Initially I worked exclusively with engobe on low-fired earthenware. I continued to develop my skills and reached a point where I could and wanted to sell my work. However, since earthenware is not necessarily suitable for household use, I had to switch to high-fired stoneware. This change altered the entire aesthetic of my engobe painting, leading to extensive experimentation on my part.

I do not typically seek out others and inquire about their experiences. Instead, I purchased my own kiln and began experimenting with various pigments. Utilising special shades, I discovered methods to attain depth in the paintings through firing. Since then I have continued to explore a variety of colour tones.

I keep noticing that I feel genuinely euphoric when I am in the process of creating a new piece of work. My studio is at my home, and when I am working on larger pieces that take more time to complete, I catch myself frequently glancing at them throughout the day and feeling a deep sense of joy each time.