Historically, saddlery is deeply conservative. For instance, a particular style of saddle decoration created in the 1960s remains popular today. Exposure to diverse motifs are now challenging centuries-old designs. Today, many makers, including myself, are drawing heavily from the past, while bringing fresh perspectives to the craft.

More young people, including a growing number of craftswomen, are entering what was a historically male-dominated craft. High-end production shops once dominated, but the field shifted to solo artisans after the 1960s. Today, while factories exist, the highest quality custom work is done exclusively in independent workshops across the country.

I have received a lot of support along the way. Craftspeople in my generation hold one another to high standards through mutual encouragement and honest critique. Today, there is a willingness to share knowledge that did not exist when I started. I aim to do my part by passing these skills on, ensuring the next generation keeps saddlery techniques strong and relevant.