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2026","bgColor","bgImgUrl","https://api.homofaber.com/uploads/9_16_1080x1920_50_175a29db28.png","bgRepeat","bgFit","contain","centerImgUrl","centerText","1 – 30 September 2026, San Giorgio Maggiore Island, Venice","centerImgFit","ctaLabel","Book your ticket","ctaBgColor","#FFFFFF","ctaUrl","textColor","white","2025-05-22T09:42:23.885Z","2026-04-27T09:13:30.731Z","2026-04-27T09:13:30.723Z","textLeftXs","bgImgUrlXs","ctaLabelXs","Book now","ActiveStartDate","2026-04-27T07:00:00.000Z","ActiveEndDate","2026-09-30T21:45:00.000Z","mainAdvert","guideTags",[627,629,631,634],{"_255":187,"_628":-5},"badge_color",{"_255":183,"_628":630},"#115C90",{"_255":632,"_628":633},"Homo Faber Capsule","#f0deca",{"_255":207,"_628":635},"#D9583B","isWebview","userAgent","Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)","emailHash","request",["SingleFetchClassInstance",642],{},"routes/$lang","routes/$lang.artisans._index",{"_646":647,"_1899":647,"_1900":1901,"_2174":2175},"profiles",[648,712,746,778,816,848,883,922,954,986,1017,1052,1094,1128,1153,1182,1217,1247,1277,1309,1347,1382,1416,1445,1477,1509,1541,1575,1603,1638,1669,1694,1723,1752,1778,1812,1841,1870],{"_649":650,"_31":651,"_652":653,"_255":657,"_378":658,"_659":660,"_661":662,"_664":665,"_668":669,"_673":674,"_680":681,"_683":684,"_687":38,"_688":689,"_691":692,"_694":695,"_696":697,"_698":699,"_700":701,"_702":703,"_704":705,"_706":707,"_710":711},"_meilisearch_id","profile-5355",5355,"picture",[654,655,656],"https://api.homofaber.com/uploads/3_Peter_Young_checking_glass_photo_Jozef_Vrtiel_548a5890a4.jpg","https://api.homofaber.com/uploads/1_Peter_Young_glass_painting_photo_Jozef_Vrtiel_42880251f9.jpg","https://api.homofaber.com/uploads/5_Shelter_detail_photo_Peter_Young_Peter_Young_c7484f0a92.jpg","Peter Young","peter_young-stained_glass_making-dublin","description","Peter Young makes one-off stained glass pieces for buildings and exhibitions. He discovered the medium by chance while seeking work in London, eventually spending several years at the retail outlet for Goddard & Gibbs Studios. This immersive environment of light and colour sparked Peter's curiosity, and he began asking questions and experimenting with his own glass designs. Encouraged by customers to formalise his talent, he was accepted into the Central St. Martins glass course. \"London's vibrant cultural scene helped me discover revolutionary art, experimental music and culture that shaped my artistic voice,\" Peter shares. Today, his work reflects a balance of tradition and a bold, expressive contemporary style.","craft",[663],"Stained glass making","destinations",[666,667],"Ireland","Dublin","tags",[670,671,672],"Glass","New career","Territory","objects",[675,676,677,678,679],"Sure enough the Duck","Skylight","Anu","Martin Wills Memorial","Nádúr","materials",[682,670],"Stained glass","categories",[682,685,686],"Building elements","Architecture","has-experiences","type-of-artisan",[690],"Artisan","craft_person",[693],"Stained glass maker","craft_metier",[663],"latitude",53.32991045120752,"longitude",-6.305007998259066,"content_edit_date","2026-05-01T09:25:43.000+0000","city_and_country","Dublin, Ireland","is_new_until","2026-03-26","_geo",{"_708":697,"_709":699},"lat","lng","order",4811,{"_649":713,"_31":714,"_652":715,"_255":719,"_378":720,"_659":721,"_661":722,"_664":723,"_668":726,"_673":729,"_680":735,"_683":736,"_687":38,"_688":737,"_691":738,"_694":739,"_696":740,"_698":741,"_700":742,"_702":743,"_704":705,"_706":744,"_710":745},"profile-5358",5358,[716,717,718],"https://api.homofaber.com/uploads/3_Lame_du_Vitrail_credit_Raphael_Metivet_20_copy_396acd515a.jpg","https://api.homofaber.com/uploads/1_Lame_du_Vitrail_credit_Raphael_Metivet_1_copy_6c0370d7d2.jpg","https://api.homofaber.com/uploads/5_Lame_du_Vitrail_Bld_Raspail_Credit_Raphael_Metivet_5_copy_ffaf165da1.jpg","Marie-Pierre Bouaziz","marie-pierre_bouaziz-stained_glass_making-paris","Marie-Pierre Bouaziz's desire to work with stained glass is driven by her passion and need to create with her hands. She first discovered this craft during a stained glass workshop, then trained for 14 years with different master glassmakers. This professional reconversion, which Marie-Pierre considers a key moment in her life, led her to open her own workshop in Paris in 2016. Today, she works with the traditional leaded technique, draws her designs by hand and follows her instinct. \"My style is pure and elegant. I am inspired by Art Deco, abstraction and contemporary forms, as I revisit the past with modern colours,\" she says. She designs her unique pieces in dialogue with the client as well as the architecture, interior decoration and light of the location. Conscious of environmental concerns and committed to the transmission of skills, Marie-Pierre collaborates with other artists and works on heritage restoration projects too.",[663],[724,725],"France","Paris",[727,686,670,728],"Collaborations","Teacher",[730,731,732,733,734],"Boulogne","Raspail 1","Beauséjour","Lavoisier","Raspail 2",[682,670],[682,685,686],[690],[693],[663],48.85285,2.36631,"2026-05-01T09:26:00.000+0000","Paris, France",{"_708":740,"_709":741},2937,{"_649":747,"_31":748,"_652":749,"_255":753,"_378":754,"_659":755,"_661":756,"_664":757,"_668":760,"_673":765,"_680":766,"_683":767,"_687":38,"_688":768,"_691":769,"_694":770,"_696":771,"_698":772,"_700":773,"_702":774,"_704":775,"_706":776,"_710":777},"profile-5117",5117,[750,751,752],"https://api.homofaber.com/uploads/3_IMG_0757_a9548b7765.jpg","https://api.homofaber.com/uploads/4_IMG_0777_f3dbb15d3a.jpg","https://api.homofaber.com/uploads/5_IMG_0775_e68520f7c1.jpg","Guido Polloni","guido_polloni-stained_glass_making-florence","Guido Polloni, an expert in harnessing light and colour through glass, established his namesake stained glass atelier in Florence in 1919. The legacy continued in 1947 when son-in-law Sergio Papucci, an accomplished glass decorator and educator, joined the atelier. Together, they have developed Guido Polloni's distinctive approach to both traditional craftsmanship and innovative glass artistry, establishing a reputation for exceptional quality.",[663],[758,759],"Italy","Florence",[761,670,762,763,672,764],"Atelier","Heritage","Religion","Traditions",[],[],[],[761],[693],[663],43.76838834246341,11.27212247387837,"2026-05-01T09:26:53.000+0000","Florence, Italy","2026-03-19",{"_708":771,"_709":772},3309,{"_649":779,"_31":780,"_652":781,"_255":785,"_378":786,"_659":787,"_661":788,"_664":789,"_668":791,"_673":793,"_680":799,"_683":800,"_687":38,"_688":806,"_691":807,"_694":808,"_696":809,"_698":810,"_700":811,"_702":812,"_704":813,"_706":814,"_710":815},"profile-5209",5209,[782,783,784],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000F03D_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000F03D_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000F03D_Right2.jpg","Nina Udović","nina_udović-stained_glass_making-beograd","As a young electrical engineering graduate from Belgrade University, Nina Udović was at a crossroads between science and art. \"Even though I entered the corporate world at the time, my fascination with stained glass never faded,\" she says. Eventually, Nina decided to give it a real chance and completed a year-long stained glass making training programme in 1999. In the very same year, she also founded her workshop, Stained Glass Studio Mozzaik, formerly known as Atelje Vitraž. Nina has built a diverse artistic portfolio that ranges from stained glass panels to mirrors and lamps, including commissions for private clients, companies and art galleries worldwide. Through various collaborations with architects, her pieces travel far beyond Serbia, finding their place in interiors in France, Russia and Azerbaijan, among others.",[663],[790],"Serbia",[727,792,670,671,728],"Exhibitions/Museums",[794,795,796,797,798],"Amphora","Waterlily","Blue Wave lamp","Lumen Leaf box","Through the Grapevine",[682,670],[801,682,802,685,803,804,686,805],"Lamp","Box","Decorative objects","Lighting","Decoration",[690],[693],[663],44.79868019293169,20.38500413915655,"2026-05-01T09:29:06.000+0000","Beograd, Serbia","2026-01-29",{"_708":809,"_709":810},4886,{"_649":817,"_31":818,"_652":819,"_255":823,"_378":824,"_659":825,"_661":826,"_664":827,"_668":828,"_673":831,"_680":837,"_683":839,"_687":38,"_688":840,"_691":841,"_694":842,"_696":843,"_698":844,"_700":742,"_702":845,"_704":813,"_706":846,"_710":847},"profile-5187",5187,[820,821,822],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EwCy_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EwCy_Right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EwCy_Right2.jpg","Amandine Steck","amandine_steck-stained_glass_making-honfleur","Amandine Steck creates and restores stained glass, and adds unexpected materials to her works, such as fabric, ceramic and sand. Her atelier, L’Amande et l’Obsidienne, was originally founded in 1976 by Martial Mayel in Honfleur in Normandy, a region with a remarkable heritage of 16th and 19th-century stained glass. Since taking over in 2014, Amandine has worked on both restoration projects and original commissions, designing each piece to interact with light and space while exploring the endless possibilities of glass. \"I draw inspiration from the sea, its myths and my travels. I combine Japanese, Moorish and Art Nouveau references in search of harmony in line, colour and light,\" she explains.",[663],[724],[829,830,672,764],"Mixing cultures","Mixed media",[832,833,834,835,836],"Feu incandescent","Japonaise","Mogador","Zozio","Séparation aux Iris",[838,670],"Lead glass",[682,685,686],[690],[693],[663],49.4238399704256,0.2564418425379009,"Honfleur, France",{"_708":843,"_709":844},3164,{"_649":849,"_31":850,"_652":851,"_255":855,"_378":856,"_659":857,"_661":858,"_664":859,"_668":860,"_673":863,"_680":869,"_683":872,"_687":38,"_688":873,"_691":874,"_694":875,"_696":876,"_698":877,"_700":878,"_702":879,"_704":880,"_706":881,"_710":882},"profile-5130",5130,[852,853,854],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ew66_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ew66_Right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ew66_Right2.jpg","Ludivine Rougeolle","ludivine_rougeolle-stained_glass_making-cuverville","At the age of 17, Ludivine Rougeolle saw a contemporary stained-glass window in a workshop and instantly knew she wanted to work with glass. The following year, she began her training at the Lucas de Néhou secondary school in Paris. What drew Ludivine so strongly to glass is the material's simultaneous fragility and longevity. She was fascinated by the way glass alters colour and light. Years later, she understood a deeper reason behind her attraction to the material. \"I grew up in Le Havre, by the sea. Even though the city has no ancient heritage, its light inspired me and indirectly pushed me towards glass,\" Ludivine says. In 2014, she opened her own workshop where she works and trains her apprentices.",[663],[724],[686,861,670,728,764,862],"Decorative","Visual Arts",[864,865,866,867,868],"Ripples of Seigaiha","Evolare","At the Heart of the Port","Le Bon Accueil","Lux Sequana",[670,870,871],"Lead","Metals",[682,685,686],[690],[693],[663],49.66318698918973,0.2654625750311503,"2026-04-22T14:16:00.000+0000","Cuverville, France","2026-01-08",{"_708":876,"_709":877},1584,{"_649":884,"_31":885,"_652":886,"_255":890,"_378":891,"_659":892,"_661":893,"_664":894,"_668":896,"_673":899,"_680":905,"_683":912,"_687":38,"_688":913,"_691":914,"_694":915,"_696":916,"_698":917,"_700":811,"_702":918,"_704":919,"_706":920,"_710":921},"profile-4953",4953,[887,888,889],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EztH_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EztH_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EztH_Right2.jpg","Béatrice Binétruy","béatrice_binétruy-stained_glass_making-clarens","While working with a glass maker, Béatrice Binétruy decided to shift her career from illustration and web design to stained glass making. In her own studio, Atelier Vitrail, she mixes traditional techniques, such as the Tiffany technique, and modern laser engraving and serigraphs. \"When sunshine passes through stained glass, it blows colourful life into its space,\" she says. Béatrice works on restoration and original pieces, and holds workshops to pass on her knowledge to interested creatives. \"The scarcity of vacancies makes working as a stained glass maker a rare opportunity in Switzerland. Nevertheless, I am happy to see a real comeback in people's interest for authenticity and handmade objects,\" she explains.",[663],[895],"Switzerland",[686,897,898,670,671],"Endangered crafts","Digital tools",[900,901,902,903,904],"3-colour dots","Oriental doors","KB flowers no. 4","Prints","KB flowers no. 3",[906,870,907,908,909,910,911,871,670],"Enamel","Tin","Blown glass","Copper","Pewter","Enamel, glaze and lacquer",[682,685,686],[690],[693],[663],46.44144246479961,6.895965897060776,"Clarens, Switzerland","2025-12-04",{"_708":916,"_709":917},5036,{"_649":923,"_31":924,"_652":925,"_255":929,"_378":930,"_659":931,"_661":932,"_664":933,"_668":935,"_673":936,"_680":941,"_683":944,"_687":38,"_688":945,"_691":946,"_694":947,"_696":948,"_698":949,"_700":950,"_702":951,"_704":952,"_706":953,"_710":818},"profile-4877",4877,[926,927,928],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Etu9_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Etu9_Right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Etu9_Right2.jpg","Antonio Javier Salgado","antonio_javier_salgado-stained_glass_making-seville","Trained in his family's workshop, Antonio Javier Salgado learned his craft from his glazier father José Salgado and goldsmith Fernando Marmolejo, who instilled in him a deep respect for both secular and religious artworks. In 1994, with his wife's support, Antonio opened his own studio to continue his father's legacy. \"Stained glass windows are crafted with both artistry and passion. Without these, the windows would be impossible to create. Stained glass windows transform light into a kind of evangelising force,” says Antonio. Skilled in design, drawing and glass making, he produces and restores original works of art, blending 17th-century stained glass techniques with more modern practices such as silvering and hydrofluoric acid engraving. \"I am committed to preserving the handmade nature of my craft, which is threatened by the harmful trend of mass-produced, prefabricated templates,\" Antonio explains.",[663],[934],"Spain",[897,670,762,764],[937,938,939,940],"Vidriera Sacramental","Stained-glass window","Christopher Columbus","Heraldic Coat of Arms of the Excmo.",[942,906,670,870,943,911,871],"Grisaille","Cement, plaster, pigments",[682,685,686],[690],[693],[663],37.392385,-6.194495,"2026-05-01T09:25:31.000+0000","Seville, Spain","2025-10-16",{"_708":948,"_709":949},{"_649":955,"_31":956,"_652":957,"_255":961,"_378":962,"_659":963,"_661":964,"_664":965,"_668":967,"_673":969,"_680":974,"_683":975,"_687":38,"_688":976,"_691":977,"_694":978,"_696":979,"_698":980,"_700":981,"_702":982,"_704":983,"_706":984,"_710":985},"profile-1063",1063,[958,959,960],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Evwj_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Evwj_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Evwj_Right2.jpg","Fernando Codinha","fernando_codinha-stained_glass_making-bussum","As a child, Fernando Codinha was fascinated by the stained glass he saw in churches. He went on to study the craft at art school in Marinha Grande in Portugal, not far from his native Nazaré. Later, Fernando moved to The Netherlands where he eventually took over the historic stained-glass company Eerste Bussumse Glashandel founded in 1928. \"The best compliment is when people say that a finished piece looks like it has always been there,\" he says. Among his proudest projects are the restorations of the Concordia building in Bussum and Foodhall MOUT in Hilversum, as well as his personal Mona Lisa, a piece inspired by his wife. Fernando also shares his passion through workshops. \"Stained glass is more than a way to create beauty, it is about preserving heritage and inspiring the next generation,\" he says.",[663],[966],"Netherlands",[686,861,968,862],"Interiors",[970,971,972,973],"Carpet Glass","Mona Lisa","Sliding Doors","Dancing Tulips",[682,670],[682,685,686],[690],[693],[663],52.27488,5.16445,"2026-05-01T09:25:58.000+0000","Bussum, Netherlands","2025-09-18",{"_708":979,"_709":980},4854,{"_649":987,"_31":988,"_652":989,"_255":992,"_378":993,"_659":994,"_661":995,"_664":996,"_668":997,"_673":999,"_680":1003,"_683":1004,"_687":38,"_688":1007,"_691":1008,"_694":1009,"_696":1010,"_698":1011,"_700":1012,"_702":1013,"_704":1014,"_706":1015,"_710":1016},"profile-1675",1675,[990,991],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/3)EDITED_DSC_0572.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/1)EDITED_IMG_20180123_113414_HDR.jpg","Conrado Córdoba De Julián","conrado_córdoba_de_julián-stained_glass_making-cuenca","Conrado Córdoba De Julián is a stained glass artist who uses a wide range of techniques in his craft. \"I always felt like I was destined to work with stained glass,\" he says. Conrado attended the first school dedicated to creating stained glass windows for cathedrals established in the city of Cuenca. He trained for three years under the French master glassmaker Henri Dechanet. \"I was not only trained in stained glass, but also studied art history, artistic drawing, technical drawing and general culture,\" he explains. Conrado finds every aspect of his craft rewarding, from sketching his ideas to installing the final pieces. \"It is important to me that my pieces play role in preserving the art of stained glass. It is an endangered craft that deserves to have more light shed on it – no pun intended,\" he humours.",[663],[934],[686,897,670,998,672,764],"Mentored",[676,1000,1001,1002],"La Verónica","Guadalupe set","Saint Anthony",[670],[670,801,1005,1006,804],"Drinkware","Table and kitchen",[690],[693],[663],40.10615,-2.22189,"2026-05-01T09:26:17.000+0000","Cuenca, Spain","2025-08-08",{"_708":1010,"_709":1011},4489,{"_649":1018,"_31":1019,"_652":1020,"_255":1024,"_378":1025,"_659":1026,"_661":1027,"_664":1028,"_668":1029,"_673":1030,"_680":1035,"_683":1039,"_687":38,"_688":1043,"_691":1044,"_694":1045,"_696":1046,"_698":1047,"_700":950,"_702":1048,"_704":1049,"_706":1050,"_710":1051},"profile-725",725,[1021,1022,1023],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002WOr4AM-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002WOn4AM-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002WOq4AM-right2.jpg","Lola Pradeilles","lola-pradeilles-vemxrh","Lola Pradeilles changed career paths in her early 20s in order to pursue training in glass staining and glass painting. \"I wanted to learn artisanal techniques as well as modern technology,\" she explains. Today, Lola's commissions range from religious and public buildings to residential projects. Her work can be figurative or abstract, and she enjoys bringing a touch of modernity to some classic pieces. Each creation is site-specific. Lola is very attached to producing stained glass pieces that are faithful to conventions and historical approaches, giving her a base from which to modernise. For each new project she carries out research on the provenance, history, location, material, context and complexity of the design of each window. Lola creates models to a 1:10 scale to give her clients an overall vision of the finished project. She also finds the time to run workshops and teach in different countries.",[663],[724],[686,861,670,968,764],[1031,1032,1033,1034],"Savana","Floral","Jungle","Nebulae",[670,1036,1037,1038,871],"wood","Metal","Wood",[1040,1041,685,1042,686,805],"Painting","Panel","Wall decorations",[690],[693],[663],44.0985,3.07732,"Millau, France","2025-01-02",{"_708":1046,"_709":1047},2670,{"_649":1053,"_31":1054,"_652":1055,"_255":1059,"_378":1060,"_659":1061,"_661":1062,"_664":1063,"_668":1065,"_673":1068,"_680":1073,"_683":1075,"_687":38,"_688":1084,"_691":1085,"_694":1086,"_696":1087,"_698":1088,"_700":1089,"_702":1090,"_704":1091,"_706":1092,"_710":1093},"profile-2848",2848,[1056,1057,1058],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002BQr4AM-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002BQn4AM-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002BQq4AM-right2.jpg","Jennifer Hackett","homofaber-v4a00o","Jennifer Hackett was born in South London and studied Archaeology at university. She visited Rome and fell in love with the city, deciding that this was the place for her to settle. Since childhood Jennifer's creative and artistic streak had been evident. She used to paint with oils and it was after attending a glassworking workshop that she discovered her deep affinity for the medium of glass. She trained with Dave Whyman, who facilitated stained glass workshops at the prestigious and historic Stained Glass Museum at Ely Cathedral. In 2014, Jennifer set up her own studio called Glass by Butler. Her artworks are made using the Tiffany technique, combining glass and oil painting, in fractal and geometric shapes, built like a puzzle. \"I love to create dragonfly wings in glass. To me, their movement has always been symbolic of the magical process of life and flow,\" she says.",[663],[758,1064],"Rome",[670,1066,968,1067],"Future Icons Selects","London Craft Week",[1069,1070,1071,1072],"Wing No. 1","Timeline Of Companionship","Growth","Balancing Act",[670,1074,871],"Copperfoil",[1076,1077,1078,1079,1080,685,1081,1082,1083,686,804],"Pendant","Wall panel","Sculpture","Light box","Jewellery and watches","Monuments","Floor lamp","Mode",[690],[693],[663],41.92414,12.50549,"2026-05-01T09:27:03.000+0000","Rome, Italy","2024-10-24",{"_708":1087,"_709":1088},3388,{"_649":1095,"_31":1096,"_652":1097,"_255":1101,"_378":1102,"_659":1103,"_661":1104,"_664":1105,"_668":1106,"_673":1110,"_680":1116,"_683":1117,"_687":38,"_688":1118,"_691":1119,"_694":1120,"_696":1121,"_698":1122,"_700":1123,"_702":1124,"_704":1125,"_706":1126,"_710":1127},"profile-1445",1445,[1098,1099,1100],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000b7g4AA-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000b7e4AA-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000b7f4AA-right2.jpg","Jonatan Díaz","jonatan-diaz-0z3upj","A self-taught stained glass artist from the age of 14, Jonatan Díaz also benefited from his association with the renowned Flemish teacher Rudy Bellemans to learn this ancient craft. In 2000, shortly after his 18th birthday, he opened his first studio, Vitromar, to create stained glass windows inspired by classical and contemporary architecture, art and design. Jonatan later innovated with his sculptural glass kaleidoscopes under the name Reflektium, using the same coloured materials as for stained glass windows. In his kaleidoscopes he also applied parameters that mirror those used in space telescopes. One of his works, Anemone Ignis, was awarded the prize for the most singular work of craftsmanship of the year 2022 by the regional government of Andalusia. Visitors to Jonatan's workshop are not only struck by the modern appeal of his stained glass, but also experience a profound sense of infinity when looking into his unique kaleidoscopes.",[663],[934],[1107,686,670,1108,1109],"Awarded","Science","Self-taught",[1111,1112,1113,1114,1115],"Translucent doors","Entrance with stained glass windows","Villarroel Pantheon","Hexaurum","Hormiguero",[670,838,870,1038,907,908,871],[682,1078,685,1081,686],[690],[693],[663],36.43007,-5.14091,"2026-05-01T09:26:09.000+0000","Estepona, Spain","2024-04-11",{"_708":1121,"_709":1122},3273,{"_649":1129,"_31":1130,"_652":1131,"_255":1135,"_378":1136,"_659":1137,"_661":1138,"_664":1139,"_668":1140,"_673":1141,"_680":1142,"_683":1143,"_687":49,"_688":1144,"_691":1145,"_694":1146,"_696":1147,"_698":1148,"_700":1149,"_702":743,"_704":1150,"_706":1151,"_710":1152},"profile-144",144,[1132,1133,1134],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000Kd74AE-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000Kd34AE-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000Kd64AE-right2.jpg","La Maison du Vitrail","la-maison-du-vitrail-jx4dv3","Since its establishment in 1973 by Philippe and Christiane Andrieux, the motto of La Maison du Vitrail has remained unchanged: \"Drawing from the past to shape the future.\" Today, this family-run business is led by their daughter, Emmanuelle Andrieux, a highly demanding and talented master glassworker. Located in the heart of Paris, La Maison du Vitrail is dedicated to the preservation and making of stained glass. It serves as both a workshop where artisans perpetuate ancient craftsmanship and an exhibition space showcasing both modern and antique stained-glass artworks.",[663],[724,725],[761,686,670,764],[],[],[],[761],[693],[663],48.83537,2.28583,"2026-05-01T09:22:02.000+0000","2024-02-15",{"_708":1147,"_709":1148},1370,{"_649":1154,"_31":1155,"_652":1156,"_255":1160,"_378":1161,"_659":1162,"_661":1163,"_664":1164,"_668":1165,"_673":1166,"_680":1171,"_683":1172,"_687":38,"_688":1173,"_691":1174,"_694":1175,"_696":1176,"_698":1177,"_700":773,"_702":1178,"_704":1179,"_706":1180,"_710":1181},"profile-2459",2459,[1157,1158,1159],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000GPp4AM-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000GPl4AM-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000GPo4AM-right2.jpg","Massimo Travagli","massimo-travagli-5ogv69","Thanks to a 360-degree training across artistic techniques and a wide variety of materials, Massimo Travagli is at once glassmaker, decorator, sculptor and restorer. After several years of apprenticeship and experience in various workshops in Italy and abroad, in 1989, he opened his own atelier in Ferrara, where his cultural roots lie. The heritage of the city which gave life to one of the most original expressions of the Italian Renaissance and which inspired the atmospheres of De Chirico's Metaphysics is an important source of creativity for Massimo. Here he creates artistic stained glass windows. Although he applies techniques that relate to the great historical tradition of this craft, he also introduces contemporary methods and innovative materials such as epoxy resins. Over the years he has grown particularly skilled at using resins, in fact..",[663],[758],[686,861,670,763,672],[1167,1168,1169,1170],"Castello Estense in Ferrara","Madonna and Child","Madonna Enthroned with Child and Angels","Vicolo del Granchio in Ferrara",[942,908,870,943,670,871],[682,685,686],[690],[693],[663],44.82578,11.62975,"Ferrara, Italy","2024-02-08",{"_708":1176,"_709":1177},898,{"_649":1183,"_31":1184,"_652":1185,"_255":1189,"_378":1190,"_659":1191,"_661":1192,"_664":1193,"_668":1196,"_673":1197,"_680":1201,"_683":1203,"_687":38,"_688":1207,"_691":1208,"_694":1209,"_696":1210,"_698":1211,"_700":1212,"_702":1213,"_704":1214,"_706":1215,"_710":1216},"profile-587",587,[1186,1187,1188],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000006ez4AA-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000006ev4AA-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000006ey4AA-right2.jpg","Annelies Cosaert","annelies-cosaert-kz5vjw","Annelies Cosaert has always been fascinated by stained glass. “With the use of light alone, it can tell different stories in dialogue with architecture, interior design, religion, mythology or history,” she says. Initially, Annelies pursued a career in cultural heritage preservation, for which she spent three years in Los Angeles. “A very satisfying job, but I felt my creative side becoming dormant. Before moving back to Belgium, I had a dream in which I was working with stained glass again. I felt free and whole, two parts of my brain collaborating, creating a peaceful mindset.” She made this dream come true and founded her own workshop, Atelier Kozaar, in Brussels. In this creative space, she is now constantly challenging herself. “I love to redefine the visual language of stained glass.”",[663],[1194,1195],"Belgium","Brussels",[686,861,670,968],[1198,1199,1200],"Beauffort and Béthune","Beauffort and Béthune (fragment)","Mirror Pills",[908,909,1202,870,670,871],"Iron",[682,1204,685,1205,686,1206],"Mirror","Furniture accessories","Furniture",[690],[693],[663],50.83449,4.32633,"2026-05-01T09:25:18.000+0000","Brussels, Belgium","2023-12-28",{"_708":1210,"_709":1211},5655,{"_649":1218,"_31":1219,"_652":1220,"_255":1223,"_378":1224,"_659":1225,"_661":1226,"_664":1227,"_668":1228,"_673":1229,"_680":1235,"_683":1236,"_687":38,"_688":1237,"_691":1238,"_694":1239,"_696":1240,"_698":1241,"_700":1242,"_702":1243,"_704":1244,"_706":1245,"_710":1246},"profile-1086",1086,[1221,1222],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004WATWA2-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004WARWA2-left1.jpg","Mieke Verwaetermeulen","mieke-verwaetermeulen-zichq3","Mieke Verwaetermeulen started working on stained glass in 1985, driven by the desire to work in architecture. “Stained glass offers excellent opportunities to work with light in buildings,” she says. She restores old stained glass windows, but also designs her own contemporary creations. “The one activity enriches the other. Through my work in restoration, I built up the necessary skills and learned to focus on the smallest details, which enhances my creative work. The combination also gives me peace of mind.” Mieke is inspired by observations in nature and is always making sketches with pencil and brush. “Classical drawing and painting are very important to me. I am constantly researching and experimenting, which gives depth to the style of my work.” Her studio, Glaskunst Atrium, is situated in a former train station.",[663],[1194],[727,686,670,672,728,862],[1230,1231,1232,1233,1234],"Dreamer","Stained glass at architectural firm Boeckx","Bar of hotel August in Antwerp","Stained glass in Arenberg Castle","Rosace",[670,1037,871],[1078,682,1081,685,686],[690],[693],[663],50.99657,3.65052,"2026-05-01T09:25:37.000+0000","De Pinte, Belgium","2023-11-09",{"_708":1240,"_709":1241},1507,{"_649":1248,"_31":1249,"_652":1250,"_255":1254,"_378":1255,"_659":1256,"_661":1257,"_664":1258,"_668":1260,"_673":1261,"_680":1267,"_683":1268,"_687":38,"_688":1269,"_691":1270,"_694":1271,"_696":1272,"_698":1273,"_700":1274,"_702":1275,"_704":1244,"_706":1276,"_710":221},"profile-255",255,[1251,1252,1253],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004W8EWAU-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004W8AWAU-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004W8DWAU-right2.jpg","Anna Santolaria","anna-santolaria-2iy5dy","Anna Santolaria masters the delicate and fragile art of glass-stained window conservation and contemporary creations among scaffoldings. She opened Vitralls Can Pinyonaire, her own atelier in Girona, in 2014. She had just returned from England where she graduated with an MA in Stained Glass Conservation and Heritage Management from the University of York. Anna has since been dedicated not only to conserving endangered architectural glass pieces in Spain and abroad, but also to advocacy of this craft’s preservation. Working mainly for ecclesiastical and municipal institutions, Anna has collaborated with stained-glass conservators in England, Germany and Sweden. Far from the rigour of conservation, she also creates and collaborates in contemporary stained-glass design projects where she finds the freedom to experiment with the versatility of refracted light – which is what she has always admired in architecture.",[663],[934,1259],"Girona",[727,686,861,670],[1262,1263,1264,1265,1266],"Casa Batlló stand","Trichrome","Sonorous Landscape","Gaudí inspirations – Casa Vicens","Casa Batlló sun",[908,870,1038,670,871],[682,685,686],[690],[693],[663],41.9823,2.82488,"2026-05-01T09:25:06.000+0000","Girona, Spain",{"_708":1272,"_709":1273},{"_649":1278,"_31":1279,"_652":1280,"_255":1284,"_378":1285,"_659":1286,"_661":1287,"_664":1288,"_668":1289,"_673":1290,"_680":1295,"_683":1298,"_687":38,"_688":1300,"_691":1301,"_694":1302,"_696":1303,"_698":1304,"_700":1149,"_702":1305,"_704":1306,"_706":1307,"_710":1308},"profile-21",21,[1281,1282,1283],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004VooWAE-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004VobWAE-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004VodWAE-right2.jpg","Isabelle Adragna","isabelle-adragna-rysdsi","Isabelle Adragna revisits the art of stained glass through interior design and architecture. Her poetic creations adorn spaces with light and colour, bringing a contemporary outlook to this age-old artistic tradition. After a 20-year career in administration, Isabelle naturally turned to craft as a way of reconnecting with her creativity and her love of working with her hands. \"Glass was self-evident for me,\" she states. In her creations, she likes to associate glass with other materials such as copper, brass, or leather, thus playing with different textures. Inspired by art deco styles, painters like Modigliani, or poets like Cocteau, Isabelle uses glass as her means of expression to tell stories and engage in a harmonious dialogue between past heritage and contemporary design.",[663],[724],[670,183,968,671,764],[1291,1292,1293,1294],"Précieux","Les Baigneuses","Palmyre","Alice",[670,870,909,910,1296,1204,871,1297],"Leather","Animal materials",[682,1204,1299,685,1205,686,1206],"Mosaic",[690],[693],[663],44.84939,0.02481,"Saint Vivien, France","2023-10-23",{"_708":1303,"_709":1304},1952,{"_649":1310,"_31":1311,"_652":1312,"_255":1316,"_378":1317,"_659":1318,"_661":1319,"_664":1320,"_668":1323,"_673":1327,"_680":1332,"_683":1333,"_687":38,"_688":1337,"_691":1338,"_694":1339,"_696":1340,"_698":1341,"_700":1342,"_702":1343,"_704":1344,"_706":1345,"_710":1346},"profile-4553",4553,[1313,1314,1315],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PXg3WAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPepWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PXg5WAG-right2.jpg","Bakhtiyar Yusifov","yusifov-bakhtiyar-3kgkkm","Stained glass maker and university arts teacher Bakhtiyar Yusifov was forever invested in stained glass. He trained in stained glass at university and later became a professor of painting, pursuing his glass work on the side. He prioritises diligence in his work, believing that only love and effort can produce something truly colourful. His dedication is palpable in every one of his glass works, be it a Tiffany style chandelier or a fused candle holder. Bakhtiyar finds inspiration in his country, Azerbaijan, its history and traditions. “It is necessary to reflect nationality, how else can you be different?” he ponders. Bakhtiyar is committed to passing on his craft to the younger generations in the years to come.",[663],[1321,1322],"Azerbaijan","Baku",[1324,861,670,1325,1326,672,728,764,862],"Family and Children","Functional","Nature",[1328,1329,1330,1331],"Pomegranates","Bright candle holder","Colourful Chandelier","Shanapipik",[670,907,1038,871],[1334,1335,1336,1042,803,805],"Wall decor","Candle holder","Chandelier",[690],[693],[663],40.38618,49.89945,"2026-05-01T09:28:55.000+0000","Baku, Azerbaijan","2023-01-19",{"_708":1340,"_709":1341},3724,{"_649":1348,"_31":1349,"_652":1350,"_255":1354,"_378":1355,"_659":1356,"_661":1357,"_664":1358,"_668":1360,"_673":1362,"_680":1368,"_683":1371,"_687":38,"_688":1373,"_691":1374,"_694":1375,"_696":1376,"_698":1377,"_700":950,"_702":1378,"_704":1379,"_706":1380,"_710":1381},"profile-645",645,[1351,1352,1353],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PXQuWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PXQsWAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004UvJWAU-right2.jpg","Flora Jamieson","flora-jamieson-stained-glass-making-united-kingdom","Flora Jamieson is a Dorset-based stained glass designer, painter and maker. Her studio is an enchanting place. It is a bright space filled with sketches, prints, drawings and, of course, glass. For her, designing glass is personal – she does it for “the joy of making something beautiful, practical and meaningful that will last for hundreds of years.” She is a very versatile artist as well as being a glass restorer, mastering equally well Victorian, Edwardian, Art Nouveau and Art Deco designs. Flora works with both contemporary and old glass and tries to bring the design sensibility and brushmanship of traditional approaches into modernity.",[663],[1359],"United Kingdom",[686,1361,861,670,762,1325,968,1326,671,763,672,764,862],"First generation",[1363,1364,1365,1366,1367],"Polly’s Bouquet","Wave","Hampstead Ponds","Peony & Butterfly","Apple Tree & Pond",[1369,906,670,870,1370,943,911,871],"Paint","Silver",[682,1372,685,686],"Window",[690],[693],[663],50.73334,-2.75834,"Bridport, United Kingdom","2023-01-05",{"_708":1376,"_709":1377},3710,{"_649":1383,"_31":1384,"_652":1385,"_255":1389,"_378":1390,"_659":1391,"_661":1392,"_664":1393,"_668":1394,"_673":1396,"_680":1402,"_683":1405,"_687":38,"_688":1407,"_691":1408,"_694":1409,"_696":1410,"_698":1411,"_700":878,"_702":1412,"_704":1413,"_706":1414,"_710":1415},"profile-1109",1109,[1386,1387,1388],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PYQcWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PW4DWAW-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PW4GWAW-right2.jpg","Veerle Verschooren","veerle-verschooren-stained-glass-making-belgium","After 15 years as a stained glass maker, Veerle Verschooren decided to focus more on the contemporary design world and adjusted her style. Her new designs incoporate bright colours, more patterned glass and Tiffany glass. For inspiration, Verschooren often looks to artists in other domains, like painters and sculptors. She examines the way they combine materials and shapes, and replicates this with stained glass. “I also learn a lot from dance performances, a big passion of mine. It’s so inspiring to observe the way dancers move on stage.” Stained glass design is a craft that has existed since the Medieval Age, but Verschooren is not afraid to give it a modern update. “I am, for example, happy to use a waterjet machine once in a while,” she smiles.",[663],[1194],[727,686,1361,861,670,1325,1395,968,764],"Innovation",[1397,1398,1399,1400,1401],"Screen","Room divider","Composition","Stained glass window for bathroom interior","Retrospekt mirrors",[1403,670,870,1404,1037,911,871],"Lacquer","Steel",[682,1398,1406,1372,685,803,1042,686,805],"Quadriptych",[690],[693],[663],51.041,3.75731,"Gentbrugge, Belgium","2022-12-08",{"_708":1410,"_709":1411},4622,{"_649":1417,"_31":1418,"_652":1419,"_255":1423,"_378":1424,"_659":1425,"_661":1426,"_664":1427,"_668":1428,"_673":1429,"_680":1435,"_683":1436,"_687":49,"_688":1437,"_691":1438,"_694":1439,"_696":1440,"_698":1441,"_700":1274,"_702":743,"_704":1442,"_706":1443,"_710":1444},"profile-380",380,[1420,1421,1422],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PYLJWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSOnWAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSOqWAO-right2.jpg","Marie Grillo","marie-grillo-stained-glass-making-france","Since opening her own workshop in 2015, Marie Grillo specialises in the creation of stained glass windows for architecture projects. She boasts a rich practical and theoretical curriculum which enables her to carry out projects from A to Z, from the artistic research phase to the installation. Drawing inspiration from Franck Llyod Wright’s linear patterns and Charles Rennie Mackintosch’s gracious curves, her work usually involves matching straight graphic rhythms with more organic, spontaneously dynamic gestures. Her stained glass windows are always conceived as architectural works in their own right, with their innovative and singular aesthetics that express Marie's creativity and an element of the unexpected.",[663],[724,725],[686,861,670,762,1325,968,764],[1430,1431,1432,1433,1434],"Oil Tanker","Industrial style windows","Weaving pattern","Sandblasted roundel","Art Deco windows in Paris",[670,838],[682,1372,685,686],[690],[693],[663],48.82293,2.35647,"2022-10-06",{"_708":1440,"_709":1441},4182,{"_649":1446,"_31":1447,"_652":1448,"_255":1452,"_378":1453,"_659":1454,"_661":1455,"_664":1456,"_668":1458,"_673":1459,"_680":1465,"_683":1466,"_687":38,"_688":1468,"_691":1469,"_694":1470,"_696":1471,"_698":1472,"_700":950,"_702":1473,"_704":1474,"_706":1475,"_710":1476},"profile-771",771,[1449,1450,1451],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PX33WAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PX31WAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PX35WAG-right2.jpg","Birgit Verplancke","birgit-verplancke-stained-glass-making-belgium","Birgit Verplancke, who has a studio in the medieval city of Bruges, specialises in the restoration of stained glass. From the start of her studies, she has felt an affinity for this material. “There’s something about stained glass you can’t explain: how it’s both fragile and sturdy, how it refracts light and creates wonderful colours, how it’s both liquid and frozen\". Birgit feels it’s her duty to preserve this art for the next generations. She is on a mission to show people that it’s not an old fashioned craft and that it not only brightens your home, but your whole life. A milestone was her creation of the smallest window in Bruges, in the Gruuthuse Museum. During the renovation work, the museum decided to add one new, modern element to the building: a stained glass. A proud and prestigious moment for this gifted stained glass maker.",[663],[1194,1457],"Bruges",[727,1361,861,670,1325,968,764],[1460,1461,1462,1463,1464],"Restored chuch panel","Fragmented windows of the Potterie","The Laceworker","Leaf bowl","The Cheetah",[670],[682,1467,685,803,686,805],"Bowl",[690],[693],[663],51.1861037831894,3.19771759181535,"Bruges, Belgium","2022-07-14",{"_708":1471,"_709":1472},2501,{"_649":1478,"_31":1479,"_652":1480,"_255":1484,"_378":1485,"_659":1486,"_661":1487,"_664":1488,"_668":1490,"_673":1492,"_680":1498,"_683":1499,"_687":38,"_688":1500,"_691":1501,"_694":1502,"_696":1503,"_698":1504,"_700":1274,"_702":1505,"_704":1506,"_706":1507,"_710":1508},"profile-322",322,[1481,1482,1483],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUZRWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUZPWA4-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUZTWA4-right2.jpg","Wendy de Ruijter & Cora Truijen","wendy-de-ruijter--cora-truijen-stained-glass-making-netherlands","Wendy de Ruijter and Cora Truijen met through Instagram, they were each owners of their own stained glass making businesses at the time. Their shared passion for stained glass spurred them on to unite forces, to become joint owners of their current enterprise, Het Ruijtenhuis. Their atelier is a cosy space in the heart of a Maker’s hub in The Hague. They not only make stained glass windows, but they also carry out all aspects of the making process, from design to installation of the panes. As two women setting up the business, they have managed to carve out their niche within a predominantly male world. Their reputation for excellence is firmly cemented in the high quality finish they achieve, specifically their eye for geometric precision and an overall instinct for what fits a space.",[663],[966,1489],"The Hague",[727,686,1361,861,1491,670],"Creative duos",[1493,1494,1495,1496,1497],"Restoration of window Liefkes","Neo-style window restoration","Stained glass panel","Stained glass door panel","Stained glass in 1930s style",[670,870,871],[682,685,686],[690],[693],[663],52.07213,4.31123,"The Hague, Netherlands","2022-05-26",{"_708":1503,"_709":1504},1876,{"_649":1510,"_31":1511,"_652":1512,"_255":1516,"_378":1517,"_659":1518,"_661":1519,"_664":1520,"_668":1521,"_673":1522,"_680":1527,"_683":1531,"_687":38,"_688":1532,"_691":1533,"_694":1534,"_696":1535,"_698":1536,"_700":950,"_702":1537,"_704":1538,"_706":1539,"_710":1540},"profile-777",777,[1513,1514,1515],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PTPkWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PTPlWAO-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PQi3WAG-right2.jpg","Noor Springael","noor-springael-stained-glass-making-belgium","Noor Springael fell into this career almost by accident. She has a degree in conservation and restoration of stained glass. Her parents were highly doubtful about her decision to join the creative industry and even she was unsure about which material she wanted to master: “In the town where I grew up there’s a big glass factory, so someone suggested I pick glass – and so I did.” After graduating she worked at a studio where she did more paperwork than handiwork. In 2017, Noor opened her own workshop in her garden where she creates bespoke stained glass windows and decorative objects that are inspired by nature and geometry. Her wish is to add colour to people's lives. She makes bespoke pieces for clients, and has also started her own online shop on Etsy where she shares her creativity. In 2023, Noor published a book called Creative Stained Glass: 17 step-by-step projects for stunning glass art and gifts.",[663],[1194],[1361,861,670],[1523,1524,1525,1526],"Poppy seed heads","Wild flower bouquet","Hexagon mirror","Red Poppies",[670,909,1074,1528,1529,871,1530,1038],"Contourgrisaille","Plywood","Synthetic materials and resins",[682,1204,685,1205,686,1206],[690],[693],[663],51.32125,4.99116,"Oud-Turnhout, Belgium","2022-01-06",{"_708":1535,"_709":1536},2294,{"_649":1542,"_31":1543,"_652":1544,"_255":1547,"_378":1548,"_659":1549,"_661":1550,"_664":1551,"_668":1552,"_673":1555,"_680":1561,"_683":1565,"_687":38,"_688":1566,"_691":1567,"_694":1568,"_696":1569,"_698":1570,"_700":950,"_702":1571,"_704":1572,"_706":1573,"_710":1574},"profile-669",669,[1545,1546],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POIpWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POInWAO-left1.jpg","Pinkie Maclure","pinkie-maclure-stained-glass-making-united-kingdom","Pinkie Maclure found glass by chance; a friend needed help, she needed the money, and so she found herself in the studio. Initially she was frustrated by the lack of creativity, finding reproduction work somewhat meaningless. However, she was gripped by the storytelling power of medieval stained glass. She began teaching herself the skills needed to create her own work, but for her technique is only a means to an end. She wants to reach people with her art, to illicit an emotional response, to provoke and inspire her viewer. Her work has been well received, being featured in the collection of the National Museum of Scotland and shortlisted for the John Ruskin Prize and Jerwood Makers.",[663],[1359],[1107,1553,861,670,187,830,1554,672,764,862],"Fairytale","Politically engaged",[1556,1557,1558,1559,1560],"Pills for Ills, Ills for Pills","Detail of Beauty Tricks","Fish and Chips","Two Witches (Knowledge is Power)","Self Portrait Dreaming of Portavadie",[1369,1562,670,1563,870,1038,1564,943,871],"Glass beads","Copper leaf","Wooden frame",[682,1079,685,1082,686,804],[690],[693],[663],56.43346,-2.85419,"Lochgilphead, United Kingdom","2021-12-02",{"_708":1569,"_709":1570},4570,{"_649":1576,"_31":1577,"_652":1578,"_255":1582,"_378":1583,"_659":1584,"_661":1585,"_664":1586,"_668":1587,"_673":1588,"_680":1592,"_683":1594,"_687":49,"_688":1595,"_691":1596,"_694":1597,"_696":1598,"_698":1599,"_700":1274,"_702":1600,"_704":1572,"_706":1601,"_710":1602},"profile-381",381,[1579,1580,1581],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POJ6WAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POJ4WAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POJ8WAO-right2.jpg","Slim Guenaoui","slim-guenaoui-stained-glass-making-france","After a degree in ethnology, a training in psychology and ten years of professional experience, Slim Guenaoui abandoned his career to become a stained glass artist. The discovery that this age-old craft was still very much alive, was a real breakthrough – a passion that he decided to pursue. Slim has been running his own workshop since 2017. He specialises in the traditional lead stained glass technique, as well as the Tiffany method. He particularly likes to create links between yesterday and today, adapting traditional representations with contemporary figures. The connection between matter, spirit and light that stained-glass embodies is something that greatly inspires Slim.",[663],[724],[686,1361,861,670,1325,968,671,763,1109,764,862],[1589,1590,1591],"William Tell","Mandala Ōṁ","Vigne",[1593,906,670,870,909,943,911,871],"Pigments",[1372,685,686],[690],[693],[663],48.6437,1.01803,"La Saucelle, France",{"_708":1598,"_709":1599},42,{"_649":1604,"_31":1605,"_652":1606,"_255":1610,"_378":1611,"_659":1612,"_661":1613,"_664":1614,"_668":1617,"_673":1619,"_680":1625,"_683":1627,"_687":38,"_688":1629,"_691":1630,"_694":1631,"_696":1632,"_698":1633,"_700":1089,"_702":1634,"_704":1635,"_706":1636,"_710":1637},"profile-2766",2766,[1607,1608,1609],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PTATWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PTAUWA4-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PTAVWA4-right2.jpg","Stefano Bullo","stefano-bullo-stained-glass-making-italy","Stefano Bullo is the only maker of artistic stained glass left in Murano but he is not a nostalgic old-style artisan. His decision to take over the family workshop in 2014 came after his art studies, and his story is not so much a traditional one, but rather the path of an artisan and artist looking for his personal style with an open mind. Stefano is a painter and an experimenter, open to innovative technology and collaborations that help him to improve his techniques and express his own style. He continues the family tradition of restoring antique glass windows – including some of the most prestigious Venetian monuments and churches – and creates new, resolutely contemporary designs and projects, such as his surprising vases made of glass fabric.",[663],[758,1615,1616],"Venice","Venice: the historical art of Murano glassmaking",[1107,1618,727,686,861,898,670,762,1395,968,763,764],"Family business",[1620,1621,1622,1623,1624],"Refraction","“La Madonnina o Madonna del riposo” (Roberto Ferruzzi)","Touch Me","Peacocks","Rondel glass crossed rods",[908,838,942,906,1626,670,909,907,943,911,871],"Rolled glass",[682,1628,685,803,686,805],"Vase",[690],[693],[663],45.45731,12.35324,"Venice, Italy","2021-11-18",{"_708":1632,"_709":1633},4343,{"_649":1639,"_31":1640,"_652":1641,"_255":1644,"_378":1645,"_659":1646,"_661":1647,"_664":1648,"_668":1649,"_673":1650,"_680":1656,"_683":1660,"_687":38,"_688":1661,"_691":1662,"_694":1663,"_696":1664,"_698":1665,"_700":742,"_702":743,"_704":1666,"_706":1667,"_710":1668},"profile-1305",1305,[1642,1643],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSsRWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSsPWAW-left1.jpg","Caroline Prégermain","caroline-prgermain-stained-glass-making-france","It was a true revelation when Caroline Prégermain discovered stained glass, she knew instantly that it would be her field. In her Parisian workshop, opened in 1986, Caroline constantly challenges the thousand-year-old craft. Through her various decorative projects, she reveals a graphic style as she revives stained glass with a contemporary expression. Drawing and glass painting are her specialities, but she likes to divert techniques, exploring the interplay of transparency and colours. With her traditional savoir-faire and creativity, she adapts her creations to the location and the light of the surrounding environment. Caroline works mainly for architects and private clients.",[663],[724,725],[1107,727,686,670,672,728],[1651,1652,1653,1654,1655],"Glass decoration applied to a window","Decorative window","Separation between 2 spaces","Decoration on a window to hide the view","Cigogne tables",[670,870,942,1657,1658,1659,871,943,1530],"Gold paint","Brass","Bronze",[682,1372,685,686],[690],[693],[663],48.86662,2.28525,"2021-11-04",{"_708":1664,"_709":1665},1197,{"_649":1670,"_31":1671,"_652":1672,"_255":1676,"_378":1677,"_659":1678,"_661":1679,"_664":1680,"_668":1681,"_673":1682,"_680":1683,"_683":1684,"_687":49,"_688":1685,"_691":1686,"_694":1687,"_696":1688,"_698":1689,"_700":1123,"_702":1690,"_704":1691,"_706":1692,"_710":1693},"profile-1498",1498,[1673,1674,1675],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POTcWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POTaWAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POTeWAO-right2.jpg","Vitralls Bonet","vitralls-bonet-stained-glass-making-spain","Vitralls Bonnet is a family company, employing a skilled team of experienced artisans, specialised in the conservation, restoration and making of stained glass. Established in 1923, it is currently in the hands of the third generation of the Bonet family. The production comprises stained glass windows designed in-house, collaborations with artists and custom pieces. Barcelona’s tradition of stained glass is well reflected and represented in Bonet’s works. Since the 1930s they have collaborated with the Sagrada Familia on projects such as the crypt’s construction and restoration and recently the windows designed by artist Joan Vila-Grau.",[663],[934],[761,727,686,670,762],[],[],[],[761],[693],[663],41.36685,2.12082,"L'Hospitalet de Llobregat, Spain","2021-08-19",{"_708":1688,"_709":1689},4498,{"_649":1695,"_31":1696,"_652":1697,"_255":1701,"_378":1702,"_659":1703,"_661":1704,"_664":1705,"_668":1707,"_673":1708,"_680":1712,"_683":1713,"_687":38,"_688":1714,"_691":1715,"_694":1716,"_696":1717,"_698":1718,"_700":1212,"_702":1719,"_704":1720,"_706":1721,"_710":1722},"profile-482",482,[1698,1699,1700],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNhlWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNhjWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNhnWAG-right2.jpg","Sandrine Bauer & Matthias Rathmann","sandrine-bauer--matthias-rathmann-stained-glass-making-luxembourg","Bauer & Rathmann studio reposes on an incredibly rich history dating back to 1891 when the stained glass studio was founded. Sandrine’s father Bernard Bauer took it over in 1974 and she remembers her early contact with glass as she often played there with her sister. Having worked alongside her father for 20 years until he retired, she now runs the studio with Matthias. Together, they work on new religious, allegorical and historical themes for public or private projects, as well as with artists. They also restore valuable stained glass windows from some of Luxembourg’s key historical churches and buildings. Both were awarded the art glazier master craftsman’s diploma and represent a younger generation of passionate stained glass guardian angels.",[663],[1706],"Luxembourg",[1107,686,861,670,762,1325,968,998,763,862],[1709,1710,1711],"Abstract","Scarabée","Angel's head, St. Laurent de Syren church",[670,838],[682,685,686],[690],[693],[663],49.50429,6.26978,"Mondorf-les-Bains, Luxembourg","2021-03-18",{"_708":1717,"_709":1718},4090,{"_649":1724,"_31":1725,"_652":1726,"_255":1730,"_378":1731,"_659":1732,"_661":1733,"_664":1734,"_668":1735,"_673":1736,"_680":1741,"_683":1742,"_687":49,"_688":1743,"_691":1744,"_694":1745,"_696":1746,"_698":1747,"_700":878,"_702":1748,"_704":1749,"_706":1750,"_710":1751},"profile-1115",1115,[1727,1728,1729],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNaQWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNaRWAW-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNaSWAW-right2.jpg","John Dierickx","john-dierickx-stained-glass-making-belgium","John Dierickx’s love for stained glass came about rather by accident. Working at a glass company fuelled his fascination with stained glass. He started to experiment with it after his regular working hours. Step by step, he built his own network of clients, and in 1991 he founded his company Artglas. In 2009, he moved the company to a new building with a showroom of a 100 square metres. “Over the years, I have specialised in abstract creations consisting of straight and curved lines. With these designs we make a difference to our clients . Whilst previously people just expected a perfect execution, nowadays they want to be a part of the design process, thinking with you to create a unique design.”",[663],[1194],[1361,861,897,670,1395,968,830,671,1108,862],[1737,1738,1195,1739,1740],"Bilzn","Kiewit","Voka","Barvaux",[670],[682,685,686],[690],[693],[663],50.98386,5.42821,"Zonhoven, Belgium","2021-02-18",{"_708":1746,"_709":1747},3032,{"_649":1753,"_31":1754,"_652":1755,"_255":1758,"_378":1759,"_659":1760,"_661":1761,"_664":1762,"_668":1763,"_673":1764,"_680":1767,"_683":1768,"_687":38,"_688":1769,"_691":1770,"_694":1771,"_696":1772,"_698":1773,"_700":1774,"_702":743,"_704":1775,"_706":1776,"_710":1777},"profile-1198",1198,[1756,1757],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVgXWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVgVWAW-left1.jpg","Charlotte & Marie Rousvoal","charlotte--marie-rousvoal-stained-glass-making-france","The Ateliers Duchemin, created in the 1950s by Marie and Charlotte Rousvoal’s grandfather, gave a name to what now represents six generations of stained glass artisans. After initial careers elsewhere – in philosophy and theatre for Marie, in fashion design for Charlotte – the sisters decided to continue the business their grandparents and parents had founded. “When I joined Marie in the family business,” Charlotte tells us, “it was the most natural thing in the world.” Marie agrees, “We grew up in the workshop, it’s our second home.” Duchemin stands out not only for its mastery of a Medieval technique, but also for the duo’s continued focus passed down by their parents in working with contemporary artists.",[663],[724,725],[1618,727,686,861,670,762,1325,830,671,764,862],[1765,1766],"Diptyque","Diptyque Pierre-Marie",[670],[682,685,686],[690],[693],[663],48.82584,2.31024,"2026-04-27T10:04:56.000+0000","2020-11-26",{"_708":1772,"_709":1773},2881,{"_649":1779,"_31":1780,"_652":1781,"_255":1785,"_378":1786,"_659":1787,"_661":1788,"_664":1789,"_668":1792,"_673":1793,"_680":1798,"_683":1799,"_687":38,"_688":1802,"_691":1803,"_694":1804,"_696":1805,"_698":1806,"_700":1807,"_702":1808,"_704":1809,"_706":1810,"_710":1811},"profile-3242",3242,[1782,1783,1784],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSddWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSdbWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSdfWAG-right2.jpg","Thomas Medicus","thomas-medicus-stained-glass-making-austria","Thomas Medicus trained as a master glazier in Austria’s most famous school for glassmaking, Glasfachschule Kramsach. He then decided to take two parallel paths in his professional life: being a traditional glazier specialised in restoring historic lead glazing, as well as being an independent artist. He now creates unique glass sculptures consisting of various glass fragments. These sculptures seem to convey a different shape depending on what angle they are viewed from. The structures seem to vanish and then merge together again, and the object appears amorphous, without a determined surface.",[663],[1790,1791],"Austria","Innsbruck",[686,1361,861,898,670,1395,830,764,862],[1794,1795,1796,1797],"Window chair","Emergence Lab","Curled-up eel","Fish and bird emulsion",[670],[1800,1078,682,1801,1081,685,1206,686],"Chair","Sofa and Chairs",[690],[693],[663],47.26868,11.40434,"2026-05-01T09:27:36.000+0000","Innsbruck, Austria","2020-09-15",{"_708":1805,"_709":1806},4240,{"_649":1813,"_31":1814,"_652":1815,"_255":1818,"_378":1819,"_659":1820,"_661":1821,"_664":1822,"_668":1824,"_673":1825,"_680":1830,"_683":1831,"_687":49,"_688":1832,"_691":1833,"_694":1834,"_696":1835,"_698":1836,"_700":1837,"_702":1838,"_704":1809,"_706":1839,"_710":1840},"profile-1101",1101,[1816,1817],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PYIrWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PYIsWAO-left1.jpg","Katrien Mestdagh","katrien-mestdagh-stained-glass-making-belgium","Katrien Mestdagh is a stained glass artisan who also holds a master’s in stained glass conservation and heritage management. She represents the third generation of Atelier Mestdagh, which was founded in 1947 by her grandfather Albert, who had trained in one of the most important Neo-Gothic workshops in Ghent. After Albert passed away in 1972, his son Luc took over the business, preserving the same techniques and knowledge that his father and his master craftsmen had taught him. Luc’s wife Ingrid Meyvaert, who specialises in designing stained glass windows, was always at his side. Thanks to her, the workshop started to use stained glass in modern architecture, thus matching traditional craftsmanship with contemporary innovation.",[663],[1194,1823],"Merelbeke",[861,670,762,187,968,862],[1826,1827,1828,1829],"Stained-glass window restoration in the Church of St Catherine, Bethlehem","The Eucharist, St Aldegundis Church (Deurle)","St John the Baptist, St Johns Church","Stained-glass series, floor lamp",[670],[682,685,686],[690],[693],[663],51.00252,3.74699,"2026-04-27T10:03:23.000+0000","Merelbeke, Belgium",{"_708":1835,"_709":1836},3327,{"_649":1842,"_31":1843,"_652":1844,"_255":1848,"_378":1849,"_659":1850,"_661":1851,"_664":1852,"_668":1855,"_673":1856,"_680":1860,"_683":1861,"_687":38,"_688":1862,"_691":1863,"_694":1864,"_696":1865,"_698":1866,"_700":1342,"_702":1867,"_704":1809,"_706":1868,"_710":1869},"profile-4621",4621,[1845,1846,1847],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004VMFWA2-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004VMUWA2-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004VMfWAM-right2.jpg","Oksana Neverkevich","oksana-neverkevich-fybjjl","Oksana Neverkevich picked up the craft of making stained glass in quite unlikely circumstances. She was living in the US and studying photography at Royal Oak College near Detroit, when she saw stained glass was an option on her arts course. A craft Oksana has always been fascinated by, stained glass quickly absorbed her completely, to the extent that it eventually became her career. Upon returning to Russia in 2010, Oksana opened her own studio. Using ancient lead soldering techniques, she now creates state-of-the-art interior objects and experiments with new techniques, including cyanotype photographic printing on glass. Also a talented photographer, she cherishes projects that bring together her two creative passions.",[663],[1853,1854],"Russia","Saint Petersburg",[686,861,670,671,763,764,862],[1857,1858,1859],"Flower ornament transom","Pure geometry sidelights","Two owls transom",[908,670],[1372,685,686],[690],[693],[663],59.92583,30.3020056235216,"Saint Petersburg, Russia",{"_708":1865,"_709":1866},2367,{"_649":1871,"_31":1872,"_652":1873,"_255":1877,"_378":1878,"_659":1879,"_661":1880,"_664":1881,"_668":1883,"_673":1884,"_680":1889,"_683":1890,"_687":38,"_688":1891,"_691":1892,"_694":1893,"_696":1894,"_698":1895,"_700":950,"_702":1896,"_704":1809,"_706":1897,"_710":1898},"profile-785",785,[1874,1875,1876],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPzqWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POWFWA4-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POWGWA4-right2.jpg","Debbie Dawson","debbie-dawson-stained-glass-making-ireland","Debbie Dawson brings fresh eyes to stained glass, creating pieces that are free from the constraints of lead work and embrace spontaneity and intuition. Her work has a modern feel but is rooted in the deeper history of Irish storytelling. She often works in triptych or diptych, like pages of a story that can only be told through visual imagination. With an aesthetic, conceptual appeal, but also demonstrating high standards of craftsmanship, her work crosses the boundary between craft and fine art. Debbie is very happy to occupy this space, saying \"the boundaries are getting thinner and blurrier these days\". Her work is in the collection of the National Museum, Ireland, and she has exhibited in China, Italy, Denmark and the US.",[663],[666,1882],"Cork",[861,792,670,968,998,830,728,862],[1885,1886,1887,1888],"It never felt right","What's left is forever","Little did we know...","There, not there",[670],[682,685,686],[690],[693],[663],51.89454,-8.44937,"Cork, 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making","Tailoring",36,"Tapestry making","Tatami making","Terrazzo flooring","Textile creation",58,"Textile dyeing","Textile painting","Textile pleating","Textile printing","Textile sculpting",57,"Tile making","Toy making","Traditional dressmaking","Tufting","Typography","Umbrella making","Upholstery","Urn making","Wallpaper making","Watchmaking","Wax working","Weaponsmithing","Weaving",213,"Wicker sculpting","Window treatment","Wineskin making","Wire sculpting","Wood carving",55,"Wood marquetry","Wood 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