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2026","bgColor","bgImgUrl","https://api.homofaber.com/uploads/9_16_1080x1920_50_175a29db28.png","bgRepeat","bgFit","contain","centerImgUrl","centerText","1 – 30 September 2026, San Giorgio Maggiore Island, Venice","centerImgFit","ctaLabel","Book your ticket","ctaBgColor","#FFFFFF","ctaUrl","textColor","white","2025-05-22T09:42:23.885Z","2026-04-27T09:13:30.731Z","2026-04-27T09:13:30.723Z","textLeftXs","bgImgUrlXs","ctaLabelXs","Book now","ActiveStartDate","2026-04-27T07:00:00.000Z","ActiveEndDate","2026-09-30T21:45:00.000Z","mainAdvert","guideTags",[627,629,631,634],{"_255":187,"_628":-5},"badge_color",{"_255":183,"_628":630},"#115C90",{"_255":632,"_628":633},"Homo Faber Capsule","#f0deca",{"_255":207,"_628":635},"#D9583B","isWebview","userAgent","Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)","emailHash","request",["SingleFetchClassInstance",642],{},"routes/$lang","routes/$lang.artisans._index",{"_646":647,"_2340":647,"_2341":2342,"_2627":2628},"profiles",[648,732,774,817,852,895,931,962,1002,1038,1063,1097,1157,1192,1227,1264,1301,1337,1368,1403,1432,1465,1500,1535,1567,1604,1638,1668,1700,1734,1771,1805,1834,1869,1902,1934,1966,1999,2032,2061,2094,2124,2152,2184,2216,2247,2276,2303],{"_649":650,"_31":651,"_652":653,"_255":657,"_378":658,"_659":660,"_661":662,"_664":665,"_668":669,"_677":678,"_684":685,"_693":694,"_707":38,"_708":709,"_711":712,"_714":715,"_716":717,"_718":719,"_720":721,"_722":723,"_724":725,"_726":727,"_730":731},"_meilisearch_id","profile-5402",5402,"picture",[654,655,656],"https://api.homofaber.com/uploads/3_Sophie_Sellu_by_Daisy_Wingate_Saul_0167_8b99e18f34.jpg","https://api.homofaber.com/uploads/1_edited_Sophie_Sellu_by_Daisy_Wingate_Saul_0150_copy_aaeb1f0401.jpg","https://api.homofaber.com/uploads/5_EDITED_Photo_05_04_2021_18_37_11_Sophie_Sellu_copy_4b1d1f2643.jpg","Sophie Sellu","sophie_sellu-wood_carving-london","description","Sophie Sellu creates functional objects and wall pieces carved from British woods in New Cross, London. Before becoming a maker, she studied interior design and worked in visual merchandising and trend forecasting. \"While I loved the research process, I found myself drawn to hands-on making,\" she says. In 2013, a workshop led Sophie to the Sussex woods, where she carved a spoon with rudimentary tools, surrounded by nature. \"I found a sense of peace that I had never experienced in other creative outlets,\" she explains. When a redundancy offered Sophie the time to make, she gave herself six months to establish a practice. After securing a loan from the Prince's Trust, she began selling hand carved tableware at markets. \"I only make things I would want to have in my own home,\" Sophie says. She maintains this one principle in her collaborations, such as in her recent work with furniture company Made.","craft",[663],"Wood carving","destinations",[666,667],"United Kingdom","London","tags",[670,671,672,673,674,675,676],"Art de la table","Collaborations","Craft therapy","New career","Sustainable","Territory","Wood","objects",[679,680,681,682,683],"Standing sculpture","Tableware","Spalted Hornbeam vase","Oak dry stem vase","Walnut textured brush","materials",[686,687,688,689,690,691,676,692],"Chestnut wood","Maple wood","Walnut wood","Hornbeam wood","Oak wood","Fibres","Fibres and textiles","categories",[695,696,697,698,699,700,701,702,703,704,705,706],"Sculpture","Cutlery set","Vase","Brush","Monuments","Cutlery","Decorative objects","Bathroom accessories","Architecture","Table and kitchen","Decoration","Beauty","has-experiences","type-of-artisan",[710],"Artisan","craft_person",[713],"Woodcarver","craft_metier",[663],"latitude",51.47624791065229,"longitude",-0.04884686610038032,"content_edit_date","2026-05-01T09:25:43.000+0000","city_and_country","London, United Kingdom","is_new_until","2026-04-30","_geo",{"_728":717,"_729":719},"lat","lng","order",3234,{"_649":733,"_31":734,"_652":735,"_255":739,"_378":740,"_659":741,"_661":742,"_664":743,"_668":745,"_677":749,"_684":755,"_693":759,"_707":38,"_708":764,"_711":765,"_714":766,"_716":767,"_718":768,"_720":769,"_722":770,"_724":771,"_726":772,"_730":773},"profile-5336",5336,[736,737,738],"https://api.homofaber.com/uploads/3_DSC_01910_c_Moa_Sonerud_8_6da3d3b1cb.jpg","https://api.homofaber.com/uploads/1_DSC_00743_c_Moa_Sonerud_1_b651b42df3.jpg","https://api.homofaber.com/uploads/5_objet_c_Moa_Sonerud_2_2cc85dc59c.jpg","Pontus Sandevärn","pontus_sandevärn-wood_carving-lövestad","Pontus Sandevärn grew up in Småland, a region of dense forests and woodworking heritage. Music was his first love, but he turned to graphic design, working as a freelance designer for years. As Pontus wanted something more hands-on, he shifted to fine carpentry, attracted to its structure and 3D shapes. \"When I discovered Japanese carpentry techniques, I was amazed by their respect for materials and the precision required for perfect joints!\" he says. This led him to woodcarving and the simplicity of hand tools. \"The first time my blade touched wood, I felt a direct link to seven-year-old me. I remembered how I carved toys with my father’s knife,\" Pontus says. Since then, he has been carving every day, with his skills still alive in his hands' memory.",[663],[744],"Sweden",[746,747,673,748,676],"Hospitality","Mixing cultures","Self-taught",[750,751,752,753,754],"Origin 10","Origin 1","Origin 11","Spoon collection for Vyn","Plum shell",[756,757,758,676],"Cherry wood","Ash wood","Plum wood",[760,761,695,762,701,763,699,700,705,704,703],"Bowl","Serving platter","Spoon","Serving ware",[710],[713],[663],55.61226911786333,13.88750660363509,"2026-05-01T09:29:16.000+0000","Lövestad, Sweden","2026-03-26",{"_728":767,"_729":768},1442,{"_649":775,"_31":776,"_652":777,"_255":781,"_378":782,"_659":783,"_661":784,"_664":785,"_668":788,"_677":791,"_684":797,"_693":803,"_707":38,"_708":808,"_711":809,"_714":810,"_716":811,"_718":812,"_720":769,"_722":813,"_724":814,"_726":815,"_730":816},"profile-5309",5309,[778,779,780],"https://api.homofaber.com/uploads/3_Adam_Birch_Portrait_2024_Cr_Hayden_Phipps_and_S_Guild_02_0c27c05ecb.jpg","https://api.homofaber.com/uploads/1_Adam_Birch_Process_2019_11_Cr_Micky_Hoyle_and_Xigera_and_SG_05_HR_copy_013f5a0e35.jpg","https://api.homofaber.com/uploads/5_Adam_Birch_Qudu_I_and_II_2022_Cr_Hayden_Phipps_and_S_Guild_02_41703fb6af.jpg","Adam Birch","adam_birch-wood_carving-cape_town","Adam Birch is a woodcarver, sculptor and tree surgeon based in Noordhoek. He has been felling and pruning trees across the Cape Peninsula since the early 2000s, and is a fine arts graduate from Stellenbosch University. \"I was once working as a tree cutter in Kirstenbosch Gardens when I discovered a camphor fork that I felt compelled to carve,\" explains Adam. From this experience, he has built his specialism in carving large-scale seating furniture. The process of making a seat using only hand tools has kindled Adam's lifelong knack for identifying a branch's future form while it is still standing. \"I am always looking for a very specific fork,\" he says, \"and for it to be symmetrical.\" Today, Adam operates from an open-air workshop where he salvages invasive species like eucalyptus and cypress.",[663],[786,787],"South Africa","Cape Town",[789,674,748,790,676],"Design","Upcycling",[792,793,794,795,796],"Helena","Boudicca","Legato Recliner","McClellan","Swan",[798,799,800,801,676,802],"Pine wood","Platane wood","Eucalyptus","Jacaranda","Botanical",[804,805,806,807],"Chair","Bench","Sofa and Chairs","Furniture",[710],[713],[663],-33.90882650061434,18.42314594285663,"Cape Town, South Africa","2026-02-26",{"_728":811,"_729":812},18,{"_649":818,"_31":819,"_652":820,"_255":824,"_378":825,"_659":826,"_661":827,"_664":828,"_668":830,"_677":832,"_684":838,"_693":841,"_707":38,"_708":842,"_711":843,"_714":844,"_716":845,"_718":846,"_720":847,"_722":848,"_724":849,"_726":850,"_730":851},"profile-5223",5223,[821,822,823],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyL5_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyL5_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyL5_Right2.jpg","Soobin Lee","soobin_lee-wood_carving-seoul","Soobin Lee's wood practice is grounded in skilled handwork and close attention to material. She frequently works with animal-inspired forms, using familiar creatures as a way to soften the boundary between object and presence. \"My animals suggest gestures, weight and character, rather than holding literal representation,\" Soobin says. She carves these wooden figures slowly, through repetition and technical precision, which allows the grain and resistance of the material to guide each of her decisions. Positioned between craft and object-making. Soobin's work values durability, balance and tactile clarity. It reflects an intimate understanding of wood and form developed through continuous making,",[663],[829],"South Korea",[672,831,674,675,676],"Mixed media",[833,834,835,836,837],"DAMBI Walk","Human Walk","Winter Retreat","Soft Burden I","Dog Walk - Cracked Cliff",[839,840,676],"wood","Ebony wood",[695,699,703],[710],[713],[663],37.57480007745686,126.9612840009227,"2026-05-01T09:28:55.000+0000","Seoul, South Korea","2026-02-05",{"_728":845,"_729":846},2264,{"_649":853,"_31":854,"_652":855,"_255":859,"_378":860,"_659":861,"_661":862,"_664":863,"_668":865,"_677":869,"_684":875,"_693":876,"_707":38,"_708":886,"_711":887,"_714":888,"_716":889,"_718":890,"_720":891,"_722":892,"_724":849,"_726":893,"_730":894},"profile-5205",5205,[856,857,858],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ezoa_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ezoa_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ezoa_Right2.jpg","Benoît Vauthier & Manu Lerendu","benoît_vauthier__manu_lerendu-wood_carving-la_petite-raon","Benoît Vauthier and Manu Lerendu hand carve sculptural landscapes into functional surfaces, and create distinctive furniture and tableware for the hospitality sector. The duo met in 2012, at the Institut Québécois d’Ébénisterie, a woodworking school in Canada. After early award-winning collaborations, they returned to France in 2015, and established their studio in the Vosges in 2021. \"Material is at the heart of our woodwork. We celebrate natural textures and embrace marks left by our tools during the creative process,\" they explain. Benoît and Manu's approach brings together tradition and contemporary design, creating pieces that are both practical and deeply artistic.",[663],[864],"France",[670,671,866,746,867,868,675],"Exhibitions/Museums","Nature","Partners in craft",[870,871,872,873,874],"Cliff mirror","Mountain coffee table","Mountain fruit basket","Mountain sculpture","Rocky Cliff cabinet",[690,688,676],[877,878,879,695,880,881,882,883,699,884,807,885,703],"Mirror","Coffee table","Basket","Cabinet","Furniture accessories","Tables","Bags and luggages","Storage furniture","Mode",[710],[713],[663],48.4036968662217,6.997739553190682,"2026-05-01T09:29:06.000+0000","La Petite-Raon, France",{"_728":889,"_729":890},1599,{"_649":896,"_31":897,"_652":898,"_255":902,"_378":903,"_659":904,"_661":905,"_664":906,"_668":909,"_677":913,"_684":918,"_693":920,"_707":38,"_708":922,"_711":923,"_714":924,"_716":925,"_718":926,"_720":769,"_722":927,"_724":928,"_726":929,"_730":930},"profile-5057",5057,[899,900,901],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000GzXN_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000GzXN_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000GzXN_Right2.jpg","Helder Espada","helder_espada-wood_carving-barcelona","Portuguese-born multidisciplinary artist Helder Espada learned the technicalities of sculpture and woodcarving at Escola Profissional do Montijo in 2002. He founded his studio in Barcelona in 2016 with his wife, Daniela Monteiro, who is also a maker. Helder hand carves serving boards, candleholders and in recent years has also developed a specialism in carving skateboards. What originated as a hobby has slowly grown into a practice centred on the making of collector’s design pieces. \"My objects are often inspired by prior designs, whether my own or paintings by artists,\" he explains. Helder's work has also developed in complement to his wife's work. \"The wooden dustpan is a combination of my woodcarving and Daniela's broom making. It is now one of our star items at the Vitra Design Museum shop,\" he says.",[663],[907,908],"Spain","Barcelona",[670,910,911,912,676],"Decorative","Transportation","Sports",[914,915,916,917],"Collection of serving boards","Dona en la Nit wooden board","Mokuzai wooden board","Bathers on the Beach wooden board",[919,676],"Beech wood",[921,763,704],"Snack board",[710],[713],[663],41.38646498809316,2.153424637152233,"Barcelona, Spain","2026-01-29",{"_728":925,"_729":926},2706,{"_649":932,"_31":933,"_652":934,"_255":938,"_378":939,"_659":940,"_661":941,"_664":942,"_668":944,"_677":945,"_684":949,"_693":950,"_707":38,"_708":953,"_711":954,"_714":955,"_716":956,"_718":957,"_720":769,"_722":958,"_724":959,"_726":960,"_730":961},"profile-5033",5033,[935,936,937],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Fh1R_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Fh1R_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Fh1R_Right2.jpg","Antonio Langa","antonio_langa-wood_carving-manzini","Antonio Langa's jacaranda wood works range from homeware to collaborative design projects with Eswatini's leading creatives. \"Since I was 12 years old, I have been carving wood and turning scraps of timber into art, which helped me support a family of 14,\" he says. Antonio learned the craft on his own, by observing local artisans and exchanging collected timber for time to work with their tools. In 1983, Antonio moved to Eswatini, where, after years of creating custom pieces for a patron family, he shifted his focus to cultural art inspired by Eswatini traditions. His wide range of pieces are made from jacaranda wood and hard timbers. Today, Antonio showcases his creations at the Manizini craft market.",[663],[943],"Eswatini",[670,674,748,676],[946,947,948],"Lusito teapot","Khanyisa","Xitiva",[801,802],[695,951,760,699,701,703,952,705],"Lamp","Lighting",[710],[713],[663],-26.50824888107874,31.3717770036518,"Manzini, Eswatini","2025-12-11",{"_728":956,"_729":957},331,{"_649":963,"_31":964,"_652":965,"_255":969,"_378":970,"_659":971,"_661":972,"_664":973,"_668":975,"_677":976,"_684":982,"_693":984,"_707":38,"_708":992,"_711":993,"_714":994,"_716":995,"_718":996,"_720":997,"_722":998,"_724":999,"_726":1000,"_730":1001},"profile-4912",4912,[966,967,968],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ey9S_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ey9S_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ey9S_Right2.jpg","José Felix Murillo","josé_felix_murillo-wood_carving-quibdó","“Gathering wood along the Atrato River and its tributaries can be quite an adventure,” José Felix Murillo says, recalling the day he and his wife, Luz Mila, encountered a tiger in the midst of Colombia’s dense Chocó jungle. Wood has always played a significant role in the tangible material heritage of the communities predominant in this territory, shaped by a deep bond with the rivers. To this day it remains an important means of sustenance. José Felix's experience is woodwork spans the making of home-building and riverbed gold-mining tools, as well as cooking implements and other household necessities. \"Wood, and specifically tropical almond wood, has always served a utilitarian purpose for me and my community,\" he explains. Far from the context of Chocó and its people, the objects he makes become warm decorative pieces, valued for their long-lasting and natural appeal.",[663],[974],"Colombia",[670,867,748,675,911,676],[977,978,979,980,981],"Mortar","Clover set","Fish plates","Tropical centrepiece","Kitchen accessory set",[983,676],"Almond wood",[985,760,986,987,988,989,701,990,991,704,705],"Mortar & pestle","Plate","Centrepiece","Ustensil","Cooking utensils","Dishware","Cookware",[710],[713],[663],5.69306102741406,-76.65218915929766,"2026-05-01T09:28:32.000+0000","Quibdó, Colombia","2025-12-04",{"_728":995,"_729":996},1480,{"_649":1003,"_31":1004,"_652":1005,"_255":1008,"_378":1009,"_659":1010,"_661":1011,"_664":1012,"_668":1014,"_677":1020,"_684":1026,"_693":1028,"_707":38,"_708":1029,"_711":1030,"_714":1031,"_716":1032,"_718":1033,"_720":997,"_722":1034,"_724":1035,"_726":1036,"_730":1037},"profile-4935",4935,[1006,1007],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ey6W_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ey6W_Left1.jpg","Alex & Mário Teles","alex__mário_teles-wood_carving-divinópolis","Father and son Mário and Alex Teles carry forward the legacy of one of Brazil’s most emblematic sculptors, that of Geraldo Teles de Oliveira (GTO), who started carving wood with a pocketknife. \"In honour of my grandfather, we follow the primitivist method, using only pocketknives and chisels,\" explains Alex. \"No machines, not even sandpaper. We rely on intuition to shape sculptures inspired by folklore, religion, music, and poetry.\" For the Teles family, carving across generations is a shared experience. “We interact constantly at the same workbench, where we once sat the three of us with my father,\" says Mário. The same tools have been passed from hand to hand, a symbolic flowing of ideas between the three craftsmen. Their work, now found in over 150 countries, is part of a living expression of Brazilian folk art.",[663],[1013],"Brazil",[1015,1016,1017,1018,675,1019,676,676],"Family business","Creative duos","Heritage","Religion","Traditions",[1021,1022,1023,1024,1025],"The Wheel of Time","Chained Minds","Life Turning Cycles","Reconstruction of the Wheel of Life","We Are All Indigenous",[1027,676],"Cedar wood",[695,699,703],[710],[713],[663],-20.1,-44.9,"Divinópolis, Brazil","2025-10-30",{"_728":1032,"_729":1033},5619,{"_649":1039,"_31":1040,"_652":1041,"_255":1045,"_378":1046,"_659":1047,"_661":1048,"_664":1049,"_668":1050,"_677":1052,"_684":1053,"_693":1054,"_707":38,"_708":1055,"_711":1056,"_714":1057,"_716":1058,"_718":1059,"_720":891,"_722":1060,"_724":1035,"_726":1061,"_730":1062},"profile-4913",4913,[1042,1043,1044],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EzPg_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EzPg_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EzPg_Right2.jpg","Hermanos Caballero","hermanos_caballero-wood_carving-seville","Hermanos Caballero’s religious woodcarving atelier was founded in Seville in the late 1800s by Maecé Farfán, a writer, carpenter, embroiderer and artist, who left a long-lasting legacy to Sevillian brotherhoods. Maecé and his son-in-law, Manuel Caballero Sousa, joined in business and established a religious woodcraft workshop that has since endured across four generations. Today, Hermanos Caballero, led by Manuel and Federico Caballero González, welcomes the valuable contribution of Manuel, Daniel, and Sara – the fifth generation of artisans. Together this tight-knit team secures a prosperous present and a promising future as some of Seville’s most sought-after experts in the creation of processional floats.",[663],[907],[1051,1017,1018,675,1019,676,676],"Atelier",[],[],[],[1051],[713],[663],37.4233845580553,-5.97973920513907,"Seville, Spain",{"_728":1058,"_729":1059},3882,{"_649":1064,"_31":1065,"_652":1066,"_255":1070,"_378":1071,"_659":1072,"_661":1073,"_664":1074,"_668":1076,"_677":1078,"_684":1084,"_693":1086,"_707":38,"_708":1087,"_711":1088,"_714":1089,"_716":1090,"_718":1091,"_720":1092,"_722":1093,"_724":1094,"_726":1095,"_730":1096},"profile-480",480,[1067,1068,1069],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EqiJ_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EqiJ_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EqiJ_Right2.jpg","Ricardo Cupertino","ricardo_cupertino-wood_carving-póvoa_de_santa_iria","When Ricardo Cupertino was asked by a close friend to make a few wooden pieces for a project, little did he know that he was about to discover his vocation as a woodcarver. “I had no experience with wood but I accepted the challenge with an open heart,” he recalls. Ricardo learnt the basics with a few artisans in workshops, bought his first set of tools and improvised his first working space in his kitchen before transforming a room into his current workshop and creative refuge. Working only with traditional hand carving techniques and tools, his pieces are unique. “Each one has a special message that transmits what I was feeling at the time I was making it,” he says. Beyond being objects, every piece is numbered and given a name, as they each carry a part of Ricardo’s soul and story.",[663],[1075],"Portugal",[670,1077,673,676,676],"Interiors",[1079,1080,1081,1082,1083],"Faraó","Andorinha do Mar","Nazaré","Big Baleia","Quebra-Côco",[1085,1027,798,839,676],"Lemon wood",[762,695,700,699,704,703],[710],[713],[663],38.87317,-9.08279,"2026-05-01T09:25:18.000+0000","Póvoa de Santa Iria, Portugal","2025-10-02",{"_728":1090,"_729":1091},993,{"_649":1098,"_31":1099,"_652":1100,"_255":1104,"_378":1105,"_659":1106,"_661":1107,"_664":1108,"_668":1110,"_677":1113,"_684":1120,"_693":1136,"_707":38,"_708":1147,"_711":1148,"_714":1149,"_716":1150,"_718":1151,"_720":1152,"_722":1153,"_724":1154,"_726":1155,"_730":1156},"profile-4864",4864,[1101,1102,1103],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/3)Lara-working-26.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4)4)Lara---fokus-11.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/5)London-oppdrag-24.jpg","Lara Reisigl Domeneghetti","lara_domeneghetti-wood_carving-dovre","Lara Reisigl Domeneghetti is an Italian woodcarver, gilder and mentor based in Dovre in Norway. \"I am trained in sculpture and decorative arts across Italy and the UK, which allows me to to combine deep historical knowledge with contemporary craftsmanship,\" she says. Lara's workshop, Kunstverksted AS, serves as both a creative studio and cultural stewardship site, where traditional techniques are preserved and reinterpreted through mentorship. \"My teaching is highly tailored to the needs of each student, and I often deliver bespoke programmes at different institutions,\" she says. Lara's practice spans historical reconstructions, restoration and bespoke commissions in wood, gilding and painting. She collaborates with museums internationally and has taught in Norway, Saudi Arabia and the USA.",[663],[1109],"Norway",[671,1017,1111,674,676,207,1112],"Mentored","Homo Faber Fellowship 2025-26",[1114,1115,1116,1117,1118,1119],"Virgin with Child","Tylldalen Chair","Heraldic Shield Løvenskiold Family","The Ålesund Voice Flute","Reinterpreted Krampus Mask","After Artemis",[1121,1122,1123,690,1124,1125,798,1126,1127,1128,1129,1130,1131,1132,1133,1134,676,1135],"Gesso","Glue","Gold Leaf","Nail","Birchwood","Pigments","Linden wood","Boxwood","Brass","Linseed oil","Alder wood","Poplar wood","Cement, plaster, pigments","Metals","Natural essences",[695,804,1137,1138,1139,1140,699,806,1141,1142,1143,1144,703,807,1145,1146,885],"Icon","Flute","Mask","Wall panel","Ceremonial objects","Musical instruments","Accessories","Building elements","Spiritual","Performing arts",[710],[713],[663],62,9.2,"2026-05-01T09:22:02.000+0000","Dovre, Norway","2025-09-11",{"_728":1150,"_729":1151},4404,{"_649":1158,"_31":1159,"_652":1160,"_255":1164,"_378":1165,"_659":1166,"_661":1167,"_664":1168,"_668":1170,"_677":1171,"_684":1177,"_693":1179,"_707":38,"_708":1182,"_711":1183,"_714":1184,"_716":1185,"_718":1186,"_720":1187,"_722":1188,"_724":1189,"_726":1190,"_730":1191},"profile-2959",2959,[1161,1162,1163],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/3)Puzzuoli portrait 1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/1)Puzzuoli eyes 1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/5)Puzzuoli works 2 copy.jpg","Stefano Puzzuoli","stefano_puzzuoli-wood_carving-calci","Stefano Puzzuoli is a former engineer and a professional photographer, with an artistic soul that has led him to venture into dance, music, and wood carving. In the secluded days of the pandemic, he had the opportunity to hone his sculpting skills – study and practise, learn from mistakes and observation. During this time, the maker was born. \"I developed my aesthetic in the form of sculptural wood vases, all made from salvaged wood,\" says Stefano. He was encouraged to pursue his craft by the appreciation of his work, and set up his workshop at his home in the spring of 2021. Surrounded by nature in the Tuscan hills where he lives, Stefano rigorously handpicks all the wood he works with from the forests local to him. As he carves and transforms, he welcomes the imperfections, colours and shapes of the wood varieties.",[663],[1169],"Italy",[1077,674,790,676,676],[1172,1173,1174,1175,1176],"Cherry wood sculpture","Maple wood vase","Cherry wood vase","Plum wood cup","Maple wood sculpture",[756,687,1178,758,676,1134],"Copper wire",[697,1180,701,1181,705,704],"Cup","Drinkware",[710],[713],[663],43.7226,10.51235,"2026-05-01T09:27:23.000+0000","Calci, Italy","2025-08-08",{"_728":1185,"_729":1186},4746,{"_649":1193,"_31":1194,"_652":1195,"_255":1199,"_378":1200,"_659":1201,"_661":1202,"_664":1203,"_668":1205,"_677":1206,"_684":1211,"_693":1215,"_707":38,"_708":1218,"_711":1219,"_714":1220,"_716":1221,"_718":1222,"_720":997,"_722":1223,"_724":1224,"_726":1225,"_730":1226},"profile-4212",4212,[1196,1197,1198],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003MvJ4AU-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003MvF4AU-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003MvI4AU-right2.jpg","Diego Dávila Sierra","diego-andres--davila-sierra-dsasqt","From north to south, Diego Dávila Sierra has roamed the long, narrow land that is Chile, in search of life and wood. Born in Iquique, on the northern coast, he left his hometown at the age of 19 for Santiago. He then moved to Valparaíso, where he earned a degree as an agricultural technician in 2005 while supporting himself working in well-known restaurants. Later, his work took him further south, unaware that the green forests of the Maule Region would reshape his career. In Rari, he discovered the wonders of native woods and relocated there in 2010. Ever since then, Diego has dedicated himself to crafting original, functional objects and kitchen tools, specialising in the use of noble woods and wood recovery. \"My work aligns with the local and slow food philosophy. I make kitchen tools and tableware that bring warmth and uniqueness to the act of cooking and gathering around food. I aim to integrate cultural narratives into each piece I create,\" he explains.",[663],[1204],"Chile",[670,673,674,748,675,676],[1207,1208,1209,760,1210],"Cup-bowl","Mate","Multi-display tray","Bowl set",[1212,1213,1214,839,686,690,676,1133],"Radal wood","Oil varnish","Myrtle wood",[760,1180,1216,1217,701,1181,763,705,704],"Tray","Serving bowl",[710],[713],[663],-35.4124503249553,-71.6585624422958,"Talca, Chile","2025-06-19",{"_728":1221,"_729":1222},1177,{"_649":1228,"_31":1229,"_652":1230,"_255":1234,"_378":1235,"_659":1236,"_661":1237,"_664":1238,"_668":1239,"_677":1241,"_684":1247,"_693":1251,"_707":38,"_708":1254,"_711":1255,"_714":1256,"_716":1257,"_718":1258,"_720":1259,"_722":1260,"_724":1261,"_726":1262,"_730":1263},"profile-354",354,[1231,1232,1233],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003D404AE-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003D3y4AE-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003D3z4AE-right2.jpg","Sérgio Monteiro de Castro","srgio-monteiro-de-castro-pmop64","For over two decades, Sérgio Monteiro de Castro followed a career in banking, before turning to craftsmanship in 1996. \"I longed for the soul-filling satisfaction that I had known at the age of 11 when I had attended a carpentry workshop,\" he explains. He remembers that working with wood had given him a deep sense of harmony. Guided by this, Sérgio left banking in his early forties to become a full-time woodcarver, specialising in geometric designs. He refined his craft under the guidance of two key masters, and over years of experimentation developed his own style, grounded in tradition and Islamic art. Sérgio now shares his knowledge through workshops, teaching that woodcarving is more than a craft, and rather a creative release. “Feeling the wood with my hands and tools, slowly, without rush, and seeing what I want to express come to life is like lifting a veil,\" he says. \"Working with wood restores presence in the moment and helps combat the immediacy of modern life.\"",[663],[1013],[673,1240,676],"Teacher",[1242,1243,1244,1245,1246],"Evolution","Memories of Alhambra","Metal inlay in wood","Preparation for patchwork panel","Step by step",[1027,1248,1249,1250,1127,676,1134],"Ceramic","Redwood","Metal",[1252,1253,705],"Wall decor","Wall decorations",[710],[713],[663],-20.028802901673,-45.5474104793272,"2026-05-01T09:25:06.000+0000","Lagoa da Prata, Brazil","2025-05-15",{"_728":1257,"_729":1258},53,{"_649":1265,"_31":1266,"_652":1267,"_255":1270,"_378":1271,"_659":1272,"_661":1273,"_664":1274,"_668":1276,"_677":1278,"_684":1283,"_693":1289,"_707":38,"_708":1292,"_711":1293,"_714":1294,"_716":1295,"_718":1296,"_720":1092,"_722":1297,"_724":1298,"_726":1299,"_730":1300},"profile-474",474,[1268,1269],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000038ST4AY-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000038PF4AY-left1.jpg","Andreia de Almeida","andreia-de-almeida-grogqu","When speaking of her passion for crafts Andreia de Almeida refers to her grandfather who was a tailor. She chose wood over textiles, training in one of the best European woodcarving schools. “My master, Manuel Abrantes, at FRESS taught me everything. I was lucky to be able to work in the Foundation’s woodcarving workshop before opening my own atelier AdeA,” she explains. Her carving, cabinetmaking and gilding skills enable her to restore heritage and sacred art pieces in churches, make classical Portuguese and French pieces, as well as create more contemporary art works. Thanks to this broad experience, Andreia was selected to be a master in the Homo Faber Fellowship programme in 2023. \"It was my turn to transmit knowledge to a younger fellow and contribute to maintaining woodcarving as a relevant craft for future generations,\" she says.",[663],[1075,1275],"Lisbon",[1111,1240,676,207,1277],"Homo Faber Fellowship 2023-24",[1279,1280,1281,1282],"Barreto Pharmacy Coat of Arms","Santo António","Romantic-inspired frame","Nativity Scene",[1129,1284,1285,1286,1287,688,919,1127,1134,1135,1288,676],"Beeswax","Acrylic","Mahogany wood","Rosewood","Synthetic materials and resins",[1290,1291,877,695,701,699,881,705,703,807],"Coat of arms","Statue",[710],[713],[663],38.7426425202376,-9.16373054910891,"Lisbon, Portugal","2025-04-24",{"_728":1295,"_729":1296},3321,{"_649":1302,"_31":1303,"_652":1304,"_255":1308,"_378":1309,"_659":1310,"_661":1311,"_664":1312,"_668":1314,"_677":1315,"_684":1321,"_693":1322,"_707":38,"_708":1328,"_711":1329,"_714":1330,"_716":1331,"_718":1332,"_720":1092,"_722":1333,"_724":1334,"_726":1335,"_730":1336},"profile-524",524,[1305,1306,1307],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002n7x4AA-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002n7t4AA-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002n7w4AA-right2.jpg","Giuliano Brollo","homofaber-hyzcfj","One of the first things that comes to mind when thinking of what life might have looked like in Venice in the 18th century is the splendour of its art and architecture, the mirror frames and the elaborate and precious gilded furniture. Giuliano Brollo’s skills in woodcarving and gilding delve into this tradition. Both a restorer and a maker, Giuliano proudly carries on the family tradition, with a clear vision in mind about how to preserve damaged works and create new ones. He employs traditional techniques, staying true to the authentic Venetian style. With workshops in Venice and San Dona’ del Piave, Giuliano has worked closely with art dealers, auction houses and private customers since 1982. His craft is a bridge between past and present, and each piece is executed with passion and ingenuity.",[663],[1169,1313],"Venice",[1017,1019,676],[1316,1317,1318,1319,1320],"Venetian mirror frame","Lumiera veneziana","Couple of Putti","Mirror detail","Cherub",[798,676],[1323,1324,1325,877,1326,881,701,1327,807,705,1146],"Frame","Chandelier","Statuette","Scenographic decor","Cinema and Theatre",[710],[713],[663],45.434825,12.317325,"Venice, Italy","2025-02-27",{"_728":1331,"_729":1332},5079,{"_649":1338,"_31":1339,"_652":1340,"_255":1344,"_378":1345,"_659":1346,"_661":1347,"_664":1348,"_668":1349,"_677":1350,"_684":1356,"_693":1357,"_707":38,"_708":1359,"_711":1360,"_714":1361,"_716":1362,"_718":1363,"_720":1364,"_722":723,"_724":1365,"_726":1366,"_730":1367},"profile-3603",3603,[1341,1342,1343],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002gkn4AA-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002gkj4AA-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002gkm4AA-right2.jpg","Ozge Caglayan","zge-alayan-nbu2xg","Özge Çağlayan’s journey into the world of wood craftsmanship began during a visit to her father’s house, in the forests of Türkiye's northern region. Having already incorporated wood into her projects as an architect and interior designer, on this particular visit, the unique patterns of wood inspired Özge to focus on this material more deeply. “In our fast-paced world, wood is often utilised for its practicality, serving as a basic form to fulfill our needs. However, my encounter with the natural beauty of the forest instilled in me a desire to delve into woodworking beyond mere functionality,” says the artisan. Özge opened her first workshop in 2013. Holding a degree in architecture, she supplemented her education by attending woodcarving courses and working alongside master artisans. Aiming to preserve the methods of traditional Turkish craftsmanship, she creates products that harmonise the natural structure of wood with functionality, so that every piece possesses its own tactile story.",[663],[666,667],[670,789,910,1019,676],[1351,1352,1353,1354,1355],"Landscape-Water dish","Half Moon","Landscape-Water side table","Landscape-Dune dish","Landscape-Water platter",[1286,690,676],[986,697,1358,760,990,701,882,704,705,807],"Side table",[710],[713],[663],51.5002432028506,-0.211733418999617,"2026-05-01T09:27:55.000+0000","2025-02-20",{"_728":1362,"_729":1363},357,{"_649":1369,"_31":1370,"_652":1371,"_255":1375,"_378":1376,"_659":1377,"_661":1378,"_664":1379,"_668":1382,"_677":1383,"_684":1389,"_693":1392,"_707":38,"_708":1394,"_711":1395,"_714":1396,"_716":1397,"_718":1398,"_720":847,"_722":1399,"_724":1400,"_726":1401,"_730":1402},"profile-4532",4532,[1372,1373,1374],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002h8z4AA-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002h8v4AA-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002h8y4AA-right2.jpg","Şahide Yazıcıoğlu","ahide-yazcolu-ovyiv1","Şahide Yazıcıoğlu worked as a journalist and editor at various Turkish newspapers for more than 20 years before deciding to focus on her passion for wood. Having grown up in a wooden house, Şahide’s fascination for the smell, colour and texture of wood have accompanied her throughout her life. In 2009, she enrolled in a woodcarving course and learned the craft from master Ayhan Tomak for about five years. Şahide opened her own workshop in 2015. “I love being able to produce new designs, carving pieces of wood in the way I envision, making a usable form, and carving rough forms to give them a more elegant appearance,” she says. Her works are completely hand carved wooden product, made from the fusion of traditional carving methods such as surface carving, shape carving and cut carving.",[663],[1380,1381],"Türkiye","Istanbul",[670,673,1019,676],[1384,1385,1386,1387,1388],"Braid spoon","Auger spoon","Flame spatula","Presentation plate","Sun spoon",[1130,1390,688,756,1391,1135,1288,676],"Shellac","Olivewood",[762,1393,986,700,991,990,704],"Spatula",[710],[713],[663],41.06033,29.01089,"Istanbul, Türkiye","2025-02-06",{"_728":1397,"_729":1398},2226,{"_649":1404,"_31":1405,"_652":1406,"_255":1410,"_378":1411,"_659":1412,"_661":1413,"_664":1414,"_668":1416,"_677":1418,"_684":1419,"_693":1420,"_707":38,"_708":1421,"_711":1423,"_714":1424,"_716":1425,"_718":1426,"_720":1427,"_722":1428,"_724":1429,"_726":1430,"_730":1431},"profile-2239",2239,[1407,1408,1409],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002enp4AA-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002enl4AA-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002eno4AA-right2.jpg","Hrachya Ohanyan","hrachya-ohanyan-pz1ylo","Hrachya Ohanyan is a specialised woodworking manufacturer with a rich history spanning over four decades. The workshop was originally founded by the National Master Hrachya Ohanyan, who blended age-old Armenian woodworking with a modern approach. At the core of every creation, the National Master adheres to the belief that \"there is a soul in the tree, which only skillful hands can give shape and colour to.\"",[663],[1415],"Armenia",[1417,675,1019,676],"Manufacturer",[],[],[],[1422],"Manufacture",[713],[663],40.2,44,"2026-05-01T09:26:46.000+0000","Armavir, Armenia","2025-01-30",{"_728":1425,"_729":1426},2359,{"_649":1433,"_31":1434,"_652":1435,"_255":1439,"_378":1440,"_659":1441,"_661":1442,"_664":1443,"_668":1445,"_677":1446,"_684":1452,"_693":1454,"_707":38,"_708":1455,"_711":1456,"_714":1457,"_716":1458,"_718":1459,"_720":1460,"_722":1461,"_724":1462,"_726":1463,"_730":1464},"profile-2169",2169,[1436,1437,1438],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002DR34AM-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002DQz4AM-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002DR24AM-right2.jpg","Rihards Vidzickis","rihards-vidzickis-ytfasz","Rihards Vidzickis is a self-taught artisan with a doctoral degree in engineering from Riga Technical University. His passion for woodworking began in school, inspired by his father, also a self-taught craftsman. He encouraged Rihards to start the Woodcraft Museum, which found its permanent home at Vienkoči Park and opened to the public in 2007. Rihards belongs to the Northmen craftsman guild and offers woodworking courses to university students and architects. He is known for creating one-piece wooden objects, such as log boats, kneading troughs, and bowls, all crafted from green, wet wood that dries during the process. Rihards believes in slow craftsmanship, valuing the time and effort invested in each piece to ensure high quality. He explains, \"I cherish the freedom and creativity in my work and enjoy the diverse environment of my museum-workshop.\"",[663],[1444],"Latvia",[670,866,1017,674,748,676],[1447,1448,1449,1450,1451],"Five wooden bowls","Elongated wooden bowls","Bread dough bowl","Glossy wooden bowl","Bread dough linden bowl",[688,839,1127,1453,676],"Elm wood",[760,701,705],[710],[713],[663],57.2,25,"2026-05-01T09:26:32.000+0000","Vienkoči, Latvia","2024-11-07",{"_728":1458,"_729":1459},1337,{"_649":1466,"_31":1467,"_652":1468,"_255":1472,"_378":1473,"_659":1474,"_661":1475,"_664":1476,"_668":1478,"_677":1479,"_684":1485,"_693":1487,"_707":38,"_708":1490,"_711":1491,"_714":1492,"_716":1493,"_718":1494,"_720":1495,"_722":1496,"_724":1497,"_726":1498,"_730":1499},"profile-1897",1897,[1469,1470,1471],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001Jey4AE-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001Jew4AE-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001Jex4AE-right2.jpg","Lin Halili","lin-halili-hi8qkw","Lin Halili comes from a family that made wood carving and sculpture their way of life. His past, present and future are tied to this craft, which has been passed down from generation to generation. After completing two years at art school, Lin took part in a competition and won the chance to work for a year on the cathedral in Prishtina. This experience served as a turning point and a significant accomplishment in his journey. \"I view these creations as exceptional and timeless,\" he says. \"Wood's varied appearance and qualities allow you to express your creativity,\" explains Lin, who enjoys using all different types of wood, unique processes, fresh components, or creative ideas. Relief carving is the technique he masters and which has become his signature. His extensive experience has taught him that in order to continue to succeed, the craft must be evolved in order to meet modern demands while preserving its fundamental components.",[663],[1477],"Albania",[1017,1018,675,676],[1480,1481,1482,1483,1484],"The Birth of Jesus panel","Flask for drinking rakia","Crucified Jesus panel","The Way of the Cross","Sculpted flask with half-open wings",[798,1486,1132,687,690,676],"Sapele wood",[1252,1488,1253,1489,705,704],"Kettle","Coffee and tea",[710],[713],[663],41.34830234863184,19.49373132034944,"2026-05-01T09:26:26.000+0000","Rrashbull, Albania","2024-07-25",{"_728":1493,"_729":1494},5463,{"_649":1501,"_31":1502,"_652":1503,"_255":1507,"_378":1508,"_659":1509,"_661":1510,"_664":1511,"_668":1512,"_677":1513,"_684":1519,"_693":1522,"_707":38,"_708":1525,"_711":1526,"_714":1527,"_716":1528,"_718":1529,"_720":1530,"_722":1531,"_724":1532,"_726":1533,"_730":1534},"profile-3873",3873,[1504,1505,1506],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000019ZB4AY-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000019Z74AI-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000019ZA4AY-right2.jpg","Álvaro Aramburu","lvaro-aramburu-x8vqlh","Álvaro Aramburu's work places equal importance on industrial design and contemporary craftsmanship, resulting in thoughtful objects ranging from conceptual pieces to functional furniture. \"My interest in furniture and woodworking stems from my background in industrial design. During my university studies, I struggled to engage with overly theoretical and purely engineering-focused subjects that were disconnected from the qualities that define a product,\" he explains. Subsequently, Álvaro specialised in wooden furniture design at a university in Sweden, where the design approach was different. \"Starting from the material and exploring concepts as I interacted with the wood,\" he explains. Some of these products are developed digitally, while others are crafted by hand. \"I predominantly work with wood, finding that this material suits my attention to detail and my interest in empirical learning,\" says Álvaro.",[663],[744],[670,789,1077,676],[1514,1515,1516,1517,1518],"Carving Puppy","Blue Spoons","Pink Spoon","Mushrooms","Figueras Table",[1125,688,1520,1521,676,1133],"Dye","Willow wood",[1523,762,695,1524,806,700,699,882,807,704,703],"Stool","Outdoor table",[710],[713],[663],58.92219,12.30988,"2026-05-01T09:28:23.000+0000","Dals Långed, Sweden","2024-07-18",{"_728":1528,"_729":1529},755,{"_649":1536,"_31":1537,"_652":1538,"_255":1542,"_378":1543,"_659":1544,"_661":1545,"_664":1546,"_668":1547,"_677":1549,"_684":1553,"_693":1558,"_707":49,"_708":1560,"_711":1561,"_714":1562,"_716":1563,"_718":1564,"_720":1092,"_722":1333,"_724":1565,"_726":1566,"_730":401},"profile-545",545,[1539,1540,1541],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000010kP4AQ-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000010kL4AQ-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000010kO4AQ-right2.jpg","Gabriele Zornetta","gabriele-zornetta-dfhhec","It was only in 2023 that Gabriele Zornetta's craftsmanship found a home in a workshop, Atelier1083A, which he shares with a ceramicist. Gabriele works with wood: he salvages driftwood from the lagoon with his boat, and stores the wood collected on his travels in his camper van, before turning it into commonly-used objects. Sometimes he embellishes these with collaborations and creations by Murano's master glassmakers. Gabriele's pieces are designed to bring beauty into everyday life, reinterpreting traditional craftsmanship with a contemporary approach, and always with a practical purpose. Each piece is uniquely crafted to showcase the reclaimed wood, its form and grain, and the metamorphosis wrought by the natural elements over years in the lagoon.",[663],[1169,1313],[789,1548,674,675,790,676],"Functional",[1550,1551,1552],"Barca a vela","National Walnut Spoons and Forks","Pencil box",[690,688,1554,1555,1556,676,1557,692],"Limewood","Cow leather","Hemp","Animal materials",[695,1559,699,701,703,705],"Box",[710],[713],[663],45.44001,12.32652,"2024-06-13",{"_728":1563,"_729":1564},{"_649":1568,"_31":1569,"_652":1570,"_255":1574,"_378":1575,"_659":1576,"_661":1577,"_664":1578,"_668":1580,"_677":1582,"_684":1588,"_693":1593,"_707":38,"_708":1594,"_711":1595,"_714":1596,"_716":1597,"_718":1598,"_720":1599,"_722":1600,"_724":1601,"_726":1602,"_730":1603},"profile-4415",4415,[1571,1572,1573],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000mPh4AI-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000mPd4AI-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000mPg4AI-right2.jpg","Takashi Tomii","takashi-tomii-zvjhux","Takashi Tomii showcases the possibilities of solid wood through his expert use of hand carving techniques. Originally from Niigata, it was during a stay in Oregon, where forestry is a key industry, that he became interested in woodworking. During his post-graduate degree in surface science, he decided to devote himself fully to woodworking. He trained at Shinrin Takumi Juku, a school for forestry craftsmanship, where he learned to make solid wood furniture for two years before working several years at Oak Village Ltd, where he was involved in product development and production management. With his work, Takashi introduces the inherent warmth of wood to the dining experience, with a hint to his scientific background. The idea behind his We Are Atoms series is that we are all atoms and that we should rather focus on what we have in common than on our individual differences.",[663],[1579],"Japan",[670,867,1581,676],"Science",[1583,1584,1585,1586,1587],"Stacking boxes","Black bowl","Canoe dish","Chestnut bowl with a handle","Round stacking boxes",[1027,1589,1590,1284,676,686,1591,1592,1135],"pigment","Lacquer","Cement, plaster, stucco","Enamel, glaze and lacquer",[1559,760,701,705],[710],[713],[663],37.30374,138.7199,"2026-05-01T09:28:40.000+0000","Nagaoka, Japan","2024-05-02",{"_728":1597,"_729":1598},1743,{"_649":1605,"_31":1606,"_652":1607,"_255":1611,"_378":1612,"_659":1613,"_661":1614,"_664":1615,"_668":1616,"_677":1617,"_684":1623,"_693":1627,"_707":49,"_708":1628,"_711":1629,"_714":1630,"_716":1631,"_718":1632,"_720":1633,"_722":1634,"_724":1635,"_726":1636,"_730":1637},"profile-1166",1166,[1608,1609,1610],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000QAf4AM-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000QAb4AM-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000QAe4AM-right2.jpg","Clément Landry","clement-landry-d81scq","Clément Landry is a woodcarver and gilder who brings the two crafts together in the creation of contemporary sculptures. After 21 years of working as a jeweller, a work accident made him suddenly reconsider a new path. That is when he remembered a gilding workshop he had visited years before, the atelier of 'Mr Gold Leaf' as he recalls it. Inspired by this, Clément started training in sculpture and gilding and quickly became passionate about practising both skills and working them in tandem. Today, in his atelier located in a village of Provence, Clément carves oak into clean, graphic shapes that he sublimates with gold leaf. “As long as I have not added gold leaf, the work is not complete.” Clément was named Maître Artisan d'Art in 2024.",[663],[864],[910,673,676],[1618,1619,1620,1621,1622],"Stellar","Heliosphere","Tōth","Hyperion","Keops PM White",[1624,1625,690,1626,1134,676,1135],"Gold","Steel","Wax",[695,699,703],[710],[713],[663],43.99895,5.05986,"2026-04-22T14:16:00.000+0000","Pernes les Fontaines, France","2024-03-07",{"_728":1631,"_729":1632},1013,{"_649":1639,"_31":1640,"_652":1641,"_255":1645,"_378":1646,"_659":1647,"_661":1648,"_664":1649,"_668":1650,"_677":1651,"_684":1657,"_693":1658,"_707":38,"_708":1659,"_711":1660,"_714":1661,"_716":1662,"_718":1663,"_720":997,"_722":1664,"_724":1665,"_726":1666,"_730":1667},"profile-4188",4188,[1642,1643,1644],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000CCX4A2-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000CCT4A2-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000CCW4A2-right2.jpg","Alfonso Moya","alfonso-moya-7vdd2d","Alfonso Moya did his elementary and high school education in Santiago. He always wanted to study art, but he did not have the support of his family, so he started studying electronics. He never finished because he was always spending time at cultural centres and involved in the world of art and crafts. \"When I was a child I always looked at the furniture workshops that were close to where I lived, I would ask for scraps of wood and when I got home I would experiment with knives and chisels. It was my way of playing. That is how I learned my craft, by playing,\" says Alfonso. At the age of ten he had made his first piece: a wooden spoon that he was asked to make as homework for school. \"I chose this craft because I love it. It lets me be free and express myself, say what I believe and see. It is my way of writing,\" he adds. He currently lives in the Araucanía region of Chile where he is surrounded by forests, traditions and culture, all closely linked to wood.",[663],[1204],[910,748,675,676],[1652,1653,1654,1655,1656],"Tear","Flow","Cabijo","Shelter","Accomplices",[686,1212,676],[695,699,703],[710],[713],[663],-38.9323758933006,-72.0245613588306,"Cunco, Chile","2024-01-25",{"_728":1662,"_729":1663},2816,{"_649":1669,"_31":1670,"_652":1671,"_255":1675,"_378":1676,"_659":1677,"_661":1678,"_664":1679,"_668":1681,"_677":1682,"_684":1688,"_693":1690,"_707":38,"_708":1691,"_711":1692,"_714":1693,"_716":1694,"_718":1695,"_720":1427,"_722":1696,"_724":1697,"_726":1698,"_730":1699},"profile-2267",2267,[1672,1673,1674],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PcknWAC-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PckZWAS-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PcksWAC-right2.jpg","Dejan Milenković","milenkovic-dejan-npqhju","Growing up in the small town of Predejane in the south of Serbia, Dejan Milenković has been surrounded by forests all his life. His father and grand-father were carpenters. It was quite natural for him to start working with wood. Dejan's carvings are highly appreciated in Serbia and abroad due to their exceptional quality and detail. He developed his unique style, inspired by Serbian folklore, history, and Orthodox faith. He works with a variety of woods, including cherry, walnut and pear, and often incorporates intricate designs and motifs into his pieces. Since 2014, he is a member of the Association of Professional Artists of Russia.",[663],[1680],"Serbia",[1017,1018,1019,676],[1683,1684,1685,1686,1687],"Lookout on Tara","Icon of St. Matrona of Moscow","Serbian hero Dragutin Matić","Saint Nicholas, the Wonderworker","Novak Đoković",[688,676,1689],"Pear wood",[1252,1253,705],[710],[713],[663],42.9,22.1,"Predejane, Serbia","2023-08-24",{"_728":1694,"_729":1695},612,{"_649":1701,"_31":1702,"_652":1703,"_255":1707,"_378":1708,"_659":1709,"_661":1710,"_664":1711,"_668":1713,"_677":1716,"_684":1722,"_693":1723,"_707":38,"_708":1725,"_711":1726,"_714":1727,"_716":1728,"_718":1729,"_720":1460,"_722":1730,"_724":1731,"_726":1732,"_730":1733},"profile-2142",2142,[1704,1705,1706],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PbwjWAC-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PbwVWAS-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PbwWWAS-right2.jpg","Albinas Šileika","ileika-albinas-mnfsdv","Albinas Šileika is a craftsman with an unusual life path. As a boy grew up in an orphanage, where his teacher got him interested in woodcarving. Albinas has a real passion for preserving Lithuania's national heritage. He meticulously carves distaffs and towel holders, decorating them with traditional Lithuanian folk ornaments, he organises exhibitions of his work in Lithuania and abroad, and he runs workshops. The carver has received numerous awards. His works have been certified as objects of national heritage, and he is recognised as a master of traditional crafts. Carving is a passion, a respite, an opportunity to realise his ideas, and a continuation of traditional Lithuanian culture.",[663],[1712],"Lithuania",[1714,910,1715,748,675,1240,1019,676],"Awarded","Indigenous",[1717,1718,1719,1720,1721],"Distaff I","Towel rail","Towel holder","Distaff III","Distaff II",[1127,676],[1252,1719,1253,1724,705,704],"Table accessories",[710],[713],[663],55.4862,25.48665,"Antalgė, Lithuania","2023-06-15",{"_728":1728,"_729":1729},1967,{"_649":1735,"_31":1736,"_652":1737,"_255":1741,"_378":1742,"_659":1743,"_661":1744,"_664":1745,"_668":1747,"_677":1748,"_684":1754,"_693":1755,"_707":38,"_708":1762,"_711":1763,"_714":1764,"_716":1765,"_718":1766,"_720":847,"_722":1767,"_724":1768,"_726":1769,"_730":1770},"profile-4573",4573,[1738,1739,1740],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PbkHWAS-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PbkNWAS-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PbkRWAS-right2.jpg","Odamboy Masharipov","masharipov-odamboy-2jss7c","Living in Khiva and its surroundings all his life, Odamboy Masharipov has dedicated himself to the ancient craft of woodcarving with the flair of local tradition. In his teenage years he studied at the workshop of the People’s Master of Uzbekistan Haytmat Boghbekov. Odamboy opened his own workshop in 2002 with the blessing of his teacher and since then he has taught numerous apprentices of his own. Odamboy creates household objects such as tables and chairs, and decorates large-scale architectural elements, including gates and columns. He expands on the regional school of ornamentation that features detailed and dynamic patterns mostly depicting local trees and blooms. His work has earned him several prizes and a widespread authority as a master craftsman.",[663],[1746],"Uzbekistan",[1714,1077,1111,1240,1019,676],[1749,1750,1751,1752,1753],"Horse figurine","Khiva","Khantakhta table","A small chest","Tapchan",[676],[1756,1757,1758,1759,1760,701,882,884,1761,705,807],"Figurine","Model","Table","Chest of drawers","Bed","Beds",[710],[713],[663],39.91667,66.56667,"Khiva, Uzbekistan","2023-06-08",{"_728":1765,"_729":1766},1615,{"_649":1772,"_31":1773,"_652":1774,"_255":1778,"_378":1779,"_659":1780,"_661":1781,"_664":1782,"_668":1783,"_677":1786,"_684":1792,"_693":1795,"_707":38,"_708":1797,"_711":1798,"_714":1799,"_716":1800,"_718":1801,"_720":1364,"_722":723,"_724":1802,"_726":1803,"_730":1804},"profile-3560",3560,[1775,1776,1777],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POm8WAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POm6WAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POmAWAW-right2.jpg","Jim Patrick","jim-patrick-wood-carving-united-kingdom","In spite of his young age, Jim Patrick is an experienced woodcarver with a solid background education in drawing and graphic design, and an awareness of historical references and environmental issues concerning his craft. After his first professional experiences in scenery for the West End theatres, Jim completed a three-year course on historic carving and opened his own studio in South London. He produces commissions for restoration projects and copy-carving, as well as bespoke commemorative plaques and sculptures. He particularly likes working on contemporary commissions with curators and interior designers involved in the process: “It is always a fun challenge,” he says.",[663],[666,667],[671,703,1784,910,675,1019,676,1785],"First generation","Visual Arts",[1787,1788,1789,1790,1791],"Calendar panels","Dachshund overmantle frame","Birth & Death totems","Victorian grotesque panel","Manteca swing sign",[690,1125,1793,1486,1794,676,1134],"Yew","Bronze",[1796,1323,695,1253,881,699,705,807,703],"Panel",[710],[713],[663],51.48955,-0.10086,"2023-03-30",{"_728":1800,"_729":1801},1291,{"_649":1806,"_31":1807,"_652":1808,"_255":1812,"_378":1813,"_659":1814,"_661":1815,"_664":1816,"_668":1817,"_677":1819,"_684":1823,"_693":1824,"_707":38,"_708":1825,"_711":1826,"_714":1827,"_716":1828,"_718":1829,"_720":997,"_722":1830,"_724":1831,"_726":1832,"_730":1833},"profile-4259",4259,[1809,1810,1811],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POakWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PYE3WAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POamWAG-right2.jpg","Yecid Robayo","yecid-robayo-wood-carving-colombia","Yecid Robayo was born in Cajamarca, Tolima. Since 1985, he has been an artisan in the world of wood, and since 2000, he has been a teacher in the Escuela de Artes y Oficios Santo Domingo in Bogotá. In his workshop, Kabanka, Yecid creates unique objects from wood leftovers, highlighting the characteristics of natural resources and contributing to their preservation. Yecid won the Craftsmanship Mastery Medal in 2008, and a recognition in the book 'Maestros del Arte Popular,' both awarded by Artesanías de Colombia.",[663],[974],[1714,910,866,1548,1818,674,748,675,1240,1019,790,676],"Innovation",[1820,987,1821,1822],"Bark","Illusion of waves","Decorative shell bowl",[676],[760,986,697,701,990,705,704],[710],[713],[663],4.6553564729526,-74.0695375925023,"Bogotá, Colombia","2023-03-23",{"_728":1828,"_729":1829},4848,{"_649":1835,"_31":1836,"_652":1837,"_255":1841,"_378":1842,"_659":1843,"_661":1844,"_664":1845,"_668":1846,"_677":1847,"_684":1853,"_693":1856,"_707":38,"_708":1859,"_711":1860,"_714":1861,"_716":1862,"_718":1863,"_720":1864,"_722":1865,"_724":1866,"_726":1867,"_730":1868},"profile-2757",2757,[1838,1839,1840],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PXe2WAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PXe0WAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PXe4WAG-right2.jpg","Attilio Balduzzi","attilio-balduzzi-wood-carving-italy","Attilio Balduzzi’s interest for woodcarving started when he was a child, from observing a local craftsman at work. As a boy, Attilio attended a three-year course at a renowned school in Meda (nowadays the Giuseppe Terragni Institute): “I have wonderful memories of two great masters, Fiorino Dentoni and Luigi Busnelli, authentic sources of inspiration I return to every time I start a new piece,” he says. After working for some local carpenters, in 1990 Attilio could open his own workshop in Podenzano, where he creates very refined pieces, following both the great tradition of historical styles and his own creative freedom.",[663],[1169],[910,1017,1548,1077,867,1019,676],[1848,1849,1850,1851,1852],"Donna ‘70","Il trionfo della natura","Double headboard","Cornice","La scrivania che danza",[1854,1855,1128,756,840,1127,1391,1287,688,690,1557,692,676],"Leather","Satin",[695,1857,1323,1858,699,1761,881,882,703,807],"Headboard","Desk",[710],[713],[663],44.951483941248,9.6809455273825,"2026-05-01T09:27:03.000+0000","Podenzano, Italy","2023-01-12",{"_728":1862,"_729":1863},3646,{"_649":1870,"_31":1871,"_652":1872,"_255":1876,"_378":1877,"_659":1878,"_661":1879,"_664":1880,"_668":1883,"_677":1884,"_684":1890,"_693":1891,"_707":38,"_708":1893,"_711":1894,"_714":1895,"_716":1896,"_718":1897,"_720":721,"_722":1898,"_724":1899,"_726":1900,"_730":1901},"profile-998",998,[1873,1874,1875],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWY4WAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWY5WAO-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWY6WAO-right2.jpg","Thomas Koumarakos","thomas-koumarakos-woodwork-greece","Thomas Koumarakos has been running his wood workshop for over 50 years. Located on the Greek island of Corfu, he handcrafts a wide variety of everyday objects: cookware, pepper mills and chess sets, among many others. All items are made exclusively from olive wood which is then finished with olive oil. The abundance of this tree in Corfu allows him a local production. Thomas' approach to woodcarving remains straightforward: he likes to work using only a few hand tools, such as chisels and knives. “I don't have any specific techniques. As I often tell my clients, I'll gladly do any order, any design”. The fascination Thomas has for woodcarving has remained intact over his many years of experience: “This craft fulfils me. I couldn’t do anything else.”",[663],[1881,1882],"Greece","Corfu",[1017,1548,746,867,674,675,1019,676],[1885,1886,1887,1888,1889],"Series of pepper mills","Irregular wooden bowl","Olive wood salad bowl","Olive wood vase","Wooden salad bowl and servers",[1391,676],[1892,760,697,1724,701,704,705],"Salt and pepper shaker",[710],[713],[663],39.61772,19.920385,"Corfu, Greece","2022-12-15",{"_728":1896,"_729":1897},2031,{"_649":1903,"_31":1904,"_652":1905,"_255":1909,"_378":1910,"_659":1911,"_661":1912,"_664":1913,"_668":1914,"_677":1917,"_684":1922,"_693":1923,"_707":38,"_708":1924,"_711":1925,"_714":1926,"_716":1927,"_718":1928,"_720":1929,"_722":1930,"_724":1931,"_726":1932,"_730":1933},"profile-1778",1778,[1906,1907,1908],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWWhWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWWfWAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWWjWAO-right2.jpg","André Panoias","andr-panoias-wood-carving-portugal","André Panoias may have studied Design at the Faculty of Architecture in Lisbon but his heart and mind were set on returning to Alentejo to help improve the perceived value of rural crafts. “I started working with wood as a child with my grandfather and after spending time with him and other artisans I felt the need to do my part to preserve local woodworking traditions.” The carving techniques he uses to make his spoons are the same that have been used by shepherds in the fields for generations. André enjoys the daily touch and smell of wood. His profound respect for the surrounding nature and desire to take the necessary time to create well-made objects has guided this modern shepherd to bring local wood craft back into everyday contemporary life.",[663],[1075],[670,1915,1017,675,1019,1916,676],"Endangered crafts","Under 30",[1918,1919,1920,1921],"Colher dos Namorados","Cooking spoon","Colher Oliva","Colher Provadeira",[690,676],[762,700,704],[710],[713],[663],38.56939,-7.91107,"2026-05-01T09:26:17.000+0000","Evora, Portugal","2022-12-08",{"_728":1927,"_729":1928},960,{"_649":1935,"_31":1936,"_652":1937,"_255":1941,"_378":1942,"_659":1943,"_661":1944,"_664":1945,"_668":1947,"_677":1948,"_684":1954,"_693":1955,"_707":38,"_708":1957,"_711":1958,"_714":1959,"_716":1960,"_718":1961,"_720":1633,"_722":1962,"_724":1963,"_726":1964,"_730":1965},"profile-2355",2355,[1938,1939,1940],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPuNWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPuLWAW-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPuPWAW-right2.jpg","Petra Plestenjak Podlogar","petra-plestenjak-podlogar-wood-carving-slovenia","Petra Plestenjak Podlogar is a carver who continues the centuries-old tradition of making wooden moulds for Škofja Loka honey bread (honey pastry), which she upgrades with original motifs and patterns. She comes from an artistic family, she studied textile and clothing design, and this sense of aesthetics is reflected in her handicraft work. She has been carving since childhood, when she learned the skills from her grandfather. At the age of 15, she exhibited for the first time at the Biennial Exhibition of Arts and Crafts and received the title of Master Craftsperson. For the last 10 years, she has also pressed and baked Škofja Loka honey bread in her handmade wooden moulds. She is happy to share the secret recipes with her costumers.",[663],[1946],"Slovenia",[1714,670,866,1017,1548,1111,867,675,1019,676],[1949,1950,1951,1952,1953],"IHS in the foreground","Wooden motifs composition","Wooden composition","Carved lace","Wooden mom and honey twins",[1689,676],[1956,695,989,699,704,703],"Mould",[710],[713],[663],46.16524,14.31538,"Škofja Loka, Slovenia","2022-08-11",{"_728":1960,"_729":1961},2947,{"_649":1967,"_31":1968,"_652":1969,"_255":1973,"_378":1974,"_659":1975,"_661":1976,"_664":1977,"_668":1979,"_677":1980,"_684":1986,"_693":1987,"_707":38,"_708":1990,"_711":1991,"_714":1992,"_716":1993,"_718":1994,"_720":1633,"_722":1995,"_724":1996,"_726":1997,"_730":1998},"profile-2372",2372,[1970,1971,1972],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PX2uWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PX2sWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PX2wWAG-right2.jpg","Ermin Ljevo","ermin-ljevo-wood-carving-bosnia-and-herzegovina","Konjic is a small town south of the capital Sarajevo where a specific, old-style Bosnian technique of woodcarving is practiced. The technique is so unique that it is inscribed on the UNESCO List of Intangible Cultural Heritage. Ermin Ljevo is one of the woodcarvers pepertuating this rare technique. With his skilful hands and attentive eyes, Ermin decorated numerous wooden objects with traditional Konjic patterns and contributed to the popularization of the artistic woodcarving craft through the companies he worked for as a carpenter, but also by making unique pieces of furniture or souvenirs that ended up in the homes of his customers from Bosnia and Herzegovina and the whole world.",[663],[1978],"Bosnia and Herzegovina",[1714,1015,703,910,1017,1548,1077,673,1240,1019,676],[1981,1982,1983,1984,1985],"Bosnian table","Wooden platter","3 in 1","Peškun – a small chair","Round wooden bowl",[919,687,688,676],[1758,761,1988,804,760,882,763,1989,806,701,807,704,885,705],"Jewellery box","Jewellery and watches",[710],[713],[663],43.7,17.9,"Podorašac, Bosnia and Herzegovina","2022-07-14",{"_728":1993,"_729":1994},4020,{"_649":2000,"_31":2001,"_652":2002,"_255":2006,"_378":2007,"_659":2008,"_661":2009,"_664":2010,"_668":2011,"_677":2012,"_684":2018,"_693":2020,"_707":38,"_708":2022,"_711":2023,"_714":2024,"_716":2025,"_718":2026,"_720":2027,"_722":2028,"_724":2029,"_726":2030,"_730":2031},"profile-2630",2630,[2003,2004,2005],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWf7WAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWf9WAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWf8WAG-right2.jpg","Francesco Crippa","crippa-francesco-hj285r","After a few years as a metalworker, Francesco Crippa fell in love with wood, a living matter. He learned the craft as an apprentice in many workshops in Brianza, north of Italy. In 2006 he started his own business as a woodcarver, both designing his unique pieces and making commissions. He also executes prototypes for interior designers, architects, furniture firms, and he restores antiques. While preserving the well-rooted tradition of ornamental woodcarving, Francesco’s work ranges from a classic style to modern, even minimalist shapes and innovative solutions. Through what he calls objects-symbols, he aims at communicating with the contemporary world.",[663],[1169],[703,910,1017,1548,1077,867,673,1019,676],[2013,2014,2015,2016,2017],"Ornate Mirror","Carved archway","Elephant","Personalized coat of arms","Leonardo’s horse",[1127,1854,688,1794,2019,676,1557,1134,1288],"Synthetic materials",[1323,2021,695,1290,1796,881,1144,699,701,1253,807,703,705],"Arch",[710],[713],[663],45.66118,9.3791,"2026-05-01T09:26:53.000+0000","Lomagna, Italy","2022-06-30",{"_728":2025,"_729":2026},5332,{"_649":2033,"_31":2034,"_652":2035,"_255":2038,"_378":2039,"_659":2040,"_661":2041,"_664":2042,"_668":2043,"_677":2044,"_684":2050,"_693":2051,"_707":38,"_708":2052,"_711":2053,"_714":2054,"_716":2055,"_718":2056,"_720":1092,"_722":2057,"_724":2058,"_726":2059,"_730":2060},"profile-601",601,[2036,2037],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PTIjWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PTIhWAO-left1.jpg","Georg Demetz Pilat","georg-demetz-pilat-wood-carving-italy","Georg Demetz Pilat was born in 1962 in a family deeply rooted in the arts: his great-grandfather and his father were both woodcarvers. He is continuing the hundred-year-old family tradition of wood carving. \"I never thought about doing anything else, I’m so happy when I work in my bottega: woodcarving for me is almost a hobby.\" After attending the Art Institute of Ortisei, he had the possibility of learning the trade from different master sculptors. In 1987, he completed the qualification of \"maestro scultore” and since then he has worked in his own workshop in Ortisei, a village surrounded by steep Dolomite peaks with truly impressive views. He appreciates every day the quality of life that this business guarantees him. \"If you are your own boss, you make your own hours,\" he says.",[663],[1169],[910,1017,1019,676],[2045,2046,2047,2048,2049],"Lawn Bowls","Three Musicians in the Street","Crib","Five Musicians in the Street","Luis and Sefa",[798,676],[695,699,703],[710],[713],[663],46.57865,11.67269,"Ortisei, Italy","2022-04-28",{"_728":2055,"_729":2056},916,{"_649":2062,"_31":2063,"_652":2064,"_255":2068,"_378":2069,"_659":2070,"_661":2071,"_664":2072,"_668":2073,"_677":2074,"_684":2080,"_693":2084,"_707":38,"_708":2085,"_711":2086,"_714":2087,"_716":2088,"_718":2089,"_720":1929,"_722":2090,"_724":2091,"_726":2092,"_730":2093},"profile-1746",1746,[2065,2066,2067],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNp8WAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNp9WAG-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNpAWAW-right2.jpg","Zsombi Keresztes","keresztes-zsombi-mol6ta","Romanian wood sculptor Zsombi Keresztes learnt to carve from his father and grandfather. “I have been whittling with a pocket knife ever since I can remember.” When he moved to the Azores and couldn’t find any wooden cooking tools in the kitchen of his rented house, he broke a board off a pallet to make a spatula with a paring knife. His next spatulas were offered to friends who share his passion for cooking and they encouraged him to sell his pieces. “I realised there was perhaps an interest in what I do, so I quit my graphic designer job and the Azorean artisan centre (CRAA) helped me set up a workshop within their start-up incubator programme.” Protective of his environment, Zsombi’s uniquely shaped kitchen tools are made from driftwood he finds on his island’s shores.",[663],[1075],[1017,1548,674,748,676],[2075,2076,2077,2078,2079],"Hornbeam wooden spoon","Cooking spatulas","Black locust spatula","Set of spatulas and pan scraper","Cedar flipping spatula",[2081,689,1284,1130,839,2082,2083,1027,1135,676],"Walnut oil","Black locust wood","Ironwood",[762,1393,700,991,704],[710],[713],[663],37.7524,-25.65159,"Ponta Delgada, Portugal","2022-03-24",{"_728":2088,"_729":2089},3687,{"_649":2095,"_31":2096,"_652":2097,"_255":2101,"_378":2102,"_659":2103,"_661":2104,"_664":2105,"_668":2107,"_677":2108,"_684":2112,"_693":2113,"_707":38,"_708":2116,"_711":2117,"_714":2118,"_716":2119,"_718":2120,"_720":1495,"_722":2121,"_724":2091,"_726":2122,"_730":2123},"profile-1930",1930,[2098,2099,2100],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNtBWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNt8WAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNtCWAW-right2.jpg","Christodoulos Agridiotis","christodoulos-agridiotis-wood-carving-cyprus","Christodoulos Agridiotis learned wood carving from his father Kyriakos, who established his workshop in 1970 in north Nicosia. After the Turkish invasion in 1974, the family moved the workshop to Latsia, where Christodoulos works with his brother. They design and make iconostasis and other woodcraft from scratch, until the last touch during installation. The wood-carved, gold-leaf highchair where Pope Benedict XVI sat during his Cyprus visit came out from their workshop and makes them truly proud. Agridiotis brothers stick to tradition, using the techniques learned from the masters but they do not stop there. They add their own vision and imagination and move on, along with their craft.",[663],[2106],"Cyprus",[1015,1016,1017,1018,1019,676],[2109,2110,2021,2111],"St Barnabas Cathedral archway","Columns and capitals for Cathedral of Nicosia","Archangel model",[690,798,676],[2114,2115,2021,1291,1144,699,703],"Archway","Pillar",[710],[713],[663],35.1011397855383,33.390710267891,"Latsia, Cyprus",{"_728":2119,"_729":2120},1201,{"_649":2125,"_31":2126,"_652":2127,"_255":2130,"_378":2131,"_659":2132,"_661":2133,"_664":2134,"_668":2135,"_677":2136,"_684":2140,"_693":2142,"_707":38,"_708":2143,"_711":2144,"_714":2145,"_716":2146,"_718":2147,"_720":1259,"_722":2148,"_724":2149,"_726":2150,"_730":2151},"profile-362",362,[2128,2129],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUykWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUyiWAG-left1.jpg","Lionel Fernandes","lionel-fernandes-wood-carving-france","When asked about the first object he ever made, Lionel Fernandes remembers a slingshot and wooden bow made to play with his brother when he was no more than eight years old. Cabinetmaking and sculpting runs in the family, and it is no surprise that Lionel inherited his love of crafting, creating and imagining from his father and the ones before him. In every project, he makes the customer a central element of his creation or restoration project, he is a true collaborator and feeds off their vision. Ideas are brought to the table from both sides, decisions are made, and then the work can be executed with his masterful hand. He believes in the power of transmitting his knowledge as well as making himself an essential part of keeping his craft alive.",[663],[864],[910,1017,676,1785],[2137,2138,2139],"Godewaersvelde coat of arms","Grotesque anglaise","Vierge à L’Enfant",[1624,2141,1127,690,1134,676],"Silver",[695,699,703],[710],[713],[663],46.50334,0.40902,"Nouaillé-Maupertuis, France","2022-02-17",{"_728":2146,"_729":2147},3955,{"_649":2153,"_31":2154,"_652":2155,"_255":2159,"_378":2160,"_659":2161,"_661":2162,"_664":2163,"_668":2165,"_677":2166,"_684":2171,"_693":2172,"_707":38,"_708":2175,"_711":2176,"_714":2177,"_716":2178,"_718":2179,"_720":1187,"_722":2180,"_724":2181,"_726":2182,"_730":2183},"profile-2967",2967,[2156,2157,2158],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PST6WAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PST7WAO-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PST8WAO-right2.jpg","Constantin Toderău","toderau-constantin-muvcwv","Born and raised in Iași, one of Romania’s largest cities and cultural leading centres, Constantin Toderău loves the tranquillity of working in his workshop and the calm of the wood that peacefully reveals its stories. He makes cutting boards and serving platters using the techniques he learned from his grandfather in his small carpentry shop and the knowledge that he acquired by himself later, in years of study and practice. Constantin opened his studio, Strașnic, in 2015. He does everything on his own, taking the time to understand the wood fibres and letting the shapes of the wood flow naturally. \"The more time I focus on the wood in my workshop, the easier it is for me to follow its natural shape and, as a result, I gain more respect for nature, creation and the human being”, he states.",[663],[2164],"Romania",[1015,1548,867,676],[2167,2168,2169,761,2170],"Wood serving platters","Tocator nature","Branzeturi serving platter","Cina Strasnic",[676,690],[761,2173,2174,763,989,704],"Cutting board","Cheese board",[710],[713],[663],47.145095,27.5948,"Iași, Romania","2021-12-30",{"_728":2178,"_729":2179},5203,{"_649":2185,"_31":2186,"_652":2187,"_255":2191,"_378":2192,"_659":2193,"_661":2194,"_664":2195,"_668":2197,"_677":2198,"_684":2204,"_693":2206,"_707":38,"_708":2207,"_711":2208,"_714":2209,"_716":2210,"_718":2211,"_720":1187,"_722":2212,"_724":2213,"_726":2214,"_730":2215},"profile-3016",3016,[2188,2189,2190],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PO5tWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PO5rWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PO5vWAG-right2.jpg","Ursula Nunez","ursula_nunez-wood_carving-bevaix","Ursula Núñez studied art in Lima, Peru, the country where she was born. On a trip to Pucallpa, in the Peruvian jungle, she was able to obtain exotic wood pieces with which she made the series of sculptures that awarded her her Bachelor degree in fine arts. During her MA in Art at Carnegie-Mellon, she continued to develop her woodcarving skills. Ursula has lived and worked in many countries: Peru, the US, Thailand, Switzerland and Spain, and in each country she has created works using locally-sourced wood. Ursula has a great interest in eco-sustainable approaches. This led her to using roots and trunks that were going to be destroyed to create her sculptures called Circulos Intemporales 2017-2022. Ursula’s specialty is woodcarving and her sources of inspiration are nature, the female form and the sea.",[663],[2196],"Switzerland",[747,867,674,676,1785],[2199,2200,2201,2202,2203],"Fragile Equilibrium","The Last Dive","Metamorphose: Bird","Rest","The World’s Origin",[800,1123,1391,2205,1126,690,802,1134,676,1133],"Ink",[695,699,703],[710],[713],[663],46.93068040108298,6.817844387898066,"Bevaix, Switzerland","2021-12-23",{"_728":2210,"_729":2211},306,{"_649":2217,"_31":2218,"_652":2219,"_255":2223,"_378":2224,"_659":2225,"_661":2226,"_664":2227,"_668":2229,"_677":2230,"_684":2235,"_693":2237,"_707":38,"_708":2238,"_711":2239,"_714":2240,"_716":2241,"_718":2242,"_720":1864,"_722":2243,"_724":2244,"_726":2245,"_730":2246},"profile-2732",2732,[2220,2221,2222],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PStgWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSthWAG-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PStiWAG-right2.jpg","Marco Castorina","castorina-marco-a0zxhs","Now leading the family business, Marco Castorina represents the fourth generation of woodcarvers, more than a century after his great-grandfather founded Castorina 1895 in Sicily. Then the family moved to Florence, renewing the tradition of high carpentry. With the members of his artisanal team, Marco produces a wide range of strictly handmade items, from natural wood articles such as frames, bases and legs for tables, consoles and coffee tables to ready to buy pieces and bespoke objects and furniture, decorated with the traditional Florentine finishes: gilding, lacquering and painting. The workshop is also dedicated to the restoration of antiques. Marco was awarded Master of Arts and Crafts and was included in the Golden Book of Italian Artisan Excellence (October 2020).",[663],[1169,2228],"Florence",[1714,1015,1017,1019,676],[2231,2232,2233,1320,2234],"Pitti Frame","Sunburst Convex Mirror","Sacred heart","XVII Century Carved Frame",[1123,1554,2236,798,1134,676],"Silver leaf",[1323,877,695,881,699,807,703],[710],[713],[663],43.76849,11.24815,"Florence, Italy","2021-11-11",{"_728":2241,"_729":2242},3770,{"_649":2248,"_31":2249,"_652":2250,"_255":2254,"_378":2255,"_659":2256,"_661":2257,"_664":2258,"_668":2259,"_677":2260,"_684":2265,"_693":2267,"_707":38,"_708":2268,"_711":2269,"_714":2270,"_716":2271,"_718":2272,"_720":2027,"_722":2243,"_724":2273,"_726":2274,"_730":2275},"profile-2584",2584,[2251,2252,2253],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PR4RWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PR4PWAW-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PR4TWAW-right2.jpg","Carlo Puccini","puccini-carlo-wltnyh","Carlo Puccini began by working in the historic Bartolozzi and Maioli workshop, one of Florence’s most prestigious antique ateliers. He took part in the important restoration of wooden works for the Abbey of Montecassino and the secular choirs. After mastering the art of making frames, in 1989 he opened his own workshop in Florence. The concept of carving is to create objects that, apart from being very beautiful, must have a practical purpose. This is why the workshops of Florence dedicate themselves to the production of furnishing accessories and frames. The workshop of Carlo also delivers works of cabinet making, carving and gilding, as well as special furnishings and ornamental objects. It excels in the creation of decorated and golden frames.",[663],[1169,2228],[910,1017,1548,1077,1019,676],[2261,2262,2263,2264],"Musical Allegory","Wood carved frame with grapes","Wood carved ram’s head","Bigger one",[1624,2266,1127,798,1123,1134,676],"Sterling silver",[695,1323,699,881,703,807],[710],[713],[663],43.76995,11.26314,"2021-10-21",{"_728":2271,"_729":2272},3761,{"_649":2277,"_31":2278,"_652":2279,"_255":2283,"_378":2284,"_659":2285,"_661":2286,"_664":2287,"_668":2288,"_677":2289,"_684":2293,"_693":2294,"_707":38,"_708":2295,"_711":2296,"_714":2297,"_716":2298,"_718":2299,"_720":1460,"_722":1428,"_724":2300,"_726":2301,"_730":2302},"profile-2230",2230,[2280,2281,2282],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PW8MWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PW8NWAW-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PW8OWAW-right2.jpg","Mels Yeghiazaryan","yeghiazaryan-mels-leaxha","Mels Yeghiazaryan, the master craftsman, is a vital link in the chain of Armenian master woodcarvers․ Mels' carvings range from traditional Armenian cross-stones to wooden doors, mirrors, chairs, and cabinets. Being fascinated by wood art, he left his degree in Economics to pursue a career in the Arts. He found his own language to work with wood and considers himself to be his own teacher. He remembers fondly that for his first job, which was making wooden Armenian letters, he was paid for it with a car. Mels worked as the head designer for Enkeboll Designs for nearly a decade, a Los Angeles-based firm specialising in custom architectural woodcarving, where his designs continue to be reproduced. He currently lives in Armavir, Armenia, and offers apprenticeships in woodcarving and traditional Armenian calligraphy.",[663],[1415],[671,703,910,1017,1548,1077,1111,1240,1019,676],[2290,2291,2292],"Traditional jar sculpture","Chairs","Art Nouveau-inspired mirror",[676],[695,804,877,699,806,881,703,807],[710],[713],[663],40.15446,44.03815,"2021-07-15",{"_728":2298,"_729":2299},1790,{"_649":2304,"_31":2305,"_652":2306,"_255":2310,"_378":2311,"_659":2312,"_661":2313,"_664":2314,"_668":2315,"_677":2316,"_684":2322,"_693":2326,"_707":38,"_708":2331,"_711":2332,"_714":2333,"_716":2334,"_718":2335,"_720":2336,"_722":723,"_724":2337,"_726":2338,"_730":2339},"profile-3449",3449,[2307,2308,2309],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVaOWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVaMWAW-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVaQWAW-right2.jpg","Naseer Yasna & Hedieh Wojgani","naseer-yasna--hedieh-wojgani-wood-carving-united-kingdom","Afghan artisan Naseer Yasna learned his craft in Iran from Hassan Khondani, an Iraqi master woodcarver, when he was only 13. Years later, back in Afghanistan, he studied traditional carving, taking inspiration from the Islamic and pre-Islamic cultures, and opened his own studio. Then he joined the charity Turquoise Mountain, where he met Hedieh Wojgani. Their different perspectives and skills complemented each other and they soon realised that, together, they were a very strong team, in art as in life. “Our goal was to contribute to the development of a high quality craft industry in Afghanistan, and help raise awareness and a sense of pride in its cultural heritage. Unfortunately, in 2016 the situation in Kabul made us decide to leave Afghanistan and relocate to London”.",[663],[666,667],[789,910,866,1548,187,1077,747,1111,868,1019,676],[2317,2318,2319,2320,2321],"Parrot dominoes set","Stardust four poster bed","Cuneiform chair & ottoman","Night Sky display cabinet","Whirling Dervishes chess set",[2323,688,798,2324,2325,1213,1285,1288,676,692,1133],"Acrylic paint","Fabric","Mahogany",[2327,1760,804,2328,2329,1761,806,2330,807],"Domino set","Chess set","Games and 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