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Tomohiro Yoshikawa
©Tomohiro Yoshikawa
Tomohiro Yoshikawa
©Tomohiro Yoshikawa
Tomohiro Yoshikawa
©Tomohiro Yoshikawa
Tomohiro Yoshikawa
©Tomohiro Yoshikawa
Tomohiro Yoshikawa
©Tomohiro Yoshikawa
Tomohiro Yoshikawa
©Tomohiro Yoshikawa

Tomohiro Yoshikawa

Luthier

Osaka, Japan

An interpretation of lost sounds

  • Tomohiro builds medieval to contemporary hurdy-gurdies and Spanish instruments
  • His practice relies on extensive research on Medieval culture, architecture and arts
  • He hosts concerts and dance events with specialist musicians

Tomohiro Yoshikawa’s childhood experiences with instruments led him to the guitar, through which he became interested in Spanish language and music. Through university regional studies focused on Spain and Galicia, encompassing their history, language and culture, his attention was caught by folk music and instruments. He went on to study traditional instrument making at Escola Municipal de Artes e Oficios de Vigo (EMAO), and he chose to specialise in making hurdy-gurdies due to the wide-ranging production requirements of the instrument. Tomohiro’s works reflect deep attention to historical plausibility, as he integrates detailed carvings inspired by Gothic architecture, and designs reminiscent of 13th century sculpture and manuscripts. “My instruments are recreations of pieces from the Middle Ages, so we do not have a physical object to refer to,” he explains. “The original techniques for making these medieval instruments have already been lost, so we depend on study and research to interpret what we know.”

Tomohiro Yoshikawa is a rising star: he began his career in 2022.

Discover his work

INTERVIEW

People usually buy instruments from corporations at shopping malls, but I wish people would look around for other possibilities. I want to offer a variety of sounds as materials to play with. I want to create things that have the sound and feel of being handmade.

It depends on the instrument's purpose. For musicians specialised in medieval music, recreating the acoustic character and volume of that period is essential. If I were to build a modern hurdy-gurdy for them, it would not blend properly with the other instruments in the ensemble.

Beyond building instruments, I am an active musician performing in concerts and recording folk music. Additionally, I regularly organise Balfolk events in Kyoto. Using my instruments in these practical, real-world settings gives me valuable feedback for my craft, while providing an accessible environment for people to discover the hurdy-gurdy.

I organised a concert in a traditional house in rural Nara featuring music associated with the Santiago pilgrimage. The journey out to the countryside offered the audience an opportunity to step away from daily life for introspection. Hearing the drone of the hurdy-gurdy while gazing at the horizon line was an extraordinary departure from a regular performance at a concert hall.

Tomohiro Yoshikawa

Luthier

Osaka, Japan

ADDRESS

Address upon request, Osaka, Japan

AVAILABILITY

By appointment only

LANGUAGES

Japanese, English, Spanish, Galician

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