Stages in stained glass
- Caroline was awarded the Meilleure ouvrière de France
- She integrates stained glass into contemporary architecture
- She founded Atelier Saint Didier at the age of 26
It was a true revelation when Caroline Prégermain discovered stained glass, she knew instantly that it would be her field. In her Parisian workshop, opened in 1986, Caroline constantly challenges the thousand-year-old craft. Through her various decorative projects, she reveals a graphic style as she revives stained glass with a contemporary expression. Drawing and glass painting are her specialities, but she likes to divert techniques, exploring the interplay of transparency and colours. With her traditional savoir-faire and creativity, she adapts her creations to the location and the light of the surrounding environment. Caroline works mainly for architects and private clients.
Discover her work
INTERVIEW
It varies, I always get inspired by the place, the client, the architect. I enjoy real collaborations; they always lead to surprising projects. I like when ideas are different and blend together.
The first years were not easy. I set up my workshop in a space that my father owned. As a woman starting out in this craft, it was difficult to gain recognition. I had to face remarks such as "go get your father”.
I would say that I play with methods. I try to evolve my expertise especially through drawing and painting. I innovate enhancing techniques; for example by creating new visual renderings.
It is an art directly linked to France, which holds a veritable savoir-faire in stained glass. Perpetuating this craft is very dear to me, which is also why I try to take on young interns.
