It was on a cold winter's day in January 1975 when a young philosophy student went on a hike in the snow-covered Chiemgau. On his way, Thomas Schmitter was invited to have a rest in an old farmhouse, where he was quickly entranced not only by his hosts but by the wooden panelling and furniture in the living room. "It was simple and yet absolutely fascinating work," he says. "Its truthfulness seemed to lie precisely in its timeless simplicity, its natural proportions and in the material itself.” In that moment he realised he wanted to create such things himself. A few days later Thomas applied to the technical school for carpenters and wood sculptors in Garmisch-Partenkirchen.
Thomas Schmitter