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2026","bgColor","bgImgUrl","https://api.homofaber.com/uploads/9_16_1080x1920_50_175a29db28.png","bgRepeat","bgFit","contain","centerImgUrl","centerText","1 – 30 September 2026, San Giorgio Maggiore Island, Venice","centerImgFit","ctaLabel","Book your ticket","ctaBgColor","#FFFFFF","ctaUrl","textColor","white","2025-05-22T09:42:23.885Z","2026-04-27T09:13:30.731Z","2026-04-27T09:13:30.723Z","textLeftXs","bgImgUrlXs","ctaLabelXs","Book 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Ankiersztajn","jan_ankiersztajn-furniture_making-poznań","description","Jan Ankiersztajn creates sleek furniture, drawing on techniques once used to shape aircraft and sports car bodies in the mid-20th century. In his Poznań workshop, a former stable from the 1900s, he hand forms aluminium sheets using an English wheel, hammers and shrinking tools. From concept and construction to welding and finishing, the process is slow and physically demanding, shaped by constant adjustments and a close dialogue with the material. Jan's approach reflects his studies in contextual design at Design Academy Eindhoven, where experimentation and crossing disciplinary boundaries are encouraged. “Craft is a way of thinking through the material,” he says. Despite aluminium’s commercial origins, his objects incorporate elements of sound design and are engineered to remain acoustically quiet.","craft",[696],"Furniture making","destinations",[699],"Poland","tags",[],"objects",[704,705,706,707,708],"Aluminium chair","Aluminium coffee table","Aluminium bench","Aluminium table","Aluminium pitcher","materials",[711,712,713,714,715,716],"Aluminium","Polycarbonate","Stainless steel","Metals","Synthetic materials and resins","Steel","categories",[719,720,721,722,723,724,725,726,727,728],"Chair","Coffee table","Bench","Table","Pitcher","Sofa and Chairs","Tables","Serving ware","Furniture","Table and kitchen","has-experiences","type-of-artisan",[732],"Artisan","craft_person",[735],"Furniture maker","craft_metier",[696],"latitude",52.39756701358895,"longitude",16.897969587995,"content_edit_date","2026-05-06T07:26:42.000+0000","city_and_country","Poznań, Poland","is_new_until","2026-05-14","_geo",{"_750":739,"_751":741},"lat","lng","order",4760,{"_682":755,"_31":756,"_685":757,"_255":761,"_378":762,"_692":763,"_694":764,"_697":766,"_700":767,"_702":771,"_709":778,"_717":783,"_729":38,"_730":790,"_733":791,"_736":793,"_738":794,"_740":795,"_742":796,"_744":797,"_746":798,"_748":799,"_752":800},"profile-5310",5310,[758,759,760],"https://api.homofaber.com/uploads/3_Hanna_Miadzvedzeva_2024_2_Fondation_Bruckner_hd_20_3593d6a583.jpg","https://api.homofaber.com/uploads/1_Hanna_Miadzvedzeva_2024_2_Fondation_Bruckner_hd_11_copy_12dbd1a624.jpg","https://api.homofaber.com/uploads/5_Miadzvedzeva_Hanna_image2_cb55ecfb5f.jpg","Hanna Miadzvedzeva","hanna_miadzvedzeva-ceramics-białawy_małe","Born into a family of ceramicists, Hanna Miadzvedzeva was fascinated by clay’s transformative properties since childhood. She graduated from the Belarusian State Academy of Arts and taught ceramics there for seven years. Today, Hanna is based in Poland, running a small workshop in the utility building of her house. She treats the craft as an artistic language for self-expressing. \"I compare my creative process with that of an architect. My work embodies feelings associated with being present in a certain space,\" Hanna says. She specialises in openwork casting and makes textures from porcelain and stoneware. An interesting aspect of Hanna's approach is blending craftsmanship and archaeology, as she uses a tripod system from the neolithic and early Bronze Age to shape her landscape sculptures.",[765],"Ceramics",[699],[765,768,187,769,770],"Heritage","Innovation","Teacher",[772,773,774,775,776,777],"Recovery","Winter Landscape","November","The Twilight Landscape","Rainy day","The Autumn Landscape",[779,780,781,782],"Porcelain","Stoneware","Porcelain stoneware","Ceramic",[784,785,786,787,788,789],"Vessel","Sculpture","Decorative objects","Monuments","Decoration","Architecture",[732],[792],"Ceramicist",[765],51.47975270848473,16.71322169823149,"2026-05-06T07:29:40.000+0000","Białawy Małe, Poland","2026-04-23",{"_750":794,"_751":795},1081,{"_682":802,"_31":803,"_685":804,"_255":808,"_378":809,"_692":810,"_694":811,"_697":813,"_700":814,"_702":821,"_709":827,"_717":841,"_729":38,"_730":847,"_733":848,"_736":850,"_738":851,"_740":852,"_742":853,"_744":854,"_746":855,"_748":856,"_752":857},"profile-5424",5424,[805,806,807],"https://api.homofaber.com/uploads/3_Portrait_1_Eliza_and_Krzysztof_Bondaruk_7f142cb9c1.jpg","https://api.homofaber.com/uploads/1_Gestures_1_Eliza_and_Krzysztof_Bondaruk_copy_42a7961911.jpg","https://api.homofaber.com/uploads/5_Chrzaszcz_5_Eliza_and_Krzysztof_Bondaruk_924ff831ce.jpg","Eliza & Krzysztof Bondaruk","eliza__krzysztof_bondaruk-jewellery_making-niewodnica_kościelna","Since 2010, husband-and-wife duo Krzysztof and Eliza Bondaruk have been creating enamel jewellery in their atelier, Bondarowski. “Our work is a dialogue with metal,” they say. Krzysztof, previously a machine repair mechanic, studied goldsmithing under Polish master jeweller Jerzy Sewastianik. Eliza left her career in sales management in 2008 to learn the craft from her husband and become a jewellery maker herself. The duo’s objects often mirror floral and animal motifs. Krzysztof and Eliza work with high temperature enamelling, the cloisonné technique and traditional goldsmithing methods such as soldering, metal forming and repoussé. Their jewellery combines the craft's discipline with artistic freedom.",[812],"Jewellery making",[699],[815,816,817,818,819,820],"Jewellery","Mixed media","Nature","Partners in craft","Sustainable","Territory",[822,823,824,825,826],"Amber Secession","Dragonfly","Neptune","Moth","Roseta",[828,829,830,831,832,833,834,835,836,714,837,838,839,840],"Gilded silver","Iolite","Opal","Amber","Gold plated","Emerald","Enamel","Quartz","Clear quartz","Gemstones","Minerals","Natural essences","Enamel, glaze and lacquer",[842,843,844,845,846],"Jewellery set","Brooch","Pendant","Jewellery and watches","Mode",[732],[849],"Jewellery maker",[812],53.08210622408309,23.08188993235732,"2026-05-06T07:31:26.000+0000","Niewodnica Kościelna, Poland","2026-04-16",{"_750":851,"_751":852},2924,{"_682":859,"_31":860,"_685":861,"_255":865,"_378":866,"_692":867,"_694":868,"_697":869,"_700":870,"_702":874,"_709":880,"_717":882,"_729":38,"_730":887,"_733":888,"_736":889,"_738":890,"_740":891,"_742":892,"_744":745,"_746":893,"_748":894,"_752":895},"profile-5284",5284,[862,863,864],"https://api.homofaber.com/uploads/3_Hadaki_przy_pracy_04_0570947cfd.jpg","https://api.homofaber.com/uploads/1_Hadaki_przy_pracy_02_5bb1088cf4.jpg","https://api.homofaber.com/uploads/5_Hadaki_Creatures_3_1545e53797.jpg","Magdalena Kucharska","magdalena_kucharska-ceramics-poznań","Magdalena Kucharska began her career in graphic design, but clay helped her find her way back to making things by hand. What started as an escape from the computer turned into Hadaki, a ceramic studio where every object is designed with the same clarity Magdalena learned in visual communications. Self-taught and working through trial and error, she became fascinated with colouring the clay itself. \"My work is defined by calm, functional forms and a soft finish created with pigmented clay coloured in the body, rather than relying on shiny glaze,\" Magdalena says. Alongside everyday objects, she creates small figurines that feel like lost species or quiet guardians, shaped by folklore, nature and imagination. Built slowly through self-teaching and experimentation, Hadaki is Magdalena's quiet world: consistent, deliberate and free from trends.",[765],[699],[871,765,872,873],"Fairytale","New career","Self-taught",[875,876,877,878,879],"Tote","Vases 1","Hadaki Creatures Roots","Vases 2","Tabelware Set",[881,782],"Clay",[883,884,885,786,886,788,728],"Figurine","Vase","Dinnerware set","Dishware",[732],[792],[765],52.40690369264645,16.93801195963367,"2026-05-06T07:27:48.000+0000","2026-03-05",{"_750":890,"_751":891},1124,{"_682":897,"_31":898,"_685":899,"_255":903,"_378":904,"_692":905,"_694":906,"_697":907,"_700":908,"_702":911,"_709":916,"_717":918,"_729":38,"_730":920,"_733":921,"_736":922,"_738":923,"_740":924,"_742":853,"_744":925,"_746":926,"_748":927,"_752":928},"profile-3898",3898,[900,901,902],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Exv3_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Exv3_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Exv3_Right2.jpg","Aleksander Oniszh","aleksander_oniszh-furniture_making-warsaw","Aleksander Oniszh’s path in craftsmanship started from in the world of theatre. In 2012, he worked as a scenographer at Łaźnia Nowa Theatre in Krakow. It was around that time that Aleksander discovered wood as a material. He created his first object, a wardrobe, and decided to pursue a career in furniture making. After meticulously studying the aspects of the craft on his own, Aleksander opened his first workshop and founded ONISZH furniture studio in 2013. Today, he is one of Poland’s most sought-after furniture designers. Aleksander creates objects that combine art and functionality. As a self-taught artisan, he is keen to experiment with technical solutions, while being devoted to classic approaches. \"My works are usually made from beech, pear, ash, plum, cherry and oak which are the traditional woods material found in Polish nature,\" he explains.",[696],[699],[909,873,910,910],"Interiors","Wood",[912,913,914,915],"Folly Chair","African mahogany table","Pawn Stool","No title SAME OBJECT",[917,910],"Mahogany wood",[719,722,919,724,725,727],"Stool",[732],[735],[696],52.23481494576586,21.01365028670685,"Warsaw, Poland","2025-09-24",{"_750":923,"_751":924},146,{"_682":930,"_31":931,"_685":932,"_255":936,"_378":937,"_692":938,"_694":939,"_697":941,"_700":942,"_702":947,"_709":951,"_717":958,"_729":38,"_730":962,"_733":963,"_736":965,"_738":966,"_740":967,"_742":853,"_744":968,"_746":969,"_748":970,"_752":971},"profile-3900",3900,[933,934,935],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003I5J4AU-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003I5F4AU-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003I5I4AU-right2.jpg","Jerzy Wałga","jerzy-waga-j81mzf","From the moment he saw the intricate Cieszynka (or Tesching) gun in Cieszyn museum as a child, Jerzy Wałga has been drawn to rifles and pistols. He opened his first workshop in 1978 and started crafting and engraving elaborate rifles, driven by a passion for the local 500-year-old tradition. The Cieszynka is a small-calibre fire arm used for hunting birds and small game. Jerzy combines a myriad of craft techniques to produce his pieces, from inlay, marquetry and hand engraving, to carpentry, woodcarving and metal hardening. \"Four months is the time it can take to create one rifle,\" he explains. In 2014, UNESCO included Jerzy Wałga’s artistic and historical gunsmithing in the National List of Intangible Cultural Heritage. His objects can be found in museums and private collections in Poland, the EU and the United States.",[940],"Weaponsmithing",[699],[943,944,945,820,946],"Awarded","Decorative","Exhibitions/Museums","Traditions",[948,949,950],"Cieszyn-style pistols and rifle","Cieszynka rifle","Traditional Cieszynka rifle",[952,953,954,716,955,956,957,714,910],"Bone","Mother of pearl","Brass","wood","Metal","Animal materials",[959,960,961],"Rifle","Sports","Sports and Outdoors",[732],[964],"Weaponsmith",[940],49.74929,18.63109,"Cieszyn, Poland","2025-09-10",{"_750":966,"_751":967},2997,{"_682":973,"_31":974,"_685":975,"_255":979,"_378":980,"_692":981,"_694":982,"_697":983,"_700":985,"_702":987,"_709":993,"_717":994,"_729":38,"_730":997,"_733":998,"_736":999,"_738":1000,"_740":1001,"_742":853,"_744":1002,"_746":1003,"_748":1004,"_752":1005},"profile-3907",3907,[976,977,978],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/3)Aleksandra-Wyszatycka-Artisan©Roland-Okon.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/1)Aleksandra-Wyszatycka-Artisan©Aleksandra-Wyszatycka-Grzesiak.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/5)Aleksandra-Wyszatycka-Artisan©Aleksandra-Wyszatycka-Grzesiak.jpg","Aleksandra Wyszatycka","aleksandra-wyszatycka-mvlpko","Aleksandra Wyszatycka is a ceramicist who specialises in the kora technique – a type of faience decoration in the form of a poured relief. \"As a child, I visited an earthenware factory and immediately fell in love with underglaze-painted ceramics,\" she says. However, Aleksandra did not get into the craft right away. A graduate of Wroclaw Academy of Fine Arts, she spent years working as an interior designer. In 2020, Aleksandra finally dedicated herself to ceramics full-time and founded her own atelier called Pateria Ceramics. She actively casts plates in moulds and hand paints underglazes in making her creations, influenced by the ceramic heritage of her region. \"I am inspired by microcosms, nature and people's individual perception of the world,\" she explains.",[765],[699,984],"Wrocław",[986,944,765,872,820,765],"Art de la table",[988,989,990,991,992],"Stones","Veridis Quo","G minor","Avocado","Sails",[782,780],[995,996,886,786,728,788],"Plate","Bowl",[732],[792],[765],51.11521,17.0161,"Wrocław, Poland","2025-08-08",{"_750":1000,"_751":1001},803,{"_682":1007,"_31":1008,"_685":1009,"_255":1013,"_378":1014,"_692":1015,"_694":1016,"_697":1018,"_700":1019,"_702":1022,"_709":1028,"_717":1034,"_729":38,"_730":1036,"_733":1037,"_736":1039,"_738":1040,"_740":1041,"_742":853,"_744":1042,"_746":1043,"_748":1044,"_752":1045},"profile-3892",3892,[1010,1011,1012],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003W3Q4AU-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003W3O4AU-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003W3P4AU-right2.jpg","Marcin Skalski","marcin-skalski-4noeok","Marcin Skalski’s passion for the metalworking craft goes back to his childhood dream of creating swords. He was always fascinated by metal and wooden forms, especially in the context of traditional techniques. A graduate of architecture at Kraków University of Technology, Marcin embraced his metalworking in his thirties. He started a full-time artisan journey in 2016 by founding Stone's Forge. Inspired by the old tools and household appliances of the Lesser Poland countryside, Marcin uses ancient techniques to create modern forms. His objects usually merge steel and wood, combining the raw nature of materials and minimalism. Marcin’s production is also driven by a zero-waste philosophy – he uses recycled materials and often repurposes sawmill waste.",[1017],"Metalworking",[699],[944,1020,872,819,820,1021,910],"Functional","Upcycling",[1023,1024,1025,1026,1027],"Candlestick 2","Birds figurine","Candlestick 1","Candlestick 3","Candlesticks",[1029,1030,955,1031,1032,1033,910,714],"Iron","Wrought iron","Ash wood","Oak wood","Walnut wood",[1035,883,786,788],"Candle holder",[732],[1038],"Metalworker",[1017],50.19175,20.30317,"Proszowice, Poland","2025-07-30",{"_750":1040,"_751":1041},5319,{"_682":1047,"_31":1048,"_685":1049,"_255":1053,"_378":1054,"_692":1055,"_694":1056,"_697":1058,"_700":1059,"_702":1061,"_709":1067,"_717":1068,"_729":38,"_730":1071,"_733":1072,"_736":1074,"_738":1075,"_740":1076,"_742":853,"_744":1077,"_746":1043,"_748":1078,"_752":1079},"profile-3906",3906,[1050,1051,1052],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003Yd74AE-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003Yd34AE-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003Yd64AE-right2.jpg","Justyna Ratasiewicz","justyna-ratasiewicz-how6or","\"I think the glass craft chose me, not the other way around,\" says Justyna Ratasiewicz. After completing a master's degree in economics, Justyna worked for several years in this field, developing her passion for glass all the while. In 2013, she began to learn about stained glass and mosaic making by participating in a series of workshops in Jelenia Góra. Captivated by glass, Justyna explored kiln-forming techniques such as fusing and slumping, which she uses in her studio to this day. She opened her studio in 2018. Based in the Giant Mountains of Poland, Justyna is inspired by this region’s ancient glassmaking traditions and beautiful nature. \"Joy is the central motive of my glass objects. I see my work as a manifestation of this feeling,\" she says. As a glass artist, she uses colour and light to express emotions and create unique visual effects.",[1057],"Glass fusing",[699],[1060,815,816,820],"Glass",[1062,1063,1064,1065,1066],"Pop vases","Harmony","Earrings","Pop vase","Izery vase",[1060],[884,1069,1070,786,845,788,846],"Glass sculpture","Earring",[732],[1073],"Glass fuser",[1057],50.850793,15.587568,"Piechowice, Poland",{"_750":1075,"_751":1076},3446,{"_682":1081,"_31":550,"_685":1082,"_255":1086,"_378":1087,"_692":1088,"_694":1089,"_697":1091,"_700":1093,"_702":1095,"_709":1101,"_717":1103,"_729":38,"_730":1106,"_733":1107,"_736":1109,"_738":1110,"_740":1111,"_742":743,"_744":925,"_746":1112,"_748":1113,"_752":1114},"profile-78",[1083,1084,1085],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003PMv4AM-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003PMr4AM-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003PMu4AM-right2.jpg","Jacek Kamiński","jacek-kaminski-4b5d86","Jacek Kamiński has been crafting tailor-made footwear since 1979. His work is built upon a solid foundation of passed-down knowledge, masterful craftsmanship and a keen eye for form, from the generations before him. His shoes, both contemporary and historical, are worn by actors, opera singers, politicians and high-ranking officials. \"My footwear has graced the feet of actors on the stages of leading theatres and sets of major film productions,\" says Jacek. Each pair is handcrafted using traditional techniques with a great attention to detail. In his shoemaking, Jacek is not only preserving the legacy of his uncle Brunon who introduced him to the craft, but he is also spreading it. He is training and collaborating with a new generation of artisans who blend classic craftsmanship with the expectations of modern clients.",[1090],"Shoemaking",[699,1092],"Warsaw",[1094,1020,770,946],"Fashion",[1096,1097,1098,1099,1100],"Viennese golf shoes","Oxford golf shoes","Cap toe Oxford shoes","Cap toe Viennese shoes","Ankle boot",[1102,957],"Leather",[1104,1105,846],"Shoes","Boots",[732],[1108],"Shoemaker",[1090],52.23287,21.02042,"2025-06-26",{"_750":1110,"_751":1111},788,{"_682":1116,"_31":1117,"_685":1118,"_255":1122,"_378":1123,"_692":1124,"_694":1125,"_697":1126,"_700":1127,"_702":1128,"_709":1134,"_717":1135,"_729":38,"_730":1136,"_733":1137,"_736":1138,"_738":1139,"_740":1140,"_742":853,"_744":925,"_746":1141,"_748":1142,"_752":1143},"profile-3909",3909,[1119,1120,1121],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003Lw14AE-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003Lvx4AE-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003Lw04AE-right2.jpg","Marcin Kuberna","marcin-kuberna-6qxjck","Marcin Kuberna is a self-taught ceramicist who learned his craft through personal exploration and hands-on experience. Before embracing ceramics, he worked in the fashion industry where he learned how to communicate through aesthetics. Marcin opened his workshop in 2021 and founded his ceramics studio, Grôpk, which means pot in the Kashubian language. The raw beauty, nature and traditions of Kashubia, the artist's native region, are his primary sources of inspiration. Marcin specialises in creating vases that mimic nature in large forms, with pieces resembling nests, plant tubers or primitive Neolithic vessels. He creates most of his pieces using the coiling technique. “I create ceramic pieces that are more than just objects, they are experiences that invite people to slow down, focus and look inward,” Marcin says.",[765],[699,1092],[944,765,768,872,873],[1129,1130,1131,1132,1133],"Vessel no. 8","Vessel no. 61","Vessel no.59","Vessel no.102","Vessel no. 60",[881,782],[784,786,788],[732],[792],[765],52.21162,21.02147,"2025-06-19",{"_750":1139,"_751":1140},3719,{"_682":1145,"_31":1146,"_685":1147,"_255":1151,"_378":1152,"_692":1153,"_694":1154,"_697":1156,"_700":1157,"_702":1160,"_709":1166,"_717":1173,"_729":38,"_730":1182,"_733":1183,"_736":1185,"_738":1186,"_740":1187,"_742":853,"_744":1188,"_746":1189,"_748":1190,"_752":1191},"profile-3899",3899,[1148,1149,1150],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003Je44AE-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003Je24AE-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003Je34AE-right2.jpg","Jakub Święcicki","jakub-wicicki-tqfomo","Textile and fabric have always felt familiar to Jakub Święcicki. He wove his first wall hanging in kindergarten, and experimented with making clothing and interior accessories as a teenager. A graduate of Jan Kochanowski University in Kielce, Jakub is currently pursuing a PhD at Jan Matejko Academy of Fine Arts in Krakow. He has been active as a macramé artist since 2017 and his objects have won multiple awards in Poland and worldwide. He specializes in macramé and fabric manipulation techniques. Jakub’s favourite techniques are faux chenille quilting, machine embroidery, garment construction and tailoring. His works reinterpret traditions by applying modern technologies like machine embroidery software. \"My aim is to showcase traditional textile craftsmanship in a completely new light, in a minimalist way,\" he explains.",[1155],"Macramé",[699],[943,1158,909,1159],"Digital tools","Under 30",[1161,1162,1163,1164,1165],"knot_001","Monostriped landscape triptych","Cobalt blue from the Monostriped Landscape series","knot_004","Monostriped landscape",[1167,1168,1169,1170,1171,1172,715],"Cotton","Linen","Polyester","Wool","Polyamide","Fibres and textiles",[1174,1175,1176,1177,1178,1179,1180,1181,788],"Carpet","Woven fabric","Panel","Rug","Soft furnishings","Fabrics","Wall decorations","Home textiles",[732],[1184],"Macramé maker",[1155],50.86834,20.62736,"Kielce, Poland","2025-06-12",{"_750":1186,"_751":1187},536,{"_682":1193,"_31":1194,"_685":1195,"_255":1198,"_378":1199,"_692":1200,"_694":1201,"_697":1202,"_700":1203,"_702":1204,"_709":1210,"_717":1218,"_729":38,"_730":1222,"_733":1223,"_736":1224,"_738":1225,"_740":1226,"_742":853,"_744":745,"_746":1227,"_748":1228,"_752":1229},"profile-3904",3904,[1196,1197],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003DIW4A2-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003DIU4A2-left1.jpg","Alicja Patanowska","alicja-patanowska-mvlcrq","Alicja Patanowska has always felt a strong need to work with material, experiment and explore a creative language. Studies at Wrocław Academy of Fine Arts introduced her to traditional and contemporary ceramic working techniques. Then, the Royal College of Art in London opened a world of interdisciplines, combining art, design and craft. She obtained her PhD with a dissertation on the contemporary context of crafts. Today, Alicja works with traditional pottery techniques, primarily wheel throwing, but places the greatest emphasis on direct engagement with the material and the embodied knowledge it cultivates. Her works were presented in museums across the world including Shanghai Museum of Glass, Museum of Recent Art in Rio de Janeiro and Design Museum Riga. She produces works with a stance on environmental awareness, repurposing materials, and creates installations that play with the uses of ceramics.",[765],[699],[765,945,819,1021],[1205,1206,1207,1208,1209],"A Story of Many Weaves","Plantation","Of mice and men","We are the weather: tiles","Auditory imagination space",[780,1211,1212,779,1213,1214,1215,1216,782,840,1217,715,838],"Glaze","Plants","Flower","Soap","Refractory clay","Cobalt","Botanical",[785,1219,1220,787,786,1221,789,788],"Installation","Tile","Building elements",[732],[792],[765],52.40925,16.93626,"2025-05-22",{"_750":1225,"_751":1226},2264,{"_682":1231,"_31":1232,"_685":1233,"_255":1237,"_378":1238,"_692":1239,"_694":1240,"_697":1242,"_700":1243,"_702":1244,"_709":1250,"_717":1256,"_729":38,"_730":1257,"_733":1258,"_736":1260,"_738":1261,"_740":1262,"_742":853,"_744":1263,"_746":1264,"_748":1265,"_752":1266},"profile-3903",3903,[1234,1235,1236],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003CW84AM-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003CW64AM-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003CW74AM-right2.jpg","Katarzyna Harasym","katarzyna-harasym-1hphs7","Katarzyna Harasym’s glass objects are defined by great diversity and embracing various techniques. A graduate of Wrocław Academy of Art and Design and Fundació Centre del Vidre in Barcelona, she explores concepts of transience through her works. After learning from glass master Pepe Cristales and those behind Luesma & Vega in Barcelona, in 2012 and thanks to EU financing, Katarzyna opened her studio Przezroczysta, which translates as 'transparent'. She is a versatile artisan equally comfortable creating a bespoke everyday glassware collection, an artistic installation or a glass sculpture. Her works are inspired by nature and daily life. Katarzyna is also a glass upcycling aficionado. She regularly gives courses, trainings and technique showcases. In 2011, Katarzyna won Glass Review 32 from New York City’s Corning Museum of Glass.",[1241],"Glass sculpting",[699],[943,1060,819,820,770,1021],[1245,1246,1247,1248,1249],"Descamación II","Łapacz","Kwitnąca misa","Neokryształ","Futro",[1251,1252,1253,1254,1255,1060,715],"Cast Glass","Fused-glass","Crystal glass","Slumped glass","Mesh",[1069,996,786,788],[732],[1259],"Glass sculptor",[1241],51.10966,17.02433,"Wroclaw, Poland","2025-05-15",{"_750":1261,"_751":1262},1810,{"_682":1268,"_31":1269,"_685":1270,"_255":1274,"_378":1275,"_692":1276,"_694":1277,"_697":1279,"_700":1280,"_702":1282,"_709":1288,"_717":1295,"_729":38,"_730":1298,"_733":1299,"_736":1301,"_738":1302,"_740":1303,"_742":853,"_744":1304,"_746":1264,"_748":1305,"_752":1306},"profile-3895",3895,[1271,1272,1273],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003CMS4A2-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003CMQ4A2-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003CMR4A2-right2.jpg","Beata Ludwin & Łukasz Wołek","beata-ludwin--lukasz-wolek-dvemrp","Beata Ludwin and Łukasz Wołek are focused on redefining the traditional concept of mirrors. Both graduates of the Faculty of Fine Arts at the Nicolaus Copernicus University in Toruń, they decided to combine their artistic expertise to produce artistic mirror works. Beata is an art conservator by training, and Łukasz is a sculptor. All the mirrors they create are entirely handmade and the two artisans work together at each stage of the making process. They specialise in pouring silver and in gilding glass with gold leaf. \"Wood processing techniques are playing an increasingly important role in our practice,\" says Beata. The works of the duo revive centuries-old mirror making techniques, as they are intent on preserving traditional methods. \"We breathe a new life into the craft by developing and applying modern techniques, too,\" explains Łukasz.",[1278],"Mirror making",[699],[1158,1281,909,873,946],"Creative duos",[1283,1284,1285,1286,1287],"Squiggle blue","Copperglobe","Edge","Dune","Rock I",[1289,1290,1291,1292,1293,1294,1060,838,910,714,715],"Optical glass","Silver plate","MDF","Copper leaf","Gold","HPL (High Pressure Laminate)",[1296,1297,727],"Mirror","Furniture accessories",[732],[1300],"Mirror maker",[1278],53.02416,18.626,"Toruń, Poland",{"_750":1302,"_751":1303},939,{"_682":1308,"_31":1309,"_685":1310,"_255":1314,"_378":1315,"_692":1316,"_694":1317,"_697":1318,"_700":1319,"_702":1320,"_709":1325,"_717":1327,"_729":38,"_730":1330,"_733":1331,"_736":1332,"_738":1333,"_740":1334,"_742":853,"_744":745,"_746":1335,"_748":1336,"_752":1337},"profile-3896",3896,[1311,1312,1313],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000039Zt4AI-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000039Zp4AI-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000039Zs4AI-right2.jpg","Magdalena Kopiczko","magdalena-kopiczko-cmbqd1","A love for handcrafting led Magdalena Kopiczko into the world of professional ceramics. She started working with clay as a hobby and devoted every free moment to this passion, attending courses, training under masters of the craft, and learning to use the potter's wheel. Her dedication resulted in her opening her first workshop in the early 2000s. \"As a self-taught artisan, I feel the need to study every aspect of the craft to keep learning and growing,\" she explains. Magdalena has developed her practice around pre-industrial and alternative firing techniques, including raku and saggar. \"My ceramic skills are primarily rooted in traditional folk techniques,\" she says. She also uses a traditional method of firing unglazed grey pottery in a wood kiln.",[765],[699],[944,765,1020,873],[1321,1322,1323,1324,884],"Two amphorae","Mars vase","Bottle","Terraforming vases",[780,1326,782],"Terra sigillata",[1328,884,1323,786,1329,788,728],"Amphora","Drinkware",[732],[792],[765],52.4,16.8,"2025-05-08",{"_750":1333,"_751":1334},2962,{"_682":1339,"_31":1340,"_685":1341,"_255":1345,"_378":1346,"_692":1347,"_694":1348,"_697":1349,"_700":1350,"_702":1352,"_709":1358,"_717":1364,"_729":38,"_730":1367,"_733":1368,"_736":1369,"_738":1370,"_740":1371,"_742":853,"_744":1372,"_746":1335,"_748":1373,"_752":1374},"profile-3905",3905,[1342,1343,1344],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000039d74AA-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000039d34AA-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000039d64AA-right2.jpg","Alicja Prussakowska & Jakub Kijowski","alicja-prussakowska--jakub-kijowski-foqupx","Alicja Prussakowska and Jakub Kijowski first met at Jan Matejko Academy of Fine Arts in Krakow, where Alicja studied industrial design and Jakub sculpture. Their shared passion for craftsmanship and experimentation led them to start working together in 2020. The duo founded their workshop, Formsophy, where they handcraft works at the intersection of art and design. Exploring new ways to fuse materials, they apply and develop a range of techniques from traditional metal sculpting and casting methods, to stone carving and blacksmithing, welding and aluminium shaping. \"Our work is about material exploration, form and texture – finding a balance between rawness and refinement,\" they explain. Alicja and Jakub do not have a classic workshop, instead they craft all their objects outside, surrounded by birch trees.",[1017],[699],[1351,1281,1020,909,816],"Design",[1353,1354,1355,1356,1357],"Rúni bench","Ren table","Hann low table","Taru table","Tore low table",[711,1359,1360,1361,1362,1363,714,838,715],"Amethyst","Basalt","Mineral","Terrazzo","Marble",[721,1365,1366,724,725,727],"Low table","Dining table",[732],[1038],[1017],50.22496,19.96371,"Grzegorzowice Małe, Poland",{"_750":1370,"_751":1371},813,{"_682":1376,"_31":1377,"_685":1378,"_255":1382,"_378":1383,"_692":1384,"_694":1385,"_697":1387,"_700":1388,"_702":1390,"_709":1394,"_717":1396,"_729":38,"_730":1400,"_733":1401,"_736":1403,"_738":1404,"_740":1405,"_742":743,"_744":925,"_746":1406,"_748":1407,"_752":1408},"profile-75",75,[1379,1380,1381],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002lKf4AI-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002lKb4AI-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002lKe4AI-right2.jpg","Marek Jurek","marek-jurek-zwemiq","Putting a surprising new twist on well-known objects is possible in the 21st century, and Marek Jurek’s craft is an example of this. He was not entirely satisfied with the design of the existing bicycle, and as a result, chose to create his own. In doing so, Marek has revolutionised the whole industry. He invented a chainless bike, with front-wheel drive, that can easily be folded. He called it Izzybike. Apart from being fully fit for use without a chain, the bike also has large 29-inch wheels that make it stand out from the folding competition. “Many of the elements of the bikes I create are innovative in nature, and almost every part is made by hand,” he says about the process. Engineer by profession, Marek is an industrial artisan by calling. He started crafting bikes in 2009 and continues to innovate in his craft today.",[1386],"Bicycle building",[699,1092],[1020,769,960,873,1389],"Transportation",[1391,1392,1393],"Izzybike 3","Izzybike 1","Izzybike 2",[1395,715],"Carbon fiber",[1397,1398,1399],"Bicycle","Travel","Leisure",[732],[1402],"Bicycle builder",[1386],52.1766,21.00861,"2025-02-20",{"_750":1404,"_751":1405},4821,{"_682":1410,"_31":1411,"_685":1412,"_255":1416,"_378":1417,"_692":1418,"_694":1419,"_697":1421,"_700":1422,"_702":1423,"_709":1428,"_717":1432,"_729":38,"_730":1435,"_733":1436,"_736":1438,"_738":1439,"_740":1440,"_742":853,"_744":925,"_746":1441,"_748":1442,"_752":1443},"profile-3901",3901,[1413,1414,1415],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002bI14AI-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002bJd4AI-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002bOT4AY-right2.jpg","Zuzanna Spaltabaka & Igor Jansen","zuzanna-spaltabaka--igor-jansen-oxuzys","Zuzanna Spaltabaka and Igor Jansen prefer to not limit their creativity to one realm of craft. Their objects incorporate techniques and approaches typically associated with one craft into another, and combine different materials to achieve novel outcomes. The duo started creating together in 2022 after Igor helped Zuzanna with her master's thesis at the Academy of Fine Arts in Warsaw, which was focused on reinventing traditional craft approaches. Their works embody both practical considerations and artistic expression and explore the boundaries between utility and aesthetics. Igor and Zuzanna's making process usually includes new-generation techniques such as CNC machining, laser cutting, and 3D printing. In parallel to this, they have a deep appreciation for simple, traditional materials and hands-on craftsmanship.",[1420],"Mixed media sculpture",[699,1092],[1351,944,1158,1281,1020,183],[1424,1425,1426,1427],"Coffee Table 00","Cabinet 01","Fragile objects","Candelabra – Cybersigilism series",[716,1031,1429,1060,954,1430,780,779,1431,714,910,782,839],"Veneer","Carbon steel","Wax",[720,1433,784,1035,725,1434,786,727,788],"Cabinet","Storage furniture",[732],[1437],"Mixed media sculptor",[1420],52.2422271305927,21.0168318843212,"2025-01-16",{"_750":1439,"_751":1440},3044,{"_682":1445,"_31":561,"_685":1446,"_255":1450,"_378":1451,"_692":1452,"_694":1453,"_697":1454,"_700":1455,"_702":1457,"_709":1463,"_717":1468,"_729":38,"_730":1473,"_733":1474,"_736":1475,"_738":1476,"_740":1477,"_742":743,"_744":1478,"_746":1479,"_748":1480,"_752":1481},"profile-80",[1447,1448,1449],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002Acn4AE-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000029td4AA-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000029tg4AA-right2.jpg","Magdalena Maślerz","magdalena-malerz-x9helw","Magdalena Maślerz’s passion for jewellery making started in childhood. She always had an eye for detail and was very affected by jewellery from an early age. She began experimenting with animal bones as a material during her time at university. Magdalena owes her professional development to her mentor, Tadeusz Henzel, who taught her the art of goldsmithing. In 2013 she became a qualified goldsmith-jeweller and opened the first private goldsmithing school in Krakow. Since then Magdalena has continued to create unique artworks combining noble materials such as silver and gold with animal bones which she finds during her trips.",[812],[699],[945,815,1456,817],"Mentored",[1458,1459,1460,1461,1462],"Encrusted Corian","Toothbrush","Satan’s brut","Poseidon’s glasses","To all losses of Monica",[1464,1465,1466,1467,831,952,714,715,957,839],"Sterling silver","Corian","Cow bone","Teeth",[1469,785,1470,1471,843,845,787,1472,846,789],"Bracelet","Headpiece","Eyewear","Accessories",[732],[849],[812],50.07126,19.92381,"Krakow, Poland","2024-10-10",{"_750":1476,"_751":1477},543,{"_682":1483,"_31":575,"_685":1484,"_255":1488,"_378":1489,"_692":1490,"_694":1491,"_697":1493,"_700":1494,"_702":1497,"_709":1498,"_717":1499,"_729":38,"_730":1500,"_733":1502,"_736":1504,"_738":1505,"_740":1506,"_742":743,"_744":1507,"_746":1508,"_748":1509,"_752":1510},"profile-76",[1485,1486,1487],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000017174AA-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000017134AA-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000017164AA-right2.jpg","Oakywood","oakywood-oxnf3k","Oakywood is a Polish family workshop that was created in 2019 out of passion for wood and technology. The idea came from the oldest son, Mateusz Haberny, who grew up at the foot of the Tatra mountains, in a surrounding rich in woodworking traditions. He combined his fascination with wood with his second passion – new technologies. His first project, a wooden phone docking station, turned out to be a sales hit and that convinced him to focus on wooden home furniture and accessories.",[1492],"Cabinetry",[699],[1495,1351,909,1496,910],"Family business","Manufacturer",[],[],[],[1501],"Atelier",[1503],"Cabinetmaker",[1492],53.3807,19.37612,"Ciche, Poland","2024-07-04",{"_750":1505,"_751":1506},3245,{"_682":1512,"_31":1513,"_685":1514,"_255":1518,"_378":1519,"_692":1520,"_694":1521,"_697":1523,"_700":1524,"_702":1526,"_709":1532,"_717":1534,"_729":38,"_730":1537,"_733":1538,"_736":1540,"_738":1541,"_740":1542,"_742":853,"_744":1002,"_746":1543,"_748":1544,"_752":1545},"profile-3893",3893,[1515,1516,1517],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000zTJ4AY-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000zQ54AI-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000zWX4AY-right2.jpg","Anastasia Kovaleva","anastasia-kovaleva-dsdw4r","Anastasia Kovaleva was introduced to the world of botanical art by a beloved teacher. Throughout her school years, she attended floral design courses as an extracurricular activity. Over time, this passion evolved into a desire to share this art with a broader audience. Despite pursuing a career in commerce, she eventually graduated from the Eugeniusz Geppert Academy of Art and Design in Wrocław, Poland, and from that moment became a full-time artist. In her work, Anastasia uses pressed flowers, foliage, and other natural materials that she finds in woodlands, by roadsides, and in gardens of Poland. Through her art, she wishes to inspire a deeper appreciation for the diversity and beauty of flowers.",[1522],"Botanical sculpting",[699,984],[943,944,1525,183],"Flowers",[1527,1528,1529,1530,1531],"Floral Lace","The birth of Venus","After Rain","Tenderness","Red Focus",[1213,1212,1533,1217],"Leaves",[1535,1536,1180,788],"Wall decor","Wall hanging",[732],[1539],"Botanical sculptor",[1522],51.1479437308952,16.9311631791206,"2024-06-20",{"_750":1541,"_751":1542},5702,{"_682":1547,"_31":526,"_685":1548,"_255":1552,"_378":1553,"_692":1554,"_694":1555,"_697":1557,"_700":1558,"_702":1562,"_709":1568,"_717":1570,"_729":38,"_730":1574,"_733":1575,"_736":1577,"_738":1578,"_740":1579,"_742":743,"_744":745,"_746":1580,"_748":1581,"_752":1582},"profile-79",[1549,1550,1551],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000NEP4A2-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000NEL4A2-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000NEO4A2-right2.jpg","Agata Marchlewicz","agata-marchlewicz-3ejph3","Agata Marchlewicz has always liked working with paper crafts. During her studies, she painted watercolours and made etchings. She was drawn to paper-cutting techniques after taking part in workshops with a traditional paper-cutter, Lucyna Kozłowska, in 2014 during the Tabor Kaliski festival. The cutting process is very meticulous. Agata uses small nail scissors and a bookbinding knife to create her intricate cutouts. She also dyes and waxes her paper herself. \"This work relaxes me and has a therapeutic effect on my life,\" she admits. Agata personally likes to cut out Slavic deities, elements of nature and unusual body shapes. Over the years since she started her activity, she has trained 100 apprentices who were inspired by her passion.",[1556],"Paper cutting",[699],[1559,1560,944,1561],"Craft therapy","First generation","Paper",[1563,1564,1565,1566,1567],"The Bows","The Nest","Red room","Squat","Control freak",[1569,1561,839],"Beeswax",[1571,1572,1573],"Cut paper art","Paper art","Books and paper",[732],[1576],"Paper cutter",[1556],52.38903,16.9176,"2024-02-29",{"_750":1578,"_751":1579},682,{"_682":1584,"_31":1585,"_685":1586,"_255":1590,"_378":1591,"_692":1592,"_694":1593,"_697":1594,"_700":1595,"_702":1597,"_709":1603,"_717":1605,"_729":38,"_730":1607,"_733":1608,"_736":1609,"_738":1610,"_740":1611,"_742":743,"_744":745,"_746":1612,"_748":1613,"_752":1614},"profile-83",83,[1587,1588,1589],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000D294AE-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000D254AE-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000D284AE-right2.jpg","Karolina Szeląg","karolina-szelag-daej7x","Karolina Szeląg always dreamed of practising a craft. As a little girl she wanted to live in a mud house. She made her first work at the age 16 and it was a 1m high clay sculpture of a woman, with large hips and a disproportionately small head, holding a bouquet of flowers. Since then Karolina has gained popularity with her series of colourful porcelain household ceramics, unique thanks to hand decoration and painting. To this day, she draws inspiration from surrounding people and nature. As she says herself, \"I try to combine craftsmanship with accents of art.\" Her works can be found all over the world, from her hometown of Koszalin to San Lorenzello and Tokyo.",[765],[699],[986,765,1596],"Lifestyle",[1598,1599,1600,1601,1602],"Cloud","On two sides","ARTespresso Frida porcelain mugs","Porcelain Birds","Herbarium",[780,1293,779,1604,782,714],"Limoges porcelain",[785,1606,787,1329,789,728],"Mug",[732],[792],[765],52.45441,16.8941,"2024-01-25",{"_750":1610,"_751":1611},61,{"_682":1616,"_31":1617,"_685":1618,"_255":1622,"_378":1623,"_692":1624,"_694":1625,"_697":1626,"_700":1627,"_702":1628,"_709":1634,"_717":1636,"_729":38,"_730":1639,"_733":1640,"_736":1641,"_738":1642,"_740":1643,"_742":853,"_744":1644,"_746":1645,"_748":1646,"_752":1647},"profile-3894",3894,[1619,1620,1621],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PP4aWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PP4YWAW-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PP4cWAG-right2.jpg","Agnieszka Borkowska","agnieszka-borkowska-ceramics-poland","Agnieszka Borkowska’s adventure with ceramics began after completing masters studies in painting and art theory at the Academy of Fine Arts in Łódź in 1998. Two years after graduation she went to AFS in Bergen, Norway, to study ceramics because the combination of colour, drawing and spatial form appealed to her greatly. Inspired by Gaudi’s style and by nature in general, she experimented with different materials and forms, and developed her own decorating techniques. Depending on the material used and the form of the object, Agnieszka's creative process can take between a few weeks and a few months, especially if plaster mould casting is involved. Sometimes she makes up several different versions of the project before she finds the right form. In contrast, her famous hand-formed cups were inspired by a dream she had and were created in the blink of an eye.",[765],[699],[986,1560,944,765,945,1020,909,816],[1629,1630,1631,1632,1633],"Black coffee cup","Green tea cup","Flower heads","White coffee cup","Sea dream",[1293,779,956,910,1635,714,838],"Limestone",[1637,785,1638,787,728,789],"Coffee cup","Coffee and tea",[732],[792],[765],51.84998,19.43795,"Zgierz, Poland","2023-04-20",{"_750":1642,"_751":1643},4091,{"_682":1649,"_31":1650,"_685":1651,"_255":1654,"_378":1655,"_692":1656,"_694":1657,"_697":1658,"_700":1659,"_702":1660,"_709":1666,"_717":1672,"_729":38,"_730":1675,"_733":1676,"_736":1677,"_738":1678,"_740":1679,"_742":853,"_744":1680,"_746":1681,"_748":1682,"_752":465},"profile-3887",3887,[1652,1653],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POaTWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POaRWAW-left1.jpg","Cyryl Zakrzewski","cyryl-zakrzewski-furniture-making-poland","Growing up in a creative family, Cyryl Zakrzewski felt a strong connection to art since early childhood. He developed an interest in sculpting during his studies at the University of Arts in Poznan, Poland, and picked up furniture and wood craftsmanship after his graduation in 2011. Since then, his style has evolved to combine traditional wood carving with digital processing. In his projects he often uses both generative design, CAD and CNC techniques with sculptural craftsmanship. His work can be seen both in his hometown in Poland, as well as in Japan and Slovenia.",[696],[699],[943,1158,945,1020,183,769,909,873,770,946],[1661,1662,1663,1664,1665],"Nexus table","Nexus sideboard","Caldera table","Dune chair","Nexus desk",[1060,1667,1668,1429,1669,1670,1671,910,715],"Plywood","Resin","Plastic","Polypropylene","Birchwood",[722,1673,1366,719,1674,725,1434,724,727],"Sideboard","Desk",[732],[735],[696],52.46556,16.88511,"Suchy Las, Poland","2023-03-23",{"_750":1678,"_751":1679},{"_682":1684,"_31":1685,"_685":1686,"_255":1690,"_378":1691,"_692":1692,"_694":1693,"_697":1694,"_700":1695,"_702":1696,"_709":1702,"_717":1703,"_729":49,"_730":1705,"_733":1706,"_736":1707,"_738":1708,"_740":1709,"_742":853,"_744":1710,"_746":1711,"_748":1712,"_752":1713},"profile-3890",3890,[1687,1688,1689],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWWYWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PYRfWAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWWaWAO-right2.jpg","Adam Sobota","adam-sobota-ceramics-poland","Chance has great meaning for Adam Sobota. It is by chance that he applied for the Ceramics and Glass Department at Wroclaw’s Academy of Fine Arts, a last-minute choice instead of studying graphics. The possibility that anything can happen is part of the artisan’s philosophy towards crafting new objects. He combines this element of chance with his mastery of different ceramic techniques. The real power of Adam’s work lies in connecting the two opposites. That’s why his work is so diverse and eclectic from handmade and wheel-turned to imprinted and cast ceramics. He matches an innovative approach with a respect for the past, his works bear an irresistible magnetism.",[765],[699],[986,944,765],[1697,1698,1699,1700,1701],"Talerz 5 - rozwarstwienie (Plate 5 - delamination)","Pocisk 2 (Projectile 2)","Święty pierwszy (Saint the first)","Stacja Radegast nr 5 (Radegast Station number 5)","Czajnik (Teapot)",[881,780,716,779,1211,1296,782,714,840,1060],[1535,785,1704,1180,787,1638,788,789,728],"Teapot",[732],[792],[765],50.2467,18.73591,"Przyszowice, Poland","2022-12-08",{"_750":1708,"_751":1709},2346,{"_682":1715,"_31":1716,"_685":1717,"_255":1721,"_378":1722,"_692":1723,"_694":1724,"_697":1726,"_700":1727,"_702":1728,"_709":1734,"_717":1738,"_729":38,"_730":1740,"_733":1741,"_736":1743,"_738":1744,"_740":1745,"_742":743,"_744":1746,"_746":1747,"_748":1748,"_752":1749},"profile-96",96,[1718,1719,1720],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVn0WAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PYPXWA4-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVn2WAG-right2.jpg","Wojtek Pastuch","wojtek-pastuch-pipemaking-poland","Pipemaking is not the most popular of crafts and in Poland there are just a few pipemakers. Katowice-born Wojtek Pastuch is one of the brightest stars of this rare profession having been in the craft since 2011. A true devotee of pipemaking, he is on a constant quest to level up his skills, collaborate with other artisans, and make better pipes. He uses a combination of many techniques from the fields of carpentry, metalworking, jewellery making, and other crafts to create his pipes; it’s a complex, thorough process. It was a meeting with the briar master Domenico “Mimmo” Romeo that inspired Wojtek to start his own pipemaking journey. He later trained with the Danish master Tom Eltang. Today Pastuch runs a successful brand and supplies masterly pipes to connoisseurs all over the world.",[1725],"Pipemaking",[699],[944,1020,1456,816,873,946],[1729,1730,1731,1732,1733],"Cornucopia","Freeform","Whale","Fish","Classic briar pipe with silver decoration",[1735,1736,1671,1737,715,910,714],"Rubber","Briar wood","Silver 925",[1739,1472,846],"Pipe",[732],[1742],"Pipemaker",[1725],50.4,19,"Dobieszowice, Poland","2022-11-24",{"_750":1744,"_751":1745},1989,{"_682":1751,"_31":1752,"_685":1753,"_255":1757,"_378":1758,"_692":1759,"_694":1760,"_697":1762,"_700":1763,"_702":1765,"_709":1771,"_717":1777,"_729":38,"_730":1779,"_733":1780,"_736":1782,"_738":1783,"_740":1784,"_742":743,"_744":1785,"_746":1786,"_748":1787,"_752":1788},"profile-74",74,[1754,1755,1756],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVX7WAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PYObWAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVX9WAO-right2.jpg","Dominika Gacka & Julia Piekarska","dominika-gacka-and-julia-piekarska-weaving-poland","Dominika Gacka and Julia Piekarska are two very young but extremely talented weavers who met at the Academy of Fine Arts in Warsaw during a clothes designing course. Their love for textiles pushed them in a different direction. Under the tuition of great textile artists such as Dominika Krogulska-Czekalska, Aleksandra Gaca, Maja Sobura, and Martyna Golik they learned to operate the Jacquard loom and started experimenting. At first, they created Green Yarns Lab, a research project focused on fabrics that stimulate the sense of touch with the use of 3D structures and the juxtaposition of materials. After that turned out to be a success, they started a collaboration with The Good Living&Co as textile designers and started RESTKI, a project centred around the reworking and hardening of fibre production waste obtained from textile manufacturers in order to create new attractive objects. Since 2020 they are known as REST textile studio and create unique textile objects for interior design.",[1761],"Weaving",[699],[944,1281,769,909,1456,819,946,1021,1159,1764],"Visual Arts",[1766,1767,1768,1769,1770],"Textile samples II","Textile samples for The Good Living&Co","Green Yarns Lab I","Textile samples I","Green Yarns Lab II",[1772,1167,1168,1773,1774,1775,1776,1172,1217],"Alpaca wool","Merino wool","wool","Rose","Fibres",[1778,1179,1181],"Textile sample",[732],[1781],"Weaver",[1761],50.45723,18.81816,"Tarnowskie Góry, Poland","2022-11-17",{"_750":1783,"_751":1784},474,{"_682":1790,"_31":1791,"_685":1792,"_255":1795,"_378":1796,"_692":1797,"_694":1798,"_697":1800,"_700":1801,"_702":1804,"_709":1810,"_717":1818,"_729":38,"_730":1825,"_733":1826,"_736":1828,"_738":1829,"_740":1830,"_742":853,"_744":925,"_746":1831,"_748":1832,"_752":530},"profile-3884",3884,[1793,1794],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PT3wWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PT3uWAG-left1.jpg","Alicja Stańska","alicja-staska-embroidery-poland","At the age of 28, Alicja Stanska had already had a dozen different careers behind her and had worked in several corporations across Poland. Embroidery, that she learned as a little girl from her father, became her way of relaxation. \"I realised a corporate work was not for me. I went back to what I had done in my childhood and found that I wanted to live off it.\" Since then, she has mastered both traditional techniques and very sophisticated luneville embroidery – as used in haute couture. It became her way of expression and communication throughout all her works – not only as an artist, but also as a human rights activist and criminologist. \"Embroidery is everything to me. It always has been and will surround me for the rest of my life. And who knows what I will come up with in the next ten years!\"",[1799],"Embroidery",[699,1092],[943,944,1020,187,816,872,1802,873,207,1803],"Politically engaged","Homo Faber Fellowship 2024-25",[1805,1806,1807,1808,1809],"Svving For Loft","Sky at Night","Thread of Life","White cashmere","Black Jacket",[1811,1812,910,1813,1814,1815,1774,1816,1817,1172,714,957,837,1060],"Silk","Metal thread","Feathers","Fabric","Swarovski crystals","Beads","Cashmere",[1819,1820,1821,1822,1823,1178,1824,1181,846],"Cushion","Pillow","Skirt","Coat","Jacket","Clothing",[732],[1827],"Embroiderer",[1799],52.2,21,"2022-04-21",{"_750":1829,"_751":1830},{"_682":1834,"_31":1835,"_685":1836,"_255":1840,"_378":1841,"_692":1842,"_694":1843,"_697":1844,"_700":1845,"_702":1846,"_709":1852,"_717":1855,"_729":38,"_730":1858,"_733":1859,"_736":1860,"_738":1861,"_740":1862,"_742":853,"_744":1863,"_746":1864,"_748":1865,"_752":1866},"profile-3889",3889,[1837,1838,1839],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVBtWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVBrWAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVBwWAO-right2.jpg","Marta Norenberg","marta-norenberg-jewellery-making-poland","Since childhood, Marta Norenberg rebelled at anything traditional and experimented instead with handicrafts. After completing her studies in Art History in 2010, she undertook various activities to broaden her skills, including laying large-format glass mosaics, studying glass melting, learning the Tiffany-stained glass technique as well as completing a one-year-long goldsmith course. It was during the latter, studying with master Andrzej Bandkowski, that her love for silver jewellery really took hold, and which, in 2013, she turned into a business. Since then, she has been creating custom-made jewellery combining several of the techniques and skills that she has acquired. Her breakthrough project was a copper necklace made of felted merino wool, embossed and dyed leather then framed with precious stones. Marta finds inspiration from the richness of fauna and flora, as well as literature characters and fantasy creatures.",[812],[699],[945,1094,815,816,770],[1847,1848,1849,1850,1851],"Barn owl","Kingfisher pendant","Koi Carp medallion","The Little Prince set","Emerald Marrakesh",[834,1853,1737,1854,1293,1668,782,840,714,1217,715],"Silver","Ink",[1856,844,1857,1469,845,846],"Necklace","Medallion",[732],[849],[812],52.13734,20.81212,"Granica, Poland","2022-02-24",{"_750":1861,"_751":1862},5063,{"_682":1868,"_31":1869,"_685":1870,"_255":1874,"_378":1875,"_692":1876,"_694":1877,"_697":1878,"_700":1879,"_702":1880,"_709":1885,"_717":1886,"_729":49,"_730":1887,"_733":1888,"_736":1889,"_738":1890,"_740":1891,"_742":743,"_744":925,"_746":1892,"_748":1893,"_752":1894},"profile-66",66,[1871,1872,1873],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUwqWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUwoWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUwsWAG-right2.jpg","Arkadiusz Szwed","arkadiusz-szwed-ceramics-poland","Arkadiusz Szwed is one of the most talented and inspiring ceramic artists of his generation in Europe. He designs handmade cast porcelain objects in unique shapes, colours and sizes that go beyond the accepted standards. His artistic journey started at the age of 15, but it wasn’t until 2007 that he decided to become a ceramic designer. At that time, he started working for his teacher, Marek Cecuła, in the Modus Design Studio in Kielce, where he developed his passion for plaster turning, modelling, slip casting and pottery. Since then, he has created various objects from futuristic vases, elegant tableware to the largest ceramic rosary in Poland. The artist explains that the core of his work is to experiment freely with the form and capture chaos into a specific mould. His pieces of work are admired from Reykjavik to Budapest.",[765],[699,1092],[944,765,769,770],[1881,1882,1883,1884],"Guts vase","Skeleton","Coral plate","Bumps 2.0",[779],[884,785,786,787,788,789],[732],[792],[765],52.24993,21.06648,"2022-02-10",{"_750":1890,"_751":1891},2965,{"_682":1896,"_31":1897,"_685":1898,"_255":1902,"_378":1903,"_692":1904,"_694":1905,"_697":1906,"_700":1907,"_702":1908,"_709":1915,"_717":1916,"_729":38,"_730":1917,"_733":1918,"_736":1920,"_738":1921,"_740":1922,"_742":853,"_744":1923,"_746":1924,"_748":1925,"_752":1926},"profile-3888",3888,[1899,1900,1901],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PT7yWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PT7wWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PT80WAG-right2.jpg","Anna Kruhelska","anna-kruhelska-paper-sculpting-poland","Anna Kruhelska is a visual artist creating abstract three-dimensional artworks made from folded paper. Her background, however, is in architecture and in her 15 year career as an architect she designed high-end residential buildings, 5-star hotels and luxury apartments in Russia, Malaysia and the UK. Although she enjoyed it, her professional work didn’t leave much room for artistic expression. Therefore, in 2018, she began experimenting with pleating fabrics later turning to paper which proved to be the best material for her work. What is striking about Anna’s work is that all the pieces are folded, glued and assembled by hand with meticulous attention to detail. The process is very repeatable as each relief consists of 40–1,000 individual pieces, but the artist finds it very calming and relaxing, almost like a meditation. The end result is fitted in wooden frames with a front glass eliminating light reflections which creates a unique effect dependent on the viewer’s perspective. Her parametric designs are exhibited in prestigious galleries such as the Woolff Gallery in London and LRFA in Houston and Dallas, US.",[1572],[699],[1560,944,1158,945,187,872,1561,873],[1909,1910,1911,1912,1913,1914],"Untitled 118","Untitled 124","Untitled 123","Untitled 109","Untitled 100","Untitled 120",[1561],[1535,1180,788],[732],[1919],"Paper artist",[1572],51.73644,19.47181,"Łódź, Poland","2022-01-06",{"_750":1921,"_751":1922},2155,{"_682":1928,"_31":1929,"_685":1930,"_255":1934,"_378":1935,"_692":1936,"_694":1937,"_697":1938,"_700":1939,"_702":1940,"_709":1946,"_717":1949,"_729":49,"_730":1950,"_733":1951,"_736":1952,"_738":1953,"_740":1954,"_742":743,"_744":1955,"_746":1956,"_748":1957,"_752":1958},"profile-88",88,[1931,1932,1933],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PTQTWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PTQRWA4-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PTQVWA4-right2.jpg","Marta Pokojowczyk","marta-pokojowczyk-weaving-poland","From a fairytale town surrounded by an ancient forest, talented young weaver Marta Pokojowczyk creates her unique woven paintings. By merging traditional folk weaving techniques with modern forms and paint, she designs three-dimensional canvases, fashion accessories and interior textiles. Marta started experimenting with textiles during her diploma in painting at the Academy of Fine Arts in Wroclaw in 2013 by ripping open and sewing jute coffee bags. She transformed her passion into a career in 2015 after completing a 5-month-long weaving course organised by Erasmus for Young Entrepreneurs at Helena Loerman's Handwoven Textiles Atelier in Odemira, Portugal. Marta loves the manual and environmentally friendly process of weaving on her loom. After running her studio for 2 years in Wroclaw, she decided to move to Supraśl in 2019, a small town in north-east Poland.",[1761],[699],[1560,944,769,946],[1941,1942,1943,1944,1945],"Horizon. Milfontes","Presence","Textile sculpture","Horizon. Cabo Sardão","The Source",[1167,1168,1811,1947,1948,711,713,1172,715,714,716],"Yarns","Acrylic paint",[1536,785,1180,787,788,789],[732],[1781],[1761],53.20429,23.33862,"Supraśl, Poland","2021-11-04",{"_750":1953,"_751":1954},1139,{"_682":1960,"_31":1961,"_685":1962,"_255":1966,"_378":1967,"_692":1968,"_694":1969,"_697":1971,"_700":1972,"_702":1974,"_709":1981,"_717":1984,"_729":38,"_730":1990,"_733":1991,"_736":1993,"_738":1994,"_740":1995,"_742":743,"_744":1923,"_746":1996,"_748":1997,"_752":1998},"profile-94",94,[1963,1964,1965],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PRNLWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PRNMWA4-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PRNNWA4-right2.jpg","Przemek Krawczyński","przemek-krawczyski-lamp-making-poland","For Przemek Krawczyński becoming an artisan was a matter of coincidence. It began when his mother brought home a gourd fruit she got from a gardener friend. Curious about its shape, he looked it up on the internet and found photos of lamps – \"I thought it would be nice to make a lamp for myself, and that’s how it all started!\" As a working student, Przemek began exploring his new hobby and made lamps for his friends. It was a self-taught path. A year later, he had the opportunity to go for a month to Senegal for drumming workshops. \"I quit university and my job. I came back broke, but I knew that I wanted to make lamps.\" That was over 10 years ago, and today his lamps enchant the homes of connoisseurs from all continents.",[1970],"Lamp making",[699],[944,1020,187,1973,872],"Mixing cultures",[1975,1976,1977,1978,1979,1980],"Floor lamp IV Nepenthis (by day)","Table lamp XXVII Escher’s Leaves (by day)","Floor lamp IV Nepenthis (by night)","Table lamp XXVIII Cantamena (by night)","Table lamp XXVII Escher’s Leaves (by night)","Lampshade of the Floor Lamp V Cirvinea",[1982,956,1983,910,1172,714],"Waxed cord","Sapele wood",[1985,1986,1987,1988,1989],"Floor lamp","Table lamp","Lamp shade","Lighting accessories","Lighting",[732],[1992],"Lamp maker",[1970],51.8,19.5,"2021-10-28",{"_750":1994,"_751":1995},4119,{"_682":2000,"_31":2001,"_685":2002,"_255":2006,"_378":2007,"_692":2008,"_694":2009,"_697":2011,"_700":2012,"_702":2013,"_709":2014,"_717":2015,"_729":38,"_730":2016,"_733":2018,"_736":2020,"_738":2021,"_740":2022,"_742":743,"_744":1077,"_746":2023,"_748":2024,"_752":2025},"profile-89",89,[2003,2004,2005],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POTrWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POTsWAO-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POTtWAO-right2.jpg","Huta Julia","huta-julia-glassblowing-poland","Huta Julia masters the art of crystal glass manufacturing. Such traditions were popular in Karkonosze (south of Poland) since the 19th century. In 1866 Friedrich Wilhelm Heckert, the emperor's godchild from Berlin, built a glass decoration plant, and 23 years later it was extended to the glassworks. The historic factory is located in the heart of the Giant Mountains, in Piechowice near Szklarska Poręba in the very same old walls of Heckert's glassworks. Since 2006 Huta Julia has been given a new lease of life thanks to its caring owners, a polish family from the region.",[2010],"Glassblowing",[699],[944,1060,1496,820],[],[],[],[2017],"Manufacture",[2019],"Glassblower",[2010],50.9,15.6,"2021-08-19",{"_750":2021,"_751":2022},2305,{"_682":2027,"_31":2028,"_685":2029,"_255":2033,"_378":2034,"_692":2035,"_694":2036,"_697":2037,"_700":2038,"_702":2040,"_709":2046,"_717":2047,"_729":38,"_730":2049,"_733":2050,"_736":2051,"_738":2052,"_740":2053,"_742":743,"_744":925,"_746":2054,"_748":2055,"_752":2056},"profile-67",67,[2030,2031,2032],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PW8EWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PW8CWAW-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PW8GWAW-right2.jpg","Andrzej Bero","bero-andrzej-uxip2p","In Asian cultures, the tea ceremony is filled with mysticism and centuries-old traditions. Brewing tea is associated with harmony and peace. \"In all the hustle of the world it is such a good time to sit down and do something that is so focused on the activity itself\" – says Andrzej Bero who became involved with ceramics over 20 years ago. In the 90s he followed ceramic classes for two years at People’s University in Turno, and soon after joined one of the oldest Polish ceramic groups – KERAMOS. Although from the beginning he was interested in teaware, meeting people who deal with tea had a big impact on his work: \"So far, I have just made teapots. But now I think about form and size, the way they are decorated or glazed, all this matters. I have devoted myself completely to it.\"",[765],[699,1092],[943,986,944,765,945,1020,2039,1973,770],"Hospitality",[2041,2042,2043,2044,2045],"Mugs","Ash glazed Teapot","Teapots","Small tea cups","Tea Plates",[780,782],[2048,1704,1329,1638,728],"Tea cup",[732],[792],[765],52.34087,21.07601,"2021-07-08",{"_750":2052,"_751":2053},5029,{"_682":2058,"_31":2059,"_685":2060,"_255":2064,"_378":2065,"_692":2066,"_694":2067,"_697":2069,"_700":2070,"_702":2072,"_709":2073,"_717":2074,"_729":38,"_730":2075,"_733":2076,"_736":2078,"_738":2079,"_740":2080,"_742":743,"_744":2081,"_746":2082,"_748":2083,"_752":2084},"profile-85",85,[2061,2062,2063],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNzJWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNzHWAW-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EpBv_Right2.jpg","Square Drop","square-drop-furniture-restoration-poland","Led by Agnieszka Śniadewicz-Świca, Square Drop is an art laboratory specialising in the design of unique furniture and the conservation of works of art. It is a company with family traditions, as the workshop continues the artwork conservation activities of the workshop that was originally set up Agnieszka's father, Robert, and in parallel, those of the Ars Longa Gallery that was run by her parents. Robert was a woodcarver at the Royal Castle in Warsaw. At Square Drop, the artisans apply the experience acquired over years to carry out conservation works. It has also developed design projects and created new, unique furniture pieces, or so called future antiques.",[2068],"Restoration",[699],[1501,2071,768,1020,819],"Collaborations",[],[],[],[1501],[2077],"Restorer",[2068],52.12506,20.66187,"Milanówek, Poland","2021-07-01",{"_750":2079,"_751":2080},4140,{"_682":2086,"_31":2087,"_685":2088,"_255":2092,"_378":2093,"_692":2094,"_694":2095,"_697":2096,"_700":2097,"_702":2098,"_709":2104,"_717":2110,"_729":38,"_730":2112,"_733":2113,"_736":2114,"_738":2115,"_740":2116,"_742":853,"_744":1002,"_746":2117,"_748":2118,"_752":2119},"profile-3885",3885,[2089,2090,2091],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PRYzWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PRZ0WAO-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PRZ1WAO-right2.jpg","Iwona Tamborska","iwona-tamborska-jewellery-making-poland","There are moments in life that can shape someone’s destiny. For Iwona Tamborska that moment was a sudden health issue. During her recovery time, she decided to leave her career as a landscape architect behind and pursue her dreams as an artisan. She considers herself a self-taught artist. \"When I took my first steps into silversmithing, there were no schools or easy ways to learn. It was a long and devoted research through tears and failures. As I look at it now in retrospect, I think that learning through my mistakes gave me more space for creativity and a fresh look at this craft. Where I can connect traditional and modern techniques all together.\" Iwona’s works can now be admired at exhibitions and fairs worldwide.",[812],[699,984],[943,871,944,945,1094,815,816,872],[2099,2100,2101,2102,2103],"Dragonfly Queen Brooch","We are all broken inside","Cranes","Dragonfly Pond Collar","Opal and Iris Flowers",[1853,830,2105,2106,831,2107,2108,2109,1359,838,839,957],"Ruby","Citrine","Pearl","Labradorite","Moonstone",[843,1856,2111,845,846],"Ring",[732],[849],[812],51.1,17,"2021-05-06",{"_750":2115,"_751":2116},5206,{"_682":2121,"_31":2122,"_685":2123,"_255":2127,"_378":2128,"_692":2129,"_694":2130,"_697":2132,"_700":2133,"_702":2134,"_709":2140,"_717":2141,"_729":38,"_730":2143,"_733":2144,"_736":2146,"_738":2147,"_740":2148,"_742":743,"_744":1002,"_746":2149,"_748":2150,"_752":2151},"profile-93",93,[2124,2125,2126],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POboWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PObmWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PObqWAG-right2.jpg","Weronika Lucińska & Dawid Żynda","luciska-weronika--ynda-dawid-hurrgt","When two artistic ideas are blended such that you can’t distinguish whose project it was in the beginning, you know it is a perfect fusion. That is how Weronika Lucińska and Dawid Żynda decided to embrace this collaboration and create a brand, Barite. They met at the Faculty of Ceramic and Glass Design at the Wroclaw Academy of Fine Arts. Both started their professional experience in Polish porcelain manufacturers and specialise in throwing on the potter's wheel. For their joint project, they combine high-quality functional porcelain with a modern design. “Dawid has a technical approach and searches for a solution to the toughest problems. Whereas, I work on the artistic layer, looking for interesting forms that are almost impossible to make,” smiles Weronika.",[2131],"Porcelain crafting",[699,984],[944,765,1020,2039,909],[2135,2136,2137,2138,2139],"Organic 4.0","Organic 6.0","Wave tea set","Organic 3.0","Organic 1.0 and Organic 2.0",[779],[884,2142,786,1638,788,728],"Tea set",[732],[2145],"Porcelain maker",[2131],51.13052,17.08054,"2021-04-08",{"_750":2147,"_751":2148},5344,{"_682":2153,"_31":2154,"_685":2155,"_255":2159,"_378":2160,"_692":2161,"_694":2162,"_697":2163,"_700":2164,"_702":2166,"_709":2172,"_717":2174,"_729":38,"_730":2175,"_733":2176,"_736":2177,"_738":2178,"_740":2179,"_742":743,"_744":2081,"_746":2180,"_748":2181,"_752":2182},"profile-82",82,[2156,2157,2158],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUkQWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUkOWAW-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUkSWAW-right2.jpg","Monika Patuszynska","monika-patuszynska-ceramics-poland","Monika Patuszyńska was introduced to ceramics in the early 90s during a one-year course for artisans in Denmark: “I always warn people who want to work with ceramics to think it over. It is a trap that once you fall into; it's very difficult to get out. I haven't got out of it since,” she says. What distinguishes Monika’s making process is her approach to the material. A traditional technique of casting (often used in industrial production) became a way for endless expression. “I assumed that plaster and porcelain are not smooth. They were made smooth by man to create the impression that he had subordinated all elements to himself. So I started looking for the nature of the materials, showing casting marks and splitting the plaster to reveal its internal structure,” she explains of her creative process.",[2131],[699],[944,765,945,768,2165,1020,769,909],"Homo Faber 2018",[2167,2168,2169,2170,2171],"From the \"TransForms Plus\" series","TransForms Plus","Genealogy Series/ Triangulation","TransForms Plus/ Debris series","Genealogy Series 2",[881,2173,779,782,838],"Parian",[785,787,789],[732],[2145],[2131],52.1,20.7,"2020-11-19",{"_750":2178,"_751":2179},547,{"_682":2184,"_31":2185,"_685":2186,"_255":2190,"_378":2191,"_692":2192,"_694":2193,"_697":2194,"_700":2195,"_702":2196,"_709":2199,"_717":2200,"_729":49,"_730":2201,"_733":2202,"_736":2203,"_738":2204,"_740":2205,"_742":743,"_744":2206,"_746":2207,"_748":2208,"_752":2209},"profile-97",97,[2187,2188,2189],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PRuSWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PRuQWAW-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PRuUWAW-right2.jpg","Monika Dąbrowska Picewicz","monika-dbrowska-picewicz-ceramics-poland","Monika Dąbrowska Picewicz became fascinated with ceramics when she was still in high school. She took part in a ceramic workshop and continued her path to becoming a craftswoman studying at The Academy of Fine Arts in Wroclaw. At that time, it was the only department of ceramics in Poland. \"I immediately decided that there was no possibility I would want to do anything else in my life,\" she says. Monika’s workshop is now settled in the small town of Kęty in the south of Poland. Surrounding herself with nature had a strong impact on her works and became the main inspiration of her ovoid like forms. \"It is like drawing all the emotions that mankind can take from nature and later expressing it in works,\" she explains. To embellish her works, Monika uses a unique technique related to painting.",[765],[699],[944,765,768,1020,909,1973,816],[2197,2198],"Rounded objects series","Boule bowls",[779],[785,996,787,786,789,788],[732],[792],[765],49.87845,19.19518,"Kęty, Poland","2020-10-15",{"_750":2204,"_751":2205},1014,{"_682":2211,"_31":2212,"_685":2213,"_255":2217,"_378":2218,"_692":2219,"_694":2220,"_697":2221,"_700":2222,"_702":2224,"_709":2232,"_717":2237,"_729":49,"_730":2239,"_733":2240,"_736":2241,"_738":2242,"_740":2243,"_742":743,"_744":925,"_746":2244,"_748":2245,"_752":2246},"profile-84",84,[2214,2215,2216],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POeuWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POesWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PXw5WAG-right2.jpg","Anna Bera","anna-bera-furniture-making-poland","Born in a village in the Świętokrzyskie Mountains, Anna Bera began working with wood at the age of 14. She learned woodcarving at art school, but craft itself was not her main focus. \"Already at that time I was interested in contemporary art and abstraction,\" she says. After studying at the Academy of Fine Arts in Poznań, where she chose stage design, Anna worked for few years in the visual arts and new media. She focused on conceptual photography, which led her to collect all kinds of objects found in nature, especially stones, igniting her creativity to the point that conceptual work was no longer enough to fulfil her. \"The ideas and objects on which I focused… I felt their energy; it’s just the medium that was not right.\"",[696],[699,1092],[944,945,1020,909,816,872,946,207,2223],"Homo Faber Fellowship 2025-26",[2225,2226,2227,2228,2229,2230,2231],"Fedo side table","Multifunctional wood object","Fossil No. 1","Fossil #1","Earth Stone Wood","Hac","Mandorla",[2233,1032,2234,1296,2235,910,2236,1060],"Cherry wood","Stain","Poplar wood","Cement, plaster, pigments",[2238,720,722,1296,725,1297,727],"Side table",[732],[735],[696],52.2601391944232,21.0494180092946,"2020-09-15",{"_750":2242,"_751":2243},5682,{"_682":2248,"_31":2249,"_685":2250,"_255":2254,"_378":2255,"_692":2256,"_694":2257,"_697":2258,"_700":2259,"_702":2260,"_709":2266,"_717":2268,"_729":49,"_730":2272,"_733":2273,"_736":2274,"_738":2275,"_740":2276,"_742":743,"_744":1923,"_746":2244,"_748":2277,"_752":2278},"profile-90",90,[2251,2252,2253],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EpBz_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EpBz_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EpBz_Right2.jpg","Jadwiga Lenart & Wiktoria Podolec","jadwiga-lenart--wiktoria-podolec-weaving-poland","Weaving is a time consuming craft. Preparing a loom might take up to four days before the weaving process can even begin. Given this slow pace of work, it is no wonder Wiktoria and Jadwiga named their studio ‘tartaruga’, which means turtle in Italian. The pair met in the faculty of material technologies and textile design at Lodz University of Technology. They were still students when Art_Inkubator, an initiative that supports young people in starting their creative endeavours, announced a competition for new applicants. \"It was an impulse,\" they say. \"We knew we would have to wait two more years for the next contest and this was the moment to try.\" Two months after winning, they opened their studio, offering a contemporary approach to the traditional craft of weaving kilims and rugs.",[1761],[699],[944,1281,1020,769,909,819,1021,1764],[2261,2262,2263,884,2264,2265],"The Sun no. 13","The Suns collection: The Sun no. 8, The Sun no. 5, The Sun no. 13","Kilims from Poland collection: Shapes on Stripes, Random Shapes and Moonlight","Fav Stuff collection: Jugs and Red","DIY weaving kit",[1167,1814,1774,1169,1168,2267,1172,715],"Textile",[1536,2269,1177,2270,1180,1178,2271,788,1181,1399],"Triptych","DIY set","Wellness",[732],[1781],[1761],51.7536,19.46202,{"_750":2275,"_751":2276},5526,{"_682":2280,"_31":2281,"_685":2282,"_255":2286,"_378":2287,"_692":2288,"_694":2289,"_697":2290,"_700":2291,"_702":2292,"_709":2298,"_717":2300,"_729":38,"_730":2302,"_733":2303,"_736":2304,"_738":2305,"_740":2306,"_742":853,"_744":925,"_746":2244,"_748":2307,"_752":2308},"profile-3902",3902,[2283,2284,2285],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004VKYWA2-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004VKeWAM-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004VKtWAM-right2.jpg","Olga Milczyńska","olga-milczyska-uyutxo","When Olga was studying in Denmark, during one of her walks on the beach, she found a piece of brick washed up by the sea. Its oval shape, designed by the force of water, made her think \"Is this an object created by a man or by nature\". She also realised \"how old, and long-lasting ceramic craft is\". Throughout her career she has supported endangered arts and crafts. In 2016, together with Irina Grishina, she opened August Design Studio. As a teacher at School of Form in Poznań she reminds her students that craftmanship comes with \"collecting your own experience and making many mistakes on the way to find your own point of view\".",[765],[699,1092],[944,765,1020,1973,770,946],[2293,2294,2295,2296,2297],"Tut vase","Round serving dish","Journey (sculpture)","Sea Anemone vase","Unlikely Movements",[2299,1211,779,782,840],"Fireclay Stoneware",[884,2301,785,786,726,787,788,728,789],"Serving bowl",[732],[792],[765],52.250119822753,21.0135528324422,{"_750":2305,"_751":2306},5088,{"_682":2310,"_31":2311,"_685":2312,"_255":2316,"_378":2317,"_692":2318,"_694":2319,"_697":2321,"_700":2322,"_702":2324,"_709":2331,"_717":2338,"_729":38,"_730":2340,"_733":2341,"_736":2343,"_738":2344,"_740":2345,"_742":743,"_744":925,"_746":2244,"_748":2346,"_752":2347},"profile-73",73,[2313,2314,2315],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNPLWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNPMWA4-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNPNWA4-right2.jpg","Piotr Jędras","piotr-jdras-knife-making-poland","Piotr Jędras was a teenager when he came across a historical reconstruction association. In an attempt to recreate a medieval craft, he made his first knives. “They were all reconstructions of excavated knifes. I spent a lot of time on the research,” he says. He came back to knives at the end of his architectural studies, when he made a kitchen knife for a friend. It became a hobby, mostly as a form of a distraction from his everyday work in the architecture studio, but a year later he had to take time off from his day job to catch up with orders. “It happened by itself, involuntarily. And now we are a team of three and make 250 knives a year.” Used in the kitchens of the best chefs in Europe, Kłosy knives combine handmade design with functionality.",[2320],"Knife making",[699,1092],[1020,2039,769,816,872,873,946,207,2323],"Homo Faber Fellowship 2026-27",[2325,2326,2327,2328,2329,2330],"Splinter","Paring knives","Serrated bread knife","Small knives set","Handle detail","Kitchen knives set",[2332,713,2333,2334,2335,716,2336,2337,714,910],"Magnet","Ironwood","Rosewood","Maple wood","Olivewood","Burr",[2339,1638,728],"Knife",[732],[2342],"Knife maker",[2320],52.23844,21.02838,{"_750":2344,"_751":2345},4777,{"_682":2349,"_31":540,"_685":2350,"_255":2353,"_378":2354,"_692":2355,"_694":2356,"_697":2357,"_700":2359,"_702":2360,"_709":2366,"_717":2367,"_729":38,"_730":2368,"_733":2369,"_736":2370,"_738":2371,"_740":2372,"_742":743,"_744":2373,"_746":2244,"_748":2374,"_752":2375},"profile-81",[2351,2352],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PReqWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PReoWAG-left1.jpg","Piotr Micek","piotr-micek-ceramics-poland","Piotr Micek creates his ceramic paintings through a composition of multiplied elements, that guide your eye from the totality into the detail. \"This is important for me, the possibility to read these images as a whole, while recognizing the value of the unit\", Piotr explains. Just like his mosaics, Piotr’s life is formed from many complementary elements. His work is divided between three cities. In Wałbrzych he works as a director of the Art Gallery BWA and as a head of the Unique Ceramics Center . He created an artistic collaboration between those institutions and Academy of Art and Design in Wrocław, where he graduated from the faculty of ceramics and glass. His personal workshop is in his home city of Kamienna Góra.",[765],[699,2358],"Wałbrzych",[2071,1559,944,765,945,909,816,1764],[2361,2362,2363,2364,2365],"Gold Grasses","Smarties 02","Gold in the centre","Smarties 03","Smarties 04",[779,881,782],[1535,1180,788],[732],[792],[765],50.7716690767815,16.2654621369094,"Wałbrzych, Poland",{"_750":2371,"_751":2372},4541,{"_682":2377,"_31":514,"_685":2378,"_255":2382,"_378":2383,"_692":2384,"_694":2385,"_697":2386,"_700":2387,"_702":2389,"_709":2395,"_717":2396,"_729":38,"_730":2398,"_733":2399,"_736":2400,"_738":2401,"_740":2402,"_742":743,"_744":2403,"_746":2244,"_748":2404,"_752":2405},"profile-77",[2379,2380,2381],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POexWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PXwBWAW-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POezWAG-right2.jpg","Robert & Monika Jehn-Olszewscy","robert--monika-jehn-olszewscy-ceramics-poland","When he was a boy Robert Jehn-Olszewscy would play among the furnaces at his father's ceramic tile workshop, having fun pretending he was Bruce Lee punching piles of broken ceramic tiles. So there was little doubt he would later become a ceramicist himself. As a student in 1993 he continued working independently in his father’s workshop. Then he met Monika, when they both studied at the Warsaw University of Technology. Monika fell in love with Robert and ceramics at the same time. \"We used to admire traditional folk craft,\" explains Robert. \"What we observed is that in a pottery workshop there’s always family working together. That’s what we like most – just the two of us, working with our own hands.\"",[765],[699],[944,2388,765,768,1020,2039,1456,818,946],"Celebrities",[2390,2391,2392,2393,2394],"Espresso cups & saucers","Decorative ceramic vases","Large ceramic mug","Decorative ceramic duck","Decorative ceramic kingfisher",[780,782],[2397,884,1606,785,1329,786,787,728,788,789],"Cup",[732],[792],[765],52.094965,21.01185,"Nowa Iwiczna, 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