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2026","bgColor","bgImgUrl","https://api.homofaber.com/uploads/9_16_1080x1920_50_175a29db28.png","bgRepeat","bgFit","contain","centerImgUrl","centerText","1 – 30 September 2026, San Giorgio Maggiore Island, Venice","centerImgFit","ctaLabel","Book your ticket","ctaBgColor","#FFFFFF","ctaUrl","textColor","white","2025-05-22T09:42:23.885Z","2026-04-27T09:13:30.731Z","2026-04-27T09:13:30.723Z","textLeftXs","bgImgUrlXs","ctaLabelXs","Book now","ActiveStartDate","2026-04-27T07:00:00.000Z","ActiveEndDate","2026-09-30T21:45:00.000Z","mainAdvert","guideTags",[627,629,631,634],{"_255":187,"_628":-5},"badge_color",{"_255":183,"_628":630},"#115C90",{"_255":632,"_628":633},"Homo Faber Capsule","#f0deca",{"_255":207,"_628":635},"#D9583B","isWebview","userAgent","Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)","emailHash","request",["SingleFetchClassInstance",642],{},"routes/$lang","routes/$lang.artisans._index",{"_646":647,"_2085":647,"_2086":2087,"_2356":2357},"profiles",[648,703,733,767,817,845,887,912,937,964,993,1019,1046,1085,1112,1141,1171,1205,1232,1272,1298,1338,1372,1398,1423,1459,1488,1516,1541,1568,1593,1633,1657,1682,1707,1732,1760,1800,1825,1850,1882,1907,1933,1959,1984,2014,2037,2061],{"_649":650,"_31":651,"_652":653,"_255":657,"_378":658,"_659":660,"_661":662,"_664":665,"_667":668,"_673":674,"_675":676,"_677":678,"_679":38,"_680":681,"_682":683,"_685":686,"_687":688,"_689":690,"_691":692,"_693":694,"_695":696,"_697":698,"_701":702},"_meilisearch_id","profile-4999",4999,"picture",[654,655,656],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ex7o_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ex7o_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ex7o_Right2.jpg","Fedeli Restauri","fedeli_restauri-restoration-florence","description","Fedeli Restauri is an Italian historical restoration atelier that was created by Fedele Fedeli in 1899, in Florence. The atelier expanded its mission when Fedele was succeeded by his son Luigi, grandson Andrea and great-grandson Tommaso. The atelier is committed to historical, artistic, archaeological and architectural conservation, restoration and enhancement of cultural heritage. Fedeli Restauri works on pieces for the Italian Ministry of Culture, ecclesiastical commissions, and Italian and foreign private collections.","craft",[663],"Restoration","destinations",[666],"Italy","tags",[669,670,671,672],"Atelier","Family business","Heritage","Territory","objects",[],"materials",[],"categories",[],"has-experiences","type-of-artisan",[669],"craft_person",[684],"Restorer","craft_metier",[663],"latitude",43.77162670714772,"longitude",11.19384208272103,"content_edit_date","2026-05-01T09:27:23.000+0000","city_and_country","Florence, Italy","is_new_until","2026-02-05","_geo",{"_699":688,"_700":690},"lat","lng","order",2811,{"_649":704,"_31":705,"_652":706,"_255":710,"_378":711,"_659":712,"_661":713,"_664":714,"_667":715,"_673":719,"_675":720,"_677":721,"_679":38,"_680":722,"_682":724,"_685":725,"_687":726,"_689":727,"_691":728,"_693":729,"_695":730,"_697":731,"_701":732},"profile-5025",5025,[707,708,709],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EqTC_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EqTC_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EqTC_Right2.jpg","Cremonini Classic","cremonini_classic-restoration-fiorano_modenese","Cremonini Classic is located in Fiorano Modenese, the 'Italian motor valley', a hotspot for vintage car enthusiasts from all over the world. The manufacturer specialises in restoring the charm and glory of vintage cars, working above all on Ferrari, Lamborghini and Maserati models. Since 1986, Cremonini Classic has focused on painting and improvement works on the body of classic cars. Using original colours from the period, the team also specialises in providing a complete car restoration and conservation service.",[663],[666],[671,716,717,718],"Manufacturer","Sustainable","Transportation",[],[],[],[723],"Manufacture",[684],[663],44.53943142324717,10.85672117185521,"2026-05-01T09:25:18.000+0000","Fiorano Modenese, Italy","2026-01-08",{"_699":726,"_700":727},2551,{"_649":734,"_31":735,"_652":736,"_255":740,"_378":741,"_659":742,"_661":743,"_664":744,"_667":747,"_673":753,"_675":754,"_677":755,"_679":38,"_680":756,"_682":758,"_685":759,"_687":760,"_689":761,"_691":762,"_693":763,"_695":764,"_697":765,"_701":766},"profile-4818",4818,[737,738,739],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ey4l_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ey4l_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ey4l_Right2.jpg","Alexander von der Decken","alexander_von_der_decken-restoration-hamburg","For Alexander von der Decken, everything begins with respect. He cares for his tools like medical instruments, selects his materials with clear intention, and trusts in time-tested techniques. His journey took him from cabinetmaking into the precision work of historical restoration, where he specialises in wood surfaces and the refined use of shellac. In every project, Alexander searches for what will last. \"I always try to find the simplest way to reach the best possible result,\" he says. While restoration work follows the rules set by the object, his own designs give him room to explore form freely. Alexander's tableware unites clarity and warmth. Turned by hand and often ebonised, his sculptural pieces invite touch, become companions in daily rituals, and slowly gather the traces of time.",[663],[745,746],"Germany","Hamburg",[748,749,750,751,752],"Art de la table","Design","Innovation","Traditions","Wood",[],[],[],[757],"Artisan",[684],[663],53.573379,10.082091,"2026-05-01T09:28:32.000+0000","Hamburg, Germany","2025-11-06",{"_699":760,"_700":761},5035,{"_649":768,"_31":769,"_652":770,"_255":774,"_378":775,"_659":776,"_661":777,"_664":778,"_667":780,"_673":783,"_675":789,"_677":797,"_679":38,"_680":808,"_682":809,"_685":810,"_687":811,"_689":812,"_691":692,"_693":813,"_695":814,"_697":815,"_701":816},"profile-2945",2945,[771,772,773],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000ExAO_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000ExAO_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000ExAO_Right2.jpg","Renato Olivastri","renato_olivastri-restoration-firenze","Renato Olivastri is a long-time craftsman who followed a traditional training in furniture restoration. Apprenticing in a carpentry workshop from the age of 15, he honed his studies in Florence, until he joined his master's workshop. Renato specialises in the restoration of both Boulle-style furniture and wooden supports for antique panel paintings, thanks to his knowledge of art history. \"My bottega is a true treasure-trove, in which frames, chandeliers, chest of drawers and tables wait to be taken care of,\" he says. Renato also keeps pieces of wood that will be transformed into modern designs. His long-time experience in his craft has allowed him to develop his own artistic practice using intarsia and wood marquetry techniques to make original creations. Today, teaching is another key part of Renato's practice.",[663],[666,779],"Florence",[749,781,782,751,752,752],"Mentored","Teacher",[784,785,786,787,788],"Pannello in blu","Paesaggio notturno (Nocturnal landscape)","Tulips","Ponte Vecchio Firenze","Vintage car",[790,791,792,793,794,752,795,796],"Etched glass","Timber","Mother of pearl","Aluminium","Glass","Animal materials","Metals",[798,799,800,801,802,803,804,805,806,807],"Wall panel","Sculpture","Wall lamp","Panel","Building elements","Monuments","Wall decorations","Architecture","Lighting","Decoration",[757],[684],[663],43.76706676303395,11.24949149580356,"Firenze, Italy","2025-10-23",{"_699":811,"_700":812},4141,{"_649":818,"_31":819,"_652":820,"_255":824,"_378":825,"_659":826,"_661":827,"_664":828,"_667":830,"_673":833,"_675":834,"_677":835,"_679":38,"_680":836,"_682":837,"_685":838,"_687":839,"_689":840,"_691":692,"_693":841,"_695":842,"_697":843,"_701":844},"profile-2915",2915,[821,822,823],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ex7j_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ex7j_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ex7j_Right2.jpg","Francesco Pavon","francesco_pavon-restoration-venice","Francesco Pavon inherited his architect father's passion for manual arts and adopted his attitude in his own restorative work. He studied at the International University of Art in Venice, where he specialised in the restoration of wood, stone and decorated surfaces. Francesco now works at the university as a teaching assistant, providing training and support to students. \"Restoration has given me the opportunity to fulfil my desire of exploring the secrets behind artworks and expressing myself manually,\" he says. After spending a couple of years working in a restorer's workshop, in March 2021, Francesco opened his atelier Pavon Restauri. \"Thanks to word of mouth, I expanded my client base. In early 2022, I collaborated with Arte e Restauro in Padua to restore furniture designed by the famous Italian architect Gio Ponti for Palazzo Bo,\" he says.",[663],[666,829],"Venice",[831,832,752,752],"Collaborations","Under 30",[],[],[],[757],[684],[663],45.44368,12.332595,"Venice, Italy","2025-10-02",{"_699":839,"_700":840},4077,{"_649":846,"_31":847,"_652":848,"_255":852,"_378":853,"_659":854,"_661":855,"_664":856,"_667":857,"_673":858,"_675":863,"_677":873,"_679":38,"_680":879,"_682":880,"_685":881,"_687":882,"_689":883,"_691":692,"_693":884,"_695":885,"_697":886,"_701":186},"profile-2922",2922,[849,850,851],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002zHB4AY-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002zH74AI-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002zHA4AY-right2.jpg","Hugo Lejeune","hugo-lejeune-qxli2k","After graduating from high school, Hugo Lejeune decided to turn his love for woodwork into a profession. He trained in Dijon for a year, and then took up a four-year study course in cabinetmaking and inlay at the École Boulle in Paris. In parallel to this, Hugo was also reading contemporary history at university. For love, he moved to Turin in 2015, where he immediately found work with the restorer Angelo Milanese, who left him the workshop a few years later. This workshop, Hugo in turn passed on to his then-apprentice in 2023, to return to the woods and the slower rhythms of nature in Lunigiana, between Tuscany and Liguria. This is where he has found an ideal environment for concentration. “While I work, I enter into another dimension. I listen to a lot of music, which feeds my imagination and has become an important aspect of my creative process,” says Hugo.",[663],[666],[749,751,752],[859,860,861,862],"Half-moon chest of drawers","Petite table galbé","Curved chest of drawers","Baroque bedside pair",[864,865,866,867,868,869,870,871,796,872,752],"Bronze","Shellac","Maple wood","Rosewood","Walnut wood","wood","Boxwood","Pine wood","Synthetic materials and resins",[874,875,876,877,878],"Chest of drawers","Coffee table","Storage furniture","Tables","Furniture",[757],[684],[663],44.26462,10.03577,"Licciana Nardi, Italy","2025-04-03",{"_699":882,"_700":883},{"_649":888,"_31":889,"_652":890,"_255":894,"_378":895,"_659":896,"_661":897,"_664":898,"_667":899,"_673":901,"_675":902,"_677":903,"_679":38,"_680":904,"_682":905,"_685":906,"_687":907,"_689":908,"_691":762,"_693":763,"_695":909,"_697":910,"_701":911},"profile-4112",4112,[891,892,893],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002tzl4AA-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002tzh4AA-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002tzk4AA-right2.jpg","Klangmanufaktur","homofaber-ujioz6","Founded in 2015, Klangmanufaktur is dedicated to the restoration and acoustic enhancement of Steinway & Sons concert grand pianos. Each instrument is meticulously rebuilt, blending the rich character of aged wood with the precision of modern craftsmanship. In addition to offering Steinway rentals for concerts, recordings, and long-term use, the workshop provides accessible rehearsal spaces, all featuring high-quality pianos. With a deep commitment to sustainability, collaboration, and innovation, Klangmanufaktur fosters a dynamic community of musicians and artisans.",[663],[745,746],[716,900],"Performing Arts",[],[],[],[669],[684],[663],53.550666,10.038801,"2025-03-13",{"_699":907,"_700":908},4506,{"_649":913,"_31":914,"_652":915,"_255":919,"_378":920,"_659":921,"_661":922,"_664":923,"_667":924,"_673":926,"_675":927,"_677":928,"_679":38,"_680":929,"_682":930,"_685":931,"_687":932,"_689":933,"_691":692,"_693":934,"_695":909,"_697":935,"_701":936},"profile-2852",2852,[916,917,918],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002u1N4AQ-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002u1J4AQ-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002u1M4AQ-right2.jpg","Festina Lente Studio","festina-lente-studio-0gd47k","Festina Lente Studio is a workshop specialised in the restoration of works of art, born originally from the friendship of two skilled and enterprising women. Elisa Monfasani, restorer, and Emanuela Fistos, restoration technician embarked on a shared professional project. The name of their studio, Festina Lente, is a wink to the tradition of the works that they restore. During the Covid-19 lockdown, Elisa and Emanuela spread the word about their project and knowledge of textile art and the culture of conservation through Instagram and Facebook.",[663],[666],[669,925,751],"Creative duos",[],[],[],[669],[684],[663],44.76699,9.38673,"Bobbio, Italy",{"_699":932,"_700":933},921,{"_649":938,"_31":939,"_652":940,"_255":944,"_378":945,"_659":946,"_661":947,"_664":948,"_667":950,"_673":951,"_675":952,"_677":953,"_679":38,"_680":954,"_682":955,"_685":956,"_687":957,"_689":958,"_691":959,"_693":960,"_695":961,"_697":962,"_701":963},"profile-1384",1384,[941,942,943],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002D9J4AU-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002D9F4AU-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002D9I4AU-right2.jpg","Jean Blanc","jean-blanc-q3nlu3","Jean Blanc is a master restorer who has been practising his craft with passion and dedication since the early 2000s. After a first career in the banking sector, he felt the need to 'get back to his roots' and rediscover woodworking, which he had briefly started as a young man. During his training in restoration, he met Sophie, his life and work partner, with whom he established the A l'Or et du Bois workshop. Founded in 2005, the atelier specialises in restoration of furniture and traditional gold leaf. From heritage furniture dating back to the 17th century to contemporary pieces, Jean’s expertise enables him to work on a wide variety of projects. \"That is what I like about being a restorer: you get to work with very different eras, styles and artistic worlds,\" he comments.",[663],[949],"France",[749,751,752],[],[],[],[757],[684],[663],43.47809,1.86031,"2026-05-01T09:26:00.000+0000","Montégut-Lauragais, France","2024-11-07",{"_699":957,"_700":958},4099,{"_649":965,"_31":966,"_652":967,"_255":971,"_378":972,"_659":973,"_661":974,"_664":975,"_667":978,"_673":980,"_675":981,"_677":982,"_679":38,"_680":983,"_682":984,"_685":985,"_687":986,"_689":987,"_691":988,"_693":989,"_695":990,"_697":991,"_701":992},"profile-1078",1078,[968,969,970],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000027qG4AQ-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000027qE4AQ-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000027qF4AQ-right2.jpg","Bart Verbeke","bart-verbeke-glxrvh","Bart Verbeke obtained his diploma in art restoration in 1981 and landed his first big assignment just a few months later. “The restoration of 25 paintings in a historical church in Flanders, Belgium, was a job that took two years. It was a swift start for my career,” he recalls. In Bart's view, an art restorer must bring the original painting back to life as much as possible. “Some believe you should not correct the effects of historical ageing, but I feel the original artists deserve better,” he explains. He compares his work to that of an archaeologist. “We dig up the beauty from the past, from under the layers of dirt and varnish, uncover aspects that have remained hidden for many generations. I sometimes feel that art books should be reprinted after certain featured paintings have been restored, to show the true character of these works of art.”",[663],[976,977],"Belgium","Ghent",[805,672,751,979],"Visual Arts",[],[],[],[757],[684],[663],51.05428,3.61749,"2026-05-01T09:25:37.000+0000","Ghent, Belgium","2024-10-31",{"_699":986,"_700":987},2205,{"_649":994,"_31":995,"_652":996,"_255":1000,"_378":1001,"_659":1002,"_661":1003,"_664":1004,"_667":1005,"_673":1008,"_675":1009,"_677":1010,"_679":49,"_680":1011,"_682":1012,"_685":1013,"_687":1014,"_689":1015,"_691":692,"_693":841,"_695":1016,"_697":1017,"_701":1018},"profile-2899",2899,[997,998,999],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001bDd4AI-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001bAP4AY-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001bGr4AI-right2.jpg","UniSVe","unisve-rn44af","UniSVe, the acronym for Unione Stuccatori Veneziani, was founded in 2001 by a group of artisans. All of them learned their craft under master plasterers Franco and Mario Fogliata and came together to promote and preserve the high-level artistic techniques and Venetian traditions which risked being lost. Museums, churches, the Scuole Grandi of Venice, foundations and historic buildings are where UniSVe operates. Its main activity consists in the restoration and preservation of decorated architectural surfaces, the refurbishment of prestigious properties and the creation of internal and external finishes using traditional methods, materials and techniques.",[663],[666,829],[669,805,1006,1007,672,718,751],"Interiors","Mixed media",[],[],[],[669],[684],[663],45.4339665379541,12.3240360439134,"2024-08-08",{"_699":1014,"_700":1015},3868,{"_649":1020,"_31":1021,"_652":1022,"_255":1026,"_378":1027,"_659":1028,"_661":1029,"_664":1030,"_667":1032,"_673":1033,"_675":1034,"_677":1035,"_679":38,"_680":1036,"_682":1037,"_685":1038,"_687":1039,"_689":1040,"_691":1041,"_693":1042,"_695":1043,"_697":1044,"_701":1045},"profile-3048",3048,[1023,1024,1025],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001D054AE-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001D014AE-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001D044AE-right2.jpg","Sinopie","sinopie-v1jldh","Located by the Léman Lake in the town of Vevey, atelier Sinopie was founded in 2012 by Fanny Pilet with the aim of providing high quality services in the conservation-restoration of art and heritage assets of all sizes. Sinopie has worked hard to surround itself with a team of skilled craftspeople who enrich the atelier's remit through their expertise in specialist fields. The atelier is recognised for its appraisal work, such as analysis by stratigraphic probing, and all types of conservation and restoration solutions on works of art, painted decors, listed buildings and historic monuments.",[663],[1031],"Switzerland",[669,805,672],[],[],[],[669],[684],[663],46.464955,6.838725,"2026-05-01T09:27:36.000+0000","Vevey, Switzerland","2024-07-18",{"_699":1039,"_700":1040},2448,{"_649":1047,"_31":1048,"_652":1049,"_255":1053,"_378":1054,"_659":1055,"_661":1056,"_664":1057,"_667":1059,"_673":1061,"_675":1065,"_677":1069,"_679":38,"_680":1076,"_682":1077,"_685":1078,"_687":1079,"_689":1080,"_691":728,"_693":1081,"_695":1082,"_697":1083,"_701":1084},"profile-505",505,[1050,1051,1052],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000sgP4AQ-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000sgL4AQ-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000sgO4AQ-right2.jpg","Adnan Mujkić","adnan-mujki-pys5ro","Adnan Mujkić combined his artistic talent with scientific education to become an art restorer and conservator. He chose to follow the multi-disciplinary conservation and restoration programme at the Academy of Fine Arts and Faculty of Science in Sarajevo. Artefacts made of paper, such as books and documents, but also objects made of wood, such as furniture are his specialism. \"My profession is very complex and demanding because it requires patience and precision in work processes, as well as a lot of time invested,\" explains Adnan. His clients are art lovers who care about the preservation of cultural and historical heritage, and collectors of traditional objects and works of art.",[663],[1058],"Bosnia and Herzegovina",[1060,672,751,832],"Digital tools",[1062,1063,1064],"Table tray","Wooden chairs","Jar",[1066,752,1067,796,1068],"Copper","Clay","Ceramic",[1070,1071,1064,1072,1073,1074,1075,878,807],"Tray","Chair","Serving ware","Sofa and Chairs","Decorative objects","Table and kitchen",[757],[684],[663],43.7839,17.79868,"Seonica, Bosnia and Herzegovina","2024-05-30",{"_699":1079,"_700":1080},941,{"_649":1086,"_31":1087,"_652":1088,"_255":1092,"_378":1093,"_659":1094,"_661":1095,"_664":1096,"_667":1098,"_673":1099,"_675":1100,"_677":1101,"_679":49,"_680":1102,"_682":1103,"_685":1104,"_687":1105,"_689":1106,"_691":1107,"_693":1108,"_695":1109,"_697":1110,"_701":1111},"profile-1676",1676,[1089,1090,1091],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000nAT4AY-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000nAP4AY-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000nAS4AY-right2.jpg","Ana María Basanta","ana-mara-basanta-rodrguez-cx9rpj","Ana María Basanta began her professional career as an interior designer in 1982. She had a curiosity for design at a time when it was quite novel and quite expensive. \"After working in several companies, I thought about transforming existing pieces to be more economically feasible, meaning I could give pieces the makeover I wanted by applying various techniques,\" she explains. Her intention is \"to make everyday objects and everything that is part of our home, our bubble in the world, warmer, more personal. In one word, to create our own and unique atmosphere.\" The techniques Ana María has mastered are varnishing, gilding with fine water-based gold, weaving, upholstery with springs and stringing. \"I make my own waxes, varnishes and paints,\" she adds.",[663],[1097],"Spain",[749,1006],[],[],[],[757],[684],[663],40.07041,-2.13828,"2026-05-01T09:26:17.000+0000","Cuenca, Spain","2024-05-09",{"_699":1105,"_700":1106},2108,{"_649":1113,"_31":1114,"_652":1115,"_255":1119,"_378":1120,"_659":1121,"_661":1122,"_664":1123,"_667":1125,"_673":1128,"_675":1129,"_677":1130,"_679":38,"_680":1131,"_682":1132,"_685":1133,"_687":1134,"_689":1135,"_691":1136,"_693":1137,"_695":1138,"_697":1139,"_701":1140},"profile-1141",1141,[1116,1117,1118],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000iU94AI-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000iU54AI-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000iU84AI-right2.jpg","Antoine Vautier","antoine-vautier-36e76l","Antoine Vautier is a master in restoration and conservation of antique furniture. He trained at renowned schools in France and has been practising his craft since the late 1990s. Over the years, he has mastered multiple and diverse techniques, both traditional and modern, such as engraving and marquetry. Imparting his savoir-faire and skills is important to Antoine. Under his tutelage, one of his apprentices won the golden medal at the Best Apprentices in France competition, a prestigious national award. Antoine also works with other craftspeople to complement his work to offer comprehensive results. Through collaborations, he and his team have worked on important pieces requiring complex work such as three pieces used at the Elysée Palace, which took 400 hours to restore. In 2024, Antoine was awarded the EPV label of excellence in French craftsmanship.",[663],[949,1124],"Nantes",[1126,831,749,1127],"Awarded","Decorative",[],[],[],[757],[684],[663],47.2163,-1.55968,"2026-04-22T14:16:00.000+0000","Nantes, France","2024-04-18",{"_699":1134,"_700":1135},4966,{"_649":1142,"_31":1143,"_652":1144,"_255":1148,"_378":1149,"_659":1150,"_661":1151,"_664":1152,"_667":1155,"_673":1158,"_675":1159,"_677":1160,"_679":38,"_680":1161,"_682":1162,"_685":1163,"_687":1164,"_689":1165,"_691":1166,"_693":1167,"_695":1168,"_697":1169,"_701":1170},"profile-917",917,[1145,1146,1147],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000elV4AQ-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000elR4AQ-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000elU4AQ-right2.jpg","Abderahman En-Nachit","abderahman-en-nachit-1sln8w","Abderahman En-Nachit is a figure of craftsmanship in Fez medina. Born and raised in the medina, he has spent his whole life there. Abderahman started to work as a salesman in a carpet store when he was 16 years old and fell in love with the beauty, quality, and diversity of the rugs he was selling. He stayed in this shop for several years and learnt every detail about the provenance, the making process and the styles of the carpets. Abderahman realised that all the carpets, woven or knotted, were purchased directly from families in villages. They all had a story. Carpets are mostly made by women in Morocco. \"Those women do not have access to TV or internet, and have never been in contact with art books, but yet their spirit is incredibly creative,\" he marvels. He began to travel around the country searching for beautiful carpets and improving his skills in restoring them. Abderahman had to become an expert not only in material and process, but also in colour dyeing. All the colours that he works with are natural. Filled with a sense of duty, Abderahman gives a new life to these rugs with absolute respect to the original work.",[663],[1153,1154],"Morocco","Fez",[1156,1127,1006,1157,751],"Family and Children","Lifestyle",[],[],[],[757],[684],[663],34.061855,-4.98291,"2026-05-01T09:25:43.000+0000","Fez, Morocco","2024-04-04",{"_699":1164,"_700":1165},2028,{"_649":1172,"_31":1173,"_652":1174,"_255":1178,"_378":1179,"_659":1180,"_661":1181,"_664":1182,"_667":1185,"_673":1187,"_675":1192,"_677":1194,"_679":38,"_680":1195,"_682":1196,"_685":1197,"_687":1198,"_689":1199,"_691":1200,"_693":1201,"_695":1202,"_697":1203,"_701":1204},"profile-231",231,[1175,1176,1177],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000UZF4A2-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000UZB4A2-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000UZE4A2-right2.jpg","Enrique Castellanos Luque","enrique-castellanos-luque-nx8ns1","There is a sign hanging in the workshop of Enrique Castellanos Luque that says \"Nothing is perfect, but we try to make it as perfect as possible.\" This is what the concept of well-made means to him, and what has become his mission through his craft, embodying his approach to his work. Following an academic education in Fine Arts, Enrique discovered gilding during his post-graduate studies, and pursued this craft as a career, combined with his acquired restoration and conservation skills. He opened his workshop in 1999. In both gilding and restoration, Enrique uses centuries-old traditional techniques, respecting the original work of the carver, enhancing, enriching, chiseling when necessary. His body of work in both religious and civil pieces requires attention to detail and deep knowledge of the aesthetic of each item.",[663],[1097,1183,1184],"Seville","Andalusia: navigating the creative heart of the region",[1127,1186,672,751],"Religion",[1188,1189,1190,1191],"Cartela Paso Procesional Nuestra Señora de la Estrella","Paso Procesional de Nuestro Padre Jesús del Gran Poder","María Santísima en su Soledad","Cartela del Retablo del Santo Cristo del Consuelo",[1193,752,796],"Gold",[799,803,805],[757],[684],[663],37.3985646572168,-5.99954935407833,"2026-05-01T09:25:06.000+0000","Seville, Spain","2024-03-21",{"_699":1198,"_700":1199},541,{"_649":1206,"_31":1207,"_652":1208,"_255":1212,"_378":1213,"_659":1214,"_661":1215,"_664":1216,"_667":1219,"_673":1220,"_675":1221,"_677":1222,"_679":38,"_680":1223,"_682":1224,"_685":1225,"_687":1226,"_689":1227,"_691":1041,"_693":1228,"_695":1229,"_697":1230,"_701":1231},"profile-3193",3193,[1209,1210,1211],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000004dB4AQ-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000004d74AA-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000004dA4AQ-right2.jpg","Anna Wagner","anna-wagner-t2q0tg","While Anna Wagner builds about one violin per year, she has found her true calling in restoring old stringed instruments, and specialising in violins. She is originally from Carinthia and grew up a craft and design loving family. Anna often works with very valuable violins which she opens, disassembles and cares for, and then reassembles. Simple repairs range from a broken string to cracks in the violin top. But often it is dissatisfaction with the sound that drives musicians to Anna. She notes that the quality of violins is very closely linked to the climate and explains that humidity is very bad for violins. Anna knows that some violins are more delicate than others, just like the people who make music with the precious instrument. This requires sensitivity in the treatment – both of the Stradivarius and of the human being.",[663],[1217,1218],"Austria","Graz",[671,900],[],[],[],[757],[684],[663],47.06985,15.436,"Graz, Austria","2023-12-14",{"_699":1226,"_700":1227},3704,{"_649":1233,"_31":1234,"_652":1235,"_255":1239,"_378":1240,"_659":1241,"_661":1242,"_664":1243,"_667":1245,"_673":1247,"_675":1253,"_677":1261,"_679":38,"_680":1262,"_682":1263,"_685":1264,"_687":1265,"_689":1266,"_691":1267,"_693":1268,"_695":1269,"_697":1270,"_701":1271},"profile-3965",3965,[1236,1237,1238],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004VViWAM-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004VW1WAM-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004VWQWA2-right2.jpg","Silke Schlittermann","silke-schlittermann-z94lmu","As a child, Silke Schlittermann used carpentry to compensate for the goods she missed growing up in the GDR. She was enthusiastically supported in this by her father, an engineer. Apprenticeships for carpenters were extremely scarce in East Germany at that time. As a result, Silke began her career as a metalworker before becoming a carpenter after the reunification. Chair caning was introduced to her by pure accident. Upon arriving in England for a one-year carpentry training programme, she discovered the company that had hired her was bankrupt. Her only option was to go home or to find something new. Chair caning was the only other craft workshop available in the small English town where she found herself. \"With cake, I persuaded the owner to hire me,\" she remembers. That year, she not only became a lifelong close friend with the owner, but also learned a new craft that enabled her to realise her dream of being a craftswoman with a large family.",[663],[745,1244],"Berlin",[1246,1006],"First generation",[1248,1249,1250,1251,1252],"Dining chair","Art Nouveau chair","Children’s chairs","Office chair","Light children’s chairs",[1254,1255,1256,1257,1258,871,1259,752,1260],"Cane","Beech wood","Danish cord","Mahogany wood","Seagrass","Fibres and textiles","Botanical",[1071,1251,1073,878],[757],[684],[663],52.437475,13.71373,"2026-05-01T09:28:23.000+0000","Berlin, Germany","2023-10-05",{"_699":1265,"_700":1266},5081,{"_649":1273,"_31":1274,"_652":1275,"_255":1279,"_378":1280,"_659":1281,"_661":1282,"_664":1283,"_667":1284,"_673":1285,"_675":1286,"_677":1287,"_679":38,"_680":1288,"_682":1289,"_685":1290,"_687":1291,"_689":1292,"_691":1293,"_693":1294,"_695":1295,"_697":1296,"_701":1297},"profile-2825",2825,[1276,1277,1278],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PcNGWA0-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PcNAWA0-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PcNBWA0-right2.jpg","Beatrice Campanella","campanella-beatrice-arr1vp","As a restoration technician specialised in textile and tapestry, Beatrice Campanella approaches her profession as a surgeon: she treats ancient textile creations to 'heal' their wounds and repair the ravages of time. First, she makes a diagnosis by analysing the material with a digital microscope, in order to find out exactly what the textile fibre is and ascertain the weaving technique used by the original weaver. Then, she operates on the item using her hands, with surgical accuracy. “The preliminary analysis is the most challenging part, but also the most fascinating to me,” Beatrice says. “I literally have the chance to touch history with my hands, detecting the handiwork of craftspeople who lived centuries ago, and getting a close-up of details that you do not normally see, when you go and visit a museum.”",[663],[666],[751],[],[],[],[757],[684],[663],45.59697,10.22474,"2026-05-01T09:27:03.000+0000","Concesio, Italy","2023-08-10",{"_699":1291,"_700":1292},1113,{"_649":1299,"_31":1300,"_652":1301,"_255":1304,"_378":1305,"_659":1306,"_661":1307,"_664":1308,"_667":1310,"_673":1312,"_675":1317,"_677":1324,"_679":38,"_680":1328,"_682":1329,"_685":1330,"_687":1331,"_689":1332,"_691":1333,"_693":1334,"_695":1335,"_697":1336,"_701":1337},"profile-4343",4343,[1302,1303],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PbCmWAK-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PbCcWAK-left1.jpg","Andy Yeo","andy-yeo-art-restoration-singapore","Singapore’s traditional art restorer Andy Yeo shares an open workspace with several other talented artisans. Passionate about Chinese culture, Chinese performance tradition and especially Taoism, this artisan enjoys telling stories about how effigies and door gods are made. Andy has been refurbishing century-old temple doors around Singapore for years. He is a great teacher who loves explaining the various traditional techniques used in the restoration of religious effigies such as qi xian diao (漆线雕), jin diao (锦雕) and ni diao (泥雕) and the challenges of his craft in today's world.",[663],[1309,1309],"Singapore",[805,1311,672,751,979],"Self-taught",[1313,1314,1315,1316],"Painted Lantern","Door God for hell God Altar","Kirin Lantern","Hell constable",[1318,1319,1320,1321,1259,1322,1323],"Bamboo","Fabric","Paint","Lacquer","Cement, plaster, pigments","Enamel, glaze and lacquer",[1325,1326,1327,804,805,807],"Lantern","Decorative painting","Patio and Garden",[757],[684],[663],1.34243,103.75284,"2026-05-01T09:28:40.000+0000","Singapore, Singapore","2023-05-18",{"_699":1331,"_700":1332},5062,{"_649":1339,"_31":1340,"_652":1341,"_255":1344,"_378":1345,"_659":1346,"_661":1347,"_664":1348,"_667":1349,"_673":1351,"_675":1355,"_677":1358,"_679":38,"_680":1362,"_682":1363,"_685":1364,"_687":1365,"_689":1366,"_691":1367,"_693":1368,"_695":1369,"_697":1370,"_701":1371},"profile-151",151,[1342,1343],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWYhWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWYfWAO-left1.jpg","Denis Delcroix","denis-delcroix-piano-restoration-france","Restoring heritage pianos is a craft that involves other crafts such as engraving, mechanics, woodworking – being a musician even. Very few people practise this craft today and Denis Delcroix is one of only five piano restorers in France. As a boy he worked with his father in the family's antique cabinetmaking workshop, and then studied the mechanical aspects of instruments. He graduated in classical composition and harmony from the conservatory in Bordeaux. The piano is truly Denis' object. Not all pianos, however, only very ancient ones, manufactured in France between 1830 and 1930. In his workshop, he works on heritage brands that recall the French musical tradition and with his work Denis revives and safeguards these historical pieces.",[663],[949],[1127,671,1350,900,672,751],"Functional",[1352,1353,1354],"Le Zébrano","Le Fraké","Le Fraké, profil",[1356,1357,752],"Zebrawood","Frakewood",[1359,1360,1361],"Piano","Musical instruments","Performing arts",[757],[684],[663],45.44576,-0.43392,"2026-05-01T09:22:02.000+0000","Jonzac, France","2022-12-15",{"_699":1365,"_700":1366},4006,{"_649":1373,"_31":1374,"_652":1375,"_255":1379,"_378":1380,"_659":1381,"_661":1382,"_664":1383,"_667":1384,"_673":1385,"_675":1386,"_677":1387,"_679":38,"_680":1388,"_682":1389,"_685":1390,"_687":1391,"_689":1392,"_691":1393,"_693":1394,"_695":1395,"_697":1396,"_701":1397},"profile-1436",1436,[1376,1377,1378],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVmtWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVmrWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVmvWAG-right2.jpg","José María Muñoz-Poy Sánchez & Rafael Aguilera Casado","jose-maria-munoz-poy-sanchez--rafael-aguilera-casado-art-restoration-spain","José María Muñoz-Poy Sánchez studied Fine Arts in Seville and Rafael Aguilera Casado studied History of Art in Malaga. Both completed a postgraduate master's in Conservation and Restoration of Cultural Assets at the Polytechnic University of Valencia. Since opening their workshop in 2013 they have dedicated most of their time to the restoration of artworks: oil paintings, textiles and sculptures, but they have also recovered the tradition of the so called \"Flores del talco”. In order to restore art, it is necessary to have extensive knowledge of the original techniques and procedures the works were made with, and this knowledge is a source of inspiration and creativity. Santa Conserva's \"talc flowers\" are very similar to those that were intended for sacramental use and so have the charm of the monastic flowers, but they still blend well with 21st century aesthetics.",[663],[1097],[805,1127,925,1007,751,979],[],[],[],[757],[684],[663],37.0197939270635,-4.56157912289516,"2026-05-01T09:26:09.000+0000","Antequera, Spain","2022-11-24",{"_699":1391,"_700":1392},2667,{"_649":1399,"_31":1400,"_652":1401,"_255":1405,"_378":1406,"_659":1407,"_661":1408,"_664":1409,"_667":1410,"_673":1411,"_675":1412,"_677":1413,"_679":38,"_680":1414,"_682":1415,"_685":1416,"_687":1417,"_689":1418,"_691":1419,"_693":763,"_695":1420,"_697":1421,"_701":1422},"profile-3834",3834,[1402,1403,1404],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PU89WAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PU86WAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PU8BWAW-right2.jpg","Laura Germann","laura-germann-restoration-germany","Laura Germann's desire to become a luthier was sparked when she first heard the word from her violin teacher at the age of 6. From then on, she dreamed of pursuing the profession. While she was still at school, she sent over 100 applications to violin makers for an internship and finally recieved an opportunity in Zurich, 200 km away from her hometown. For the internship, she travelled 400 km by train every day. Completely unexpected, her boss at the time rewarded her dedication with a small salary. Having her own workshop became Laura's goal. Wind the clock forward and today she has her own workshop in the center of Hamburg, near the Michel in Hamburger Neustadt, which she set up in 2016. As well as restoring historic string instruments, Laura also purchases and brokers very valuable instruments for investment purposes, so that they can be played again by professional musicians.",[663],[745,746],[831,1246,1350,781,900,751],[],[],[],[757],[684],[663],53.55089,9.982443,"2026-05-01T09:28:05.000+0000","2022-09-22",{"_699":1417,"_700":1418},3092,{"_649":1424,"_31":1425,"_652":1426,"_255":1430,"_378":1431,"_659":1432,"_661":1433,"_664":1434,"_667":1435,"_673":1436,"_675":1442,"_677":1446,"_679":38,"_680":1450,"_682":1451,"_685":1452,"_687":1453,"_689":1454,"_691":1107,"_693":1455,"_695":1456,"_697":1457,"_701":1458},"profile-1648",1648,[1427,1428,1429],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PRwgWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PRweWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PRwiWAG-right2.jpg","Nicolau Baucells Bordas","nicolau-baucells-bordas-building-restoration-spain","Nicolau Baucells began his schooling at Centro Albayzin in Granada with Master Fernando Tejero. His degree studies to become a technician in the restoration of artistic and cultural heritage was based on various regional and national traditional techniques. After school and following Francisco Tejero's advice, he went to Barcelona and became an apprentice at the Campreciós family’s workshop, one of the three families of stucco artists that still remain in that city. Josep María and Joan Campreciós were his masters and have exerted the greatest influence on his work. Although his techniques are purely traditional, innovation comes into Nicolau’s sgraffito through the drawings which sometimes deviate from the patterns of Art Nouveau to more contemporary shapes.",[663],[1097],[805,1246,1127,1006,781,751],[1437,1438,1439,1440,1441],"Sam's bath","Stop the time","Sirka wall","Folache room","Laterna",[1443,1444,1067,1445,1068],"Limestone","Marble","Minerals",[1447,1448,1449,802,876,805,878],"Bathtub","Wall","Shelf",[757],[684],[663],38.987140557442,1.53088192961608,"Santa Eularia Del Río, Spain","2022-08-25",{"_699":1453,"_700":1454},3135,{"_649":1460,"_31":1461,"_652":1462,"_255":1466,"_378":1467,"_659":1468,"_661":1469,"_664":1470,"_667":1473,"_673":1476,"_675":1477,"_677":1478,"_679":49,"_680":1479,"_682":1480,"_685":1481,"_687":1482,"_689":1483,"_691":959,"_693":1484,"_695":1485,"_697":1486,"_701":1487},"profile-1249",1249,[1463,1464,1465],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PRoEWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PRoCWAW-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PRoGWAW-right2.jpg","Amandine Camp","amandine-camp-paper-restoration-france","Amandine Camp is a paper artist: through the mastery of several crafts, she has made the material her true field of expertise. Now, a restorer of old and contemporary books, she first fell in love with paper while studying at the Beaux Arts and soon became an art bookbinder. Ever eager to broaden her horizons, Amandine deepened her knowledge of the material by working in a mill to learn about the paper-making process. Restoration came to her as a perfect way to combine creativity with her keen interest in heritage: being an artisan of these professions brings her a unique perspective to her work as a conservator. After some precious experience abroad, Amandine now works with her own clients: collectors, bibliophiles and libraries among others.",[663],[949,1471,1472],"Avignon","South of France: the artisanes shaping the character of Provence",[187,781,1474,1475,751],"New career","Paper",[],[],[],[757],[684],[663],43.93165,4.81186,"Avignon, France","2022-04-21",{"_699":1482,"_700":1483},302,{"_649":1489,"_31":1490,"_652":1491,"_255":1495,"_378":1496,"_659":1497,"_661":1498,"_664":1499,"_667":1502,"_673":1503,"_675":1504,"_677":1505,"_679":38,"_680":1506,"_682":1507,"_685":1508,"_687":1509,"_689":1510,"_691":1511,"_693":1512,"_695":1513,"_697":1514,"_701":1515},"profile-3422",3422,[1492,1493,1494],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVCGWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVCHWA4-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVCIWA4-right2.jpg","Steve Sinnott","steve-sinnott-tile-restoring-united-kingdom","Initially, Steve Sinnott trained to be a stone mason and carver in Wales. When he was an apprentice he joined a company that was working on a big project: an intricate Celtic knot tile floor of 3,000 square metres. Two of his colleagues spilled hydrochloric acid and destroyed most of the previous work, as a result he found himself in charge of fixing the floor by himself, working for three years and cutting a million small pieces out of slabs of marble for a total of about 2,500 square metres. What followed was a job in New York fixing damaged metro mosaics – very small hexagonal tiles. Ever since, Steve has travelled around the world working on historic tile restoration as well as doing his own mosaic artwork. Entirely self-taught, he has run his business Heritage Tiling & Restoration for over forty years.",[663],[1500,1501],"United Kingdom","Liverpool",[1127,671,1350,1006,1311],[],[],[],[757],[684],[663],53.48026,-2.9977,"2026-05-01T09:27:46.000+0000","Liverpool, United Kingdom","2022-02-24",{"_699":1509,"_700":1510},841,{"_649":1517,"_31":1518,"_652":1519,"_255":1523,"_378":1524,"_659":1525,"_661":1526,"_664":1527,"_667":1528,"_673":1529,"_675":1530,"_677":1531,"_679":38,"_680":1532,"_682":1533,"_685":1534,"_687":1535,"_689":1536,"_691":959,"_693":1537,"_695":1538,"_697":1539,"_701":1540},"profile-1246",1246,[1520,1521,1522],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PV9jWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PV9kWAG-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PV9lWAG-right2.jpg","Ateliers Saint-Jacques & Fonderie de Coubertin","ateliers-saint-jacques--fonderie-de-coubertin-building-restoration-france","Since 1953, the Ateliers Saint-Jacques has been perpetuating a unique know-how across their four workshops: metal, wood, stone and bronze. Located in the Coubertin domain, a few kilometres away from the Palace of Versailles, the company's 150 highly skilled craftsmen work in close collaboration to provide the finest solutions to architects, interior decorators and artists. Over the years, the Ateliers Saint-Jacques has become a leading figure in the field of construction and heritage restoration.",[663],[949],[669,805,1007],[],[],[],[669],[684],[663],48.7,2,"Saint-Rémy-Lès-Chevreuse, France","2022-02-17",{"_699":1535,"_700":1536},2122,{"_649":1542,"_31":1543,"_652":1544,"_255":1548,"_378":1549,"_659":1550,"_661":1551,"_664":1552,"_667":1554,"_673":1556,"_675":1557,"_677":1558,"_679":38,"_680":1559,"_682":1560,"_685":1561,"_687":1562,"_689":1563,"_691":1136,"_693":1564,"_695":1565,"_697":1566,"_701":1567},"profile-1160",1160,[1545,1546,1547],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PO5cWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PO5dWAG-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PO5eWAG-right2.jpg","Sylvie Fouanon","sylvie-fouanon-piano-restoration-france","Sylvie Fouanon was born to a rich heritage of piano restoration. At the age of 15, she joined her parents’ company, Pianos Balleron. There, she learned the traditional techniques of piano restoration and fell in love with the craft – she has never looked back in her 40 years of practice. Sylvie specialises in pianos made between 1840 and 1940. The restorations are very complex, yet essential to keep the musical heritage and technical understanding of hand-crafted pianos alive, as well as encouraging others to pursue it. What makes Sylvie’s work exceptional is her use, as much as possible, of techniques and materials that would have been used at the time the pianos were made. Using natural products that she makes herself, her restorations are made to last and blend seamlessly with the original materials.",[663],[949,1553],"Paris",[1555,1350,900,751],"Endangered crafts",[],[],[],[757],[684],[663],48.85735,2.28016,"Paris, France","2021-12-09",{"_699":1562,"_700":1563},3209,{"_649":1569,"_31":1570,"_652":1571,"_255":1575,"_378":1576,"_659":1577,"_661":1578,"_664":1579,"_667":1580,"_673":1581,"_675":1582,"_677":1583,"_679":38,"_680":1584,"_682":1585,"_685":1586,"_687":1587,"_689":1588,"_691":959,"_693":1589,"_695":1590,"_697":1591,"_701":1592},"profile-1213",1213,[1572,1573,1574],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PO68WAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PO66WAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PO6AWAW-right2.jpg","Ateliers Perrault","ateliers-perrault-building-restoration-france","Ateliers Perrault carry a 260-year-old family tradition of craftsmanship excellence; creating, preserving, innovating and passing on unique knowledge. Deeply rooted in the Region of Pays de la Loire, the historic manufacturer brings together more than 145 craftspeople in the field of carpentry, cabinet making, joinery, window work and ironwork. They specialise in the restoration and identical reproduction of ancient works, some of which may date back to the 12th century.",[663],[949],[831,805,671,716],[],[],[],[669],[684],[663],47.3,-0.8,"Saint Laurent de la Plaine, France","2021-11-18",{"_699":1587,"_700":1588},4187,{"_649":1594,"_31":1595,"_652":1596,"_255":1599,"_378":1600,"_659":1601,"_661":1602,"_664":1603,"_667":1605,"_673":1609,"_675":1615,"_677":1617,"_679":38,"_680":1624,"_682":1625,"_685":1626,"_687":1627,"_689":1628,"_691":1333,"_693":1629,"_695":1630,"_697":1631,"_701":1632},"profile-4363",4363,[1597,1598],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PStpWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PStnWAG-left1.jpg","Ivan Kravchenko","ivan-kravchenko-art-restoration-russian-federation","Ivan Kravchenko studied robotics and mechatronics at university, but sitting through long mathmatics classes he would draw in his notebook. So he left technical school and enrolled in two art courses instead. He became fascinated by painting, but his new connections led him to his first job at a pottery workshop. Since then Ivan has gone a long way and is now famous in Irkutsk not only for his ceramics, but also for founding a recreation centre and art residence on lake Baikal called Ustie. It is a place where artisans and artists can implement their projects and tourists can see masters work and learn from them in workshops.",[663],[1604],"Russia",[748,1246,1127,1606,1350,1607,1474,1608,672,782,751],"Ceramics","Mixing cultures","Politically engaged",[1610,1611,1612,1613,1614],"Cezve from the Forest set","The Fog set","Navy Blue set","Triangular motif vases","A salad bowl for mom",[1067,1616,1068,1323],"Glaze",[1618,1619,1620,1621,1622,1623,1074,1075,807],"Pot","Cup","Vase","Bowl","Cookware","Drinkware",[757],[684],[663],51.5528,105.1306,"Kedrovaya-Sibirskaya, Russia","2021-11-11",{"_699":1627,"_700":1628},1773,{"_649":1634,"_31":1635,"_652":1636,"_255":1639,"_378":1640,"_659":1641,"_661":1642,"_664":1643,"_667":1644,"_673":1645,"_675":1646,"_677":1647,"_679":49,"_680":1648,"_682":1649,"_685":1650,"_687":1651,"_689":1652,"_691":1136,"_693":1653,"_695":1654,"_697":1655,"_701":1656},"profile-1130",1130,[1637,1638],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POBuWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POBsWAO-left1.jpg","Sandrine Gluza","sandrine-gluza-chandelier-restoration-belgium","“The first time I walked into the András workshop,” explains Sandrine Gluza, “it was as if time had stood still: I immediately felt a fascination for the job, the machines, the tools, the techniques. I started working there the day after my first visit.” Before working at András, Sandrine was a manager in an LED lighting company. Her knowledge of electricity and lighting was therefore an asset when she joined the workshop. “Since the profession of chandelier restorer is no longer taught, it was the former owner of András, André Heine, who trained me in the restoration techniques as passed on by his own father.” Sandrine decided to take over the workshop because she considers it an exciting and complex profession, which she does not want to disappear.",[663],[976],[1246,1127,1555,1006,781,1474],[],[],[],[757],[684],[663],50.60572,5.51803,"Seraing, Belgium","2021-08-05",{"_699":1651,"_700":1652},2626,{"_649":1658,"_31":1659,"_652":1660,"_255":1664,"_378":1665,"_659":1666,"_661":1667,"_664":1668,"_667":1669,"_673":1670,"_675":1671,"_677":1672,"_679":49,"_680":1673,"_682":1674,"_685":1675,"_687":1676,"_689":1677,"_691":1136,"_693":1678,"_695":1679,"_697":1680,"_701":1681},"profile-1088",1088,[1661,1662,1663],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWNhWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWNiWAO-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWNjWAO-right2.jpg","Remmen","remmen-building-restoration-belgium","When twin brothers Klaas and Martijn Remmen decided to attend a Steiner school at the age of 16, their love for traditional techniques flourished. Afterwards, they both studied Conservation and Restoration at the Artesis Plantijn University College in Antwerp. While Martijn became fascinated by wood, Klaas was completely overwhelmed by metals. While completing their education with additional courses, they opened their joint workshop in 2015. Over the past five years, it has expanded to become a multi-professional restoration and creative workshop which collaborates with other young restorers and craftspeople.",[663],[976],[805,716,1007,1311],[],[],[],[723],[684],[663],51.21565,4.77374,"Vorselaar, Belgium","2021-07-08",{"_699":1676,"_700":1677},96,{"_649":1683,"_31":1684,"_652":1685,"_255":1689,"_378":1690,"_659":1691,"_661":1692,"_664":1693,"_667":1694,"_673":1695,"_675":1696,"_677":1697,"_679":38,"_680":1698,"_682":1699,"_685":1700,"_687":1701,"_689":1702,"_691":959,"_693":1703,"_695":1704,"_697":1705,"_701":1706},"profile-1258",1258,[1686,1687,1688],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVcAWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVcBWAW-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVcCWAW-right2.jpg","Claire Ducluzeau","claire-ducluzeau-fine-art-restoration-france","In the service of art – that is how Claire Ducluzeau would define her work. Claire is a restorer and curator of artworks, with particular expertise in easel paintings. With a background in art history and a true love of craftsmanship, restoration seemed to suit her perfectly. Following her studies, Claire was awarded a scholarship, the Bourse aux Métiers d’Arts, by the city of Paris. This award enabled her to work in a prestigious workshop in the French capital and broaden her knowledge. Today, Claire works in her own workshop, located on the edge of Paris. She will work with any painting, from any period and on any support, always with the greatest respect for the artwork.",[663],[949],[1126,1246,1127,751,979],[],[],[],[757],[684],[663],48.8778,2.23385,"Suresnes, France","2021-07-01",{"_699":1701,"_700":1702},4919,{"_649":1708,"_31":1709,"_652":1710,"_255":1714,"_378":1715,"_659":1716,"_661":1717,"_664":1718,"_667":1720,"_673":1721,"_675":1722,"_677":1723,"_679":38,"_680":1724,"_682":1725,"_685":1726,"_687":1727,"_689":1728,"_691":1367,"_693":1729,"_695":1704,"_697":1730,"_701":1731},"profile-85",85,[1711,1712,1713],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNzJWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNzHWAW-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EpBv_Right2.jpg","Square Drop","square-drop-furniture-restoration-poland","Led by Agnieszka Śniadewicz-Świca, Square Drop is an art laboratory specialising in the design of unique furniture and the conservation of works of art. It is a company with family traditions, as the workshop continues the artwork conservation activities of the workshop that was originally set up Agnieszka's father, Robert, and in parallel, those of the Ars Longa Gallery that was run by her parents. Robert was a woodcarver at the Royal Castle in Warsaw. At Square Drop, the artisans apply the experience acquired over years to carry out conservation works. It has also developed design projects and created new, unique furniture pieces, or so called future antiques.",[663],[1719],"Poland",[669,831,671,1350,717],[],[],[],[669],[684],[663],52.12506,20.66187,"Milanówek, Poland",{"_699":1727,"_700":1728},397,{"_649":1733,"_31":1734,"_652":1735,"_255":1739,"_378":1740,"_659":1741,"_661":1742,"_664":1743,"_667":1745,"_673":1747,"_675":1748,"_677":1749,"_679":49,"_680":1750,"_682":1751,"_685":1752,"_687":1753,"_689":1754,"_691":1755,"_693":1756,"_695":1757,"_697":1758,"_701":1759},"profile-2535",2535,[1736,1737,1738],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPD4WAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPD5WAO-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPD6WAO-right2.jpg","Ospedale delle Bambole","ospedale-delle-bambole-toy-restoration-italy","Housed in the very heart of the street known as “Spaccanapoli”, the Ospedale delle Bambole tells a story of emotions, memories, precious objects and tradition. This unique restoration centre was founded in 1895 by Luigi Grassi, a set designer for court and puppet theatres. One day, a mother came into his workshop with a broken doll in her arms and begged the craftsman to fix it. Luigi reassured the woman: her doll would be as good as new. The word got around quickly, and soon the workshop was filled with dolls to be repaired.",[663],[666,1744],"Naples",[669,670,1156,671,1157,1474,1746],"Unusual",[],[],[],[669],[684],[663],40.84962,14.25861,"2026-05-01T09:26:53.000+0000","Naples, Italy","2021-04-08",{"_699":1753,"_700":1754},3528,{"_649":1761,"_31":1762,"_652":1763,"_255":1767,"_378":1768,"_659":1769,"_661":1770,"_664":1771,"_667":1773,"_673":1774,"_675":1780,"_677":1788,"_679":38,"_680":1791,"_682":1792,"_685":1793,"_687":1794,"_689":1795,"_691":1293,"_693":1796,"_695":1797,"_697":1798,"_701":1799},"profile-2709",2709,[1764,1765,1766],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPBzWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPBxWAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPC1WAO-right2.jpg","Rossella Palazzolo","rossella-palazzolo-sculpture-restoration-italy","In 1963 the Palazzo Valguarnera Gangi and most memorably its ballroom were the setting for Luchino Visconti's film The Leopard. Today, while the famous ballroom may be hired for events, the rest of the house is still used as a private residence. Rossella Palazzolo was born right here, in this Palace, in the early 1980s. \"Pursuing art was a natural choice,\" Rossella explains, \"because I was born and raised in an opulent environment, full of antique furnishings and art objects.\" But one day, she decided to switch from luxurious objects to the most humble material in the world: concrete. She started working with this material as an autodidact: in her hands, concrete has acquired a new sense and meaning thanks to the artist's creativity. With a touch of ability and inventiveness, concrete becomes lamps, bowls, everyday household items and even sacred statues!",[663],[666,1772],"Palermo",[1127,1350,1006,1186,1311,979],[1775,1776,1777,1778,1779],"Concrete bowl","Santa Rosalia","Nostalghia","Zahara","Black concrete bowl",[1781,1782,1783,794,1784,1785,1786,1322,1787,1259,796],"Concrete","Pigments","Beeswax","Cement","Lampshade","Brass","Natural essences",[1621,1789,1790,1620,1074,807,806],"Statuette","Table lamp",[757],[684],[663],38.11481,13.36609,"Palermo, Italy","2021-03-25",{"_699":1794,"_700":1795},2235,{"_649":1801,"_31":1802,"_652":1803,"_255":1807,"_378":1808,"_659":1809,"_661":1810,"_664":1811,"_667":1812,"_673":1814,"_675":1815,"_677":1816,"_679":38,"_680":1817,"_682":1818,"_685":1819,"_687":1820,"_689":1821,"_691":1107,"_693":1201,"_695":1822,"_697":1823,"_701":1824},"profile-1643",1643,[1804,1805,1806],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNgxWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNgvWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNgzWAG-right2.jpg","Maite Béjar","bjar-maite-ddprs6","Maite Béjar's deep knowledge of art, history and chemistry, together with commitment, drive and an open mind, have enabled her to become a restorer, to preserve, care and bring to life once again a piece of art. From her Sevilla workshop, opened in 2006 she restores easel paintings on canvas and wood. She carried out her studies in Spain and Italy, and has worked on several important projects in both countries at cultural sites, including Florence’s Galleria degli Uffizi and Museo del Bargello, and Plaza de España in Sevilla. Her mission is to repair the past, cleaning the pieces and bringing back the original colour and splendour, respecting the historic integrity of the piece and its composition.",[663],[1097,1183],[831,805,1127,1006,781,1007,1813,751,979],"Science",[],[],[],[757],[684],[663],37.39941,-5.98829,"2021-02-18",{"_699":1820,"_700":1821},3077,{"_649":1826,"_31":1827,"_652":1828,"_255":1832,"_378":1833,"_659":1834,"_661":1835,"_664":1836,"_667":1837,"_673":1838,"_675":1839,"_677":1840,"_679":38,"_680":1841,"_682":1842,"_685":1843,"_687":1844,"_689":1845,"_691":1041,"_693":1846,"_695":1847,"_697":1848,"_701":1849},"profile-3081",3081,[1829,1830,1831],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWvUWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWvVWAW-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWvWWAW-right2.jpg","Amalita Bruthus","bruthus-amalita-1jc4lq","I chose this profession,” explains Amalita Bruthus, “because of my love, my great interest, my curiosity for art and science, especially chemistry. I wanted to understand the materials of which artworks are made, the mixtures, the compositions of a painting. I longed for the opportunity to discover the hidden facets and details of these works.” In the 1980s, alongside her studies at the Faculty of Biology at the University of Lausanne, she regularly attended lessons with Vaud artist Jacques Walther in painting and drawing. Her interest in the arts in general was born from these exchanges and pictorial practice. “The scientific spirit and my growing affection for the artistic field led me to a restoration-conservation workshop. I discovered this doubly fascinating universe in Martigny, and I continue to develop it today in Porrentruy,\" Amalita adds.",[663],[1031],[1126,805,1127,1555,1350,781,1813,1186,979],[],[],[],[757],[684],[663],47.415525,7.074565,"Porrentruy, Switzerland","2020-12-24",{"_699":1844,"_700":1845},1603,{"_649":1851,"_31":1852,"_652":1853,"_255":1857,"_378":1858,"_659":1859,"_661":1860,"_664":1861,"_667":1863,"_673":1865,"_675":1868,"_677":1871,"_679":49,"_680":1873,"_682":1874,"_685":1875,"_687":1876,"_689":1877,"_691":1755,"_693":1878,"_695":1879,"_697":1880,"_701":1881},"profile-2512",2512,[1854,1855,1856],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUWGWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUWEWA4-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUWIWA4-right2.jpg","Open Care","open-care-fine-art-restoration-italy","Open Care is the only company in Italy offering integrated services for the conservation, management and valorisation of art works and collections. It has vaults, exhibition spaces, laboratories for the restoration of artworks and a network of consultants with the specific expertise for the valuation of collectibles and assistance in purchases and sales of artworks and collections.The Conservation and Restoration Department includes five laboratories specialised in the maintenance and restoration of paintings, frescoes, antique, modern and contemporary works of art, wood decorations, tapestries, antique textiles and carpets and a laboratory of antique scientific instruments supported by a diagnostic laboratory.",[663],[666,1862],"Milan",[669,1864,1007,1474,1813,717],"Homo Faber 2018",[1866,1867],"UP7 - Gaetano Pesce","Tapestry, Cycle of Scipio - Enghien workshop, Flanders",[1869,1870,872,1259],"Plastic","wool",[799,1872,803,804,805,807],"Wall decor",[669],[684],[663],45.46055,9.22573,"Milan, Italy","2020-10-22",{"_699":1876,"_700":1877},5434,{"_649":1883,"_31":1884,"_652":1885,"_255":1889,"_378":1890,"_659":1891,"_661":1892,"_664":1893,"_667":1894,"_673":1895,"_675":1896,"_677":1897,"_679":38,"_680":1898,"_682":1899,"_685":1900,"_687":1901,"_689":1902,"_691":1267,"_693":1903,"_695":1904,"_697":1905,"_701":1906},"profile-4053",4053,[1886,1887,1888],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWKiWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWKgWAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWKkWAO-right2.jpg","Lutz Walter","lutz-walter-wallpaper-restoration-germany","During his architectural studies in the 1980s, Lutz Walter started to specialise in the preservation of historical monuments. Years later, he worked as an architect restoring the residential house of famous German poet Friedrich Schiller in Weimar. One important part of this project was the reconstruction of the house's historic wallpapers and trims. While preparing the reconstruction and researching historical wallpaper printing, Lutz realised that the borders could only be printed by hand. He went on to learn more about wallpaper production in the 19th century by reading his way through the specialised literature he found in the Anna-Amalia Library in Weimar. Finally, he knew enough to embark upon his new profession, and printed his very first product using traditional hand block printing.",[663],[745],[1246,1127,1555,1060,1006,1474,1475],[],[],[],[757],[684],[663],51.828019,10.793947,"Wernigerode, Germany","2020-09-15",{"_699":1901,"_700":1902},4862,{"_649":1908,"_31":1909,"_652":1910,"_255":1914,"_378":1915,"_659":1916,"_661":1917,"_664":1918,"_667":1921,"_673":1922,"_675":1923,"_677":1924,"_679":38,"_680":1925,"_682":1926,"_685":1927,"_687":1928,"_689":1929,"_691":1041,"_693":1930,"_695":1904,"_697":1931,"_701":1932},"profile-3213",3213,[1911,1912,1913],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POLQWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPyfWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPyhWAG-right2.jpg","Andreas Buhr","andreas-buhr-gilding-restoration-austria","In 1898, Andreas’s great-grandfather Eduard Buhr opened his gilding workshop close to Vienna’s city centre and laid the foundation for the company’s future success with significant projects in the Habsburgs’ crown lands. From the 1960s to the 1990s, Andreas’s father was a key participant in the most prestigious restoration projects in and around Vienna. Andreas grew up in this family deeply rooted in craft – he’s proud that, as a child, his cot was placed in the workshop and his toys were his parents’ tools. He now runs the business on his own, continuing to work on the restoration of objects and buildings. He and his wife Christine Dosch also founded the design label Goldlieb, for which they create extravagant objects with gold, silver or other precious metals.",[663],[1217,1919,1920],"Vienna","Vienna: the remnants of the Empire",[670,805,1127,671,1006,1186,672,751],[],[],[],[757],[684],[663],48.20586,16.34388,"Vienna, Austria",{"_699":1928,"_700":1929},4351,{"_649":1934,"_31":1935,"_652":1936,"_255":1940,"_378":1941,"_659":1942,"_661":1943,"_664":1944,"_667":1946,"_673":1948,"_675":1949,"_677":1950,"_679":49,"_680":1951,"_682":1952,"_685":1953,"_687":1954,"_689":1955,"_691":1293,"_693":1956,"_695":1904,"_697":1957,"_701":1958},"profile-2744",2744,[1937,1938,1939],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PRdEWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PRdDWAW-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PY9kWAG-right2.jpg","Valeria Merlini & Daniela Storti","merlini-valeria--storti-daniela-sk7nvu","Since their partnership began in 1989, Valeria Merlini and Daniela Storti have undertaken numerous large-scale conservation and restoration projects, gaining recognition for their exceptional technical skills and expertise in team management. In 1999, they restored Caravaggio’s The Pilgrims’ Madonna in situ at the Church of Sant’Agostino, making them the first to carry out an open restoration in Italy. Since 2008, they have curated an annual special exhibition focusing on an 'opera unica', hosted by Palazzo Marino in Milan. By exhibiting several masterpieces loaned by the Louvre, including those by Leonardo, Titian, Georges de La Tour, Canova, and Francois Gerard, they have developed a stimulating relationship with the famous Parisian museum.",[663],[666,1945],"Rome",[805,1127,925,1947,1350,1007,1813,782,751,979],"Exhibitions/Museums",[],[],[],[757],[684],[663],41.9,12.5,"Rome, Italy",{"_699":1954,"_700":1955},2905,{"_649":1960,"_31":1961,"_652":1962,"_255":1966,"_378":1967,"_659":1968,"_661":1969,"_664":1970,"_667":1972,"_673":1973,"_675":1974,"_677":1975,"_679":38,"_680":1976,"_682":1977,"_685":1978,"_687":1979,"_689":1980,"_691":1333,"_693":1981,"_695":1904,"_697":1982,"_701":1983},"profile-4362",4362,[1963,1964,1965],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POWjWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POWkWAO-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POWlWAO-right2.jpg","Svetlana Kiryanova & Viktoria Lantyukhova","svetlana-kiryanova--viktoria-lantyukhova-chair-restoration-russian-federation","Viktoria and Svetlana are long-time friends who have always shared a love of vintage furniture. At some point they both realised they wanted to start a project of their own and work with their hands. As if it they were being given a sign, they soon came across a text about chair restoration and were inspired to do the same thing. Unable to let go of the idea, four months later they rented a workshop, while Svetlana left her job in biotechnology and moved to Voronezh from another city. It was March 2019 and since then Zanovo has grown into a studio that everyone’s talking about. They work for clients all over the country; the most distant order they’ve shipped was to Yuzhno-Sakhalinsk, over 9,000km away.",[663],[1604,1971],"Voronezh",[925,1350,1006,1474,751],[],[],[],[757],[684],[663],51.667051178654,39.2065570836723,"Voronezh, Russia",{"_699":1979,"_700":1980},2787,{"_649":1985,"_31":1986,"_652":1987,"_255":1991,"_378":1992,"_659":1993,"_661":1994,"_664":1995,"_667":1996,"_673":1998,"_675":2002,"_677":2005,"_679":38,"_680":2006,"_682":2007,"_685":2008,"_687":2009,"_689":2010,"_691":1041,"_693":2011,"_695":1904,"_697":2012,"_701":2013},"profile-3244",3244,[1988,1989,1990],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PYHhWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PYHgWAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PYHiWAO-right2.jpg","Heinrich Hetzer","heinrich-hetzer-textile-restoring-austria","Heinrich first encountered weaving machinery while visiting his aunts during summer holidays as a child. These days, the Austrian textile engineer has an unparalleled knowledge of warps, wefts and weaving mechanics. In pursuit of technical improvements, he started tinkering with traditional looms by adding computerised innovations, allowing him to recreate historical fabrics. One example is the brocade textile he created for the Red Salon of Schloss Esterházy, each thread identical to the original dating from the early 18th century. Another is the regal splendour of the curtains he recreated for the carriage which drove Prince Esterhazy to the coronation of emperor Franz II in 1792.",[663],[1217],[1127,1555,1997,671,750,1006,672,751],"Celebrities",[1999,2000,2001],"Imperial Austrian Castle","AustrianCastle01 brocatelle","Heinrich Hetzer brocatelle à deux lats",[2003,2004,1259],"Silk","Linen",[1872,804,807],[757],[684],[663],48.80643,15.27326,"Waidhofen an der Thaya, Austria",{"_699":2009,"_700":2010},1911,{"_649":2015,"_31":2016,"_652":2017,"_255":2021,"_378":2022,"_659":2023,"_661":2024,"_664":2025,"_667":2026,"_673":2027,"_675":2028,"_677":2029,"_679":38,"_680":2030,"_682":2031,"_685":2032,"_687":2033,"_689":2034,"_691":1041,"_693":1930,"_695":1904,"_697":2035,"_701":2036},"profile-3208",3208,[2018,2019,2020],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPz6WAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POVJWA4-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POVLWA4-right2.jpg","Thomas Reiner","thomas-reiner-parquetry-restoration-austria","Thomas Reiner originally worked as a furniture restorer for the Württemberg State Museum in Stuttgart and as a reviewer and consultant for Europe’s preservation of historical monuments. During that time, he fell in love with the charm of antique parquet floors. To follow his passion, he founded his company Antique Parquet to rescue, collect and restore historic parquet, deal board and boarded parquet floorings. One of the most meticulous and uncompromising artisans in his craft, Thomas has worked on significant preservation projects all over Europe and beyond. His floors embellish major palaces and castles like the Vienna Imperial Palace, Schönbrunn Castle and Ludwigsburg Palace and private houses in nearly every major city in Europe.",[663],[1217,1919],[805,1246,1127,1997,1350,1006,1474,751],[],[],[],[757],[684],[663],48.18696,16.32982,{"_699":2033,"_700":2034},1899,{"_649":2038,"_31":2039,"_652":2040,"_255":2044,"_378":2045,"_659":2046,"_661":2047,"_664":2048,"_667":2049,"_673":2050,"_675":2051,"_677":2052,"_679":38,"_680":2053,"_682":2054,"_685":2055,"_687":2056,"_689":2057,"_691":1755,"_693":2058,"_695":1904,"_697":2059,"_701":2060},"profile-2552",2552,[2041,2042,2043],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PYIgWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PXL0WAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PXL4WAO-right2.jpg","Carlo Bonini","carlo-bonini-car-restoring-italy","Patience is the first quality one needs when seeking Carlo Bonini’s expertise. A lot of patience, because the waiting list is over five years long. “There’s a Ferrari in my garage that has been parked here for ten years. Every so often, the owner calls me up to ask me ‘Bonini, is my turn coming up?’” says 72-year-old Bonini with a laugh. Just as unbelievable as the waiting times is the fact that his clients wait without complaining, because they are aware that there is no one else in the world like Bonini. When it comes to the restoration and maintenance of a Ferrari, he is the absolute number one, thanks to his fifty years of experience and the fact that, since the end of the 1980s, he has worked exclusively on Maranello’s famous red cars.",[663],[666],[1126,670,805,1947,671,1864,718],[],[],[],[757],[684],[663],44.80287,10.61802,"Cadelbosco di Sotto, Italy",{"_699":2056,"_700":2057},1500,{"_649":2062,"_31":2063,"_652":2064,"_255":2068,"_378":2069,"_659":2070,"_661":2071,"_664":2072,"_667":2073,"_673":2074,"_675":2075,"_677":2076,"_679":38,"_680":2077,"_682":2078,"_685":2079,"_687":2080,"_689":2081,"_691":1200,"_693":2082,"_695":1904,"_697":2083,"_701":2084},"profile-366",366,[2065,2066,2067],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVD8WAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVD9WAO-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVDAWA4-right2.jpg","Céline Bonnot-Diconne","bonnot-diconne-cline-mdr9td","When selecting a specialisation for her master’s in conservation, Céline Bonnot-Diconne made a decision to connect it with her other academic passion – archaeology – and chose to work with leather. She is particularly interested in the personal effects, so often made from animal skins, of humans who lived long ago. “No one was interested in the little leather shoe,” she tells us, “but I thought it was fascinating.” Bonnot-Diconne’s Grenoble workshop restores and conserves historical objects and leather art for France’s many museums including gilt leather, archaeological and ethnographic leather, and upholstery. Each type of leather requires its own approach and specific skills.",[663],[949],[1246,1127,1350,751],[],[],[],[757],[684],[663],45.32056,5.59515,"Moirans, 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