Inspired by Italian Arte Povera, conceptualism and the raw structure of minerals, my work explores what is not immediately explicit. Through a rigorous analytical method, I alter volumes, juxtapose elements and trace the genesis of lines with geometric precision. The final aesthetic is the result of a long process of sedimentation and sublimation.

There is a physical musicality in a craftsperson’s work, such as in the meticulousness and rhythm of the hammer. The link between music and jewellery is mathematical: the golden ratio and the harmonies of a musical score are the same that govern a jewel's creation. Rhythm guides my hand every day. I still play the piano and keyboard with my daughter and friends.

You either learn the craft through a traditional workshop apprenticeship or by attending a specialised school. However, my main advice is to look beyond technical mastery. Developing a unique identity is vital. An artisan must cultivate a personal style and vision that transcends flawless manual execution.