





Shishi San
Tufter
Brussels, Belgium
Recommended by Jean Blanchaert & Irina Focsaneanu Eschenazi
Tufted textures of transformation
- Shishi is an entirely self-taught textile tufting artist
- Her signature pieces are 3D vases that reference ceramics
- She tells stories of belonging and cultural diversity through her practice
Shishi San’s love for textiles stems from her childhood, when her stepfather taught her to sew. “Later in life, when I discovered punch needling, something clicked,” she says. The dialogue between hand, needle and textile felt ancient, yet entirely her own. Working with a tufting gun, Shishi turns her textile forms into 3D structures and signature large-scale fluffy vases. “I realised they are the ideal structure for communication, not as vessels to be filled, but as forms to be inhabited,” she says. Shishi makes her vases with an accumulation of references including Chinese porcelain, Japanese floral tradition, Brussels ornamentation and the memory of a Vietnamese childhood shaped by the duality of adoption and exile. “I want viewers to feel the pull of multiple origins and ask themselves where a form belongs, and whether belonging is even the right framework,” she says.
Discover her work
INTERVIEW
The self-taught path was difficult, but it was entirely mine. My practice was never shaped by someone else's aesthetic, and I was never told what was correct or permissible. The errors I made became part of my vocabulary. I would not trade that for the comfort of a formal education.
I created a mythological guardian, called a Komainu, which stands at the threshold of Japanese Shinto shrines to ward off harmful spirits. The idea of an object charged with protecting has never left me. My fluffy vases also take on the role of guardians: they protect the emptiness within.
People approach the vases expecting a yielding texture, because the soft surface invites touch. They discover that the form holds itself with complete structural confidence. It does not collapse, it stands firmly like a ceramic object. This dissonance between what the eye expects and what the hand finds is exactly the tension I build.
As tufting spreads on social media, DIY culture and fast decoration, the craft risks being flattened into mere technique without depth. The challenge is to insist on the difference between making an object and truly understanding what you are making. A living tradition relies on artists knowing what they inherit and what they transform.
Shishi San
Tufter
Brussels, Belgium
Recommended by Jean Blanchaert & Irina Focsaneanu Eschenazi
ADDRESS
Address upon request, Brussels, Belgium
AVAILABILITY
By appointment only
LANGUAGES
French
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