HOMO FABER 2026
Françoise Hoffmann
©David Desaleux
Françoise Hoffmann
©Patrice Gavand
Françoise Hoffmann
©David Desaleux
Françoise Hoffmann
©All rights reserved
Françoise Hoffmann
©David Desaleux

Françoise Hoffmann

Maison Hoffmann

Felting

Aurec-sur-Loire, France

Recommended by The French Savoir-Faire Institute (INMA)

Taking the humble felt path

  • Françoise first trained as a milliner in the 1990s
  • She has helped bring recognition to felt as an artistic material
  • She creates both viewable art and wearable designs

Felt artist and Maitre d’art Françoise Hoffmann delights in the creativity of her work as a designer of original textiles from hybrid felt fabrics. Her passion was ignited at a museum exhibit on traditional felt and wool – she describes the moment as an artistic encounter and a revelation. For her, these materials are connected to motherhood and femininity, and these themes, along with her environmentally respectful approach, have become strong elements of her work. “Something about the material reached me; felt is a humble medium, but I saw it could be a vehicle for my creativity,” she says. “There’s even a feeling of nomadism when working with felt, a connection between other countries and other eras.”

Françoise Hoffmann is a master artisan: she began her career in 2001 and she started teaching in 2002.

INTERVIEW

Felt is an amalgam of different natural fibers. There’s a real freedom in it, the possibility of adding something – silk or muslin, for example – to change the structure and texture. It’s about being aware and alert, it’s an exchange.

One of my most emblematic creations is the Manteau – Mode d’emploi (Coat – User Guide), which was designed in a way to explain the 'what is this?' and 'how does this work?' element of my art; those questions/answers are embedded in the piece.

I’m inspired by what I see and what I feel. I’m very inspired by locations and I use photography to capture and then reveal my perceptions. There’s often a connection to a space or a situation I’ve experienced. And then I think, how can I show this?

Felt expresses a notion of time passing – it comes to us from the Neolithic period and evokes history and movement and shelter. I want to show this in my work. It’s not the Great Silk Road, but there’s much to be experienced on the 'humble felt path'.

1 EXPERIENCE

Textile design talk near Lyon