HOMO FABER 2026
Roberto Benavidez
©Monte Means
Roberto Benavidez
©Monte Means
Roberto Benavidez
©Monte Means
Roberto Benavidez
©Monte Means
Roberto Benavidez
©Roberto Benavidez
Roberto Benavidez
©Roberto Benavidez

Roberto Benavidez

Paper art

Los Angeles, CA, USA

Recommended by Craft in America

From playful piñata to showstopping sculpture

  • Roberto creates contemporary piñata sculptures using traditional methods
  • Vibrant colours and elaborate, textural layering are hallmarks of his pieces
  • He often depicts fantastical creatures inspired by medieval paintings and texts

Roberto Benavidez brings the surreal creatures from Hieronymus Bosch’s paintings and the edges of illuminated manuscripts to life as piñatas. With these colourful, three-dimensional hybrid creatures, he transforms the ephemeral Mexican craft into paper sculptures exhibited in galleries and collected by museums. Roberto’s pieces explore themes related to his biracial Mexican-Anglo heritage, queer identity, nature and beauty. Beginning with simple balloons, printer paper and glue, he adds details to his papier mâché forms with paperboard and wire. Roberto then layers hand cut crepe paper on the forms with painstaking precision, blending colours much as a painter would to create shadows and suggest surface depth. “For me, it is about the materials and how well I work with them. There are many possibilities within the form and I am expanding what it can be,” he says.

Roberto Benavidez is an expert artisan: he began his career in 2009.

INTERVIEW

I started out as an actor but I was sculpting with clay every day as well. I moved to Los Angeles and began taking night classes in bronze casting at a community college. Then one day, I stumbled upon an online tutorial with a zebra piñata that had a nice gesture to it. Something clicked in me.

I do not think Mexican crafts have really been considered fine art, but ideas around craft in general are changing. People resisted calling the work piñatas. It felt exclusionary, so I pushed the idea.

When I decided to dive into this, I simply thought about what kind of piñata I would want for a birthday party. The answer was Hieronymus Bosch, but there was a lot of exploration before I made my first Bosch piece in 2012.

Hearing the actual responses. There are literal gasps, which I think is great and funny. It is unexpected, as I work alone and do not necessarily have a gauge of the growth happening in my practice. It is surprising every time it happens, but it happens pretty often.