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Kato Naoki
©All rights reserved
Kato Naoki
©All rights reserved
Kato Naoki
©All rights reserved
Kato Naoki
©All rights reserved
Kato Naoki
©All rights reserved
Kato Naoki
©All rights reserved

Kato Naoki

Ceramics

Okayama, Japan

Revealing inherent fragility

  • Kato explores structure, gravity and fragility in ceramics
  • He is inspired by skeletal forms as expressions of inner identity
  • He uses thread and paper as frameworks, a technique he developed

Kato Naoki’s work does not hide the fact that ceramics can break. "I explore ceramics' inevitable fragility to reveal the true nature of clay, creating objects that look as if they might collapse at any moment," he says. Through constant experimentation, Kato has developed a unique technique in which thread or paper is used as a temporary framework, soaked with clay slip, and then fired. As the thread and paper burn away in the kiln, only a delicate ceramic structure remains. Inspired by skeletal systems found in nature, Kato's pieces often resemble bone-like frameworks, showing the relationship between structure, gravity and fragility. In recognition of his work, he was awarded the Gold Prize at the Taiwan International Ceramics Competition in 2020.

Kato Naoki is a master artisan: he began his career in 2002 and he started teaching in 2015

Discover his work

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INTERVIEW

It was the 2011 Great East Japan Earthquake and Tsunami. At that time, my brother was living in one of the affected cities. Fortunately, he was safe, but during that period I felt unable to make objects with solid structures. It also made me focus less on others’ opinions and more on myself.

After the disaster, I realised that soil, the main material I work with, is made from accumulated organic remains: the result of life and death over time. This idea inspired my series, together with my fascination with skeletal structures as expressions of inner identity.

I rarely draw sketches on paper. I begin with having a clear image in my mind, then I think about how it can technically be shaped into a physical form. My process involves experimentation and repeated trials to bring that image into reality.

To keep the workspace clean, I wipe the table and sweep the floor every morning before work and again at the end of the day. I have followed this routine for many years, and only recently did I realise that this habit is rooted in Zen philosophy.

Kato Naoki

Ceramicist

Okayama, Japan

ADDRESS

Address upon request, Okayama, Japan

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AVAILABILITY

By appointment only

LANGUAGES

Japanese, English

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