An aquatic boundlessness in fabric
- Mariko's creations are deeply inspired by the ocean
- She pursued her passion for fibre after a career in metalworking
- Her work has been exhibited in museums around the world
Mariko Kusumoto's ethereal fabric works evoke a world beneath the surface of the ocean. After studying in her native Japan, she established her textile practice in Boston, Massachusetts. "I appreciate the freedom and openness I experienced in the USA, as well as the sensitivity and aesthetic values I grew up with in Japan," Mariko says. When it comes to creating with fibre, her process becomes a reflection of the worlds she replicates. "My approach is quite intuitive, and I enjoy the element of discovery along the way," she says. Mariko works the material with a nebulous notion, giving it the space to take shape. In addition to featuring in major shows and museums, she has collaborated with brands such as Elizabeth Arden and Tiffany & Co.
INTERVIEW
My process usually begins with a vague idea or a feeling inspired by nature, memory or a small visual detail that captures my attention. I often begin by experimenting with materials and forms, allowing the piece to evolve organically.
Through heat forming, dyeing and layering techniques, I shape and manipulate textiles and synthetic fabrics into 3D forms. I often work with translucent fabrics as they allow me to convey subtlety, sensitivity and a sense of mystery. Their delicate nature makes it possible to create intricate, lightweight forms that seem almost to float.
Fabric is inherently soft and sensitive, and even the slightest force can alter its form. Because of this, I try to listen carefully to the material, allowing it to guide me rather than imposing too much control. It becomes a quiet dialogue between myself and the nature of fabric.
In the USA, there is often a strong emphasis on individuality and innovation, and artists are encouraged to define their own path. In Japan, there is a deep respect for craftsmanship and tradition, and a strong appreciation for simplicity. Both perspectives have influenced me in different ways.
