An Island of Light1- 30 September 2026
Erke Gan 甘而可
©All rights reserved
Erke Gan 甘而可
©All rights reserved
Erke Gan 甘而可
©All rights reserved
Erke Gan 甘而可
©All rights reserved
Erke Gan 甘而可
©All rights reserved

Erke Gan 甘而可

Lacquerer

Huangshan City, China

Illustrious vessels make history

  • Erke revives endangered lacquer techniques in emblematic Chinese creations
  • He embeds gold leaf into the layers of lacquer to create a twinkling finish
  • His distinctive works are held in museums all over the world

As a National Master of Arts and Crafts in China, Erke Gan has breathed new life into Huizhou lacquerware over the course of his multi-decade career. A dedicated lacquer craftsman since the 1970s, he inherited ancient Chinese traditions and revitalised the craft by developing a unique path inspired by the serene aesthetic of the Song and Yuan dynasties. Central to his work is the revival of xipi lacquer, also known as rhinoceros hide lacquer, a complex, 1,800-year-old marbled technique named for its flowing, skin-like patterns. Erke introduced gold leaf and bold colour harmonies into raw lacquer, to shift the practice from functional forms into timeless works of art. His masterpieces are held in prestigious global institutions, including the British Museum, The Metropolitan Museum of Art, and the Palace Museum.

Erke Gan 甘而可 is a master artisan: he began his career in 1972 and he started teaching in 1985.

INTERVIEW

In 2001, I undertook the successful revival of important traditional crafts from Huizhou that were on the verge of being lost, such as xipi, rhino-hide, lacquerware and lacquer-sand inkstones. I developed new techniques such as embossed polishing and flowing lacquer.

Every stage of my lacquerware production is carried out entirely by hand. The finest pieces carry a magnificent lustre, a rich texture and naturally flowing patterns, presenting a sense of harmonious beauty. This harmony is not easily achieved.

Whenever I encounter cultural artefacts that exude vitality and sincerity, I am filled with emotion and admiration. This leads me to reflect that contemporary masterpieces will one day become part of history and, in time, be regarded as tradition by future generations. Makers should therefore have the courage to express themselves, thereby writing a new chapter in the history of art.

I believe that true contemporaneity is not a ‘contemporary’ persona deliberately adopted after surveying history, but rather the essence of insights that an artist, as an independent individual, feels compelled to articulate and express, drawn from their own life experiences. This ensures that they will never be an exact replica of any of their historical predecessors.

Erke Gan 甘而可

Lacquerer

Huangshan City, China

ADDRESS

Address upon request, Huangshan City, China

AVAILABILITY

By appointment only

LANGUAGES

Chinese

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