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The timeless art of urushi
- Fumie makes contemporary sculptures inspired by Japanese history and aesthetics
- Her craft requires waiting for up to 30 layers to individually dry
- She aims to preserve the Japanese tradition of urushi lacquering through her artistic approach
Fumie Sasai's journey with urushi began at university, where she learned about lacquer work and connected with the precision and depth it takes to practise it. With an initial focus on ceramics, she felt a natural affinity for urushi and its unique layering process. Fumie learned the importance of form and refined edge work under an esteemed master. Today, her craft blends Japanese cultural references, from ancient tales to classical kimono colours from the Heian era with modern touches. "Urushi is a lifelong pursuit that requires patience, respect for tradition and a commitment to passing on its legacy," Fumie says.
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INTERVIEW
When I was at university, I discovered urushi lacquering, which shifted my path from ceramics. I was intrigued by lacquer’s precision and depth, and its ability to bond with diverse materials. I felt a duty to preserve this Japanese craft, which reveals endless beauty through layered patience.
Well-made urushi objects are built on unseen layers. Urushi demands honesty and precision – up to 30 layers are applied to reveal depth, which allows true quality to gradually emerge. Good craftsmanship in urushi is an investment in lasting beauty.
Lacquer is both decorative and functional, and it was used historically for repairs. It requires humidity to dry, which is linked to Japan’s natural climate. Urushi respects nature’s timing, connecting it deeply to the environment and traditional practices.
Persistence is key. Lacquer work requires years of practice, and many beginners give up fast. Stay engaged, embrace mistakes and refine your skills slowly. True mastery takes time. With patience, someone will notice your dedication, and urushi will reveal its rewards.
