Matthew Nafranowicz
©All rights reserved
Matthew Nafranowicz
©All rights reserved
Matthew Nafranowicz
©All rights reserved
Matthew Nafranowicz
©All rights reserved
Matthew Nafranowicz
©All rights reserved
Matthew Nafranowicz
©All rights reserved

Matthew Nafranowicz

Upholsterer

Madison, WI, USA

Recommended by American Craft Council

American upholstery with a purpose

  • Matthew reimagines traditional upholstery in a contemporary way
  • He is inspired by natural fibres and meticulous handwork
  • His work aims to bring value and appreciation to a historic craft

As a student of ornithology, the scientific study of birds, Matthew Nafranowicz was kept busy with fieldwork during the summer months. To fill his winters, he took a job at a local upholstery shop, where a source of income gradually became a passion. Matthew pursued formal training and apprenticed at Atelier Seigneur in Paris. He discovered that tradition and history within the craft still existed and mattered. In 2002, Matthew returned to Madison in Wisconsin to establish his workshop, The Straight Thread, working alongside a team to bring his concepts to life. "Making things that are comfortable and marketable is important, but I am more interested in finding new ways to make historical techniques relevant in today’s design space,” he says.

Matthew Nafranowicz is a master artisan: he began his career in 1999 and he started teaching in 2004.

INTERVIEW

I am attuned to details and have a knack for hand-eye precision. I love the beauty that can be found on the small scale, from the weave of the fabric to the perfect placement of a stitch and the subtle shape of cloth pulled over padding.

Without a strong local culture of period furniture, there is no expectation of what it should be. I am free to bridge the gap between craft and design, develop my own ideas advance classic techniques in a way that is not nostalgic, which is especially important to me.

My designs are built to reveal the way the object was made, so the craft and its history, as I interpret it, give meaning to the furniture. All the exposed upholstery in my work has a purpose. Nothing is there purely for decoration.

Because the heritage of upholstery in the USA is not well understood, the cultivation of skilled labour has been neglected. As a result, I want to celebrate the handcraft of my furniture so that people can see, understand and learn to value it.