





Keoni
Woodcarver
Colorado Springs, CO, USA
The basket hidden within the wood
- Keoni's carving technique transforms wood into the illusion of woven fibre
- Retirement carried him unexpectedly from Silicon Valley to art
- Self-taught, he experiments freely without pressure or penalty
Keoni’s hard maple vessels create the visual impression of woven fibre with beadwork-like intricacy. His practice is grounded in the study of Native cultures and informed by archives and conversations with community storytellers. “Knowledge was not necessarily transmitted in writing. It was oral, and it was tactile,” he says. Keoni follows those histories through basketry, pottery, textiles and rugs. He distills the iconography of these crafts into a language of his own, built from geometry, carving, fire and colour. His patterns unfold mathematically across a 72-polar grid decorated with inks and dyes. Through woodburning, Keoni caramelises the maple’s sugars into layers of brown that heighten the illusion of basket weaving and vintage character. "My pieces are meant to be held. Touch is the way into the vessels' world," he says. “People who acquire a piece of mine become participants in its journey and part of its story.”
Discover his work
INTERVIEW
A singular creation could seamlessly blend African, Persian, Japanese, Chinese and Southwestern Native American inspirations, embodying the idea of one world woven from many cultures. While the colour palettes and design patterns could be very different, they always achieve strong complementarity.
I have always been a storyteller. From my career in journalism to photography, to working in marketing and high tech, storytelling remained central. Becoming an artist follows the same thread.
I rarely have a design in mind when I am shaping a piece on the lathe. The form emerges during my process. The wood directly speaks to me. Every piece brings unexpected turns, so I am careful about being very open and present with the material.
A mid-sized piece can have around 30,000 individual cuts and burns, with larger pieces reaching 70,000 cuts. Every step of the process is manual. I do not use lasers or automation. For instance, my pieces Echo and Sipapu each needed over 80 hours to shape, burn designs, add colour and finish.
Keoni
Woodcarver
Colorado Springs, CO, USA
ADDRESS
Address upon request, Colorado Springs, CO, USA
AVAILABILITY
By appointment only
LANGUAGES
English
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