






Xin Yang 阳新
Stone sculptor
Jinan, China
The busy mind behind quiet sculptures
- Xin is a scholar on the subject of Buddhist art and relics
- Stone sculpting came to him later in life and he pours much academic research into his craft
- Conceptual planning and drawn sketches are a key part of his making process
Xin Yang majored in visual communication at university and has worked in a range of creative fields including ceramic design and illustration throughout his career. He is also a professional relic authenticator and a keen relic collector. In 2009, he became drawn to ancient Buddhist art, which led him to deeper research on Buddhist sculptures and to publishing seminal monographs, including Fan Wu Zhi. Xin's research on Buddhist sculptures, covering stone, clay, wood and bronze, has taken him to major art academies and grotto institutes as a speaker, though he remains an independent scholar. It was not until 2022 that Xin began making his own sculptures. "The shift to hands-on stone sculpting brought me a profound sense of relief," he shares. "The experience of carving stone is a world apart from academic study. It is as though I am walking two paths at the same time: one in the ancient world, the other in the here and now.”
Discover his work
INTERVIEW
Working with stone demands extreme technical precision, especially in my Empty Robe series. The ultimate challenge lies in hollowing stone to a 2 mm-thick shell while capturing subtle bodily contours, requiring absolute mastery of material and tools.
Many of my works express the notion of void, using tangible forms to convey an intangible essence. The Empty Robe series, for instance, employs classical, sublime exteriors to articulate the spirit of emptiness and non-being.
I was born into a family with a history in carpentry and lacquer, so I learned traditional painting and carving early on. My visual communication degree expanded my range in design, photography and installation, alongside work in media and antiquities. Since 2020, I have practised traditional stone carving as my own form of creative expression.
I have never had the experience of lacking inspiration. On the contrary, I am often troubled by having too much inspiration, too many ideas, and too many thoughts. Before I even finish developing the concept for one piece, new concepts are rising up. I often find myself sketching three completely different types of works at the same time, so my worktable is piled high with drafts that have not yet been realised.
Xin Yang 阳新
Stone sculptor
Jinan, China
ADDRESS
Address upon request, Jinan, China
AVAILABILITY
By appointment only
LANGUAGES
Chinese, English
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