All in for nerikomi
- Thomas' ceramic practice is grounded in the ancient Japanese nerikomi technique
- He opened his workshop in 1978
- Many of his works are displayed in museums and galleries worldwide
Following a college art degree, Thomas Hoadley delved into pottery, discovered the ancient Japanese nerikomi ceramics and started experimenting with clay. He taught himself how to improve in and master the technique, also influenced by the craft aesthetic of the legendary Japanese Living Treasure artisans. This experience is what determines his answer when asked if he aims to convey a message through his work. “The world needs beauty,” says Thomas. This philosophy has guided his research that revolves around the nerokomi technique. Thomas stacks and manipulates slices of clay in different colours, inspired by nature and geometric signs. He juxtaposes a variety of patterns which vary, in both design and colour, between vibrant and quiet, some of which display a degree of illusionistic depth.
INTERVIEW
The patterns and colours in nature such as slices of agate, seashells and flowers, as well as fabric design and even magazine ads all inspire my imagination. One of my earliest pieces was a brown and white bowl inspired by Florentine marbelised papers.
I have learned to be patient and to take my time in carefully creating my works. I have also learned that I have brought joy to hundreds of people who have seen or purchased my work.
When my pieces are finished and still bone dry, I spend hours sanding each one. After the first firing, I carefully wet sand the bisqued pieces, which are then high fired and wet sanded again.
I love my independence and freedom in creativity. Above all, there is the encouraging international reception I have received which has led to have my work displayed in many museum collections, which fills me with pride.
