The art of simplicity from instinct
- Yoonkwan is a carpenter who makes furniture pieces
- He exhibited in The Joseon Classic series
- He believes in bringing aesthetics and functionality together in his creations
One day in his mid-30s, while working in his usual job, Yoonkwan Kim realised that he wanted to exist as himself for the rest of his life, not just as a job title. He was not particularly drawn to carpentry at first, but had a vague desire for a profession that involved working alone and doing manual work. This led him to enroll in a carpentry class. His training journey, however, was deeply personal and unique. “I learned the true craft of woodworking on my own,” Yoonkwan says. He adds, “Even now, I often think that craftsmanship is simply an instinctive collection of actions involved in creating something. My career as a carpenter has been a journey of understanding how these instincts work together.” His furniture reflects this instinct. The designs are simplified, free of imposed patterns, with a focus on direct, clean connections. It is about stripping away the unnecessary while preserving functionality.
INTERVIEW
My first project was a wardrobe inspired by the understated elegance of the Joseon Dynasty, which valued craftsmanship through subtlety and restraint, unlike the more decorated styles of China or Japan. While modern carpentry often highlights technical skill, I sought beauty in moderation. This piece became the start of my series, The Joseon Classic.
I create furniture for individuals in this era, where usefulness combines both function and aesthetics. In craft, these two elements are inseparable, unlike modern art, which often separates them. My work is crafted for specific, often unique tastes—not for mass appeal, but for those who value something personal and distinct.
What people often do not realise is the effort behind creating something that appears 'natural' or 'simple'. Crafting flashy, complex objects is easier, but making something look effortless while carrying an intangible aura is far more challenging. This subtlety is tied to the craftsperson's life and philosophy towards their craft.
My work is inspired by my life—books, movies, people, and travel all shape its direction and techniques. Life and work are inseparable for me. After moving from the city to a province closer to nature, my designs have become more concise and structurally rigorous.
