






Georgia Tikaputini Douglas Hood
Ceramicist
Auckland, New Zealand
An homage to the land of clay
- Georgia is an Aotearoa New Zealand ceramic artist with Māori and British heritage
- She finds clay a grounding medium, allowing her to connect to the earth
- Her ceramic vessels become a reclamation, giving Māori ideas a pedestal
Georgia Tikaputini Douglas Hood draws on her Māori and British background to craft European ceramic vessels, which she fills with Māori storytelling. "The forms I create carry the weight of an empire," she says. "The whakapapa genealogy associated with clay is central to my practice." Exploring and experimenting, Georgia follows an intuitive process. She begins by coiling the clay, building it upwards to form a shape. Using a slab technique, she then creates the base and handles, connecting them to the main body of the piece before carving designs onto its surface. The works first undergo a bisque firing in the kiln. They are then glazed with an iron oxide-rich shino glaze before being returned for their final firing. Inspired by the Māori clay collective, Ngā Kaihanga Uku, Georgia hopes she can share knowledge about Māori culture through her practice.
Discover her work
INTERVIEW
I taught myself how to hand build. The more I researched, the more infatuated I became with the Grecian amphora form. I reached out to an artist residency in Crete, Greece, and spent a month immersed in ancient urns and culture, creating work informed by that knowledge.
We rely on our elders to share mātauranga, our knowledge about whakapapa, our genealogy, and the stories. I personally learned from my grandfather. The stories are also told using visual languages. Carvings and tukutuku lattice work found in places such as a marae conceptually feed into my practice.
I am grounding myself firmly in the whenua land in Aotearoa. I intend to continue learning from the masters of Māori clay art, so my work can contribute to the culture. I want to learn as much as I can from tohunga masters at the Māori clay collective, Ngā Kaihanga Uku. I hope to offer some mātauranga of my own in return.
Clay holds a central place in the story of our creation as humans. Earth Mother Papatūānuku and Sky Father Ranginui, had over 70 children, among whom Tāne Mahuta, god of the forest, is particularly renowned. Tāne chose to mould a woman from clay, drawing from the essence of his mother. To bring her to life, he pressed his nose to hers and breathed life into her. She is Hineahuone, the first woman.
Georgia Tikaputini Douglas Hood
Ceramicist
Auckland, New Zealand
AVAILABILITY
By appointment only
PHONE
+64 272750744
LANGUAGES
English, English
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