,"_727":592,"_2496":592,"_1318":592,"_2497":592,"_2498":592,"_2499":592,"_955":592,"_2500":592,"_724":592,"_2116":592,"_2501":592,"_2502":592,"_2503":592,"_830":2504,"_1136":592,"_1355":2467,"_2113":592,"_787":2505,"_2506":592,"_2507":2457,"_2214":2468,"_1805":2467,"_1513":2468,"_2508":592,"_789":2509,"_2356":592,"_959":2510,"_2439":2468,"_954":592,"_1133":592,"_725":2489,"_723":2469,"_829":2511,"_831":2512,"_917":2469,"_2513":592,"_993":2468,"_2397":592},55,"Bathroom accessories","Beauty","Bench",4,3,5,"Chess set","Coffee and tea","Collage","Console","Container","Cookware","Corkscrew","Cufflinks","Cut paper art",38,22,"Dining set","Dinnerware set","Floor lamp","Flower pot","Games and toys","Graphic design","Illustration","Jar",7,"Kitchen knife set","Knife","Knives and Scissors","Long chair",11,52,"Outdoor table","Paper art","Patio and Garden","Pendant","Plant pot","Razor","Ring","Screen",50,9,"Spatula","Statue","Table accessories",6,13,14,19,"Wall lamp",{"_2515":530,"_2516":2467,"_2517":2509,"_2518":2457,"_2519":2520,"_2521":2468,"_2522":592,"_2523":550,"_2524":2505,"_2525":2489,"_2526":2527,"_2528":2529,"_2530":2468,"_2531":2468,"_2532":2467,"_2533":2505,"_2534":592,"_2535":2457,"_2536":2459,"_2537":592,"_2538":2489,"_2539":592,"_2540":2489,"_2541":2457,"_2542":529,"_2543":2489,"_2544":2469,"_2545":592,"_2546":626,"_2547":2527,"_2548":592,"_2549":2510,"_2550":2468,"_2551":2489,"_2552":287,"_2553":2554,"_702":2555,"_2556":2494,"_2557":2467,"_2558":592,"_2559":2509,"_2560":2561,"_2562":2467,"_2563":2509,"_2564":2489,"_2565":592,"_2566":2467,"_2567":2568,"_2569":2468,"_2570":592,"_2571":2572,"_2573":2561,"_2574":2527,"_2575":2554,"_2576":2468,"_2577":2511,"_2578":2579,"_2580":2489,"_2581":2582,"_2583":2468,"_2584":2457,"_2585":2494,"_2586":2457,"_2587":2588,"_2589":530,"_2590":2511,"_2591":2592,"_2593":592,"_2594":2489,"_2595":2596,"_2597":2598,"_2599":2469,"_2600":2509,"_2601":564,"_2602":2603,"_2604":592,"_2605":2468,"_2606":2467,"_2607":2467,"_2487":2608,"_2609":287,"_2610":592,"_2611":2612,"_2613":2457,"_2614":2457,"_2615":592,"_2616":2467,"_2617":592,"_2618":2619,"_2620":529,"_2621":2561,"_2622":2520,"_2623":2592,"_2624":2520,"_2625":2509,"_2626":592,"_2627":592,"_2628":2468,"_2629":1817,"_2630":2468,"_2631":2467,"_2632":592,"_2633":2634,"_2635":2489,"_2636":2457,"_2637":2494,"_2638":2509,"_2639":2640,"_2641":592,"_2642":2468,"_2643":2469,"_2644":260,"_2645":2494,"_2646":2529,"_2647":2648,"_2649":2494,"_2650":2467,"_2651":2509,"_696":2454,"_2652":2653,"_2654":2468,"_2655":592,"_2656":2509,"_2657":592,"_2658":2509,"_2497":2659,"_2660":2554,"_2661":2561,"_2662":592,"_2663":592,"_2664":2489,"_2665":2467,"_2666":592,"_2667":2509,"_2668":530,"_2669":2457,"_2670":2457,"_2671":2469,"_2672":564,"_2673":2489,"_2674":2675,"_2676":2467,"_2677":2678,"_2679":2509,"_2680":2489,"_2681":2467,"_2682":2504,"_2683":2457,"_2684":2468,"_2685":2489,"_2686":2509,"_2687":2467,"_2688":592,"_2689":2468,"_2690":592,"_2691":2468,"_2692":2693,"_2694":2467,"_2695":2457,"_2696":2489,"_2697":2468,"_2698":2634,"_2699":592,"_2700":2467,"_2701":2468,"_2702":2479,"_2703":2561,"_2704":2489,"_2705":2640,"_2706":2469,"_2707":2509,"_2708":2511,"_2709":2467,"_2710":2457,"_2711":592,"_2712":2592,"_2713":2592,"_2714":2457,"_2715":592,"_2716":2717,"_2718":2719,"_2720":2457,"_2721":2468,"_2722":2554,"_2723":2724,"_2725":2554,"_2726":2494,"_2727":2505,"_2728":2467,"_2729":2457,"_2730":2489,"_2731":530,"_2732":2468,"_2733":564,"_2734":2467,"_2735":2467,"_2736":2457,"_2737":2738,"_2739":529,"_2740":592,"_2741":592,"_2742":2505,"_2743":2717,"_2744":2579,"_2745":2504,"_2746":2747,"_2748":2749},"Artificial flower making","Audio system making","Automaton building","Axe making","Bag making",25,"Bamboo art","Barrel making","Basket weaving","Beadwork","Bellfounding","Bicycle building",10,"Blacksmithing",39,"Block printing","Board game making","Boardmaking","Boat building","Boiserie","Bone working","Bookbinding","Boomerang making","Botanical sculpting","Bow making","Box making","Bronze sculpting","Bronzesmithing","Broom making","Brush making","Button making","Cabinetry","Calligraphy","Cameo making","Candle making","Cane making","Carpentry","Carpet making","Ceramic decorating",18,909,"Chair making","Clockmaking","Coffee machine making","Collage art","Coppersmithing",17,"Coral sculpting","Costume making","Crystal glass making","Cufflink making","Cutlery making","Decorative painting",35,"Doll making","Dry stone walling","Embroidery",101,"Enamelling","Engraving","Eyewear making","Fan making","Featherwork","Felting",21,"Filigree making","Flower designing",44,"Folding","Fore-edge painting","Frame 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