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BY","https://www.michelangelofoundation.org/",{"_31":575,"_62":576,"_255":577,"_257":-5,"_258":-5,"_259":578,"_261":579,"_262":-5,"_263":580,"_265":518,"_267":519,"_269":581,"_46":582,"_272":-5,"_273":274,"_275":-5,"_66":583,"_68":583,"_70":584,"_278":-5},76,"fcyvf2nl8hzfkd7vqixf1sk5","logo-mfo.svg",539,119,"logo_mfo_55eabd6b6c",12.04,"/uploads/logo_mfo_55eabd6b6c.svg","2025-04-07T12:55:43.352Z","2025-04-07T12:55:43.354Z","MainFooterNewsletterURI","https://www.homofaber.com/en/subscribe-homo-faber-newsletter","MainFooterNewsletterCTALabel","Subscribe to our newsletter","MainFooterNewsletterInvite","topBanner",{"_31":592,"_62":593,"_594":595,"_596":-5,"_597":598,"_599":-5,"_600":601,"_602":-5,"_603":604,"_605":-5,"_606":607,"_608":609,"_610":154,"_611":612,"_66":613,"_68":614,"_70":615,"_616":595,"_617":598,"_618":619,"_620":621,"_622":623},1,"zww7zy7yk4l92abdveorjg5h","textLeft","HOMO FABER 2026","bgColor","bgImgUrl","https://api.homofaber.com/uploads/9_16_1080x1920_50_175a29db28.png","bgRepeat","bgFit","contain","centerImgUrl","centerText","1 – 30 September 2026, San Giorgio Maggiore Island, Venice","centerImgFit","ctaLabel","Book your ticket","ctaBgColor","#FFFFFF","ctaUrl","textColor","white","2025-05-22T09:42:23.885Z","2026-04-27T09:13:30.731Z","2026-04-27T09:13:30.723Z","textLeftXs","bgImgUrlXs","ctaLabelXs","Book now","ActiveStartDate","2026-04-27T07:00:00.000Z","ActiveEndDate","2026-09-30T21:45:00.000Z","mainAdvert","guideTags",[627,629,631,634],{"_255":187,"_628":-5},"badge_color",{"_255":183,"_628":630},"#115C90",{"_255":632,"_628":633},"Homo Faber Capsule","#f0deca",{"_255":207,"_628":635},"#D9583B","isWebview","userAgent","Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)","emailHash","request",["SingleFetchClassInstance",642],{},"routes/$lang","routes/$lang.artisans._index",{"_646":647,"_2327":647,"_2328":2329,"_2796":2797},"profiles",[648,719,760,800,839,877,912,950,990,1035,1076,1117,1157,1195,1233,1265,1301,1344,1375,1413,1448,1481,1515,1548,1577,1611,1644,1675,1709,1741,1774,1803,1840,1877,1910,1944,1978,2009,2039,2068,2100,2125,2154,2184,2215,2247,2270,2299],{"_649":650,"_31":651,"_652":653,"_255":657,"_378":658,"_659":660,"_661":662,"_664":665,"_667":668,"_673":674,"_680":681,"_686":687,"_694":38,"_695":696,"_698":699,"_701":702,"_703":704,"_705":706,"_707":708,"_709":710,"_711":712,"_713":714,"_717":718},"_meilisearch_id","profile-5292",5292,"picture",[654,655,656],"https://api.homofaber.com/uploads/3_Photo_Aldas_Kazlauskas_4_9d12d9e79b.jpg","https://api.homofaber.com/uploads/1_Photo_credit_Kristina_Sereikaite_Tomas_Mikuta_5_0f202ea4e9.jpg","https://api.homofaber.com/uploads/5_15_Spring_is_in_the_Air_Photo_by_Modestas_Ezerskis_96151d05ab.jpg","Severija Inčirauskaitė","severija_inčirauskaitė-mixed_media_sculpture-vilnius","description","Severija Inčirauskaitė is one of the most renowned contemporary textile artists in Lithuania. Growing up in an artistic family, she continued the path set by her parents, first studying knitwear fashion, followed by textile art. Today, her creative practice unfolds not on a flat surface but in space. Severija makes installation art pieces, working with various ready-made objects, which she decorates using traditional cross-stitch embroidery. Her objects, familiar elements of everyday life, gain new meaning through embroidery, from household buckets and containers to ammunition and helmets. \"My embroidered works explore social, philosophical, and military themes,\" she says. \"I am interested in banality, the hierarchy of the arts, and the divide between professional and amateur art,\" explains Severija.","craft",[663],"Mixed media sculpture","destinations",[666],"Lithuania","tags",[669,670,671,672],"Decorative","Politically engaged","Sustainable","Upcycling","objects",[675,676,677,678,679],"Object from Kill for Peace","Public sculpture","Morning Trio","Object from Offside","Object from Sports at Home","materials",[682,683,684,685],"Cotton thread","Thread","Yarn","Fibres and textiles","categories",[688,689,690,691,692,693],"Installation","Sculpture","Decorative objects","Monuments","Decoration","Architecture","has-experiences","type-of-artisan",[697],"Artisan","craft_person",[700],"Mixed media sculptor","craft_metier",[663],"latitude",54.67282517231437,"longitude",25.31182671874301,"content_edit_date","2026-05-06T07:32:14.000+0000","city_and_country","Vilnius, Lithuania","is_new_until","2026-03-19","_geo",{"_715":704,"_716":706},"lat","lng","order",288,{"_649":720,"_31":721,"_652":722,"_255":726,"_378":727,"_659":728,"_661":729,"_664":731,"_667":732,"_673":738,"_680":744,"_686":747,"_694":38,"_695":750,"_698":751,"_701":753,"_703":754,"_705":755,"_707":756,"_709":710,"_711":757,"_713":758,"_717":759},"profile-5088",5088,[723,724,725],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ewh1_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ewh1_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ewh1_Right2.jpg","Aušra Lazauskienė","aušra_lazauskienė-marbling-vilnius","Through her paper marbling, Aušra Lazauskienė preserves an endangered, centuries-old craft. “My grandmother was a town photographer in Western Lithuania. My work today strongly resembles her photo development process back then,” she says. “Both practices include large containers filled with water and paper, from which an image emerges.” Yet, Aušra came to the craft out of curiosity, after witnessing the marbling process, which has now become a major part of her life. \"I was drawn by the process. My amateur experiments paved the way to my studies,\" she says. Aušra learned the craft from the few remaining masters of paper marbling in Türkiye and the USA. Today, still enchanted by the marbling process, she recreates historical patterns found in old books, working with the same technologies and materials once used during the craft’s golden age in the 17th, 18th and19th centuries. “Everything in paper marbling is connected to time, history and preservation,” Aušra says.",[730],"Marbling",[666],[733,669,734,735,736,737],"Collaborations","Endangered crafts","Heritage","Interiors","Traditions",[739,740,741,742,743],"Turkish marble","French Curl","Gloucester","Nonpareil","French Shell",[745,746],"Pigments","Cement, plaster, pigments",[748,749,692],"Decorative painting","Wall decorations",[697],[752],"Marbler",[730],54.75674221651336,25.26120356871552,"2026-05-06T07:29:40.000+0000","2025-12-25",{"_715":754,"_716":755},5019,{"_649":761,"_31":762,"_652":763,"_255":767,"_378":768,"_659":769,"_661":770,"_664":772,"_667":774,"_673":776,"_680":781,"_686":787,"_694":49,"_695":791,"_698":792,"_701":794,"_703":795,"_705":796,"_707":708,"_709":710,"_711":797,"_713":798,"_717":799},"profile-4893",4893,[764,765,766],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ezp1_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ezp1_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ezp1_Right2.jpg","Laimė Kiškūnė","laimė_kiškūnė-perfume_making-vilnius","From early childhood, Laimė Kiškūnė best perceived the world through her sense of smell. She has devoted her life to scent, through making perfume, aromatherapy and teaching others. \"Scents carry a sense of history, and gives us insights into human existence,\" says Laimė. Her career in perfumery began with the reconstruction of historical perfumes, driven by a desire to understand what ancient peoples wore. Today, her life is split between Lithuania, South India and France as she strives to elevate the role of fragrance in shaping a human worldview. Laimė continues to gather knowledge, study and refine her craft, creating new scents from her atelier in Vilnius, Unda Prisca. “I realised that scents have no borders,” she says. \"Smell is the only sense that provides immediate, unfiltered information about the world.\"",[771],"Perfume making",[666,773],"Vilnius",[775],"Mixing cultures",[777,778,779,780],"Unda Secunda Incense","Peach & Pixies","Historical perfume Myrtinum","Historical perfume Cyprinum",[782,783,784,785,786],"Essence","Lily","Honey","Natural essences","Botanical",[788,789,790],"Perfume","Bathroom accessories","Beauty",[697],[793],"Perfumer",[771],54.68409041850486,25.2822528974282,"2025-11-13",{"_715":795,"_716":796},5548,{"_649":801,"_31":802,"_652":803,"_255":807,"_378":808,"_659":809,"_661":810,"_664":812,"_667":813,"_673":817,"_680":823,"_686":826,"_694":38,"_695":830,"_698":831,"_701":833,"_703":834,"_705":835,"_707":756,"_709":710,"_711":836,"_713":837,"_717":838},"profile-2162",2162,[804,805,806],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/3)43.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/1)1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/5)image00005-3600x2700300.jpg","Vytautas Šumacheris","vytautas_šumacheris-millinery-vilnius","Vytautas Šumacheris sees his hat making as an expression of his artistic side. He started making hats when the Covid-19 pandemic hit, leaving his profession as a massage therapist behind. \"I love working with my hands, I am always looking for new paths and I am not afraid of change. My life as a milliner is now full of new adventures,\" Vytautas says. Through numerous trials, he learned how to shape hats and treat their surfaces on his own. He also created some of the tools and moulds he uses for the hats. His hats are elegant, classic and eye-catching in their colours. They are are made from natural wool and dyed with natural dyes that his wife Indrė creates from her own plants. \"There is nothing difficult about this craft if you enjoy what you are doing,\" Vytautas says.",[811],"Millinery",[666,773],[733,814,815,671,816,814],"Fashion","New career","Self-taught",[818,819,820,821,822],"White hat with ants","Brown fedora hat 1","Blue boater hat","Green hat","Brown fedora hat 2",[824,825],"Rabbit felt","Animal materials",[827,828,829],"Hat","Accessories","Mode",[697],[832],"Milliner",[811],54.67493,25.19067,"2025-08-21",{"_715":834,"_716":835},4447,{"_649":840,"_31":841,"_652":842,"_255":845,"_378":846,"_659":847,"_661":848,"_664":850,"_667":851,"_673":854,"_680":860,"_686":865,"_694":38,"_695":867,"_698":868,"_701":870,"_703":871,"_705":872,"_707":756,"_709":873,"_711":874,"_713":875,"_717":876},"profile-2160",2160,[843,844],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003OQq4AM-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003OQo4AM-left1.jpg","Deimantė Maciūtė","deimant-mait-o01c8f","Deimantė Maciūtė is a ceramicist who found her way to ceramics through her love for nature. \"As a psychology graduate, I never expected to be a ceramicist living in the countryside,\" she shares. Deimantė was greatly influenced by the Japanese artist Noe Kuremoto, in whose studio she worked as an assistant for six months. Thanks to Noe, Deimantė discovered her own philosophical approach to ceramics, and explored materiality and texture. \"While working as an assistant, I not only learned the subtleties of the techniques used in working with clay, but I also experienced ceramics as a way of life,\" she says. Today, she lives by a lake, surrounded by nature, following the slower pace of life in the countryside. This influences her work to be slow, meditative, delicate and monumental, with earthy colours and sleek shapes.",[849],"Ceramics",[666],[669,849,852,853],"Mentored","Under 30",[855,856,857,858,859],"Moon sculpture 3","Sea stone sculpture 1","Moon sculpture 1","Moon sculpture 2","Sea stone sculpture 2",[861,862,863,864],"Stoneware","Glaze","Ceramic","Enamel, glaze and lacquer",[866,690,692],"Vase",[697],[869],"Ceramicist",[849],55.81083,25.92518,"Antazavė, Lithuania","2025-06-26",{"_715":871,"_716":872},4727,{"_649":878,"_31":879,"_652":880,"_255":884,"_378":885,"_659":886,"_661":887,"_664":889,"_667":890,"_673":892,"_680":897,"_686":901,"_694":38,"_695":903,"_698":904,"_701":906,"_703":907,"_705":908,"_707":756,"_709":710,"_711":909,"_713":910,"_717":911},"profile-2161",2161,[881,882,883],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003C7w4AE-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003C7u4AE-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003C7v4AE-right2.jpg","Indrė Biekšaitė-Vilčinskienė","indre-bieksaite-vilcinskiene-j21c7a","Indrė Biekšaitė-Vilčinskienė is a textile artist specialising in classical tapestry making. \"Tapestries have been woven in the same way since ancient times. They are like paintings, but instead of paint and brush to make them, I use thread and loom to tell all sorts of stories,\" she says. Although initially drawn to applied graphics, textiles fascinated Indrė with their possibilities. She does not experiment with textile working techniques, as she finds everything she needs in the technique and composition of classical tapestry. She uses traditional principles and techniques to represent the present-day. Indrė uses photography to capture fragments of everyday life, which she then translates into a woven wall-hanging. She exhibits her work in solo and group exhibitions, bringing a touch of traditional craftsmanship into the field of contemporary art.",[888],"Tapestry making",[666,773],[669,736,737,891],"Visual Arts",[893,894,895,896],"Microcosm","Milda II","Backmirror","Eco farming",[898,899,900,685],"Wool","Cotton","Linen",[902,690,692],"Tapestry",[697],[905],"Tapestry maker",[888],54.6897,25.27289,"2025-05-15",{"_715":907,"_716":908},2300,{"_649":913,"_31":914,"_652":915,"_255":919,"_378":920,"_659":921,"_661":922,"_664":924,"_667":925,"_673":927,"_680":933,"_686":938,"_694":38,"_695":941,"_698":942,"_701":944,"_703":945,"_705":946,"_707":756,"_709":710,"_711":947,"_713":948,"_717":949},"profile-2158",2158,[916,917,918],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002yxp4AA-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002yxl4AA-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002yxo4AA-right2.jpg","Lina Kalinauskaitė","lina-kalinauskaite-b0hjx4","Lina Kalinauskaitė has been surrounded by art since childhood. Her father, the sculptor Juozas Kalinauskas, created medals alongside sculptures, involving his daughter in their creation. Today, her practice is devoted to creating medals and preserving and promoting the craft of medal making. Lina is a member of the FIDEM association and participates in medal exhibitions, as well as medal symposia in Lithuania and abroad, speaks at conferences, and is a curator and tireless organiser of the Baltic Medal Triennial. \"It is extremely important for me that we maintain the continuity of the craft, as the number of artists in this narrow field is decreasing,\" she shares. The medal is a small canvas conveying great meaning, about history and themes of ancestry. \"In recent years, the industry has moved towards computer modelling and many young artists no longer sculpt by hand. In my opinion, it is through the work of the hands that the work crystallises and that it gains its spirit,\" says Lina.",[923],"Medal and coin making",[666,773],[735,926,737],"Territory",[928,929,930,931,932],"Samogitian steam-powered aircraft","Jonas Karolis Chodkevičius","The 500th Anniversary of the Battle of Orsha","Vilnius 700","Commemoration of the First Mention of Samogitians in historical sources",[934,935,936,937],"Bronze","Brass","Silver","Metals",[939,940,829],"Medal","Jewellery and watches",[697],[943],"Medal and coin maker",[923],54.7,25.4,"2025-04-03",{"_715":945,"_716":946},4200,{"_649":951,"_31":952,"_652":953,"_255":957,"_378":958,"_659":959,"_661":960,"_664":962,"_667":963,"_673":967,"_680":973,"_686":975,"_694":38,"_695":980,"_698":981,"_701":983,"_703":984,"_705":985,"_707":986,"_709":710,"_711":987,"_713":988,"_717":989},"profile-2111",2111,[954,955,956],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002Zsz4AE-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002Zsv4AE-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002Zsy4AE-right2.jpg","Laimutė Fedosejeva","laimute-fedosejeva-stiryg","Laimutė Fedosejeva grew up surrounded by traditional craft. Her grandmother was illiterate, but highly skilled at cutting, carving, crocheting, and felting. \"She was a real treasure trove of folk art,\" says Laimutė. Her mother knew how to sew and knit, and handmade everything that a large family could dress in. Laimute's father repaired toys and was a handicraft master, and her aunt was an excellent weaver. From this environment, it felt natural to Laimutė to take up a craft and do her best to excel at it. However, it was only in the second half of her life, after many years of running a company, that Laimutė remembered paper cutting and turned to it as her main occupation. Today, she regularly exhibits her paper cuttings in Lithuania and abroad, has the status of an artist, and holds a certificate of national heritage.",[961],"Paper cutting",[666,773],[964,965,735,966,737],"Digital tools","Exhibitions/Museums","Paper",[968,969,970,971,972],"The Tree of Life, and Meeting of the Sun and Moon","My Čiurlionis II","Lake","My Čiurlionis IV","The Tree of Life",[974,966],"paper",[976,966,977,978,979],"Cut paper art","Paper art","Printing","Books and paper",[697],[982],"Paper cutter",[961],54.66711,25.34229,"2026-05-06T07:29:12.000+0000","2025-01-16",{"_715":984,"_716":985},2534,{"_649":991,"_31":992,"_652":993,"_255":997,"_378":998,"_659":999,"_661":1000,"_664":1002,"_667":1003,"_673":1006,"_680":1011,"_686":1023,"_694":38,"_695":1025,"_698":1026,"_701":1028,"_703":1029,"_705":1030,"_707":986,"_709":1031,"_711":1032,"_713":1033,"_717":1034},"profile-2109",2109,[994,995,996],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000024614AA-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG000000245x4AA-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000024604AA-right2.jpg","Dalia Varnaitė","dalia-varnait-xowznv","Dalia Varnaitė combines precious stones and metals in her jewellery creations. Her pieces feature both amber, the national mineral of Lithuania, and ornaments of various cultures. Born and raised in Rokiškis, a small town in Lithuania, Dalia completed her jewellery studies in the faculty of the Vilnius Academy of Arts in Telšiai, and lived briefly in the capital, before returning to her homeland. She regularly takes part in international competitions and exhibitions, working with clients both from Lithuania and further afield. Once, a piece of jewellery she made with gilded silver and amber was bought by the Lithuanian Presidency as a gift for Empress Michiko of Japan.",[1001],"Jewellery making",[666],[965,1004,1005,926],"Jewellery","Nature",[1007,1008,1009,1010],"Grasses cuff bracelet","Month of March necklace","Leaf cuff","Necklace",[1012,936,1013,1014,1015,1016,1017,1018,1019,1020,1021,937,825,1022,785],"18 carat gold","Bone","Pearl","Gold","Sapphire","Tourmaline","Amber","Amethyst","Diamond","Garnet","Minerals",[1024,1010,940,829],"Bracelet",[697],[1027],"Jewellery maker",[1001],55.94719,25.59056,"Rokiskis, Lithuania","2024-10-16",{"_715":1029,"_716":1030},5461,{"_649":1036,"_31":1037,"_652":1038,"_255":1042,"_378":1043,"_659":1044,"_661":1045,"_664":1046,"_667":1047,"_673":1050,"_680":1056,"_686":1064,"_694":38,"_695":1068,"_698":1069,"_701":1070,"_703":1071,"_705":1072,"_707":986,"_709":710,"_711":1073,"_713":1074,"_717":1075},"profile-2103",2103,[1039,1040,1041],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000029s54AA-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000029s14AA-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000029s44AA-right2.jpg","Ugnė Blažytė-Tamašauskienė & Danas Tamašauskas","ugne--danas-blayte--tamasauskas-oughdq","Danas Tamašauskas and Ugnė Blažytė-Tamašauskienė are two jewellery makers who have been working together since 2010. The couple lives in a picturesque house in the countryside, enjoying the tranquility of nature all around their home. They weave different techniques and materials into their work, trying to convey encoded Baltic symbols – signs of time and destiny and shapes of nature that inspire them. Ugnė and Danas love colours, different materials, and sculptural forms. Ugnė came to jewellery from painting, while Danas sees jewellery as mini-sculpture. That is why coloured enamel, precious stones, bone, and amber can be found in their pieces. Working together, they feel, understand, and complement each other. \"Jewellery is a symbol of a relationship, as if a piece of jewellery contains a feeling people want to hold on to, to make sense of the moment, and cultivate the joy it brings,\" they explain.",[1001],[666,773],[1048,1004,1005,1049],"Creative duos","Partners in craft",[1051,1052,1053,1054,1055],"Hoopoe brooch","Swing brooch","Blue Fish brooch","The Moon Pendant","Leliumoj ring",[1057,936,1020,1058,1013,1059,1060,1061,1062,1015,1016,864,1022,937,825,1063],"Enamel","Copper","Gold Leaf","Clear quartz","Shell","Opal","Gemstones",[1065,1066,1067,940,829],"Brooch","Pendant","Ring",[697],[1027],[1001],54.68652,25.42609,"2024-10-10",{"_715":1071,"_716":1072},3034,{"_649":1077,"_31":1078,"_652":1079,"_255":1083,"_378":1084,"_659":1085,"_661":1086,"_664":1087,"_667":1088,"_673":1091,"_680":1097,"_686":1103,"_694":38,"_695":1109,"_698":1110,"_701":1111,"_703":1112,"_705":1113,"_707":986,"_709":710,"_711":1114,"_713":1115,"_717":1116},"profile-2115",2115,[1080,1081,1082],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001WM54AM-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001WM14AM-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001WM44AM-right2.jpg","Dainius Strazdas","dainius-strazdas-p1d6oy","Dainius Strazdas has been making ceramics ever since he was at art school in the 1980s. He later studied at the Vilnius Academy of Arts, with an interest in the archaeological and historical ceramics of Lithuania and Vilnius, as well as the restoration of pottery. Today, Dainius creates ceramic vessels of his own, but also replicas of historical glazed tiles. He collaborates with archaeologists who provide historical material on ancient Lithuanian pottery. He is one of the artisans who restored the tiles of the Palace of the Grand Dukes of Lithuania based on the material stored in the collections of the National Museum of Lithuania and the Palace of the Grand Dukes of Lithuania. Dainius' work shows great respect for the old artisans, the history of ceramics, and a desire to preserve the tradition of the craft by using historical data. In his hands, archaic forms and decorative techniques are reborn and continue to live on.",[849],[666,773],[1089,733,849,965,1090,926,737],"Art de la table","Indigenous",[1092,1093,1094,1095,1096],"Vases for flowers","Tiger cup","Sourdough cups","Sourdough goblets","Stewing pot",[1098,1099,1100,863,1101,1102,785],"Engobes","Raku clay","Wax","Clay","Chamotte clay",[866,1104,1105,690,1106,1107,692,1108],"Cup","Pot","Drinkware","Cookware","Table and kitchen",[697],[869],[849],54.68049,25.29529,"2024-08-14",{"_715":1112,"_716":1113},5121,{"_649":1118,"_31":1119,"_652":1120,"_255":1124,"_378":1125,"_659":1126,"_661":1127,"_664":1129,"_667":1130,"_673":1133,"_680":1139,"_686":1145,"_694":38,"_695":1148,"_698":1149,"_701":1151,"_703":1152,"_705":1153,"_707":986,"_709":710,"_711":1154,"_713":1155,"_717":1156},"profile-2104",2104,[1121,1122,1123],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000TlF4AU-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000TlB4AU-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000TlE4AU-right2.jpg","Ieva Babilaitė","ieva-babilaite-xpbrjz","Ieva Babilaitė is an artist, book illustrator, and creator. She has loved drawing since she was a child. Even at the age of five, she used to communicate with her sisters through drawn letters. This led her to a children's art school, then to the Graphic Arts Department of the Vilnius Academy of Arts, where she completed her Master's degree and where she now teaches students. She is a person who is constantly observing the world with patience and curiosity and puts what she sees into her books, which are mostly aimed at children but are also enjoyable for adults. Her drawings are extremely sensitive and delicate, revealing the characters' inner world, feelings, sadness, loneliness, joy, or longing. Sometimes, she writes about her life by producing her own books; sometimes, she collaborates with writers; and sometimes, her books do not even need words as images are enough. Her illustrated books have won the Lithuanian Ministry of Culture Prize and the IBBY Prize for Best Illustration many times.",[1128],"Illustration",[666,773],[1131,966,1132,891],"Awarded","Teacher",[1134,1135,1136,1137,1138],"Images from life of the Old Lady, etc.","I will fly","The Tale of the Last Prince of Lithuania","The Polar Bear Book","Terribly beautiful poems",[1140,1141,1142,966,1143,1144],"Indian paper","Acrylic paint","Ballpoint pen","Digital","Synthetic materials and resins",[1146,1147,979],"Book","Library",[697],[1150],"Illustrator",[1128],54.71122,25.36505,"2024-03-14",{"_715":1152,"_716":1153},2665,{"_649":1158,"_31":1159,"_652":1160,"_255":1164,"_378":1165,"_659":1166,"_661":1167,"_664":1169,"_667":1171,"_673":1172,"_680":1177,"_686":1180,"_694":38,"_695":1186,"_698":1187,"_701":1189,"_703":1190,"_705":1191,"_707":986,"_709":710,"_711":1192,"_713":1193,"_717":1194},"profile-2108",2108,[1161,1162,1163],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000003yq4AA-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000003yo4AA-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000003yp4AA-right2.jpg","Monika Sarte","monika-sarte-tmhalo","Monika Sarte never thought she would become a weaver. She graduated in architecture from the Vilnius Gediminas Technical University, continued her studies in Delft, and later worked as an architect in Germany and Luxembourg, designing modern high-rise buildings. However, when she wanted a change, she returned to Lithuania and immersed herself in the secrets of weaving. It turned out that there are many similarities between architecture and weaving. Most importantly, weaving offers her creative freedom. Having learned to weave in only one year, Monika now works in her studio in Vilnius, where she uses four wooden looms to create scarves, shawls and rugs made of wool and linen. Her fabrics are strictly minimalist, in restrained colours, but in each of them, you can see the professional composition and the joy of creativity and meditation that the craft brings her.",[1168],"Weaving",[666,773,1170],"Vilnius: the Lithuanian art of weaving",[693,964,815,737],[1173,1174,1175,1176],"Sakura inspired linen shawl","Brick-red wide fringed shawl","Green table runner","Black and white shawl",[900,1178,1179,685],"Merino wool","wool",[1181,1182,1183,1184,829,1185],"Shawl","Table runner","Clothing","Table linen","Home textiles",[697],[1188],"Weaver",[1168],54.73578,25.27808,"2023-12-14",{"_715":1190,"_716":1191},2154,{"_649":1196,"_31":1197,"_652":1198,"_255":1202,"_378":1203,"_659":1204,"_661":1205,"_664":1207,"_667":1208,"_673":1209,"_680":1215,"_686":1221,"_694":38,"_695":1224,"_698":1225,"_701":1227,"_703":1228,"_705":1229,"_707":986,"_709":710,"_711":1230,"_713":1231,"_717":1232},"profile-2107",2107,[1199,1200,1201],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004VbGWAU-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004VbaWAE-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004VbIWAU-right2.jpg","Ieva Rusteikaitė","ieva-rusteikait-hlpboa","Since 2011, Ieva Rusteikaitė has been restoring old documents at Vilnius University Library and creating art books in her studio Siberiana Books in parallel. She studied Cultural History, Anthropology, and Semiotics at Vilnius University, then Conservation and Restoration at the University of Barcelona, and now she is a member of the Vilnius Bookbinders Guild. Ieva describes herself as a practitioner of 'thing-ology' – a kind of anthropology of objects, characterised by a close look at new, worn or even decayed surfaces, parts, and materials. In her bookbinding work, she fuses these together during the process of creation, to harbour all the traces of habits and everyday movements that were within the different parts. The result is a book that is both new and restored, encompassing many dimensions of content and form.",[1206],"Bookbinding",[666,773],[669,734,966,737],[1210,1211,1212,1213,1214],"Jean Jacques Rousseau, Cartas elementales sobre botánica","Poems by Rafael Muñoz Zayas","Virginija Kulvinskaitė, antrininkė (Vilnius: Dead Shirt Society, 2018)","Sylvia Plath, Ariel (Faber & Faber, 1968)","A notebook",[1216,1217,966,1218,1219,1220,825,937,786,685],"Goatskin","Foil","Ink","Textile","Leather",[1146,1222,1147,1223,979],"Notebook","Stationery",[697],[1226],"Bookbinder",[1206],54.68011,25.28458,"2023-09-28",{"_715":1228,"_716":1229},5666,{"_649":1234,"_31":1235,"_652":1236,"_255":1239,"_378":1240,"_659":1241,"_661":1242,"_664":1244,"_667":1245,"_673":1246,"_680":1251,"_686":1253,"_694":38,"_695":1255,"_698":1256,"_701":1258,"_703":1259,"_705":1260,"_707":986,"_709":1261,"_711":1262,"_713":1263,"_717":1264},"profile-2131",2131,[1237,1238],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004V7UWAU-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004V7KWAU-left1.jpg","Ričardas Grekavičius","riardas-grekaviius-gz8lun","The grandson of a blacksmith, Ričardas Grekavičius is self-taught and came to this craft by vocation. For him, blacksmithing is a magical craft, as a blacksmith is a person who controls fire – controls and respects it at the same time. Ričardas also respects the tradition of Lithuanian folk blacksmithing. He is a member of the Lithuanian Folk Artisans' Union and the Lithuanian Blacksmiths' Union. His works are certified as national heritage products, and in 2019 he was awarded the honourable title of the Best Lithuanian Blacksmith. He forges Lithuanian iron cross tops, so-called 'little suns', crosses, small architectural details, and fences for gravestones at his forge in a remote village. Ričardas often draws inspiration from nature, turning crosses into trees and sprouting branches with leaves and flowers.",[1243],"Blacksmithing",[666],[1131,693,669,735,816,926],[1247,1248,1249,1250],"Little Sun","Gates","Tree","Gate",[1252,937],"Wrought iron",[689,1250,691,1254,693],"Building elements",[697],[1257],"Blacksmith",[1243],54.95323,23.056,"Šakiai district, Lithuania","2023-09-21",{"_715":1259,"_716":1260},4677,{"_649":1266,"_31":1267,"_652":1268,"_255":1272,"_378":1273,"_659":1274,"_661":1275,"_664":1276,"_667":1277,"_673":1279,"_680":1285,"_686":1291,"_694":38,"_695":1293,"_698":1294,"_701":1295,"_703":1296,"_705":1297,"_707":986,"_709":710,"_711":1298,"_713":1299,"_717":1300},"profile-2106",2106,[1269,1270,1271],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PdN2WAK-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PdN6WAK-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PdN8WAK-right2.jpg","Milena Pirštelienė","milena-pirtelien-x9baos","Milena Pirštelienė has been working with ceramics since the 1990s. She is a member of the Lithuanian Artists' Union, and her works have been presented and have won international awards in more than 50 exhibitions in Lithuania and abroad. Her ceramics combine fine and applied art: graphic drawing, the picturesque blending of colours, and architectural, sculptural forms. In 2017, Milena discovered a distinctive technique of drawing on ceramic surfaces, allowing her to create a three-dimensional, graphic visual effect. Milena's works often feature landscapes, sometimes specific or imagined cities. Other times the pieces portray landscapes of nature. Although the world she depicts is often devoid of people, shadows of individual passers-by and unknown characters appear in some of her works. These works are strictly shaped and dominated by a combination of the artist's favourite white clay and black pigment, reminiscent of a dream or photograph.",[849],[666,773],[1131,849,1278,891],"Unusual",[1280,1281,1282,1283,1284],"Equilibrium","From the Scene Etudes series","From the Vertigo series","From the Panic Rooms series","Diptych Sky",[1286,1287,862,1288,1289,1290,863,864,937],"pigment","White clay","Metal","Underglaze","Cement, plaster, stucco",[689,1292,691,749,693,692],"Panel",[697],[869],[849],54.67659,25.28113,"2023-08-31",{"_715":1296,"_716":1297},4443,{"_649":1302,"_31":1303,"_652":1304,"_255":1308,"_378":1309,"_659":1310,"_661":1311,"_664":1313,"_667":1314,"_673":1318,"_680":1324,"_686":1328,"_694":38,"_695":1334,"_698":1335,"_701":1337,"_703":1338,"_705":1339,"_707":986,"_709":1340,"_711":1341,"_713":1342,"_717":1343},"profile-2118",2118,[1305,1306,1307],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PcjVWAS-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PcjHWAS-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PcjaWAC-right2.jpg","Martynas Švedas","vedas-martynas-kv3fo1","Martynas Švedas studied biology, but his passion for history triumphed in defining him. Fully immersed in ancient times, Martynas plays and sings in a Baltic music band and has been involved in martial fraternities since he was a teenager. This is where battles of the past are re-enacted and why he had no choice but to learn the craft of leatherworking. He makes traditional belts and pouches form leather, using information from books and historical data, to produce items fit for re-enactments which aim to be historically accurate. Creativity and history are both important in Martynas' work. It is not enough to copy. \"The most accurate description of my approach would be that it is an artistic expression based on history and archaeology,\" says the artisan who calls himself a pouch maker.",[1312],"Leatherworking",[666],[1315,1316,1317,816,926,737],"Fairytale","Functional","Lifestyle",[1319,1320,1321,1322,1323],"Pouch","Belt bag","Historical shoulder bag","Replica of a 5th century belt","Knife of the Yotving",[1325,1220,900,1326,1015,936,1327,825,685,937],"Horn","Iron","Wood",[1319,1320,1329,1330,1331,828,1332,1333,829,1108],"Shoulder bag","Belt","Knife","Bags and luggages","Coffee and tea",[697],[1336],"Leatherworker",[1312],54.78247,25.26593,"Didžioji Riešė, Lithuania","2023-08-24",{"_715":1338,"_716":1339},4995,{"_649":1345,"_31":1346,"_652":1347,"_255":1351,"_378":1352,"_659":1353,"_661":1354,"_664":1355,"_667":1356,"_673":1357,"_680":1363,"_686":1364,"_694":38,"_695":1367,"_698":1368,"_701":1369,"_703":1370,"_705":1371,"_707":986,"_709":710,"_711":1372,"_713":1373,"_717":1374},"profile-2117",2117,[1348,1349,1350],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PcX6WAK-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PcX5WAK-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PcX1WAK-right2.jpg","Valdas Pukevičius","pukeviius-valdas-hx2fjq","Valdas Pukevičius is a man whose whole life has been dedicated to ceramics. Since the age of 10, when his mother first took him to art school, he has been creating ceramic plates, cups, bowls, decorative plates, and sculptural objects. \"In a way, my life is not interesting – it is just ceramics. There is nothing else I have wanted to do,\" says Valdas. After his master's studies at the Vilnius Academy of Arts, Valdas immersed himself in transferring drawings onto ceramics, using decals. Later he became interested in colour, turning his plates into canvases where colour reigns. Today he is moving away from plane objects towards voluminous creations, making sculptures for exhibitions. Valdas constantly balances self-criticism, accuracy and technical perfection while engineering what he calls controlled accidents. Ceramics delight and surprise him every day.",[849],[666,773],[1089,669,849,965,1316],[1358,1359,1360,1361,1362],"Orange decorative plate","Splash decorative plate","Pattern decorative plate","Blue decorative plate","Dotted decorative plate",[1287,1057,862,863,864],[1365,1366,1108],"Plate","Dishware",[697],[869],[849],54.67468,25.26727,"2023-08-10",{"_715":1370,"_716":1371},4004,{"_649":1376,"_31":1377,"_652":1378,"_255":1382,"_378":1383,"_659":1384,"_661":1385,"_664":1387,"_667":1388,"_673":1390,"_680":1396,"_686":1402,"_694":38,"_695":1405,"_698":1406,"_701":1408,"_703":1409,"_705":1410,"_707":986,"_709":710,"_711":1372,"_713":1411,"_717":1412},"profile-2113",2113,[1379,1380,1381],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PcNzWAK-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PcO9WAK-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PcOXWA0-right2.jpg","Tadas Deksnys","deksnys-tadas-zi15op","From an early age, Tadas Deksnys has been attracted to small objects requiring meticulousness. As a child, he liked to draw, glued models of ships and planes and attended a telemechanics class. He enjoyed it so much that he enrolled in physics after leaving school. But it was not long before jewellery making became more appealing. Tadas enrolled at the Telšiai Higher School of Fine Arts and graduated with a degree in metalworking art. He has been making jewellery in titanium, gold, silver, and precious stones for many years. Today, he dedicates most of his attention to enamel techniques that can be applied to metal. He forges and shapes decorative vessels and forms out of metal, coating them with colourful enamel. Tadas' work has been exhibited many times in Lithuania and abroad. His vessels and dimensional forms are an opportunity to combine classical techniques with the new possibilities of enamel.",[1386],"Enamelling",[666,773],[1389,1004,816],"First generation",[1391,1392,1393,1394,1395],"Harmony earrings","Form I","IIxIII","Circular waves ring","Frost, Yellow bracelet",[1057,1397,1020,1058,1398,1015,1399,1400,864,937,1022,1401],"Gold AU750","Gold plated","Rhodium","Stainless steel","Steel",[1403,1404,1067,1024,940,690,829,692],"Earring","Vessel",[697],[1407],"Enameller",[1386],54.67033,25.26132,{"_715":1409,"_716":1410},3762,{"_649":1414,"_31":1415,"_652":1416,"_255":1420,"_378":1421,"_659":1422,"_661":1423,"_664":1425,"_667":1426,"_673":1427,"_680":1433,"_686":1435,"_694":38,"_695":1438,"_698":1439,"_701":1441,"_703":1442,"_705":1443,"_707":986,"_709":1444,"_711":1445,"_713":1446,"_717":1447},"profile-2142",2142,[1417,1418,1419],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PbwjWAC-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PbwVWAS-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PbwWWAS-right2.jpg","Albinas Šileika","ileika-albinas-mnfsdv","Albinas Šileika is a craftsman with an unusual life path. As a boy grew up in an orphanage, where his teacher got him interested in woodcarving. Albinas has a real passion for preserving Lithuania's national heritage. He meticulously carves distaffs and towel holders, decorating them with traditional Lithuanian folk ornaments, he organises exhibitions of his work in Lithuania and abroad, and he runs workshops. The carver has received numerous awards. His works have been certified as objects of national heritage, and he is recognised as a master of traditional crafts. Carving is a passion, a respite, an opportunity to realise his ideas, and a continuation of traditional Lithuanian culture.",[1424],"Wood carving",[666],[1131,669,1090,816,926,1132,737,1327],[1428,1429,1430,1431,1432],"Towel holder","Distaff I","Distaff II","Towel rail","Distaff III",[1434,1327],"Linden wood",[1428,1436,1437,749,1108,692],"Wall decor","Table accessories",[697],[1440],"Woodcarver",[1424],55.4862,25.48665,"Antalgė, Lithuania","2023-06-15",{"_715":1442,"_716":1443},3260,{"_649":1449,"_31":1450,"_652":1451,"_255":1455,"_378":1456,"_659":1457,"_661":1458,"_664":1459,"_667":1460,"_673":1461,"_680":1467,"_686":1468,"_694":38,"_695":1472,"_698":1473,"_701":1474,"_703":1475,"_705":1476,"_707":986,"_709":1477,"_711":1478,"_713":1479,"_717":1480},"profile-2137",2137,[1452,1453,1454],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PbTxWAK-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PbTtWAK-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PbUCWA0-right2.jpg","Rasuolė Andriukaitienė","rasuol-andriukaitien-weaving-lithuania","As a child, Rasuolė Andriukaitienė watched her grandmother weave. \"In a way, weaving was in my blood,\" she says. She saw the old patterns and felt that this was her path. She first learned her craft from old master weavers with simple fabrics, and then continued her weaving studies at the Tamošaičiai Gallery. Rasuolė's first woven works were two Lithuanian national costumes, based on historical examples. Later, she became interested in interior design. Her first rugs were born as a combination of traditional Lithuanian folk weaving and a modern colour palette. In 2018, she set up her own weaving house, Erčia. In her workshop, Rasuolė weaves cushions, tablecloths and rugs out of Lithuanian linen and wool, drawing on historical research on Lithuanian folk fabrics and spreading the love of her craft.",[1168],[666],[1316,1317,671,926,737],[1462,1463,1464,1465,1466],"AFRICA","Stranger","Trio Glow","Let's Talk in Black...","I Know, I Am Beautiful",[900,685],[1469,1470,1471,1185],"Rug","Cushion","Soft furnishings",[697],[1188],[1168],54.83618,24.4242,"Kaisiadorys, Lithuania","2023-06-01",{"_715":1475,"_716":1476},4936,{"_649":1482,"_31":1483,"_652":1484,"_255":1488,"_378":1489,"_659":1490,"_661":1491,"_664":1493,"_667":1494,"_673":1495,"_680":1498,"_686":1504,"_694":38,"_695":1505,"_698":1506,"_701":1508,"_703":1509,"_705":1510,"_707":986,"_709":1511,"_711":1512,"_713":1513,"_717":1514},"profile-2112",2112,[1485,1486,1487],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PO9KWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PO9IWAW-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PO9MWAW-right2.jpg","Vykintas Motuza","vykintas-motuza-cutlery-making-lithuania","The son of a geology professor and a graduate geologist himself, Vykintas Motuza never thought he would delve into knife making. During the Soviet era, knives were highly criminalised, but the opening of the borders in 1990 changed everything. With the opportunity to travel abroad and see the knives of other Nordic countries, Vykintas became interested in the Lithuanian knife tradition. He immersed himself in this research, and has stayed with it ever since. His goal is to make a traditional Lithuanian knife, the tradition of which was disrupted during successive occupations. Since 2002, Vykintas has been making ancient Lithuanian and Baltic Sea knives from different historical periods, using ancient materials and technologies. He crafts knives historically used for battle as well as for everyday use.",[1492],"Cutlery making",[666],[1389,734,1316,815,926,737],[1496,1497],"Lithuanian knife","Curonian war knife",[1220,1326,1401,1499,1327,1500,1501,935,1502,825,937,1503],"Maple wood","Birchwood","Beads","Bog oak","Glass",[1331,1333,1108],[697],[1507],"Cutler",[1492],55.57841,25.07102,"Anykščiai, Lithuania","2023-03-02",{"_715":1509,"_716":1510},4283,{"_649":1516,"_31":1517,"_652":1518,"_255":1521,"_378":1522,"_659":1523,"_661":1524,"_664":1525,"_667":1526,"_673":1528,"_680":1534,"_686":1535,"_694":49,"_695":1539,"_698":1540,"_701":1541,"_703":1542,"_705":1543,"_707":986,"_709":1544,"_711":1545,"_713":1546,"_717":1547},"profile-2132",2132,[1519,1520],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PY1zWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PY1yWAG-left1.jpg","Deividas Jotautis","jotautis-deividas-cirgq4","Deividas Jotautis is a passionate creator of traditional Lithuanian ceramics. For 30 years, he has been admiring the painted ornaments and forms that decorate classic Lithuanian ceramic cookware, finding a place for them in the contemporary world. After graduating from the Kaunas School of Applied Arts, he began working at the renowned Jiesia Fine Ceramics Factory in the household ceramics production workshop. It was there that he realised that the most important dimension for him in his work was creating items decorated with traditional Lithuanian ornaments. In 2013, Deividas' pieces were awarded the certificate of National Heritage Products. He participates in seminars and outdoor workshops in Lithuania and organises solo exhibitions of his works. He uses local raw materials to craft his ceramics.",[849],[666],[1131,669,849,965,1316,1527,671,926,737],"Hospitality",[1529,1530,1531,1532,1533],"Ornamented vase","Decorated jug","Leka (bottle)","Pot with lid","Painted ornament bowl",[1101,1098,862,1287,863,864],[866,1536,1105,1537,690,1538,1107,692,1108],"Jug","Bowl","Serving ware",[697],[869],[849],54.86908,23.9397,"Kaunas, Lithuania","2023-02-23",{"_715":1542,"_716":1543},4059,{"_649":1549,"_31":1550,"_652":1551,"_255":1555,"_378":1556,"_659":1557,"_661":1558,"_664":1559,"_667":1560,"_673":1561,"_680":1567,"_686":1568,"_694":49,"_695":1569,"_698":1570,"_701":1571,"_703":1572,"_705":1573,"_707":986,"_709":710,"_711":1574,"_713":1575,"_717":1576},"profile-2144",2144,[1552,1553,1554],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PXqyWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PXquWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PXqxWAG-right2.jpg","Beatričė Kelerienė","beatri-kelerien-ceramics-lithuania","Beatričė Kelerienė’s studio is filled to the brim with countless hazel-coloured cups and vases. They have been fired using a unique and sophisticated technique called anagama. Since 2003, Beatričė has spent time learning this traditional pottery craft in a workshop in Japan, alongside studying and researching traditional kilns. She also set up a pottery studio in Misato. Her ceramics have repeatedly been praised in Japan’s most prestigious pottery competitions. Beatričė's pieces impress with their dignified simplicity. She fires them in a high-temperature wood-burning kiln and glazes them with molten wood ash. Artisans working with anagama have to surrender to the magic of chance, as they never know what the kiln will gift them.",[849],[666,773],[1131,669,849,735,1316,736,775,926,737],[1562,1563,1564,1565,1566],"Bowl with spout","Joker","Decorated vase","Bowl in blue","Rusty Chawan",[1101,863],[689,1537,691,690,693,692],[697],[869],[849],54.69788,25.31348,"2023-01-26",{"_715":1572,"_716":1573},4142,{"_649":1578,"_31":1579,"_652":1580,"_255":1584,"_378":1585,"_659":1586,"_661":1587,"_664":1589,"_667":1590,"_673":1592,"_680":1598,"_686":1599,"_694":49,"_695":1602,"_698":1603,"_701":1605,"_703":1606,"_705":1607,"_707":986,"_709":710,"_711":1608,"_713":1609,"_717":1610},"profile-2143",2143,[1581,1582,1583],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWtzWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWtxWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWu1WAG-right2.jpg","Linas Spurga","linas-spurga-calligraphy-lithuania","Linas Spurga has been familiar with the world of writing since childhood: his father is an artist and one of Lithuania's most famous book designers and design educators. However, Linas knew nothing about calligraphy until he entered the Vilnius Academy of Arts to study graphic arts. He began to take an interest in the history and philosophy of writing and then discovered its creative potential. He was inspired to create his own fonts and draw letters. Currently, Linas organises calligraphy exhibitions and collaborates on various artistic projects. One of the most important ones is his collaboration with the curators of the exhibition \"Why is it so hard to love?\" Saskia Bodekke and director Peter Greenaway at the MO Museum, where Linas' calligraphy decorated the exhibition space. He writes with everything, from makeshift tools such as combs and tin cans, to traditional pens, brushes and markers.",[1588],"Calligraphy",[666,773],[1389,669,965,1591,926,737,891],"Innovation",[1593,1594,1595,1596,1597],"Undone No. 3","18th century Karaite wedding document copy","Undone No. 2","Undone No. 1","Undone No. 4",[1218,966,786],[1600,1601,978,979],"Etching","Facsimile",[697],[1604],"Calligrapher",[1588],54.70835,25.29312,"2022-12-22",{"_715":1606,"_716":1607},2451,{"_649":1612,"_31":1613,"_652":1614,"_255":1618,"_378":1619,"_659":1620,"_661":1621,"_664":1623,"_667":1624,"_673":1625,"_680":1631,"_686":1633,"_694":49,"_695":1634,"_698":1635,"_701":1637,"_703":1638,"_705":1639,"_707":986,"_709":1640,"_711":1641,"_713":1642,"_717":1643},"profile-2139",2139,[1615,1616,1617],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWWqWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWWoWAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWWrWAO-right2.jpg","Adelė Gančierė","adel-ganier-linocut-printmaking-lithuania","Adelė Gančierė has been surrounded by folk art since childhood: her mother is a famous paper-cutting artist, and many of her family members were involved in folk art. It was therefore a natural choice to pursue that folk art as a career. Adelė could talk for hours about woodcuts, linocuts, and their history. Having immersed herself in this art form as a teenager, she not only wrote her final thesis at university about woodcuts but also published a book. Her woodcuts and linocuts now travel to the farthest corners of the world and she regularly organises exhibitions and workshops, proving by example that folk art can find a place in modern everyday life. Her cuttings are inspired by Lithuanian folk songs and fairy tales, combining traditional forms with contemporary presentations.",[1622],"Linocut printmaking",[666],[669,735,926,737,853],[1626,1627,1628,1629,1630],"Cold Autumn","Angel","Traditional lithuanian fairytale","Birdies","Jūratė and Kastytis",[1632,1144],"Synthetic materials",[1436,749,692],[697],[1636],"Linocut printmaker",[1622],55.50581,25.59643,"Utena, Lithuania","2022-12-08",{"_715":1638,"_716":1639},1899,{"_649":1645,"_31":1646,"_652":1647,"_255":1651,"_378":1652,"_659":1653,"_661":1654,"_664":1655,"_667":1656,"_673":1657,"_680":1663,"_686":1666,"_694":38,"_695":1667,"_698":1668,"_701":1669,"_703":1670,"_705":1671,"_707":986,"_709":710,"_711":1672,"_713":1673,"_717":1674},"profile-2110",2110,[1648,1649,1650],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVoEWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVoCWAW-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVoGWAW-right2.jpg","Marius Zakaras","marius-zakaras-jewellery-making-lithuania","As a child, Marius Zakaras loved casting miniature objects, so when the time came to choose a profession, he wanted to stay in the creative field. He was considering a career as an architect, but jewellery had a stronger pull. Today, he has a studio in Vilnius where he creates jewellery from gold and titanium. He became interested in the latter through his colleague’s hobby of spearfishing: the equipment used in it is usually made of titanium. However, this metal is not widely-used by jewellers. It is demanding and hard to work with, but that is exactly what Marius likes about it as he is not afraid of challenges. After turning his workshop into a laboratory, Marius dived into exploring the secrets of titanium. When he discovered black titanium, he realised it was the material he had been looking for. He combines the sheen of gold with the blackness of titanium to creating provocative jewellery pieces.",[1001],[666,773],[1591,1004,737],[1658,1659,1660,1661,1662],"Canada","Colett","Swinty","Vont ti","Bariss",[1015,1664,1665,1016,1020,937,1022],"Titanium","White gold",[1067,1403,940,829],[697],[1027],[1001],54.6789,25.26694,"2022-12-01",{"_715":1670,"_716":1671},5386,{"_649":1676,"_31":1677,"_652":1678,"_255":1682,"_378":1683,"_659":1684,"_661":1685,"_664":1686,"_667":1687,"_673":1688,"_680":1694,"_686":1695,"_694":38,"_695":1701,"_698":1702,"_701":1703,"_703":1704,"_705":1705,"_707":986,"_709":1544,"_711":1706,"_713":1707,"_717":1708},"profile-2122",2122,[1679,1680,1681],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPH2WAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPH0WAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPH4WAO-right2.jpg","Akvilina Vaičaitytė","akvilina-vaiaityt-leatherworking-lithuania","Akvilina Vaičaitytė first passion was swimming. She studied in the US, graduating in communications and then decided to return to her hometown of Kaunas in Lithuania. There she worked in an advertising company, pursuing her interest in photography and wrote a blog about style called toksvisoks (this and that). Then she fell in love with leather. “One day I bought a few leather coats from a second-hand store, I cut them up, cleaned and ironed the materials, and constructed the mother of all bags - followed by many more.” Now Akvilina creates handbags, backpacks, purses, and belts. From the leather selection to design, down to the finest details and the very last seam, everything is done by her hands. Curiosity and vigorous energy drive her to keep creating new models and looking for innovative slow fashion solutions.",[1312],[666],[1389,814,1316,815,816,737],[1689,1690,1691,1692,1693],"Margeret leather handbag","Fiona handbag","Friday wallet","Gordon backpack","Ash key case in red",[1220,825],[1696,1697,1698,1332,1699,829,1700],"Bag","Wallet","Key holder","Furniture accessories","Furniture",[697],[1336],[1312],54.89704,23.90379,"2022-07-28",{"_715":1704,"_716":1705},1305,{"_649":1710,"_31":1711,"_652":1712,"_255":1716,"_378":1717,"_659":1718,"_661":1719,"_664":1721,"_667":1722,"_673":1723,"_680":1729,"_686":1730,"_694":49,"_695":1731,"_698":1732,"_701":1734,"_703":1735,"_705":1736,"_707":986,"_709":1737,"_711":1738,"_713":1739,"_717":1740},"profile-2116",2116,[1713,1714,1715],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PX4oWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PX4mWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PX4qWAG-right2.jpg","Remigijus Kriukas","remigijus-kriukas-glass-sculpting-lithuania","Remigijus Kriukas is one of the most renowned Lithuanian glass artists, working in this field since 1985. He graduated from the State Art Institute of Lithuania (now the Vilnius Academy of Arts, Kaunas Faculty), part of the first intake of future glass artists. Since then, glass has become a way of life for him. In 2000, Kriukas founded a glass studio in Panevėžys, where all his creative work takes place, where his workshops are held and where glass artists from other countries gather biannually to blow glass to the accompanying sound of jazz. Remigijus’ works have won many international awards. He regularly participates in international symposia and exchanges of experiences and ideas. His glass sculptures are technically complex, decorative yet at the same time powerful.",[1720],"Glass sculpting",[666],[733,1389,669,1503,1591,1132,737],[1724,1725,1726,1727,1728],"Clouds Sack","Unique View","Friend II","Red Dew","The Wind of the Moonlight",[1503],[689,866,691,690,693,692],[697],[1733],"Glass sculptor",[1720],55.7347573389227,24.3817464222099,"Panevėžys, Lithuania","2022-07-21",{"_715":1735,"_716":1736},5215,{"_649":1742,"_31":1743,"_652":1744,"_255":1748,"_378":1749,"_659":1750,"_661":1751,"_664":1753,"_667":1754,"_673":1756,"_680":1761,"_686":1763,"_694":49,"_695":1765,"_698":1766,"_701":1768,"_703":1769,"_705":1770,"_707":986,"_709":1771,"_711":1738,"_713":1772,"_717":1773},"profile-2140",2140,[1745,1746,1747],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PX4vWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PX4uWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPFeWAO-right2.jpg","Loreta Lichtarovičienė","loreta-lichtaroviien-straw-working-lithuania","Loreta Lichtarovičienė studied ethnology and folkloristics, but her real passion is for Lithuanian straw himmeli (straw gardens). Himmeli are included in the UNESCO cultural heritage list – in the past these spatial objects accompanied Lithuanians from birth up until death. She was a teenager when she first laid her eyes on one, hanging in an old farm, she has never forgotten it. Afterwards she married into a family, which had a long tradition of himmeli making. This is how Loreta’s main mentor became the mother of her husband, who had learned the craft from her own mother and grandmother. Nowadays, she continues the old Lithuanian tradition of making himmeli in her studio in the village of Aliejunai, in the outskirts of Vilnius, by combining the dexterity of her fingers with family wisdom and symbolic meaning.",[1752],"Straw working",[666],[669,735,736,852,1005,1755,671,816,926,737],"Religion",[1757,1758,1759,1760],"Sodas","Šiaudinis sodas","Himmeli","Šiaudinė saulytė",[1762,786],"Straw",[1764,1436,749,692],"Wall hanging",[697],[1767],"Straw worker",[1752],54.85993,24.91122,"Aliejūnai, Lithuania",{"_715":1769,"_716":1770},517,{"_649":1775,"_31":1776,"_652":1777,"_255":1781,"_378":1782,"_659":1783,"_661":1784,"_664":1785,"_667":1786,"_673":1787,"_680":1793,"_686":1794,"_694":49,"_695":1795,"_698":1796,"_701":1797,"_703":1798,"_705":1799,"_707":986,"_709":1640,"_711":1800,"_713":1801,"_717":1802},"profile-2136",2136,[1778,1779,1780],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUMzWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUMxWAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUN1WAO-right2.jpg","Odeta Bražėnienė","odeta-branien-paper-cutting-lithuania","Odeta Bražėnienė first saw paper cuttings as a child in a village near Rokiškis, where an elderly relative lived. It was in an old village house with an earthen floor that she first picked up a pair of scissors and cut ornaments to decorate shelves. She returned to this activity later, while studying in Vilnius. She joined the Union of Folk Artists and immediately began to participate actively in exhibitions. The active and talented craftswoman was soon noticed and received well deserved appreciation. In more than four decades of creative activity, she has held 40 solo exhibitions, which have toured various galleries in Lithuania, Poland, Russia and the US, she has also participated in more than 100 group exhibitions in various countries. Her works have been acquired by the museums of Rokiškis, Kupiškis and Utena. She is the author of eight books on cuttings. She never tires of admiring and popularising this craft. All her work is based on Lithuanian folk art, the plots of folk tales and songs, its ornaments and symbolic meanings, which she translates onto paper.",[961],[666],[669,965,735,966,816,1132,737],[1788,1789,1790,1791,1792],"Blossoms","Tree of Life","Autumn","Lithuanian Ornament","Summer Bouquet",[966],[976,977,979],[697],[982],[961],55.5050275317246,25.5994240831086,"2022-05-19",{"_715":1798,"_716":1799},665,{"_649":1804,"_31":1805,"_652":1806,"_255":1810,"_378":1811,"_659":1812,"_661":1813,"_664":1814,"_667":1815,"_673":1817,"_680":1823,"_686":1831,"_694":49,"_695":1833,"_698":1834,"_701":1835,"_703":1370,"_705":1836,"_707":986,"_709":710,"_711":1837,"_713":1838,"_717":1839},"profile-2128",2128,[1807,1808,1809],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PTISWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PTIQWA4-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PTIUWA4-right2.jpg","Marytė Dominaitė Gureviciene","dominait-gureviciene-maryt-jtchjj","Marytė Dominaitė-Gurevičienė has been creating jewellery for more than four decades. After studying metal art and jewellery at Tallinn University of Art in Estonia, she returned to Lithuania and started making jewellery from gold, silver, amber and precious stones. She participated in and curated many exhibitions in Lithuania and abroad, but her greatest love is enamel. The enamel technique allowed the artist’s effervescing temperament to fully express herself and satisfy her desire for colour. One of the most sophisticated and oldest jewellery-making techniques, enamel work requires a lot of technical knowledge – and creative spontaneity – which the artist obeys unconditionally. She regularly participates in enamel art biennials, organises art symposiums, sits on the jury at international jewellery contests, as well as leads educational workshops on enamel art. She also participates in fashion shows and has created jewellery pieces for many celebrities.",[1386],[666,773],[669,814,1816,670],"Mixed media",[1818,1819,1820,1821,1822],"Leaving","Rain of Words brooch","Year of the Dragon","Trouble (Covid-19) necklace","Rūta Kaklo Papuošalas necklace",[1057,1824,935,1058,1142,1825,1326,1826,1827,1828,936,1829,1830,864,937,1144,786,685,1022,1063],"Aluminium","Pencil","Plastic","Silk","Copper wire","Aventurine","Swarovski crystals",[1436,1065,1832,1010,749,940,692,829],"Triptych",[697],[1407],[1386],25.2821,"2022-04-28",{"_715":1370,"_716":1836},4274,{"_649":1841,"_31":1842,"_652":1843,"_255":1847,"_378":1848,"_659":1849,"_661":1850,"_664":1852,"_667":1853,"_673":1855,"_680":1862,"_686":1864,"_694":38,"_695":1868,"_698":1869,"_701":1871,"_703":1872,"_705":1873,"_707":986,"_709":710,"_711":1874,"_713":1875,"_717":1876},"profile-2151",2151,[1844,1845,1846],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PQCAWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PQC8WAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PQCCWA4-right2.jpg","Mantas Petruškevičius","mantas-petrukeviius-flower-designing-lithuania","\"Enough with minimalism\" says Mantas Petruškevičius. When the Lithuanian wedding and event floral artist – internationally known for his lavish arrangements – talks about his style, the word he uses is the opposite! \"I would define it maximum-ist! The flowers should froth like a rivulet, or a waterfall. Only in this way you can create a vital atmosphere. If I lived in the Baroque era, I would definitely feel in my shoes.\" Not something you would expect from a guy who grew up in a cold, northern country, where nature is all but luxuriant. \"Yet, I’ve always cherished those brief moments, in spring, when the snowdrops emerge from the snow, and then come tulips, daffodils, roses, lilacs and many others. It's usually short, but what an ineffable beauty!\"",[1851],"Flower designing",[666,773],[669,1854,187,1816,1005,815,816],"Flowers",[1856,1857,1858,1859,1860,1861],"Romance","Royal Wedding Ceremony","Red Gala Wedding","French Garden","Royal Wedding Dinner","分子",[1863,1503,786],"Flower",[1865,1866,866,1867,690,692],"Floral centerpiece","Floral installation","Botanical art",[697],[1870],"Flower designer",[1851],54.67688,25.28351,"2022-04-14",{"_715":1872,"_716":1873},4824,{"_649":1878,"_31":1879,"_652":1880,"_255":1884,"_378":1885,"_659":1886,"_661":1887,"_664":1888,"_667":1889,"_673":1890,"_680":1896,"_686":1900,"_694":49,"_695":1902,"_698":1903,"_701":1904,"_703":1905,"_705":1906,"_707":986,"_709":710,"_711":1907,"_713":1908,"_717":1909},"profile-2146",2146,[1881,1882,1883],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PX7YWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PX7WWAW-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PX7aWAG-right2.jpg","Elena Aleksejeva","elena-aleksejeva-ceramics-lithuania","Elena Aleksejeva always wanted to study ceramics, but it took her four times until she was accepted to the Vilnius Art Academy. Her stubborn perseverance eventually got her admitted and she has never looked back. Now, she works in her own studio, making various teapots, mugs, bowls and plates. Her absolute passion is ancient ceramics techniques, such as fermented pottery or raku ceramics. \"During the time of our studies, we were taught the main principles of art, about contemporary ceramics but nobody told us about ancient techniques\" says Elena. And this is exactly what interests her. For almost 20 years now, she has been doing archaic pottery camps in the yard of the Trakai History Museum with the Vilnius Pottery Guild, during which they delve into old technologies, from the Neolithic to the Middle Ages and the Renaissance.",[849],[666,773],[733,1389,849,1316,775,737],[1891,1892,1893,1894,1895],"Japanese","Smooth dish","Teacup","Leaven patterns plate","Tea service",[861,862,1327,1098,1897,1898,1899,863,864,1022,685],"Pebble clay","Bamboo","Ash",[1404,1537,1104,1365,1901,690,1106,1366,1333,692,1108],"Tea set",[697],[869],[849],54.67662,25.07634,"2022-03-10",{"_715":1905,"_716":1906},3726,{"_649":1911,"_31":1912,"_652":1913,"_255":1917,"_378":1918,"_659":1919,"_661":1920,"_664":1921,"_667":1922,"_673":1923,"_680":1929,"_686":1935,"_694":38,"_695":1936,"_698":1937,"_701":1938,"_703":1939,"_705":1940,"_707":986,"_709":710,"_711":1941,"_713":1942,"_717":1943},"profile-2126",2126,[1914,1915,1916],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PX6FWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PX6DWAW-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PX6HWAW-right2.jpg","Saulius Vaitiekūnas","vaitiekunas-saulius-mjoe1t","Saulius Vaitiekūnas never studied jewellery-making. He came to it having quit his career as a lawyer and determined to become an artists. He has followed this vocation unwaveringly for over three decades. Vaitiekūnas creates jewellery from Baltic sea stones with silver inlays. He also creates large-scale installations and regularly participates in exhibitions and jewellery fairs. His jewellery pieces are made of stone and silver, they often feature signs – pictographs and Baltic ornaments – which are like letters to the future, to be read when we are no longer here. He is extremely attached to the Lithuanian land, which provides a source of strength and inspiration for him. It is, therefore, not a coincidence that Vaitiekūnas’ foundation and gallery are called Terra Recognita – “a land known again”.",[1001],[666,773],[669,965,1004,1816,815,816],[1924,1925,1926,1927,1928],"For the merits","To be seen","Baltic bonsai","…I will love and respect you for life…","One among many – one and only",[1057,936,1019,1930,1931,1060,1932,1933,1015,864,1022,1063,1934,786,937],"Aquamarine","Flint","Flint stone","Grenade","Stone",[939,1067,689,1010,940,691,829,693],[697],[1027],[1001],54.67997,25.28653,"2022-03-03",{"_715":1939,"_716":1940},2524,{"_649":1945,"_31":1946,"_652":1947,"_255":1951,"_378":1952,"_659":1953,"_661":1954,"_664":1956,"_667":1957,"_673":1958,"_680":1963,"_686":1964,"_694":49,"_695":1968,"_698":1969,"_701":1971,"_703":1972,"_705":1973,"_707":986,"_709":1974,"_711":1975,"_713":1976,"_717":1977},"profile-2133",2133,[1948,1949,1950],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PQNvWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PQNtWAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PQNxWAO-right2.jpg","Dalia Grigonienė","dalia-grigonien-shoemaking-lithuania","Dalia Grigonienė has been reconstructing historical footwear for two decades. An industrial designer by education, 20 years ago she moved from Vilnius to Kernavė, the old capital of Lithuania, a town of craftsmen and merchants. There, together with her colleagues, she began organising an international festival of experimental archaeology and reconstructing old crafts. It all started with spinning, but footwear quickly captivated her. Reconstruction of medieval footwear is a particularly challenging and meticulous task that requires a lot of time, research and craft knowledge. Dalia learnt all the steps of herself after a friend showed her how to make one single stitch. Now, in her cosy workshop, Dalia restores footwear found during archaeological excavations, reviving history and giving others a chance to come in touch with it. Her footwear is worn by private customers and members of music bands who admire antiquity, and museums order her pieces for educational programmes.",[1955],"Shoemaking",[666],[735,1316,737],[1959,1960,1961,1962],"Purple ankle boots","Grey ankle boots","Wrinkled Shoes","Traditional Lithuanian shoes",[1220,935,825,937],[1965,1966,1967,829],"Boots","Moccasins","Shoes",[697],[1970],"Shoemaker",[1955],54.9,24.8,"Kernave, Lithuania","2022-01-27",{"_715":1972,"_716":1973},4487,{"_649":1979,"_31":1980,"_652":1981,"_255":1985,"_378":1986,"_659":1987,"_661":1988,"_664":1989,"_667":1990,"_673":1992,"_680":1997,"_686":2000,"_694":49,"_695":2001,"_698":2002,"_701":2003,"_703":2004,"_705":2005,"_707":986,"_709":710,"_711":2006,"_713":2007,"_717":2008},"profile-2134",2134,[1982,1983,1984],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUliWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUljWAG-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUlkWAG-right2.jpg","Vladas Daškevičius","vladas-dakeviius-weaving-lithuania","Vladas Daškevičius knows everything about weaving – as he says, he has been wrapped in threads since childhood. His grandmother and his mother were weavers from whom he learned all the subtleties of the craft, before studying textile arts at the Vilnius Academy of Arts. He now continues the family tradition, weaving in a small studio in Vilnius Old Town, weaving bands of impressive designs, patterned rugs and runners and other textile accessories. He also teaches at the Department of Textiles at Vilnius Academy of Arts, where he passes on his weaving secrets to students of textiles arts. He also participates in textile biennials and exhibitions. Weaving patterns for him are like an encoded language in which deeply hidden emotions can be read like acronyms – they have their meanings, but they are not easy to find and read. Weaving for Vladas Daškevičius is a way to connect old traditions with modern life.",[1168],[666,773,1170],[1991,735,737],"Family business",[1993,1994,1995,1996],"Water snake belt","Shining joy bracelet","Homely joy bracelet","Seamless handbag",[1220,900,1179,1288,1998,1999,825,685,937],"Fluorescent threads","Metallic thread",[1330,1024,1696,828,940,1332,829],[697],[1188],[1168],54.6803,25.28589,"2022-01-20",{"_715":2004,"_716":2005},2505,{"_649":2010,"_31":2011,"_652":2012,"_255":2016,"_378":2017,"_659":2018,"_661":2019,"_664":2020,"_667":2021,"_673":2022,"_680":2028,"_686":2030,"_694":38,"_695":2031,"_698":2032,"_701":2033,"_703":2034,"_705":2035,"_707":986,"_709":710,"_711":2036,"_713":2037,"_717":2038},"profile-2153",2153,[2013,2014,2015],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PQ78WAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PQNHWA4-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PQNIWA4-right2.jpg","Ernesta Statkutė","ernesta-statkut-jewellery-making-lithuania","Ernesta Statkutė’s path to jewellery making emerged out of her interest in interior design. After graduating from interior design studies at the Vilnius Academy of Fine Arts, she realised that she wanted to break out of the discipline’s bounds. She found it much more important to be able to create freely – after all, in a small piece of jewellery an entire world can be created – or hidden. Ernesta’s jewellery evokes associations with the world of flora or fauna. But there is space for humans as well, as miniature human figurines inhabit her pieces, turning them into miniature sculptures. Humans and plants live secret lives designed to be carried around on a body. Here, narratives are translated into silver, we just have to try to read them.",[1001],[666,773],[814,1004,1005],[2023,2024,2025,2026,2027],"Sea spray","Coral Diamonds","The Sun of the depths of the sea","Together","Best friend",[936,2029,1015,1022,937],"Citrine",[1067,1403,1066,940,829],[697],[1027],[1001],54.68343,25.28936,"2021-12-23",{"_715":2034,"_716":2035},3830,{"_649":2040,"_31":2041,"_652":2042,"_255":2046,"_378":2047,"_659":2048,"_661":2049,"_664":2050,"_667":2051,"_673":2052,"_680":2056,"_686":2058,"_694":49,"_695":2060,"_698":2061,"_701":2062,"_703":2063,"_705":2064,"_707":986,"_709":710,"_711":2065,"_713":2066,"_717":2067},"profile-2145",2145,[2043,2044,2045],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSmmWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSmkWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSmoWAG-right2.jpg","Ieva Paukštytė-Schinello","ieva-pauktyt-schinello-ceramics-lithuania","Ieva Paukštytė-Schinello was in two minds about what field to pursue after graduating from the National M. K. Čiurlionis School of Art – sculpture or ceramics. She chose ceramics, like her parents, and never regretted it. Still, sculptural thinking remained present in her work. She is fond of shapes, textured decoration and wood firing in an outdoor kiln. But she is especially fascinated by black ceramics, where the most important thing is the shape and the metallic shine of the surface. Ieva has dedicated 20 years to working with black ceramics but has never stopped being amazed and fascinated by the possibilities. Her plates, jugs, cups and pots have sculptural elements or delicate incised decoration. Earth, air, fire, and water – all four elements are present in her ceramics, and she masterfully controls them all.",[849],[666,773],[669,849,735,1316,736],[2053,2054,2055],"Cups for tea ceremony","Cup 1","Cup 2",[2057,1101,862,863,864],"Earthenware",[2059,1106,1108],"Tea cup",[697],[869],[849],54.67656,25.27481,"2021-09-09",{"_715":2063,"_716":2064},514,{"_649":2069,"_31":2070,"_652":2071,"_255":2074,"_378":2075,"_659":2076,"_661":2077,"_664":2078,"_667":2079,"_673":2081,"_680":2087,"_686":2088,"_694":49,"_695":2092,"_698":2093,"_701":2094,"_703":2095,"_705":2096,"_707":986,"_709":710,"_711":2097,"_713":2098,"_717":2099},"profile-2130",2130,[2072,2073],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PU6NWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PU6LWAW-left1.jpg","Raminta Berzanskyté","raminta-berzanskyt-weaving-lithuania","Raminta Beržanskytė looks for her materials in forests and fields. Bark, twigs, tree needles, heather, tansy, whip – around 70 plants in Lithuania can be used in dyeing, and mixing them together results in even more shades, which she uses to colour threads and fabrics. Raminta mixes her own recipes to create perfectly natural colour combinations. Authenticity is very important to her; in addition to dyeing, she weaves with ancient looms, reconstructs ancient clothes and braids the oldest Lithuanian woven bands. Inspired by archaeological artefacts, her fabrics are based on textiles and archaeological sources that have survived through time, and she constantly collects stories from the elderly. A big part of her work involves experimenting. Her fabrics are minimalist, delicate, practical and aesthetically pleasing.",[1168],[666,773,1170],[814,1316,1005,2080,671,1132,737],"Science",[2082,2083,2084,2085,2086],"Three handwoven shawls","Handwoven and plant dyed fabric","Woven shawl","White wool weaving","Creations, tools and materials",[1179,900,863,685],[1181,2089,2090,1183,2091,829,1185],"Woven fabric","Fabric sample","Fabrics",[697],[1188],[1168],54.71509,25.28448,"2021-09-02",{"_715":2095,"_716":2096},2590,{"_649":2101,"_31":2102,"_652":2103,"_255":2107,"_378":2108,"_659":2109,"_661":2110,"_664":2111,"_667":2112,"_673":2114,"_680":2115,"_686":2116,"_694":49,"_695":2117,"_698":2118,"_701":2119,"_703":2120,"_705":2121,"_707":986,"_709":710,"_711":2122,"_713":2123,"_717":2124},"profile-2119",2119,[2104,2105,2106],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POSAWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POS8WAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POSCWA4-right2.jpg","Vilnius Pottery Guild","vilnius-pottery-guild-ceramics-lithuania","Vilnius Pottery Guild founded in 2003, is a pottery centre located in Užupis where there are many shops and artists’ workshops. The potters who work here permanently love pottery fanatically in all its forms. They mould and throw earthenware from various types of clay. They also conduct research and reconstructions of archaeological furnaces and recreate moulds of ancient Lithuanian ceramics. A very important area of their activity is tile making: the craftspeople at the potter’s guild restore Gothic and Renaissance tiles based on the historical pieces that reached us.",[849],[666,773],[2113,849,737],"Atelier",[],[],[],[2113],[869],[849],54.6800196901048,25.2962923851248,"2021-08-12",{"_715":2120,"_716":2121},5136,{"_649":2126,"_31":2127,"_652":2128,"_255":2132,"_378":2133,"_659":2134,"_661":2135,"_664":2136,"_667":2137,"_673":2138,"_680":2143,"_686":2144,"_694":49,"_695":2146,"_698":2147,"_701":2148,"_703":2149,"_705":2150,"_707":986,"_709":710,"_711":2151,"_713":2152,"_717":2153},"profile-2125",2125,[2129,2130,2131],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWNNWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWMfWAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWNPWA4-right2.jpg","Agnė Šemberaitė","agn-emberait-ceramics-lithuania","At first, Agnė Šemberaitė wanted to study graphics but decided to devote herself to ceramics because of its versatility. After her studies at Vilnius Art Academy, she started to participate in exhibitions and symposiums, following the professional path of a ceramic artist. She has been walking this path for more than 20 years and is still fascinated by the possibilities of ceramics. Her work is three-dimensional, playing with shapes, but she also makes graphic traces on her dishes using her painting skills. Her works are thoughtful and with a touch of humour. Sometimes they resemble small sculptures, where fantastic creatures tell mysterious stories. Those stories can be found on her dishes, plates, vases or teapots, which are decorative, original, and full of joy. Her world is full of characters - sometimes humans, sometimes animals, and even more often – hybrids of humans and animals.",[849],[666,773],[669,849,1316,736,1816],[2139,2140,2141,2142],"Flowering garden","Celtic ornamentation-inspired vase","Happy couple","Swarming",[1101,862,1015,861,745,863,864,937,746],[2145,866,689,690,691,692,693],"Box",[697],[869],[849],54.68164,25.301,"2021-08-05",{"_715":2149,"_716":2150},4784,{"_649":2155,"_31":2156,"_652":2157,"_255":2161,"_378":2162,"_659":2163,"_661":2164,"_664":2165,"_667":2166,"_673":2167,"_680":2172,"_686":2173,"_694":49,"_695":2176,"_698":2177,"_701":2178,"_703":2179,"_705":2180,"_707":986,"_709":710,"_711":2181,"_713":2182,"_717":2183},"profile-2135",2135,[2158,2159,2160],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PU5pWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PU5qWAG-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PU5rWAG-right2.jpg","Silvija Juozelskytė","silvija-juozelskyt-weaving-lithuania","Since childhood, Silvija Juozelskytė has witnessed every weaving process: carding, spinning, dyeing. Her grandmother, who can be said to have lived among threads, would always knit. Those images have stayed with her and still inspire the textile artist Silvija is today. She hand weaves fabrics from natural linen yarn on an ancient loom to make towels, pillows, blankets, table decorations and other fabrics for interior design. Fascinated by Baltic culture, the more she explores it, the more she resonates with the worldview of these countries. While weaving, Silvija feels like she is a part of a tribe, continuing a tradition that has been passed down for generations by the women of her family.",[1168],[666,773],[669,814,735,1316,736,737,891],[2168,2169,2170,2171],"Linen towels","Grey Linen towels","Linen plaids","Linen cushions & plaids",[900,685],[2174,2175,1470,1471,1185],"Towel","Plaid",[697],[1188],[1168],54.70727,25.31482,"2021-07-01",{"_715":2179,"_716":2180},307,{"_649":2185,"_31":2186,"_652":2187,"_255":2191,"_378":2192,"_659":2193,"_661":2194,"_664":2195,"_667":2196,"_673":2197,"_680":2203,"_686":2206,"_694":49,"_695":2207,"_698":2208,"_701":2209,"_703":2210,"_705":2211,"_707":986,"_709":710,"_711":2212,"_713":2213,"_717":2214},"profile-2114",2114,[2188,2189,2190],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PU6UWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PU6VWAW-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PU6WWAW-right2.jpg","Rasa Justaitė-Gecevičienė","rasa-justait-geceviien-ceramics-lithuania","In her teenage years, Rasa Justaitė-Gecevičienė turned her back on chemistry and mathematics, choosing ceramics instead. However, her studies did not only provide the basics of composition and art, but also immersed her in the subtleties of ceramic technology. An alchemic process, pottery requires both formulas and calculations – all of which she once ran away from, but now finds great pleasure in. Creating exhibition works and artistic sculptural objects for interior design, Rasa's works always have an unexpected and unique perspective: recognisable household objects or natural forms turn into fantastic ceramic works. By skilfully combining different materials, Rasa invites us to observe, to touch, or sometimes to take a walk within a landscape of emotions.",[849],[666,773],[669,849,1316,736,1816,1005,1132,737],[2198,2199,2200,2201,2202],"From My Grandmother's Chest","Bearer","Rain and Snow","Frosted Grape","Roses bowl",[2204,862,1101,2205,861,1288,863,864,1022,937],"Faience","Gold luster",[689,1537,691,690,693,692],[697],[869],[849],54.74804,25.25553,"2021-06-24",{"_715":2210,"_716":2211},1885,{"_649":2216,"_31":2217,"_652":2218,"_255":2221,"_378":2222,"_659":2223,"_661":2224,"_664":2225,"_667":2226,"_673":2228,"_680":2234,"_686":2236,"_694":38,"_695":2239,"_698":2240,"_701":2241,"_703":2242,"_705":2243,"_707":986,"_709":710,"_711":2244,"_713":2245,"_717":2246},"profile-2141",2141,[2219,2220],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PRn0WAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PRmyWAG-left1.jpg","Virginija Stigaite","virginija-stigaite-weaving-lithuania","Although Virginija Stigaite has a family tradition in textiles, initially she explored many techniques and materials before finding her home at the loom. She is hugely passionate about the creative process, from the choice of fibre through to the finishing of each product. She is part engineer, part chemist and part craftsperson. Virginija is driven to find new ways of combining fibres, recently discovering a new technique for softening linen fibres. The garments she produces incorporate a rustic colour pallette which draws inspiration from nature. Interaction with wilderness is core to her work, creating sustainable production, and clothing that has a positive interaction between people and the world.",[1168],[666,773,1170],[2227,669,734,814,735,1316,736,1816,671,737],"Craft therapy",[2229,2230,2231,2232,2233],"Scarf & Dress","Carpet & Blanket","Grey scarf","Green tote bag","Scarf-Dress",[900,1178,2235,1220,685,825],"Alpaca wool",[2237,2238,1696,828,1471,1332,829,1185],"Scarf","Blanket",[697],[1188],[1168],54.67411,25.27739,"2021-05-20",{"_715":2242,"_716":2243},1027,{"_649":2248,"_31":2249,"_652":2250,"_255":2253,"_378":2254,"_659":2255,"_661":2256,"_664":2257,"_667":2258,"_673":2259,"_680":2260,"_686":2261,"_694":49,"_695":2262,"_698":2263,"_701":2264,"_703":2265,"_705":2266,"_707":986,"_709":710,"_711":2267,"_713":2268,"_717":2269},"profile-2121",2121,[2251,2252],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWy8WAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWy6WAG-left1.jpg","Smells Like Spells","smells-like-spells-perfume-making-lithuania","Smells Like Spells is an atelier where magical scents come to life. Founded in 2015 by two Lithuanians Vilius Malinauskas and Marius Bartkevicus, only a year later, a small, cosy and mysterious place appeared in Vilnius Old Town, designed to immerse the visitor in the world of scents, where each component truly means something. The products are crafted by hand choosing the various aromas, colours or magic properties.",[771],[666,773],[2113,1315,1389],[],[],[],[2113],[793],[771],54.67712,25.28387,"2021-01-28",{"_715":2265,"_716":2266},3717,{"_649":2271,"_31":2272,"_652":2273,"_255":2277,"_378":2278,"_659":2279,"_661":2280,"_664":2281,"_667":2282,"_673":2283,"_680":2289,"_686":2290,"_694":49,"_695":2291,"_698":2292,"_701":2293,"_703":2294,"_705":2295,"_707":986,"_709":710,"_711":2296,"_713":2297,"_717":2298},"profile-2123",2123,[2274,2275,2276],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PViBWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVi9WAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PViDWAW-right2.jpg","Simona Kaunaité","simona-kaunait-ceramics-lithuania","The first time Simona Kaunaitė encountered clay, she decided she absolutely hated throwing. Despite that, she chose to study ceramics at the Vilnius Arts Academy. These days her thrown pottery can be found in the most interesting and unique Lithuanian restaurants. Her pieces are immediately recognisable: often matte, with a slightly porous surface. Tableware intended for restaurants has special requirements: it must be very durable, and less likely to show fingerprints; Simona therefore creates her plates and dishes from porcelain and high-fired stoneware. However, her work is also sought after by private clients who want to give their home a touch of exclusivity.",[849],[666,773],[849,1316,1527,737],[2284,2285,2286,2287,2288],"Bowl and cups","Set of coarse plates","Glossy bowl","How the future King of England ate peacock in Vilnius","Yellow and blue vases",[861,863],[1537,1365,866,690,1366,692,1108],[697],[869],[849],54.68636,25.27584,"2021-01-11",{"_715":2294,"_716":2295},5718,{"_649":2300,"_31":2301,"_652":2302,"_255":2306,"_378":2307,"_659":2308,"_661":2309,"_664":2310,"_667":2311,"_673":2312,"_680":2318,"_686":2319,"_694":38,"_695":2320,"_698":2321,"_701":2322,"_703":2323,"_705":2324,"_707":986,"_709":710,"_711":2325,"_713":2326,"_717":186},"profile-2148",2148,[2303,2304,2305],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVS4WAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVS5WAO-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVS6WAO-right2.jpg","Agne Kondrataite","agne-kondrataite-ceramics-lithuania","The interest in ceramics was sparked by Agnė Kondrataitė's mother. The artist grew up in a family of architects and while following her studies, she visited a studio of a famous Lithuanian ceramicist with her mother and her fascination with pottery has not faded since. She works with white and red clay, with various glazes, boldly experimenting, coating works with gold, using plaster or wire. Agnė does not only create dishes, but panels, tiles, lamps, pots, furniture handles, and sculptures. Since the ceramicist doesn’t use a ring wheel, all of her creations have clearly visible handprints. It gives them human warmth and uniqueness. Her works are modern and elegantly designed. Her designs play with different themes, shapes and original forms, making them perfect for contemporary interiors.",[849],[666,773],[669,849,1316,1527,736],[2313,2314,2315,2316,2317],"He/She vase","Upside down","Doll+bowl=lie","Without head vase","Plate and finger bowl set",[1101,862,863,864],[866,1537,1365,690,1366,692,1108],[697],[869],[849],54.678205,25.267815,"2020-12-10",{"_715":2323,"_716":2324},"craftmans","metadata",{"_2330":2331,"_2332":592,"_2333":2334,"_2335":2336,"_2337":2338},"count",59,"page","pageCount",2,"pageSize",48,"facetDistribution",{"_686":2339,"_661":2353,"_664":2354,"_694":2780,"_680":2783,"_667":2792,"_695":2793},{"_828":2340,"_693":2341,"_1696":2342,"_1332":2343,"_789":592,"_2344":592,"_790":592,"_1330":2334,"_1320":592,"_2238":592,"_1146":2334,"_979":2340,"_1965":592,"_1867":592,"_1537":2345,"_2145":592,"_1024":2342,"_1065":2340,"_1254":592,"_1183":2334,"_1333":2342,"_1107":2334,"_2346":592,"_1104":2342,"_1470":2334,"_976":2334,"_692":2347,"_690":530,"_748":592,"_1366":2343,"_1106":2345,"_1403":2348,"_1600":592,"_2090":592,"_2091":592,"_1601":592,"_1865":592,"_1866":592,"_1700":592,"_1699":592,"_1250":592,"_827":592,"_1185":2340,"_688":592,"_940":287,"_1536":2334,"_1698":592,"_1331":2334,"_1147":2334,"_939":2334,"_1966":592,"_829":2349,"_691":2341,"_2350":592,"_1010":2340,"_1222":592,"_1292":592,"_966":592,"_977":2334,"_1066":2345,"_788":592,"_2175":592,"_1365":2343,"_1105":2334,"_1319":592,"_978":2334,"_1067":2351,"_1469":592,"_2237":592,"_689":2341,"_1538":2334,"_1181":2334,"_1967":592,"_1329":592,"_1471":2342,"_1223":592,"_1437":592,"_1108":2352,"_1184":592,"_1182":592,"_902":592,"_2059":2334,"_1901":592,"_2174":592,"_1428":592,"_1832":592,"_866":2341,"_1404":2334,"_1436":2343,"_749":2345,"_1764":592,"_1697":592,"_2089":592},5,9,3,4,"Bauble",6,"Cufflinks",21,7,23,"Mug",10,13,{"_1243":592,"_1206":592,"_1588":592,"_849":287,"_1492":592,"_1386":2334,"_1851":592,"_1720":592,"_1128":592,"_1001":564,"_1312":2334,"_1622":592,"_730":592,"_923":592,"_811":592,"_663":592,"_961":2334,"_771":2334,"_1955":592,"_1752":592,"_888":592,"_1168":2348,"_1424":592},{"_2355":2343,"_2356":2345,"_2357":2342,"_2358":2359,"_2360":592,"_2361":2342,"_2362":592,"_2363":592,"_2364":2365,"_2366":2359,"_2367":2368,"_2369":2334,"_2370":592,"_2371":592,"_2372":564,"_2373":592,"_2374":592,"_2375":2376,"_2377":592,"_2378":2379,"_2380":2341,"_2381":2343,"_2382":2383,"_2384":2385,"_2386":592,"_2387":564,"_2388":2359,"_2389":2348,"_2390":2391,"_2392":2345,"_2393":2334,"_2394":592,"_2395":2396,"_2397":2398,"_2399":2334,"_2400":2401,"_2402":529,"_2403":2348,"_2404":2334,"_2405":592,"_2406":592,"_2407":2340,"_2408":592,"_2409":2343,"_2410":592,"_2411":2340,"_2412":592,"_2413":592,"_2414":592,"_2415":592,"_2416":564,"_2417":592,"_2418":2419,"_2420":592,"_2421":592,"_2422":2351,"_2423":2424,"_2425":592,"_2426":2348,"_2427":592,"_2428":2340,"_2429":2342,"_2430":2334,"_2431":363,"_2432":529,"_2433":2365,"_2434":2435,"_2436":564,"_2437":2340,"_2438":2439,"_2440":592,"_2441":592,"_2442":2342,"_2443":592,"_2444":2343,"_2445":592,"_1658":2446,"_2447":592,"_2448":2376,"_2449":2348,"_2450":2348,"_2451":2334,"_2452":2342,"_2453":2334,"_2454":592,"_2455":2456,"_2457":2348,"_2458":592,"_2459":2334,"_2460":2461,"_2462":2376,"_2463":529,"_2464":592,"_2465":2342,"_2466":2348,"_2467":288,"_2468":287,"_2469":592,"_2470":592,"_2471":592,"_2472":2473,"_2474":592,"_2475":592,"_2476":2342,"_2477":2478,"_2479":2341,"_2480":592,"_2481":2334,"_2482":2343,"_2483":2352,"_2484":2340,"_2485":2340,"_2486":2334,"_2487":592,"_2488":2349,"_2489":564,"_2490":2334,"_2491":2359,"_2492":564,"_2493":2446,"_2494":592,"_2495":2496,"_2497":2341,"_2498":592,"_2499":2500,"_2501":2334,"_2502":2340,"_2503":592,"_2504":287,"_2505":2340,"_2506":2507,"_2508":2509,"_2510":2345,"_2511":2334,"_2512":2340,"_2513":2345,"_2514":2343,"_2515":592,"_2516":2345,"_2517":2518,"_2519":2334,"_2520":2334,"_2521":592,"_2522":592,"_2523":2334,"_2524":2456,"_2525":592,"_2526":592,"_2527":2334,"_2528":529,"_2529":592,"_2530":2342,"_2531":2532,"_2533":592,"_2534":2340,"_2535":2334,"_2536":2342,"_2537":592,"_2538":2539,"_2540":2334,"_2541":2542,"_2543":2334,"_2544":2545,"_2546":530,"_2547":2548,"_2549":2473,"_2550":2340,"_2551":592,"_2552":2342,"_2553":592,"_2554":2352,"_2555":2359,"_2556":2340,"_2557":592,"_2558":2342,"_2559":2560,"_2561":2340,"_2562":592,"_2563":2348,"_2564":529,"_2565":592,"_2566":2342,"_2567":2334,"_2568":2347,"_2569":2340,"_2570":2340,"_2571":592,"_666":2572,"_2573":592,"_2574":2348,"_2575":2576,"_2577":2342,"_2578":2348,"_2579":2342,"_2580":2581,"_2582":2334,"_2583":2348,"_2584":2359,"_2585":592,"_2586":2587,"_2588":2348,"_2589":2342,"_2590":2532,"_2591":592,"_2592":592,"_2593":2342,"_2594":2348,"_2595":592,"_2596":2334,"_2597":2342,"_2598":592,"_2599":592,"_2600":592,"_2601":2602,"_2603":2343,"_2604":2345,"_2605":2532,"_2606":2334,"_2607":2343,"_2608":564,"_2609":2376,"_2610":2359,"_2611":592,"_2612":2478,"_2613":592,"_2614":2334,"_2615":2345,"_2616":2359,"_2617":2334,"_2618":2619,"_2620":592,"_2621":592,"_2622":2340,"_2623":2345,"_2624":592,"_2625":592,"_2626":2627,"_2628":2340,"_2629":2334,"_2630":592,"_2631":592,"_2632":2341,"_2633":2348,"_2634":592,"_2635":592,"_2636":592,"_2637":2348,"_2638":592,"_2639":2342,"_2640":2348,"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Coruña","Aarhus","Aegina","Albania",11,"Alcabideche","Alicante","Allariz","Altare","Amsterdam",22,"Amsterdam: creativity along the water canals","Andalusia: navigating the creative heart of the region",38,"Angra do Heroísmo","Ankara","Antalya","Antwerp","Ardvasar","Arlon","Armenia",36,"Aschaffenburg","Athens",37,"Athens: the birthplace of the amphora","Aubusson","Australia",57,"Austria",84,"Avignon","Azerbaijan","Baku","Balearic Islands: a deep dive into coastal craft traditions","Barcelona",52,"Barcelona: voyage through clay","Basel","Belfast","Belgium",121,"Belgrade",17,"Bergen","Berlin",35,"Berlin: celebrating women's craft power in the capital","Berlin: celebrating women's craft power in the capital (Draft)","Berlin: women of the city (draft)","Bern","Bernex","Bilbao","Birkirkara","Birmingham","Bodrum","Bologna","Bondorf","Bonn","Bordeaux","Bornem","Bornholm: the wonders of the craft island","Borøy","Bosnia and Herzegovina",25,"Brasilia","Brașov","Bratislava","Brazil",63,"Brienz","Brighton","Brión-A Coruña","Bristol","Brno","Bruges","Brussels","Brussels: where traditional crafts inspire avant-garde design","Bucharest","Budapest",45,"Budapest: fusing form with function","Bukhara","Bulgaria",41,"Busan","Bussy-Saint-Georges","Cagliari","Caldas da Rainha","Cambridge","Camisano Vicentino",46,"Cancale","Cape Town","Cape Town: from ancestral making to contemporary voices","Cardiff","Casablanca","Cascais","Castle Douglas","Champforgeuil","Chile",31,"Coimbra","Cologne","Colombes","Colombia",64,"Copenhagen","Copenhagen: from the pages of a fairy tale","Corcelles-le-Jorat","Corfu","Cork","Croatia","Cyprus","Czech Republic","Daegu","Dalheim","Denmark",106,"Derby","Dijon","Donegal","Dublin",19,"Dublin: reigniting Celtic craftsmanship","Dubrovnik","Düsseldorf","Ebeltoft","Edinburgh","Edinburgh: a magical city inspiring literature and films","Edinburgh: a magical city inspiring literature and films 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