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2026","bgColor","bgImgUrl","https://api.homofaber.com/uploads/9_16_1080x1920_50_175a29db28.png","bgRepeat","bgFit","contain","centerImgUrl","centerText","1 – 30 September 2026, San Giorgio Maggiore Island, Venice","centerImgFit","ctaLabel","Book your ticket","ctaBgColor","#FFFFFF","ctaUrl","textColor","white","2025-05-22T09:42:23.885Z","2026-04-27T09:13:30.731Z","2026-04-27T09:13:30.723Z","textLeftXs","bgImgUrlXs","ctaLabelXs","Book now","ActiveStartDate","2026-04-27T07:00:00.000Z","ActiveEndDate","2026-09-30T21:45:00.000Z","mainAdvert","guideTags",[627,629,631,634],{"_255":187,"_628":-5},"badge_color",{"_255":183,"_628":630},"#115C90",{"_255":632,"_628":633},"Homo Faber Capsule","#f0deca",{"_255":207,"_628":635},"#D9583B","isWebview","userAgent","Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; 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Young","peter_young-stained_glass_making-dublin","description","Peter Young makes one-off stained glass pieces for buildings and exhibitions. He discovered the medium by chance while seeking work in London, eventually spending several years at the retail outlet for Goddard & Gibbs Studios. This immersive environment of light and colour sparked Peter's curiosity, and he began asking questions and experimenting with his own glass designs. Encouraged by customers to formalise his talent, he was accepted into the Central St. Martins glass course. \"London's vibrant cultural scene helped me discover revolutionary art, experimental music and culture that shaped my artistic voice,\" Peter shares. Today, his work reflects a balance of tradition and a bold, expressive contemporary style.","craft",[663],"Stained glass making","destinations",[666,667],"Ireland","Dublin","tags",[670,671,672],"Glass","New career","Territory","objects",[675,676,677,678,679],"Sure enough the Duck","Martin Wills Memorial","Nádúr","Skylight","Anu","materials",[682,670],"Stained glass","categories",[682,685,686],"Building elements","Architecture","has-experiences","type-of-artisan",[690],"Artisan","craft_person",[693],"Stained glass maker","craft_metier",[663],"latitude",53.32991045120752,"longitude",-6.305007998259066,"content_edit_date","2026-05-06T07:27:48.000+0000","city_and_country","Dublin, Ireland","is_new_until","2026-03-26","_geo",{"_708":697,"_709":699},"lat","lng","order",1818,{"_649":713,"_31":714,"_652":715,"_255":719,"_378":720,"_659":721,"_661":722,"_664":724,"_668":725,"_673":729,"_680":733,"_683":738,"_687":38,"_688":742,"_691":743,"_694":745,"_696":746,"_698":747,"_700":748,"_702":749,"_704":750,"_706":751,"_710":752},"profile-5197",5197,[716,717,718],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ez3I_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ez3I_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ez3I_Right2.jpg","Joanne Lamb","joanne_lamb-basket_weaving-london","After a career in textile design, Joanne Lamb decided she wanted to focus on handcrafted objects, in particular, on delicate baskets. An Irish artist now based in London, Joanne graduated in woven textile at Belfast School of Art and got a master's degree in textiles and fine art at London’s Royal College of Art. “My true awakening came at college, the first time I sat at a loom”, she says. \"Weaving claimed my heart.\" The rhythm of planning, threading and the endless possibility to explore and improvise felt like a language she was meant to speak. Captivated by the challenge of 3D forms and trusting her intuition, Joanne began to shape a personal path in basketry, integrating woven elements into sculptural forms. Today, she makes structures from tatami paper yarn, shaped over a mould and interlaced with natural yarns.",[723],"Basket weaving",[666],[726,727,672,728],"Decorative","Mixing cultures","Traditions",[730,731,732],"Imbolc vessel","Bealtaine vessel","Samhain vessel",[734,735,736,737],"Wool","Silk","Mohair","Fibres and textiles",[739,740,741],"Vessel","Decorative objects","Decoration",[690],[744],"Basketweaver",[723],51.52180688796616,-0.1163156574975353,"2026-05-06T07:32:05.000+0000","London, United Kingdom","2026-01-29",{"_708":746,"_709":747},2459,{"_649":754,"_31":755,"_652":756,"_255":760,"_378":761,"_659":762,"_661":763,"_664":765,"_668":766,"_673":770,"_680":775,"_683":779,"_687":38,"_688":790,"_691":791,"_694":793,"_696":794,"_698":795,"_700":796,"_702":797,"_704":798,"_706":799,"_710":800},"profile-5101",5101,[757,758,759],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Expf_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Expf_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Expf_Right2.jpg","Claire Dooley","claire_dooley-porcelain_crafting-borris_in_ossory","Claire Dooley makes hand thrown functional stoneware and porcelain pieces. \"Growing up with my cartographer father who hand drew maps, and my mother who spent much of her time in the garden, it is no surprise that I chose a material so closely related to the earth,\" she says. Claire's colours are drawn from the soft muted palette of the Irish landscape. \"When I lived by the sea, I was painting with more blues. Now that I moved to the midlands, my colours have become more earthy,\" she explains. Despite her natural, wild inspirations, Claire's studio is immaculately tidy, reflecting a deep need for precision and a craftsperson’s respect for doing things correctly. This balance between order and genuineness informs her process and the work she creates.",[764],"Porcelain crafting",[666],[767,768,769,671,672,728],"Ceramics","Mentored","Nature",[771,772,773,774],"Stoneware plates","Large fluted jug","Porcelain chessboard","Fluted porcelain tea set",[776,777,778],"Clay","Porcelain","Ceramic",[780,781,782,783,784,785,786,787,788,789],"Plate","Jug","Chess set","Tea set","Dishware","Serving ware","Games and toys","Coffee and tea","Table and kitchen","Leisure",[690],[792],"Porcelain maker",[764],52.93923242366167,-7.63157666025629,"2026-04-22T14:16:00.000+0000","Borris in Ossory, Ireland","2026-01-22",{"_708":794,"_709":795},4592,{"_649":802,"_31":803,"_652":804,"_255":808,"_378":809,"_659":810,"_661":811,"_664":813,"_668":814,"_673":817,"_680":824,"_683":825,"_687":38,"_688":831,"_691":832,"_694":834,"_696":835,"_698":836,"_700":837,"_702":838,"_704":839,"_706":840,"_710":841},"profile-4860",4860,[805,806,807],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/3)IMG_20210526_104951~2-copy.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4)IMG_20250718_181155-copy.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/5)Suzanne-O-Sullivan-,-Daydreaming-.-12-x-12-inch--IMG_6446.jpg","Suzanne O'Sullivan","suzanne_o'sullivan-glass_sculpting-fermoy","Suzanne O'Sullivan is a glass artist who makes sculptures, abstract works, vases and jewellery. She practises her craft in a small scene town in a river valley in Fermoy, North Cork, where she lives. \"Growing up on a dairy farm, I developed a 'creative practicality' from my father, who taught me how to use tools such as drills and hammers. As a child, I would constantly draw and paint, even on shed walls,\" Suzanne says. After studying business and marketing, she studied at Crawford College of Art and Design, where she explored painting, weaving and sculpture, before she discovered her true medium, glass, on her very first firing. Suzanne won the Cork Arts Society Student of the Year award in 2001.",[812],"Glass sculpting",[666],[815,726,670,207,816],"Awarded","Homo Faber Fellowship 2025-26",[818,819,820,821,822,823],"Night Swimming","Journey","Horn of Empty","Leaving The Night Behind","Sunrise","Shaping Light from Ruins",[670],[826,827,828,829,740,830,741,686],"Wall decor","Glass sculpture","Sculpture","Wall decorations","Monuments",[690],[833],"Glass sculptor",[812],52.13756262690215,-8.276607250839588,"2026-05-06T07:32:14.000+0000","Fermoy, Ireland","2025-09-11",{"_708":835,"_709":836},2368,{"_649":843,"_31":844,"_652":845,"_255":849,"_378":850,"_659":851,"_661":852,"_664":853,"_668":854,"_673":855,"_680":861,"_683":866,"_687":38,"_688":867,"_691":868,"_694":869,"_696":870,"_698":871,"_700":837,"_702":872,"_704":839,"_706":873,"_710":874},"profile-4882",4882,[846,847,848],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ezz4_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ezz4_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ezz4_Right2.jpg","Adrienne Diamond","adrienne_diamond-glass_sculpting-dromahair","Adrienne Diamond has spent a lifetime learning and practising glass sculpture and art. After obtaining degrees from The National College of Art in Dublin and from Edinburgh College of Art, she lived several years in Seattle, one of the world's epicentres of glass art since the 1970s. Returning to the UK, Adrienne spent the following two decades running her own glass studio in Scotland. Since 2010, she has developed the small organic farm she now lives on in rural North-West Ireland. The farm is involved in social farming, and supports projects for vulnerable adults to participate in farm work and craft. This is also where Adrienne has established The Glass Farm, offering workshops, masterclasses and studio space for hire for glass artists and makers. In 2025, Adrienne joined the Homo Faber Fellowship programme to support a fellow develop their practice as a glass artist.",[812],[666],[670,207,816],[856,857,858,859,860],"Grasses","Wheel","Bee positive","Sky","Sacred Landscape",[862,670,863,864,865],"Blown glass","Metal","Gold Leaf","Metals",[827,828,740,830,741,686],[690],[833],[812],54.23069,-8.29856,"Beagh, Ireland",{"_708":870,"_709":871},1312,{"_649":876,"_31":877,"_652":878,"_255":882,"_378":883,"_659":884,"_661":885,"_664":887,"_668":888,"_673":891,"_680":895,"_683":907,"_687":38,"_688":911,"_691":912,"_694":914,"_696":915,"_698":916,"_700":917,"_702":918,"_704":919,"_706":920,"_710":921},"profile-1866",1866,[879,880,881],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003Rbd4AE-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003RbZ4AU-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003Rbc4AE-right2.jpg","Theresa Kelly","theresa-kelly-awm75b","When Theresa Kelly moved to Carrickmacross in County Monaghan, she learned the Carrickmacross lace craft and made it her life's practice. Theresa took night classes with Kathleen Flanagan to learn this Irish heritage lace craft. \"Despite the style being quite dated and lace being out of fashion at the time, I could see the potential of this technique,\" says Theresa. She began making wearable textiles, but her imagination soon led her toward three dimensional artistic wall pieces that eventually escaped the frame completely. Theresa embellishes these works, not with the expected jewels or finery associated with lace, but with more primal elements that she combines with opulent lace, opening up a conversation about material and value.",[886],"Lacemaking",[666],[815,726,889,768,890,672],"Heritage","Mixed media",[892,893,894],"Star II","Vessels series","Eclipse",[896,897,898,899,900,901,864,902,903,737,904,905,865,906],"Silk thread","Lace","Netting","Organdi","Bark","Feathers","Crystal","Slate","Wood","Animal materials","Minerals",[897,739,908,909,740,685,910,741,686],"Wall panel","Clothing","Mode",[690],[913],"Lacemaker",[886],53.988523824188,-6.69568854566661,"2026-05-06T07:28:59.000+0000","Carrickmacross, Ireland","2025-07-03",{"_708":915,"_709":916},5674,{"_649":923,"_31":924,"_652":925,"_255":929,"_378":930,"_659":931,"_661":932,"_664":934,"_668":935,"_673":938,"_680":944,"_683":953,"_687":38,"_688":964,"_691":965,"_694":967,"_696":968,"_698":969,"_700":917,"_702":970,"_704":971,"_706":972,"_710":973},"profile-1865",1865,[926,927,928],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000035sr4AA-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000035sn4AA-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000035sq4AA-right2.jpg","John Farrell","john-farrell-5msedi","John Farrell is an Irish designer and furniture maker, dedicated to creating unique and functional pieces that engage in dialogue with their surroundings. He founded his workshop, Esker Design, in 2020 in County Offaly, Ireland, driven by a commitment to technical craftsmanship, material exploration and considered design. His approach is deeply rooted in a respect for wood as a living material and he predominantly uses ash and oak, which he feels convey powerful emotive qualities. To source his wood, he partners with local timber yards and farmers, and is invested in Irish initiatives such as the Lisnavagh Timber Project. \"Winning the DDCI Future Makers Award in 2021 helped launch my career,\" explains John. Soon after, he was featured in the Sunday Times which gained him his first commissions.",[933],"Furniture making",[666],[815,936,937,904],"Design","Exhibitions/Museums",[939,940,941,942,943],"Orca chair","Sandunes","Crevice no. 2","Éasca dining table","Duir table",[945,946,947,948,949,950,904,905,951,952],"Oak wood","Suede leather","Stainless steel","Ash","Holly","Yew","Steel","Botanical",[954,955,956,957,958,959,960,961,962,963,910],"Chair","Jewellery box","Cabinet","Dining table","Table","Sofa and Chairs","Jewellery and watches","Storage furniture","Tables","Furniture",[690],[966],"Furniture maker",[933],53.281315,-7.513435,"Tullamore, Ireland","2025-04-24",{"_708":968,"_709":969},5298,{"_649":975,"_31":976,"_652":977,"_255":981,"_378":982,"_659":983,"_661":984,"_664":986,"_668":988,"_673":992,"_680":996,"_683":998,"_687":38,"_688":1002,"_691":1003,"_694":1005,"_696":1006,"_698":1007,"_700":917,"_702":1008,"_704":1009,"_706":1010,"_710":1011},"profile-1869",1869,[978,979,980],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000039lB4AQ-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000039l74AA-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000039lA4AQ-right2.jpg","James O'Riordan & Gus Knight","homofaber-veww1h","Sharing an engineering background and a passion for ironwork, blacksmiths James O'Riordan and Gus Knight opened Leeside Forge together in 2020. James is mostly self-taught, while Gus attended the National Blacksmithing College in Hereford. Together, they were originally known for their restoration work. “We are lucky to have a large amount of heritage ironwork in Cork and around the country, especially Victorian and Edwardian periods,” explains James. \"The global blacksmithing community is a rich network that shares work and processes,\" adds Gus. The duo has a relationship with a craft school in Prague that sends blacksmithing students to Leeside Forge on apprenticships. James was selected as a master artisan in the 2024-25 Homo Faber Fellowship programme and welcomed Michal Halvonik from Prague, an example of how invested the duo is in transmitting their blacksmithing knowhow beyond Ireland.",[985],"Blacksmithing",[666,987],"Cork",[686,989,728,990,207,991],"Creative duos","Under 30","Homo Faber Fellowship 2024-25",[993,994,995],"The Firemen's Rest","Organic Railings","Forged Handrail",[997,951,865],"Iron",[999,1000,1001,685,963,686],"Frame","Handrail","Furniture accessories",[690],[1004],"Blacksmith",[985],51.8949900380214,-8.45219488824964,"Cork, Ireland","2025-04-22",{"_708":1006,"_709":1007},1880,{"_649":1013,"_31":1014,"_652":1015,"_255":1019,"_378":1020,"_659":1021,"_661":1022,"_664":1023,"_668":1024,"_673":1026,"_680":1032,"_683":1039,"_687":38,"_688":1041,"_691":1042,"_694":1043,"_696":1044,"_698":1045,"_700":917,"_702":1046,"_704":1047,"_706":1048,"_710":1049},"profile-1867",1867,[1016,1017,1018],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000033eG4AQ-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000033eE4AQ-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000033eF4AQ-right2.jpg","Fiona Byrne","fiona-byrne-7go7cs","Irish glass sculptor Fiona Byrne first encountered glassblowing during a course in which she was captivated by the interplay of fire, heat and material. After graduating in 2009, she spent three years honing her craft in a glass studio before pursuing a Master of Arts and a PhD in creative fields. After years of working in the creative sector without actively making, she reignited her passion for glass in 2020 during the Covid-19 lockdown. \"I began to sculpt with wax, salt and sugar in my kitchen,\" Fiona recalls. These simple creations, reminiscent of pâte de verre, inspired her to experiment with the medium again. Borrowing kilns from friends, Fiona gradually returned to glass making. Today, she creates intricate glass sculptures which look at the connection between body, material and object. She invites open interpretation, offering a range of narratives depending on the viewer's perspective. This approach reflects her interest in how knowledge is collectively constructed through shared experience.",[812],[666],[1025,670,890],"Collaborations",[1027,1028,1029,1030,1031],"Things we can know V","Offerings I, II and III","Things we can know III","Strata Bowls","Things we can know IV",[862,1033,864,1034,1035,1036,778,1037,670,865,1038,952,904],"Cast Glass","Plastic","Glass paste","Plants","wood","Synthetic materials and resins",[827,739,828,1040,740,830,741,686],"Bowl",[690],[833],[812],52.29405,-6.59448,"Wexford, Ireland","2025-04-17",{"_708":1044,"_709":1045},1755,{"_649":1051,"_31":1052,"_652":1053,"_255":1056,"_378":1057,"_659":1058,"_661":1059,"_664":1060,"_668":1062,"_673":1065,"_680":1070,"_683":1074,"_687":38,"_688":1075,"_691":1076,"_694":1078,"_696":1079,"_698":1080,"_700":701,"_702":1081,"_704":1082,"_706":1083,"_710":1084},"profile-786",786,[1054,1055],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001EXE4A2-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001EXC4A2-left1.jpg","Noel Donnellan","noel-donnellan-9todtg","In 2003, Noel Donnellan started his artisan vocation as a decorative artist working across traditional decorative painting, gold leaf application, bas relief scagliola, bespoke commissions for historic monuments, medieval castles, private châteaux and luxury hotels across Europe. In 2016 he co-founded PIGMENTTI, an Irish artisan decoration company with international reach. Through his collaborations with acclaimed interior designers and architects all over the world, Noel has gained vast artistic and project management skills. Formerly a mechanical design engineer, he brings technical knowledge to his craft. In 2023, Noel just finished building his home studio, ready to forge his path forward with his own artistic voice, balancing between sculptural ceramics and decorative painting.",[767],[666,1061],"Limerick",[1025,686,767,183,1063,672,1064],"Interiors","Teacher",[1066,1067,1068,1069],"Coire IV","Coire II","Coire III","Coire I",[1071,778,776,1072,1073,865],"Tempera","Gold","Cement, plaster, pigments",[739,740,741],[690],[1077],"Ceramicist",[767],52.64897,-8.61907,"Limerick, Ireland","2024-07-04",{"_708":1079,"_709":1080},966,{"_649":1086,"_31":334,"_652":1087,"_255":1091,"_378":1092,"_659":1093,"_661":1094,"_664":1096,"_668":1097,"_673":1101,"_680":1107,"_683":1109,"_687":38,"_688":1114,"_691":1115,"_694":1117,"_696":1118,"_698":1119,"_700":1120,"_702":703,"_704":1121,"_706":1122,"_710":1123},"profile-500",[1088,1089,1090],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000YmX4AU-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000YmT4AU-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000YmW4AU-right2.jpg","Emer Roberts","emer-roberts-3dkhme","Emer Roberts creates edgy and elegant fine art jewellery. Informed by her sculptural background, her conceptual investigation of our fellow mammal, the rat, defines her work. Emer employs intricate mould-making processes to produce precious pieces of wearable art. Over the years, she has engaged in avant-garde collaborations with food philosophers, transforming rats into edible desserts via food-grade moulds, and utilising rat meat in conceptual banquets. These unconventional projects are the foundation of her Wearable Biology collection designs. In 2017, Emer set up her jewellery workshop and she has garnered acclaim ever since, winning prestigious awards from the Irish Design Institute, Future Makers, RDS Craft Award, and gaining recognition in British Vogue, Tatler UK, and Vanity Fair.",[1095],"Jewellery making",[666,667],[815,1098,1099,769,1100],"Craft therapy","Jewellery","Unusual",[1102,1103,1104,1105,1106],"Gold Square Jaw Nouveau necklace","Plague Doc ring","Snout mask","Snout Chainmail necklace and Snout Chainmail coif","Architectural Zipper Link ring",[1072,1108,865],"Sterling silver",[1110,1111,1112,960,1113,910],"Necklace","Ring","Mask","Accessories",[690],[1116],"Jewellery maker",[1095],53.4,-6.4,"2026-05-06T07:27:11.000+0000","2024-03-28",{"_708":1118,"_709":1119},4057,{"_649":1125,"_31":1126,"_652":1127,"_255":1131,"_378":1132,"_659":1133,"_661":1134,"_664":1135,"_668":1136,"_673":1137,"_680":1143,"_683":1147,"_687":38,"_688":1148,"_691":1149,"_694":1150,"_696":1151,"_698":1152,"_700":701,"_702":1153,"_704":1154,"_706":1155,"_710":1156},"profile-805",805,[1128,1129,1130],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000PjF4AU-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000PjB4AU-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000PjE4AU-right2.jpg","Chloe Lennon","chloe-lennon-evi6ej","As a child, Chloe Lennon was fascinated by nature and, growing up in the countryside, she was not afraid to get her hands in the mud. Today, her clay artworks express that fascination through artistic articulation and the skills of a craftsperson. Her investigation has taken her on a journey through the rugged landscapes of Ireland, focused particularly on the textures of the Earth: rock, moss, peat soil. Interrogating the relationship we have with the environments which we inhabit, Chloe creates works that delve into the relationship between industrial environments and the natural world. Her work aims to express the striking contrasts between these two realms. She invites contemplation on humanity's transformative role in nature.",[767],[666],[767,769],[1138,1139,1140,1141,1142],"Unearthed","Terrain","Transmutation","Moss functional ware","Transmute",[778,1144,1145,1146,865,777],"Copper leaf","Platinum","Porcelain slip",[828,739,830,740,686,741],[690],[1077],[767],53.40348,-7.87278,"Athlone, Ireland","2024-03-07",{"_708":1151,"_709":1152},3246,{"_649":1158,"_31":1159,"_652":1160,"_255":1164,"_378":1165,"_659":1166,"_661":1167,"_664":1169,"_668":1171,"_673":1175,"_680":1181,"_683":1184,"_687":38,"_688":1191,"_691":1192,"_694":1194,"_696":1195,"_698":1196,"_700":701,"_702":703,"_704":1197,"_706":1198,"_710":1199},"profile-794",794,[1161,1162,1163],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000DJt4AM-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000DJp4AM-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000DJs4AM-right2.jpg","Emmet Bosonnet","emmet-bosonnet-puxb3w","Emmet Bosonnet is the founder of kopper kreation, an Irish company with repurposed materials at its core. Emmet trained as an engineer. While he was working for a company that made heating systems, he noticed the large amount of copper going to waste. He began to make products from this material. From these beginnings, he started to hone his craft skills and connect with his material, becoming a skilled designer and craftsperson. \"I estimate that 65-75% of my products are made from reused materials,\" he explains. Emmet sources these from scrapyards, engineers, installers and donations from individuals who are renovating their homes. He has a deep respect for the materials he uses and the environmental impact of waste. All of the objects Emmet makes are handmade and finished to enhance the natural qualities of the different raw materials.",[1168],"Coppersmithing",[666,667,1170],"Dublin: reigniting Celtic craftsmanship",[1025,1172,1173,1063,671,1174],"Eco-innovation","First generation","Sustainable",[1176,1177,1178,1179,1180],"The Tesla Collection","Large Triangular Based Copper Lamp","Industrial Book End Holders","Copper Planters","Classic Copper Pipe Candelabra",[1182,1183,997,865],"Brass","Copper",[1185,1186,1187,1188,1189,1001,740,1190,963,741],"Lamp","Table lamp","Book holder","Plant pot","Candle holder","Lighting",[690],[1193],"Coppersmith",[1168],53.3455734777427,-6.27196435611617,"2024-01-25",{"_708":1195,"_709":1196},1460,{"_649":1201,"_31":1202,"_652":1203,"_255":1207,"_378":1208,"_659":1209,"_661":1210,"_664":1212,"_668":1213,"_673":1216,"_680":1221,"_683":1222,"_687":38,"_688":1226,"_691":1227,"_694":1229,"_696":1230,"_698":1231,"_700":701,"_702":1232,"_704":1233,"_706":1234,"_710":1235},"profile-793",793,[1204,1205,1206],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG000000051N4AQ-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG000000051J4AQ-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG000000051M4AQ-right2.jpg","Paul Dooley","paul-dooley-z4efgz","Inspired by the sound of the metal-strung harp and the exquisite craftsmanship of the surviving Irish harps, Paul Dooley began making instruments in the early 1980s. Reconstructing the medieval Irish harp is a voyage of discovery and as a harp maker Paul is self-taught. His work draws on the methods and techniques of other musical instrument making traditions but mostly on experimental research. Over the past decades this has involved in-depth studies of the principles underpinning the design of the old harps, the materials used, and string making techniques. While keeping traditional materials and philosophies at the core of his work, satisfying the demands of the modern world calls for innovative designs – a challenge always relished by Paul.",[1211],"Instrument making",[666],[1214,1215,728],"Performing Arts","Self-taught",[1217,1218,1219,1220],"Brian Boru harp","Cerdd Dant harp","34-string lever harp","Queen Mary harp",[],[1223,1224,1225],"Harp","Musical instruments","Performing arts",[690],[1228],"Instrument maker",[1211],52.96325,-8.833145,"Ennistymon, Ireland","2023-12-21",{"_708":1230,"_709":1231},1172,{"_649":1237,"_31":1238,"_652":1239,"_255":1243,"_378":1244,"_659":1245,"_661":1246,"_664":1248,"_668":1249,"_673":1253,"_680":1254,"_683":1255,"_687":38,"_688":1256,"_691":1258,"_694":1260,"_696":1261,"_698":1262,"_700":917,"_702":703,"_704":1263,"_706":1264,"_710":1265},"profile-1823",1823,[1240,1241,1242],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004UrqWAE-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004UrYWAU-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004UrsWAE-right2.jpg","Rathbornes 1488","rathbornes-1488-1ympaq","Rathbornes 1488 is the world’s oldest candle company. As the name suggests, it was in 1488 that John G Rathborne established his candle company in Ireland’s capital city, Dublin. For over 500 years Rathbornes candles have provided steadfast light for homes, streets, churches and lighthouses, bringing light to the dark nights across cities and seas. Rathbornes candles are part of Ireland's social culture. The firm has also pioneered new techniques in candlemaking such as new formulations of wax, moving from animal tallow to new blends of beeswax and stearin during the industrial revolution.",[1247],"Candle making",[666,667],[889,1250,1251,1252],"Innovation","Manufacturer","Lifestyle",[],[],[],[1257],"Manufacture",[1259],"Candle maker",[1247],53.2948326955716,-6.24327068223088,"2023-09-14",{"_708":1261,"_709":1262},1586,{"_649":1267,"_31":1268,"_652":1269,"_255":1273,"_378":1274,"_659":1275,"_661":1276,"_664":1277,"_668":1278,"_673":1280,"_680":1285,"_683":1287,"_687":38,"_688":1288,"_691":1289,"_694":1290,"_696":1291,"_698":1292,"_700":701,"_702":1293,"_704":1294,"_706":1295,"_710":1296},"profile-791",791,[1270,1271,1272],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000Pdc1WAC-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PdbwWAC-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PdcGWAS-right2.jpg","Hanna Van Aelst","hanna-van-aelst-pklzgw","Hanna Van Aelst’s first encounter with basket weaving was by chance. She was staying with a friend in Ireland who worked with willow and had willow growing on their land. After an initial introduction to the craft, Hanna felt herself pulled into a vortex of ideas and possibilities. The holistic approach to growing, harvesting, treating and finally weaving the willow really appealed to her need to be connected to the land. She has since created her own ‘wild place’ in Tipperary where she lives and works. She has been working with willow since the early 2010s. Hanna creates functional objects and large-scale flowing sculptures, combining technical skill and a real understanding of the nature of her material. She also regularly teaches her craft to others.",[723],[666],[1173,726,1279,1174,1064],"Functional",[1281,1282,1283,1284],"Flow 7 (wall piece)","Flow 7","Flow 6","Flow 4",[1286,904],"Willow wood",[828,830,686],[690],[744],[723],52.46684,-8.17495,"Tipperary, Ireland","2023-09-07",{"_708":1291,"_709":1292},5619,{"_649":1298,"_31":553,"_652":1299,"_255":1303,"_378":1304,"_659":1305,"_661":1306,"_664":1307,"_668":1308,"_673":1309,"_680":1315,"_683":1317,"_687":38,"_688":1318,"_691":1319,"_694":1320,"_696":1321,"_698":1322,"_700":701,"_702":1323,"_704":1324,"_706":1325,"_710":1326},"profile-800",[1300,1301,1302],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000Pd0RWAS-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000Pd0bWAC-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000Pd0iWAC-right2.jpg","Jane Jermyn","jermyn-jane-lxkhow","Jane Jermyn began studying ceramics in her forties. She had always wanted to work with the material but started her artistic pathway in textiles. Her work today is organic and heavily textured, drawing inspiration from the natural world. Jane uses experimental techniques and multiple firings to build up surfaces which are reminiscent of the elements in nature, often echoing geological formations. Creative and cultural exchange are a cornerstone of her practice and she has taken part in symposia, residencies and workshops across the world, including in Siberia, Cuba, Japan, South Korea, Europe, South Africa, Australia and many times in India. Jane embraces how clay allows her to connect with others who speak \"different ‘dialects’ of the same language – clay.\"",[767],[666],[767,769,671],[1310,1311,1312,1313,1314],"Seashell-shaped bowl","Seed Pod","Biomorphic","Obvara Fired Trio","Radiolaria",[1316,778],"Paper clay",[1040,828,740,830,741,686],[690],[1077],[767],52.13188,-7.92776,"Lismore, Ireland","2023-07-20",{"_708":1321,"_709":1322},1007,{"_649":1328,"_31":1329,"_652":1330,"_255":1334,"_378":1335,"_659":1336,"_661":1337,"_664":1338,"_668":1339,"_673":1341,"_680":1346,"_683":1353,"_687":38,"_688":1355,"_691":1356,"_694":1357,"_696":1358,"_698":1359,"_700":1120,"_702":703,"_704":1360,"_706":1361,"_710":1362},"profile-503",503,[1331,1332,1333],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PcEXWA0-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PcEOWA0-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PcEQWA0-right2.jpg","Alan Ardiff","ardiff-alan-shfugm","Alan Ardiff creates imaginative and heart-warming jewellery from a combination of gold, silver and precious stones. From his early days playing with Lego, to training as an engineer and then finding his talent in metal, he has always had an interest in construction, shape and colour. Alan often incorporates kinetic elements in his pieces which shift into gear with the movement of the body. He describes this as \"exploiting our basic human programming, our hunter instinct which is alert to movement.\" When a piece goes from still to suddenly moving it catches the eye and draws our attention. Using his personal language of symbols, shapes and characters, Alan creates a world that bridges order and chaos, stillness and movement, jewellery and engineering.",[1095],[666,667],[1098,1340,726,1099,1064],"Fairytale",[1342,1343,1344,1345],"Dream Machine pendant","Reach for the Stars pendant","Light of the Moon pendant","Free Wheeling pendant",[1347,1072,1348,1349,1350,1351,865,906,1352],"Enamel","Silver","Gemstone","Patina","Enamel, glaze and lacquer","Coatings",[1354,960,910],"Pendant",[690],[1116],[1095],53.34491,-6.25244,"2023-06-29",{"_708":1358,"_709":1359},4755,{"_649":1364,"_31":1365,"_652":1366,"_255":1370,"_378":1371,"_659":1372,"_661":1373,"_664":1375,"_668":1376,"_673":1378,"_680":1384,"_683":1399,"_687":38,"_688":1403,"_691":1404,"_694":1406,"_696":1407,"_698":1408,"_700":917,"_702":1409,"_704":1410,"_706":1411,"_710":1412},"profile-1836",1836,[1367,1368,1369],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPITWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPIRWA4-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPIVWA4-right2.jpg","Sam Gleeson","gleeson-sam-qcbpfh","Thanks to a curious mind, Sam Gleeson has experimented a lot and travelled different paths throughout his life. Deeply influenced by his father, who sparked a love of tools and making in him from a very young age and supported him all along, Sam first studied environmental sciences. He cultivated a love for art all his life and has been on numerous trips around the world, before landing in Ireland. Here, through Homo Faber Guide artisan Fingal Ferguson, a friend who later became his mentor, Sam discovered the primeval craft of bladesmithing. He began to study with some of the most experienced masters in knife making. Within a few years he has become a reputed knife maker, sought after by great chefs and collectors. Sam's approach is to use discarded or antique materials to forge new blades and handles, thus making knives that carry a story within them.",[1374],"Knife making",[666],[1377,1172,1279,183,671,1174,672,728],"Art de la table",[1379,1380,1381,1382,1383],"Integral Damascus Sujihiki (slicer)","Bunka style vegetable cleaver","Santoku","Nakiri vegetable knife","European chef's knife",[1385,1386,997,951,1387,947,945,1388,1389,1390,1391,1392,1393,1394,1395,1396,1397,1398,905,865,904,737,1038],"Buffalo horn","Carbon steel","Sycamore wood","Palm wood","Nickel silver","Hornbeam wood","Fibreboard","Carbon fiber","Horn","Cow horn","Wrought iron","Nickel","Elm wood","Wenge wood",[1400,1401,787,1402,788],"Knife","Chef knife","Knives and Scissors",[690],[1405],"Knife maker",[1374],52.85464,-9.08454,"Milltown Malbay, Ireland","2023-04-27",{"_708":1407,"_709":1408},858,{"_649":1414,"_31":1415,"_652":1416,"_255":1420,"_378":1421,"_659":1422,"_661":1423,"_664":1425,"_668":1426,"_673":1428,"_680":1429,"_683":1430,"_687":38,"_688":1431,"_691":1433,"_694":1435,"_696":1407,"_698":1408,"_700":701,"_702":1436,"_704":1437,"_706":1438,"_710":1439},"profile-815",815,[1417,1418,1419],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PY2QWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PY2RWAW-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PY2UWAW-right2.jpg","The Burren Perfumery","the-burren-perfumery-perfume-making-ireland","The Burren Perfumery was established in 1972 and is Ireland’s oldest perfumery. It is a family company, and is run at a small scale. Products are made in small batches, usually 30 to 50 units at a time. They don’t hold large stocks of products, choosing instead to manufacture only as needed. This helps to avoid waste, in-line with their environmentally friendly ethos. It also means everything is made with care, by hand at the perfumery.",[1424],"Perfume making",[666],[1427,1251,1252,728],"Family business",[],[],[],[1432],"Atelier",[1434],"Perfumer",[1424],"Co. Clare, Ireland","2023-02-23",{"_708":1407,"_709":1408},1242,{"_649":1441,"_31":1442,"_652":1443,"_255":1447,"_378":1448,"_659":1449,"_661":1450,"_664":1452,"_668":1453,"_673":1457,"_680":1463,"_683":1466,"_687":38,"_688":1469,"_691":1470,"_694":1472,"_696":1473,"_698":1474,"_700":917,"_702":703,"_704":1475,"_706":1476,"_710":1477},"profile-1837",1837,[1444,1445,1446],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POBUWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POBSWA4-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POBWWA4-right2.jpg","Peter Monaghan","peter-monaghan-paper-sculpting-ireland","Peter Monaghan creates multi-coloured installations and artworks from paper, card, wood and other materials. He paints the paper or card first, before cutting it and assembling his composition into a structuring base. He is passionate about the craftsmanship, finish and technical precision of each piece. The clean bold lines within his images and installations hint at his background in graphic design which he credits as the part of his creative development that instilled in him a good head for business. Peter is not shy of a challenge, in fact he sees overcoming technical obstacles as inherent to the thrill of his work. His pieces have been widely commissioned for public and private buildings in Ireland and abroad. Recently, he has collaborated with Ferreira de Sá to transform his art into luxury rugs.",[1451],"Paper art",[666,667],[1025,726,937,1454,1250,1063,1455,1456],"Hospitality","Paper","Visual Arts",[1458,1459,1460,1461,1462],"Concentric circles","Extended circle","Hexagons","Green Field","Fibonacci",[1464,1465,1455,864,904,1073,865],"Watercolor","Gouache",[1467,828,1451,830,1468,686],"Cut paper art","Books and paper",[690],[1471],"Paper artist",[1451],53.3146679812348,-6.30114192493901,"2023-02-09",{"_708":1473,"_709":1474},2654,{"_649":1479,"_31":1480,"_652":1481,"_255":1485,"_378":1486,"_659":1487,"_661":1488,"_664":1489,"_668":1490,"_673":1491,"_680":1497,"_683":1500,"_687":38,"_688":1505,"_691":1506,"_694":1507,"_696":1508,"_698":1509,"_700":917,"_702":1510,"_704":1511,"_706":1512,"_710":1513},"profile-1859",1859,[1482,1483,1484],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWtiWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWtfWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWtkWAG-right2.jpg","Antonio Julio López Castro","antonio-julio-lpez-castro-ceramics-ireland","Antonio Julio López Castro has always been fascinated with making things and with colour. This goes someway to explaining his dual identity as painter and potter. Love brought him to Ireland and he now works from a studio that was once the childhood home of his wife. Here he creates work which is influenced by the colours and textures of the Irish landscape, combining the ‘wetness’ of a gloss glaze with the ‘dryness’ of a matt earthy brushstroke. Though he often starts with sketches and creates colour studies, he describes his process as being centred on the potter’s wheel itself; working directly with the material. His collection of water droppers is particularly striking for its strong forms and organic colours.",[767],[666],[1377,1173,726,767,937,1279,1063,727,769,672],[1492,1493,1494,1495,1496],"Small lidded jar","Turquoise Beaker","Trinket dish","Porcelain pendant lampshade","Water droppers",[1498,777,1499,1351,778],"Glaze","Stoneware",[780,1501,1502,739,784,1503,1504,740,788,1190,741],"Beaker","Lamp shade","Cooking utensils","Lighting accessories",[690],[1077],[767],52.32273,-8.81583,"Ballyhea, Ireland","2022-12-22",{"_708":1508,"_709":1509},4990,{"_649":1515,"_31":1516,"_652":1517,"_255":1521,"_378":1522,"_659":1523,"_661":1524,"_664":1525,"_668":1526,"_673":1527,"_680":1533,"_683":1538,"_687":38,"_688":1539,"_691":1540,"_694":1541,"_696":1542,"_698":1543,"_700":748,"_702":1008,"_704":1544,"_706":1545,"_710":1546},"profile-4647",4647,[1518,1519,1520],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWYEWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWYCWA4-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWYFWA4-right2.jpg","Fingal Ferguson","ferguson-fingal-tjo2rv","Fingal Ferguson makes knives on Gubbeen Farm, where four generations before him have lived and worked the family farm. His workshop is a hub for repairs needed on food production and farming tools. From this multifunctional space, he creates his stunning chef knives. It is a dusty, rustic room with antlers hanging from the ceiling. Knives at different stages of production lie in wait to be finished, depending on the mood of the maker each day. Mostly self-taught, Fingal has amassed his skills over years of practice and with the support of fellow knife makers. His craft is age-old and though he is creating objects for use, each one is crafted with extreme care and creativity. Aesthetically beautiful, his finished works are also perfectly balanced precision tools.",[1374],[666,987],[1377,1279,1454,890,769,1215],[1528,1529,1530,1531,1532],"Green canvas micarta and mammoth ivory handle","Bog oak and carbon fibre handle","Faceted bog oak and mammoth ivory handle","Faceted bog oak and mammoth tooth handle","Spalted beech handle",[1534,947,1535,1386,1536,945,1392,1537,905,951,1038,906,904],"Ivory","Synthetic materials","Carbon","Beech wood",[1401,1402,788],[690],[1405],[1374],51.55222,-9.28609,"2022-12-15",{"_708":1542,"_709":1543},3571,{"_649":1548,"_31":1549,"_652":1550,"_255":1553,"_378":1554,"_659":1555,"_661":1556,"_664":1557,"_668":1559,"_673":1560,"_680":1566,"_683":1571,"_687":38,"_688":1572,"_691":1573,"_694":1574,"_696":1575,"_698":1576,"_700":917,"_702":1577,"_704":1578,"_706":1579,"_710":1580},"profile-1829",1829,[1551,1552],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUNwWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUNrWAO-left1.jpg","Mark Campden","mark-campden-ceramics-ireland","Mark Campden grew up in a creative environment, his mother made sculptural ceramics and his father worked at the renowned Aldermaston Pottery. After his father passed away, he was gifted his notes. These notes allowed Mark to work with lustre firings, a laborious process, but with stunning results. He is one of very few potters working in this way, and, as he explains the steps involved, it is clear why. Each step has to be executed correctly, from creating the forms to work on to making the pigments from copper and silver, from drying the wood (for up to three years) to monitoring the firing to ensure the glowing lustre finish is achieved. Each step requires skills that Mark has built up through experience and he is truly a master of this craft.",[767],[666,1558],"Kilkenny",[1377,726,767,889,1279,728],[1561,1562,1563,1564,1565],"Blue/Gold Lustre Hare Bowl","Large Lustre Bowl With Moths and Fish","Fern and Moth Charger","Fern and Moth Bowl","Midnight Hare Bowl",[1567,1568,1498,1183,1348,1569,1570,776,1351,865,906],"pigment","Earthenware","Cobalt","Cement, plaster, stucco",[1040,780,740,784,741,788],[690],[1077],[767],52.5539573008508,-7.37891570765766,"Kilkenny, Ireland","2022-10-27",{"_708":1575,"_709":1576},1140,{"_649":1582,"_31":1583,"_652":1584,"_255":1588,"_378":1589,"_659":1590,"_661":1591,"_664":1593,"_668":1594,"_673":1597,"_680":1603,"_683":1605,"_687":38,"_688":1608,"_691":1609,"_694":1611,"_696":1612,"_698":1613,"_700":917,"_702":1614,"_704":1615,"_706":1616,"_710":1617},"profile-1828",1828,[1585,1586,1587],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PRgwWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PRgxWAG-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PRgyWAG-right2.jpg","Kathryna Cuschieri","kathryna-cuschieri-glass-fusing-ireland","Kathryna Cuschieri was born in Malta in 1962 and then moved to England in 1976. Later she completed a foundation in art at Thurrock Polytechnic in Essex and later graduated with a bachelor's degree in Fine Art from Coventry University. She set up her studio in Ireland in 1993. Fireworks Studio is located in the rural and picturesque Glendree, County Clare. Kathryna is influenced by her inner world of visions, magical images and fairytales. Using the potential of hot glass, she embraces the fragility of the material to express this dream world that informs the collective consciousness, examining the cultural impact on modern life. Her works have been commissioned for a variety of settings from private homes to schools, hospitals and corporate buildings.",[1592],"Glass fusing",[666],[1025,1173,726,1595,937,1596,670,1250,890,1215,728,1456],"Digital tools","Fashion",[1598,1599,1600,1601,1602],"The Dress of Passion - front","The Spirit of the Liffey","The Dress of Passion - back","Angel Thread of Hope","Dazzling Shield of the Heart",[1604,670,947,863,905,951,865],"Leather",[1606,1607,828,909,740,830,910,741,686],"Dress","Installation",[690],[1610],"Glass fuser",[1592],52.6677,-8.69031,"Feakle, Ireland","2022-09-08",{"_708":1612,"_709":1613},176,{"_649":1619,"_31":1620,"_652":1621,"_255":1624,"_378":1625,"_659":1626,"_661":1627,"_664":1629,"_668":1630,"_673":1631,"_680":1637,"_683":1641,"_687":38,"_688":1643,"_691":1644,"_694":1646,"_696":1044,"_698":1045,"_700":701,"_702":1647,"_704":1648,"_706":1649,"_710":1650},"profile-830",830,[1622,1623],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPxBWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPx9WAG-left1.jpg","Terry Dunne","terry-dune-tapestry-making-ireland","Terry Dunne’s weaving studio is located in Wexford set back from the sea front, a peaceful location situated between Kilmore Quay and Bannow Bay. The perfect location to spend days lost in creating his intricate tapestry pieces. Steeped in this environment, it is small wonder that Terry draws much of his inspiration from the natural world. His pieces bring together traditional skills and contemporary design resulting in stunning one-off works of art. He compares his process to that of a painter, translating his drawings and sketches into fibre; he uses threads rather than brushes. Terry has been exhibiting nationally and internationally since graduating from Dunlaoghaire College of art in 1980.",[1628],"Tapestry making",[666],[815,726,1063,769,1174,1064,728],[1632,1633,1634,1635,1636],"Autumn Falling into Snow","Global Warming Oceans","Swirling Heavens","Shoreline Sojourn","Arctic Icecap",[1638,1639,1640,737,865],"Fabric","Metal wire","wool",[1642,740,741],"Tapestry",[690],[1645],"Tapestry maker",[1628],"Duncormick, Ireland","2022-09-01",{"_708":1044,"_709":1045},3612,{"_649":1652,"_31":1653,"_652":1654,"_255":1658,"_378":1659,"_659":1660,"_661":1661,"_664":1663,"_668":1664,"_673":1665,"_680":1666,"_683":1667,"_687":49,"_688":1668,"_691":1669,"_694":1671,"_696":1672,"_698":1673,"_700":701,"_702":1674,"_704":1675,"_706":1676,"_710":1677},"profile-814",814,[1655,1656,1657],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PX3NWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PX3LWAW-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PX3PWAW-right2.jpg","Studio Donegal","studio-donegal-weaving-ireland","Established in 1979, Studio Donegal began as an idealistic project to preserve the traditional craft of hand weaving, which had declined rapidly since the advent of machine weaving. The company suffered with the collapse of the dollar in the 1980s, and manager Kevin Donaghy was offered redundancy, instead he and his wife inquired about buying the business. They bought out the looms, and rented the space. Optimism and hard work saw them through the lean years, and towards success.",[1662],"Weaving",[666],[1427,1596,889,1279,1251,728],[],[],[],[1257],[1670],"Weaver",[1662],54.63243,-8.59465,"Kilcar, Ireland","2022-07-14",{"_708":1672,"_709":1673},863,{"_649":1679,"_31":1680,"_652":1681,"_255":1685,"_378":1686,"_659":1687,"_661":1688,"_664":1689,"_668":1690,"_673":1692,"_680":1703,"_683":1712,"_687":38,"_688":1716,"_691":1717,"_694":1718,"_696":1719,"_698":1720,"_700":917,"_702":1721,"_704":1722,"_706":1723,"_710":1724},"profile-1846",1846,[1682,1683,1684],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWqyWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWqwWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWr0WAG-right2.jpg","Nigel O'Reilly","nigel-oreilly-jewellery-making-ireland","Nigel O’Reilly’s work is defined by the blending of ancient and modern techniques in his own inimitable style, complete with vibrant and voracious quantities of coloured gemstones. His recognisable gold latticework is a signature of the brand, as are generous volumes and undulating shapes. O'Reilly's jewellery inspiration focuses on themes of nature, molecular science, and the merging of technology, art, and fashion with notable favourites Iris Van Herpen and Alexander McQueen.",[1095],[666],[1691,937,1099],"Celebrities",[1693,1694,1695,1696,1697,1698,1699,1700,1701,1702],"Andromeda cufflinks","Kintsugi earrings","Talisman pendant","Persei ring","Apollo ring","Hemisphere","Jack & Queen","Lace Comets","Orb","Talisman Cuff",[1704,1705,1706,1707,1708,1349,1709,1072,1710,1711,906,865,905],"Diamond","Ruby","Rose gold","Titanium","Lapis lazuli","Sapphire","Garnet","Pearl",[1713,1714,1354,1111,1715,1113,960,910],"Cufflinks","Earring","Bracelet",[690],[1116],[1095],53.75571,-9.07111,"Castlebar, Ireland","2022-07-07",{"_708":1719,"_709":1720},5610,{"_649":1726,"_31":1727,"_652":1728,"_255":1732,"_378":1733,"_659":1734,"_661":1735,"_664":1736,"_668":1737,"_673":1738,"_680":1744,"_683":1745,"_687":38,"_688":1746,"_691":1747,"_694":1748,"_696":1749,"_698":1750,"_700":917,"_702":1008,"_704":1751,"_706":1752,"_710":1753},"profile-1841",1841,[1729,1730,1731],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUpEWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUpCWAW-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUpGWAW-right2.jpg","Sophie Longwill","longwill-sophie-gpsjmt","Sophie Longwill has always been creative and was encouraged from a young age. She experimented with many materials before finding her true passion in glass. Her work is playful combining glass techniques with printmaking. Using the delicate technique of pâte-de-verre she creates work which seeks to capture fleeting moments of everyday life. She transforms ordinary life into works of art, adding a sense of magic and wonder. Her work reflects how she sees the world and her positive outlook is infectious. Sophie is inspired by everyday moments, whether it is clothing hooked over the back of a chair, a text message from a loved one or a chance glimpse of the sunset on a walk home.",[812],[666,987],[1173,726,670,768,769,728],[1739,1740,1741,1742,1743],"Warmth","Elation","Nubivagant (Cloud Wanderer)","Summertime","Sunshine",[670],[828,830,686],[690],[833],[812],51.8962406554705,-8.46159046935733,"2022-06-02",{"_708":1749,"_709":1750},2889,{"_649":1755,"_31":1756,"_652":1757,"_255":1761,"_378":1762,"_659":1763,"_661":1764,"_664":1766,"_668":1767,"_673":1768,"_680":1774,"_683":1776,"_687":38,"_688":1780,"_691":1781,"_694":1783,"_696":1784,"_698":1785,"_700":917,"_702":1786,"_704":1787,"_706":1788,"_710":1789},"profile-1850",1850,[1758,1759,1760],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PTHtWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PTHrWAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PTHvWAO-right2.jpg","Eoin Shanley","eoin-shanley-lamp-making-ireland","Having started out as musician and actor, Eoin worked part time on building sites to fund his creative career. Over this time, he met many tradespeople and learned key skills. When renovating his own home, a traditional thatched cottage, he worked with a master joiner. This kickstarted his love for woodwork and appreciation of conservation and sustainability. He started to create lighting from what was to hand. This was the beginning of his brand Copperfish which produces contemporary lighting using glass, hemp and copper, alongside beautiful ancient timbers. Sustainability is key to his process, with all timber being reclaimed. Each piece of timber in a Copperfish light has a story.",[1765],"Lamp making",[666],[936,726,1279,1063,890,671,1215],[1769,1770,1771,1772,1773],"The Journeyman","Heron floor lamp","Dock floor lamp","Ballast floor lamp","Ballast table lamp (short)",[1775,1183,1537,904,865],"Recycled wood",[1777,1778,1186,1779,1190],"Pendant lamp","Floor lamp","Ceiling lamp",[690],[1782],"Lamp maker",[1765],52.99532,-6.08561,"Rathnew, Ireland","2022-04-28",{"_708":1784,"_709":1785},4491,{"_649":1791,"_31":1792,"_652":1793,"_255":1796,"_378":1797,"_659":1798,"_661":1799,"_664":1800,"_668":1801,"_673":1802,"_680":1808,"_683":1809,"_687":38,"_688":1811,"_691":1812,"_694":1813,"_696":1814,"_698":1815,"_700":917,"_702":1323,"_704":1787,"_706":1816,"_710":1817},"profile-1845",1845,[1794,1795],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PTIJWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PTIHWA4-left1.jpg","Marcus O’Mahony","marcus-omahony-ceramics-ireland","Marcus O’Mahony creates functional, expressive pots rooted in the rich history of ceramics. He is a skilled potter, working at the wheel to shape the clay. Yet Marcus also has another tool, his hand-built wood fired kilns. Here his pieces transform through fire and heat. Over many years he has experimented with surface treatments, firing types and even placement of the pots inside the kiln. Each element contributes to the finish of the work. The effects can range from the dramatic to the subdued. Although experienced in the techniques he practices Marcus knows there is always room for the unexpected, making this an exciting process which connects him to the pots from creation to completion.",[767],[666],[726,767,727],[1803,1804,1805,1806,1807],"Large vase","Side-fired vase","Squared bottle","Lidded pot","Spherical vase",[1499,778],[1810,828,739,740,830,741,686],"Vase",[690],[1077],[767],52.1329648393333,-7.94780418700022,{"_708":1814,"_709":1815},2470,{"_649":1819,"_31":1820,"_652":1821,"_255":1825,"_378":1826,"_659":1827,"_661":1828,"_664":1830,"_668":1831,"_673":1832,"_680":1838,"_683":1841,"_687":38,"_688":1842,"_691":1843,"_694":1845,"_696":1846,"_698":1847,"_700":917,"_702":1008,"_704":1848,"_706":1849,"_710":1850},"profile-1847",1847,[1822,1823,1824],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PQBkWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PQBiWAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PQBmWAO-right2.jpg","Helen O'Shea","helen-oshea-multimedia-sculpture-ireland","Helen O’Shea trained as a textile artist but became increasingly aware of the need to look to alternative materials. She creates delicate futuristic creatures from waste plastics. Her forms are drawn from deep water hydrothermal vents. Through her practice, Helen researches what is happening in our oceans. “We know more about the moon than we know about the deep oceans, so new information about plastics within that environment is being published frequently.” Her works are both stunning pieces of art and calls to become more conscious of our impact on the Earth. The found plastics Helen uses had another life before becoming part of the work, this legacy offers another layer to the finished pieces.",[1829],"Mixed media sculpture",[666,987],[1172,726,187,1063,890,1174,1100,1456],[1833,1834,1835,1836,1837],"Bi-Valve","Twin","Blush","Embrace","Leap",[1839,1840,1034,1038,737],"Recycled materials","Cotton",[828,830,686],[690],[1844],"Mixed media sculptor",[1829],51.8969310925801,-8.47898638657252,"2022-04-14",{"_708":1846,"_709":1847},5064,{"_649":1852,"_31":1853,"_652":1854,"_255":1858,"_378":1859,"_659":1860,"_661":1861,"_664":1863,"_668":1864,"_673":1865,"_680":1871,"_683":1873,"_687":38,"_688":1880,"_691":1881,"_694":1883,"_696":1884,"_698":1885,"_700":1886,"_702":1887,"_704":1888,"_706":1889,"_710":1890},"profile-1826",1826,[1855,1856,1857],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPVjWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPVhWAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPVlWAO-right2.jpg","Eric Byrne","byrne-eric-smeft8","Eric Byrne is an award-winning master stone mason and has exhibited internationally, at such prestigious shows as New York Now, TENT London, Maison et Objet Paris and Design Island Dublin. The craft has been in his family for over half a century and was passed down to Eric by his father. Stone carving is a tradition in Ireland dating back to the megalithic monument of Newgrange which is older than the Pyramids of Egypt. Eric has developed a particular interest in indigenous stone, such as Connemara marble, Kilkenny limestone and Wicklow granite. With each piece, he cuts through hundreds of millions of years of the Earth’s history recorded in the stone. His homeware brings treasures from nature into the home in a way that respects the ancestry and stories of his materials.",[1862],"Stone carving",[666],[815,1377,726,937,889,1279,890,769,728],[1866,1867,1868,1869,1870],"Long platters","Napkin rings","Irish green marble egg cups","Handcrafted Kilkenny marble serving utensils","Kilkenny marble cheeseboard and knife",[1872,947,906,951],"Marble",[1874,1875,1876,1877,1878,785,1879,788],"Serving platter","Napkin ring","Egg cup","Serving ware set","Cheese board","Table accessories",[690],[1882],"Stone carver",[1862],53.16545,-6.64456,"2026-05-06T14:06:31.000+0000","Blessington, Ireland","2022-03-31",{"_708":1884,"_709":1885},464,{"_649":1892,"_31":1893,"_652":1894,"_255":1898,"_378":1899,"_659":1900,"_661":1901,"_664":1902,"_668":1903,"_673":1904,"_680":1910,"_683":1911,"_687":38,"_688":1914,"_691":1915,"_694":1916,"_696":1917,"_698":1918,"_700":917,"_702":1919,"_704":1920,"_706":1921,"_710":1922},"profile-1852",1852,[1895,1896,1897],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNsbWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNsaWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNseWAG-right2.jpg","Claire Molloy","claire-molloy-ceramics-ireland","Claire Molloy set up her ceramic studio in Kilmoganny, County Kilkenny in 2021. There, surrounded by the rugged Irish countryside, Claire makes pieces on the potter’s wheel which have simple elegant forms finished with natural textures and hues. She specialises in the technique of horsehair raku: saggar firing. Often using hair from her own horses, she places the strands onto hot ceramics. The hairs then burn into the clay leaving behind organic dark lines. In addition to this traditional technique, she uses ceramic decals to transfer images onto the pieces. Claire’s work has been selected for MADE in Kilkenny craft group and the Design and Craft Council of Ireland’s wider Portfolio programme.",[767],[666],[1377,726,767,1279,1063,769,1100],[1905,1906,1907,1908,1909],"Horsehair embellished globes","Horsehair embellished vases","Dog milk jug and vase","Saggar fired vessels","Horsehair embellished jar",[778],[1912,1810,739,1913,740,741],"Globe","Jar",[690],[1077],[767],52.64433,-7.16582,"Kilmoganny, Ireland","2022-03-24",{"_708":1917,"_709":1918},2353,{"_649":1924,"_31":1925,"_652":1926,"_255":1930,"_378":1931,"_659":1932,"_661":1933,"_664":1934,"_668":1935,"_673":1936,"_680":1942,"_683":1947,"_687":38,"_688":1948,"_691":1949,"_694":1950,"_696":1951,"_698":1952,"_700":917,"_702":1953,"_704":1954,"_706":1955,"_710":1956},"profile-1816",1816,[1927,1928,1929],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PX6rWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PX6sWAG-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PX6tWAG-right2.jpg","Mandy Parslow","mandy-parslow-ceramics-ireland","Mandy Parslow has studied widely – from traditional skills and 3-D design, to the history of art and architecture. She set up her ceramic studio in the Glen of Aherlow, Co. Tipperary in 1999. Her early work focused on wood-fired, salt-glazed stoneware. Building on this foundation, her current practice is grounded in meticulous research and an understanding of the material. She completed a PhD entitled \"Perspectives on place: a ceramic response\", the work from which was exhibited at The People’s Museum Limerick. This approach requires a slowing down, close attention and living in the moment. Her response to place involves using wild clays alongside objects found in the landscape and utilises woven materials such as birch, beech and willow.",[767],[666],[726,767,937,890,769,1100],[1937,1938,1939,1940,1941],"Birch Beech bowl","Nest","TrackTrace","Birch Fir form","Gathering",[778,1537,1943,1944,1945,1946,904,952],"Twig","Birchwood","Fir wood","Snowberry",[828,830,686],[690],[1077],[767],52.4025,-8.17719,"Glen of Aherlow, Ireland","2022-03-03",{"_708":1951,"_709":1952},4197,{"_649":1958,"_31":1959,"_652":1960,"_255":1964,"_378":1965,"_659":1966,"_661":1967,"_664":1968,"_668":1969,"_673":1970,"_680":1975,"_683":1976,"_687":38,"_688":1977,"_691":1978,"_694":1979,"_696":1980,"_698":1981,"_700":917,"_702":1982,"_704":1983,"_706":1984,"_710":1985},"profile-1831",1831,[1961,1962,1963],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVB6WAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVB4WAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVB8WAO-right2.jpg","Thomas Diem","thomas-diem-ceramics-ireland","Growing up with creative parents, Thomas Diem's father was a potter and his mother ran workshops in the family home, he was surrounded by craft and clay from a young age. Despite this, he sought to find his own unique voice through further study and by working under other potters, before setting up his studio in 1997. His work is functional, creating beautiful and modern pieces for the home. He draws on pre-existing objects and structures for his inspiration, building on what has gone before him in the world. He is strongly influenced by architecture which can be seen in the simplicity of his forms, and which he incorporates with pops of playful colour. His work combines traditional skills with a contemporary design edge.",[767],[666],[1377,726,767,889,1279,1454,1063],[1501,1971,1972,1973,1974],"Trio of bowls","Nest bowl","Straight vases","Pitcher",[1499,1498,778,1351],[1501,1040,1810,1974,1503,740,785,788,741],[690],[1077],[767],53.508145,-6.394975,"Asbhourne, Ireland","2022-02-24",{"_708":1980,"_709":1981},878,{"_649":1987,"_31":1988,"_652":1989,"_255":1993,"_378":1994,"_659":1995,"_661":1996,"_664":1997,"_668":1998,"_673":2000,"_680":2006,"_683":2007,"_687":49,"_688":2008,"_691":2009,"_694":2010,"_696":2011,"_698":2012,"_700":701,"_702":2013,"_704":2014,"_706":2015,"_710":2016},"profile-823",823,[1990,1991,1992],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUn0WAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUmzWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUn3WAG-right2.jpg","Frances Crowe","frances-crowe-tapestry-making-ireland","A skilled craftsperson with over 35 years’ experience, Frances Crowe is one of only a handful of tapestry weavers in Ireland. Her compositions tell complex stories. She wants her pieces to encourage empathy and dialogue around contemporary themes, be it climate change or separation due to emigration. She creates personal landscapes which represent global events. Her works are characterised by their unusual finishes often leaving her pieces raw to reflect the rawness of the subject matter. Environmentally conscious, Frances uses eco-friendly threads, sourced locally and often hand dyed. She feels the splendid isolation of being at one with her craft simulates personal growth as her tapestries physically grow at her fingertips.",[1628],[666],[726,937,889,1063,1999,1064,1456],"Politically engaged",[2001,2002,2003,2004,2005],"Warming Oceans (panel 6)","Warming Oceans (panel 1)","Warming Oceans (panel 3)","Warming Oceans (panel 4)","Warming Oceans (panel 5)",[1840,1640,737],[1642,740,741],[690],[1645],[1628],53.7,-8.2,"Roscommon, Ireland","2022-02-10",{"_708":2011,"_709":2012},64,{"_649":2018,"_31":2019,"_652":2020,"_255":2024,"_378":2025,"_659":2026,"_661":2027,"_664":2028,"_668":2029,"_673":2030,"_680":2035,"_683":2037,"_687":38,"_688":2039,"_691":2040,"_694":2041,"_696":2042,"_698":2043,"_700":1120,"_702":2044,"_704":2045,"_706":2046,"_710":2047},"profile-501",501,[2021,2022,2023],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PQOKWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PQOUWA4-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PQOVWA4-right2.jpg","Inga Reed","reed-inga-tyrcig","For the last 25 years, Inga Reed has lived in the country surround by her two-acre garden. She is attracted to what she terms the evidence of ‘organic engineering’ found all around her. Inga creates pieces which echo the intricacies of the natural world, the forms and structures of plants and the myriad textures inform her designs. Inga is a respected maker and guest tutor at the Design & Craft’s Council of Ireland’s jewellery and goldsmithing course. Over the years, work by Inga has been presented to Irish presidents and English royalty. In 2011, one of her brooches was chosen to be depicted on a series of Irish national postage stamps commemorating the Year of Craft.",[1095],[666],[1596,1099,1252,1064],[2031,2032,2033,2034],"Autumn Leaves (brooch)","Leaf ear studs","Windswept 1","Petals necklace",[1072,2036,1704,865,906],"Silver 925",[2038,1714,1110,960,910],"Brooch",[690],[1116],[1095],52.7009692223943,-7.170877711505451,"Johnswell Village, Ireland","2022-01-27",{"_708":2042,"_709":2043},541,{"_649":2049,"_31":2050,"_652":2051,"_255":2055,"_378":2056,"_659":2057,"_661":2058,"_664":2059,"_668":2060,"_673":2061,"_680":2066,"_683":2068,"_687":38,"_688":2069,"_691":2070,"_694":2071,"_696":2072,"_698":2073,"_700":917,"_702":703,"_704":2074,"_706":2075,"_710":2076},"profile-1849",1849,[2052,2053,2054],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSjrWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSjpWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSjtWAG-right2.jpg","Fiona Harrington","harrington-fiona-dvx0ot","It was while studying for a degree in Textile Design that Fiona Harrington discovered what would become her work, her passion and her art. Although a new-found love, handmade lace wasn’t a first-time encounter for the Dublin-born artist. Through her mother and her country’s culture she was well aware of the significance of lace, as part of Ireland’s social, cultural and economic history. Her extensive knowledge of the craft and its history is no surprise, as her interest for handmade lace is artistic and manual, but academic too. As well as textile design, she completed an MA in Art and Research Collaboration in Dún Laoghaire. Today, she is committed to bringing handmade lace into contemporary design by creating a new kind of art for this traditional craft.",[886],[666,667,1170],[726,1063,672,728,1100,1456,207,991],[2062,2063,2064,2065],"Fragile Economies","Detail Of Stepping Stones","The Lost Sheep","Stepping Stones",[2067,897,1455,905,737],"Eggshell",[828,826,830,829,686,741],[690],[913],[886],53.36309,-6.29826,"2022-01-13",{"_708":2072,"_709":2073},3900,{"_649":2078,"_31":2079,"_652":2080,"_255":2084,"_378":2085,"_659":2086,"_661":2087,"_664":2088,"_668":2089,"_673":2090,"_680":2096,"_683":2097,"_687":49,"_688":2100,"_691":2101,"_694":2102,"_696":2103,"_698":2104,"_700":917,"_702":2105,"_704":2106,"_706":2107,"_710":2108},"profile-1815",1815,[2081,2082,2083],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PQ5yWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PQ5wWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PQ60WAG-right2.jpg","Vivien O’Malley","vivien-omalley-ceramics-ireland","Vivien first fell in love with ceramics after a visit to a pottery studio in County Waterford where she was allowed to try her hand at throwing clay. Having chosen her craft, she spent four years training at the Limerick School of Art and Design, following which she undertook the Design & Crafts Council of Ireland’s Ceramics Skills course. Before setting up her own ceramic business she apprenticed in several potteries in Ireland and Australia, mastering her craft and learning the ins-and-outs of running a business. Her work captures the energy of the wheel, which echoes the energy of the Irish sea. She uses the ebb and flow of the clay to create delicate pieces which speak to Ireland’s rich seascapes.",[767],[666],[1377,1173,767,1279,768,769,728],[2091,2092,2093,2094,2095],"The Urchin Set","The Tidal Collection","The Urchin bowls","The Urchin Collection","The Urchin vase",[777],[2098,1040,1810,2099,740,788,741],"Mug","Drinkware",[690],[1077],[767],52.29328,-7.18162,"Dunhill, Ireland","2021-12-23",{"_708":2103,"_709":2104},1112,{"_649":2110,"_31":2111,"_652":2112,"_255":2116,"_378":2117,"_659":2118,"_661":2119,"_664":2121,"_668":2122,"_673":2124,"_680":2130,"_683":2134,"_687":38,"_688":2135,"_691":2136,"_694":2138,"_696":1884,"_698":1885,"_700":701,"_702":2139,"_704":2140,"_706":2141,"_710":2142},"profile-820",820,[2113,2114,2115],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PQ4GWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PQ4EWAW-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PQ4IWAW-right2.jpg","Michael Calnan & Gunvor Anhøj","michael-calnan--gunvor-anhj-metal-sculpting-ireland","Michael Calnan and Gunvor Anhøj met while studying blacksmithing at the Hereford College of Art & Design. They work in a traditional manner with hearth, hammer and anvil. However, they work mainly bronze and corten steel, rather than iron. The process of forging involves heating the material to below melting point, and then – through impact – changing both the shape and surface texture of the material. Though heavy physical work, there is a sense of gentle creativity in the process. Gunvor describes the parallels between forging and writing poetry, explaining that both encapsulate the idea of creative construction: playing with details and finding rhythm.",[2120],"Metal sculpting",[666],[815,726,1063,2123,1456],"Partners in craft",[2125,2126,2127,2128,2129],"Ardens Sed Virens","Invictus","Big Fish","Delicate little blossom","Big Hare",[2131,951,2132,2133,997,865,906],"Bronze","Limestone","Granite",[828,830,686],[690],[2137],"Metal sculptor",[2120],"Russborough, Ireland","2021-12-16",{"_708":1884,"_709":1885},5480,{"_649":2144,"_31":2145,"_652":2146,"_255":2150,"_378":2151,"_659":2152,"_661":2153,"_664":2155,"_668":2156,"_673":2158,"_680":2164,"_683":2167,"_687":38,"_688":2168,"_691":2169,"_694":2171,"_696":2172,"_698":2173,"_700":917,"_702":2174,"_704":2175,"_706":2176,"_710":2177},"profile-1834",1834,[2147,2148,2149],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PO8UWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PO8TWAW-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PO8WWAW-right2.jpg","Emmet Kane","kane-emmet-2yi6mo","Emmet Kane comes from five generations of artisans and now works in the space that his grandfather built in 1944, using techniques and equipment which have been used by his forefathers. For example, it was on an old Myford ML8 lathe which his father bought in the 1950s, that Emmet first taught himself to turn wood. Over days and weeks of practice, he slowly built up his skills. He then took a two-year woodcraft course in Carlow Vocational School. With a philosophy that there is no such word as cannot, it is no wonder that he is now nationally and internationally renowned for his striking turned pieces which include distinctive textured surfaces and gold leaf.",[2154],"Woodturning",[666],[726,937,889,1063,728,1456,207,2157],"Homo Faber Fellowship 2026-27",[2159,2160,2161,2162,2163],"Crock of Gold","Cone of Colour","Solas na Greine","Soithea Oir & Oir","Little Tulip of Gold",[864,2165,945,2166,951,865,904,906],"Burr","Graphite",[828,830,686],[690],[2170],"Woodturner",[2154],52.9096597771877,-6.83712884762736,"Castledermot, Ireland","2021-12-02",{"_708":2172,"_709":2173},4817,{"_649":2179,"_31":2180,"_652":2181,"_255":2184,"_378":2185,"_659":2186,"_661":2187,"_664":2189,"_668":2190,"_673":2191,"_680":2192,"_683":2193,"_687":38,"_688":2194,"_691":2195,"_694":2197,"_696":2198,"_698":2199,"_700":701,"_702":2200,"_704":2175,"_706":2201,"_710":2202},"profile-816",816,[2182,2183],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPTtWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPTrWAO-left1.jpg","Tutty's Handmade Shoes","tuttys-handmade-shoes-shoemaking-ireland","Established by George Tutty in Naas, Ireland, in 1946, Tutty's Handmade Shoes are committed to providing some of the finest handmade shoes in the world. Still family owned, the secrets of this specialist craft have been maintained in their shoe making process for generations. Over their 70 years of experience handcrafting footwear they have helped many thousands of people discover shoes made just for their feet.",[2188],"Shoemaking",[666],[1432,1427,1596,889,1279],[],[],[],[1432],[2196],"Shoemaker",[2188],53.2168320249103,-6.66026012455169,"Naas, Ireland",{"_708":2198,"_709":2199},1799,{"_649":2204,"_31":2205,"_652":2206,"_255":2210,"_378":2211,"_659":2212,"_661":2213,"_664":2215,"_668":2216,"_673":2217,"_680":2222,"_683":2226,"_687":38,"_688":2228,"_691":2229,"_694":2231,"_696":2232,"_698":2233,"_700":917,"_702":2234,"_704":2235,"_706":2236,"_710":2237},"profile-1848",1848,[2207,2208,2209],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PO6kWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PO6lWAG-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PO6mWAG-right2.jpg","Noel Burke","noel-burke-bow-making-ireland","After leaving school in 1983, Noel Burke trained as a clarinet maker in Newark, England, but after a chance meeting in Paris he began making bows. At a wedding he met Charles Espey and Stéphane Thomachot, two of the leading bow makers in the world. A seed was planted and two years later he approached Espey, now living in Seattle, and became his apprentice. After a year studying bow making, he moved to Paris to apprentice with Thomachot. He worked with Thomachot for two years and then stayed on in Paris, working from his apartment, making copies and restoring old French bows. He said, “I was truly honoured to learn this centuries-old craft from two of the leading makers in the world”.",[2214],"Bow making",[666],[1279,1252,768,1214,1064,728],[2218,2219,2220,2221],"Violin bow frog and button","Cello bow head","Violin bow head","Cello bow frog and button",[2223,1706,2224,2225,1072,1348,905,865,904],"Abalone","Ebony wood","Pernambuco wood",[2227,1113,910],"Bow",[690],[2230],"Bow maker",[2214],52.84003,-6.91476,"Carlow, Ireland","2021-11-25",{"_708":2232,"_709":2233},2047,{"_649":2239,"_31":2240,"_652":2241,"_255":2245,"_378":2246,"_659":2247,"_661":2248,"_664":2249,"_668":2250,"_673":2251,"_680":2252,"_683":2253,"_687":38,"_688":2254,"_691":2255,"_694":2256,"_696":2257,"_698":2258,"_700":701,"_702":1674,"_704":2259,"_706":2260,"_710":288},"profile-803",803,[2242,2243,2244],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSumWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSukWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSuoWAG-right2.jpg","Donegal Yarns","donegal-yarns-weaving-ireland","Nestled between the hills of southwest Donegal and the Atlantic Ocean, Donegal Yarns has gone through many transformations since its initial establishment. Set up in the early 1900s by the state sponsored Congested Districts Board, it was designed to provide employment in an area which was dependent on agriculture and home-based crafts. During the 1920s and the establishment of the Free-State, responsibility was handed over to Gaeltarra Eireann. 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Their craft is the traditional art of woodturning and they have spent years honing their skills. The husband and wife duo have travelled widely and studied with master craftspeople across the world, including Tobias Kaye in the UK, Jean François and Monique Escoulen in France, and Al Stirt, Todd Hoyer, and Hayley Smith in the USA. As well as making their own exquisite works in wood, they are passionate about education and the future of craft skills. 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In 1900, Robert Temple, John Magee’s cousin and apprentice, bought the business and today the third and fourth generations of the Temple family are still at the helm: Lynn, Charlotte, Paddy and Rosy.",[1662],[666,2338],"Donegal",[1427,1596,889,1279,1251],[],[],[],[1257],[1670],[1662],54.7,-8.1,"Donegal, 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