Existential ripples
- Ryoji designs his sculptural pieces in the moment, as he carves
- No two pieces of his work are alike
- He obtains the black colour of his works by applying an iron mordant
In western Japan's Munakata City, Fukuoka Prefecture, Ryoji Nakamoto's studio finds its home in a setting surrounded by woods dotted with historic temples and shrines. Following in his great-grandfather's footsteps as a carpenter, Ryoji transitioned from a roofing professional to furniture making after technical school. The artist in him craved freedom of expression, and in 2021 he turned his workshop into an atelier where he creates wooden candlesticks and interior objects from salvaged wooden pieces. With a lathe machine and chisel, Ryoji transforms wood intuitively. He crafts new life into salvaged wood, letting the wood's splits, knots, and grain guide his creative process. The final forms take on a harmony in which gentle curves and hard edges echo each piece of wood's unique story.
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INTERVIEW
Nature's essence intertwines with humanity in my art. Natural elements such as trees, flowers, earth, civilisation and time are some examples. The intricate details and flowing curves all hold symbolic weight in my work.
Discarded lumber mills scraps hold hidden potential. I see beauty in these leftovers, a chance to give them new life. By transforming them, I can honour the fallen trees and create something strong and purposeful.
As a self-taught lathe artist, I see nature and humanity's complexity through imperfections. By incorporating cracks, chips, and distortion in my untraditional pieces, I aim to capture the beauty, strength, and vulnerability of both.
Craft careers often face challenges. I am passionate about inspiring a new generation of young artists. By creating work that is globally recognised, I want to show them the value and potential of pursuing a path in craftsmanship.
