It starts with the material itself. When I look at bamboo, I begin to imagine what it could become. Then, when I am moved by artistically crafted ceramic vessels, plants and other beautiful objects, I wonder whether I could express them through bamboo weaving. Every time I create an artwork, I feel the urge to break away from existing forms towards recreating movement and the dynamic flow.

I have come to feel that perfection is not always necessary. Imperfection, in fact, can be a distinctive quality in its own right. That is why I favour flowing curves and a sense of movement in my work. I also enjoy using bamboo that is outwardly imperfect – irregular, even a little flawed, such as pieces gnawed by insects. To me, they each have their own character and personality, and this is perhaps where innovation from the new generation is seen.

Since I have a physical disability and had previously taught at a school for the hearing‑challenged, I have some experience communicating with them. I believe that people with physical challenges may find it difficult to secure regular jobs, but having a craft skill offers them a more solid foundation for their livelihood. In early 2019, I set up my own studio, where three hearing‑challenged individuals now work alongside me.