Medieval meets modern
- The Rousvoal family expertise dates back to 1856
- They are passionate about using technique as a means to innovate
- They are dedicated to working with contemporary artists
The Ateliers Duchemin, created in the 1950s by Marie and Charlotte Rousvoal’s grandfather, gave a name to what now represents six generations of stained glass artisans. After initial careers elsewhere – in philosophy and theatre for Marie, in fashion design for Charlotte – the sisters decided to continue the business their grandparents and parents had founded. “When I joined Marie in the family business,” Charlotte tells us, “it was the most natural thing in the world.” Marie agrees, “We grew up in the workshop, it’s our second home.” Duchemin stands out not only for its mastery of a Medieval technique, but also for the duo’s continued focus passed down by their parents in working with contemporary artists.
INTERVIEW
Marie: We worked with the artist, Jean Michel Alberola to create several panels of windows for the Nevers Cathedral. His was a unique vision and resulted in a creative and passionate collaboration. It was extremely moving.
Charlotte: The restoration/recreation of the Art Deco glass ceiling at Le Bon Marché department store. I wanted this so much and was involved at every step. Marie: The Mageulone Cathedral. It was exciting to succeed in creating wavy glass to mimic the sea.
Marie: Discussions with the artists, who often want to know how stained glass works but I tell them not to learn about our techniques because this will hinder their creative ideas. I love hearing their vision and then trying to make it come to life.
Charlotte: Many projects have a historical base or frame; there’s more freedom when we work with designers. Because our workshop has been around so long, we have a lot of vintage models that are great for inspiration.
