HOMO FABER 2026
Ryuji Onari
©All rights reserved
Ryuji Onari
©All rights reserved
Ryuji Onari
©All rights reserved
Ryuji Onari
©All rights reserved
Ryuji Onari
©All rights reserved
Ryuji Onari
©All rights reserved

Ryuji Onari

Lacquering

Kyoto Sakyo Ward, Japan

Urushi beyond surface revelation

  • Through his creations, Ryuji reveals the transformative value of lacquer
  • He shifted from a technical focus to a material and process-driven practice
  • He apprenticed with a master for three years after studying at Kyoto College of Traditional Arts

Ryuji Onari specialises in urushi, a traditional Japanese lacquering technique and a symbol of Japan’s fine craftsmanship. Initially trained as a marine biologist, he adopts an experimental approach focused on the material itself. "Traditional lacquer allows me to express the interactions between humans and nature," Ryuji says. His works, whether sculptures, panels or installations, serve as poetic testimonies of his research process. Derived from the sap of the urushi tree, lacquer, like all natural resources, is precious and rare. With environmental responsible in mind, Ryuji explores the various techniques associated with lacquer, investigating the possibilities of this natural medium today.

Ryuji Onari is a master artisan: he began his career in 2014 and he started teaching in 2016.

Discover his work

INTERVIEW

Exploring Japan’s emblematic crafts led me to a deep fascination with lacquer. Beyond mastering the technique, I am drawn to the process and interactions over the finished, shiny object. Today, I share these facets by questioning the material's practices and entering into a meaningful dialogue with it.

I regularly use silk, both thread and fabric, as well as Japanese washi paper. Like lacquer, I am drawn to materials that humans have learned to tame, harvest and refine. When I combine these materials, I am always struck by how naturally compatible they are.

While I am trained in traditional techniques, I now explore a signature technique I developed through my different experiments. Not only does lacquer alter the appearance of an object, but it also transforms its value, revealing the essence beneath the surface. I am particularly sensitive to the alchemy produced when these materials meet.

We are surrounded by what we choose to see. Yet, other realities exist. My work seeks to reveal the boundary between the familiar and the unknown, helping people open up to a realm of new possibilities. Ultimately, this serves as a metaphor for lacquer itself, a concept I strive to convey through my work.