HOMO FABER 2026
Albinas Šileika
©Kaimo turizmo informacijos centras
Albinas Šileika
©Kaimo turizmo informacijos centras
Albinas Šileika
©Kaimo turizmo informacijos centras
Albinas Šileika
©Kaimo turizmo informacijos centras
Albinas Šileika
©Kaimo turizmo informacijos centras
Albinas Šileika
©Kaimo turizmo informacijos centras

Albinas Šileika

Bott, Karlotta

Wood carving

Antalgė, Lithuania

Genuine dedication to Lithuanian folk art

  • What fascinates Albinas the most is tradition
  • He runs workshops to perpetuate the understanding of his craft
  • He started carving while growing up

Albinas Šileika is a craftsman with an unusual life path. As a boy grew up in an orphanage, where his teacher got him interested in woodcarving. Albinas has a real passion for preserving Lithuania's national heritage. He meticulously carves distaffs and towel holders, decorating them with traditional Lithuanian folk ornaments, he organises exhibitions of his work in Lithuania and abroad, and he runs workshops. The carver has received numerous awards. His works have been certified as objects of national heritage, and he is recognised as a master of traditional crafts. Carving is a passion, a respite, an opportunity to realise his ideas, and a continuation of traditional Lithuanian culture.

Albinas Šileika is a master artisan: he began his career in 2006 and he started teaching in 2007.

INTERVIEW

I first began in an orphanage. A teacher noticed that I had talent and gave me some soft linden wood boards, on which I drew sketches. That is how I started to create patterns for my future distaffs. So I have been carving wood since I was very young.

The opportunity to contribute to the continuity of tradition. The heritage of the Lithuanian nation is very important to me. I want to preserve it and continue it with my work. I also like to challenge myself, to create intricate ornaments that astonish people.

I think yes, the craft is disappearing. There are not many carvers around. I try to do educational activities, to attract young people, to teach carving, to show and talk about this craft.

You have to have a love for the work. It takes a lot of diligence and patience to develop and build the right skills. But without respect and love for the wood, for tradition, for heritage, there is nothing to be gained. It is not just technique that matters, but also genuine dedication.