HOMO FABER FELLOWSHIP
Marisa Convento
©Nicoletta FORNARO
Marisa Convento
©Nicoletta FORNARO
Marisa Convento
©Nicoletta FORNARO
Marisa Convento
©Nicoletta FORNARO
Marisa Convento
©Nicoletta FORNARO

Marisa Convento

Venetian Dreams

Beadwork

Venice, Italy

Recommended by L’ÉCOLE, School of Jewelry Arts

Committed to Venetian beadwork

  • Marisa is a Venetian impiraressa, a bead stringer
  • She is a passionate and tenacious craftswoman
  • Her workshop Venetian Dreams opened in 2007

Working with Venetian glass pearls and beads has been a dream pursued with passion and stubbornness by Marisa Convento. Born in Mirano and having grown up in Marghera, in the countryside, as she says, she moved to Venice at the age of 20, falling in love with its art, culture and artisanal traditions. At the time there was a culture of keeping craftsmanship techniques secret, by the silence of the old masters. Despite these obstacles, Marisa managed to learn and re-create the techniques of the impiraresse (bead stringers). She opened her workshop, currently housed in Bottega Cini, a museum-gallery and concept store that brings together the excellence of Venetian artistic mastery. Marisa has also been engaged in the preservation of the art of glass beads, inscribed in 2020 on the Representative List of the UNESCO Intangible Cultural Heritage of Humanity.

Marisa Convento is a master artisan: she began her career in 2000 and she started teaching in 2017.

Discover her work

INTERVIEW

Living in Venice, I became passionate about all the local traditions, particularly the world of glass. I started collecting ancient and modern Venetian pearls, getting curious about both the manufacturing techniques and the way to use glass pearls and beads to create something I could wear.

Around the mid-1990s, it was difficult to find people open to sharing their savoir faire and to obtain materials in Venice. I began studying ancient pieces and found some in the flea markets. Eventually I found an old Venetian craftswoman…

This master taught me the basics to create flowers, thread conteria, the tiny Venetian glass seedbeads, with a metal wire. I have learned the other techniques through books, American magazines and new Venetian contacts. I was 46 when I opened my workshop. I still learn every day, a craftsperson never stops learning.

Nature first, but also my life in Venice, that offer great insights into art and history. In Venetian glass you can find centuries of craftsmanship, concentrated even in the smallest bead. Sometimes I start from a colour: a particular shade can become the first word of a story to be told.