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Jana Grgasović
©Petar Cvahte
Jana Grgasović
©Petar Cvahte
Jana Grgasović
©Petar Cvahte
Jana Grgasović
©Petar Cvahte
Jana Grgasović
©All rights reserved
Jana Grgasović
©Petar Cvahte

Jana Grgasović

Ceramicist

Zagreb, Croatia

An architecture of feelings and thoughts

  • Jana's ceramic creations are supported by her background in architecture
  • She exhibits her works in Croatia and internationally
  • She was awarded at The Story of Dvorihtnik international exhibition in 2023

Jana Grgasović fell in love with ceramics as a child, while exploring various pottery techniques in her family's art studio. It was years later, after earning a master’s degree in architecture, that she embraced her passion for ceramics and committed to it. "Today, I combine my academic background with my love for clay to create ceramic sculptures that I think of as an architecture of feelings and thoughts," Jana says. In 2023, she won a prize at the international exhibition in Slovenia called The Story of Dvorihtnik for one of her sculptures. Jana is also a member of the Croatian Association of Artists of Applied Arts, Croatian Chamber of Architects, and of the Ceramics Artists and Pottery Makers Association in Slovenia.

Jana Grgasović is a rising star: she began her career in 2020.

INTERVIEW

Clay allows me to express myself freely and shape my imagination into lasting 3D forms. I love the direct connection between thought, hand and material. It is an intuitive process that brings my inner world to life.

I want my work to bring a smile, awaken curiosity and spark a sense of hope. My goal is to reach something raw and deeply human in each viewer – something tender, intuitive and emotional that connects us beyond words, through form and feeling.

Awards represent the acknowledgement of all the thought, energy and dedication I put into my work and affirm that what I do has broader meaning. They also motivate me to keep exploring and growing as an artist.

My exhibition, What Does a Ceramic Kiln Dream About, explores forms, styles and techniques in sculpture. By showcasing my work, I gained a clearer understanding of the world I am creating as a ceramicist. The kiln became a metaphor for endless possibilities.