Genes, cells and organic forms are fascinating to Ikuko Iwamoto. Her objects seem alive, shaped to resemble organisms you could observe through a microscope. Her sculptural aesthetic developed first at Tezukayama College in Japan and then at the Royal College of Art in London, to where she moved in 2001. Ikuko began to make tableware using the slip casting techniques she learned at the RCA, before feeling the need to push herself in new creative directions. The idea to make framed sculptures, or wall pieces, was born “in order to liberate myself from the dilemma of working on functional objects,” as she puts it. She has been concentrating on wall pieces since 2012, taking an innovative approach.
Ikuko Iwamoto