HOMO FABER 2026
Eleonora Bruno
©Elybhats
Eleonora Bruno
©Elybhats
Eleonora Bruno
©Elybhats
Eleonora Bruno
©Elybhats
Eleonora Bruno
©Elybhats
Eleonora Bruno
©Elybhats

Eleonora Bruno

Ely B

Millinery

Florence, Italy

Recommended by Creative Academy

The millinery of freedom

  • Eleonora creates imaginative headpieces and fashion hats
  • Her style is flamboyant and daring, with stark contrasts
  • She collaborates with fashion houses for photoshoots and catwalk shows

Eleonora Bruno's journey into millinery began when, as a child, she took painting and sculpture lessons, learning to model clay by hand. At fashion college in Florence she acquired the basics of tailoring. Thanks to an internship with feather artist Duccio Mazzanti, Eleonora created her first hat prototypes. "That is when I realised this could become my profession," she shares. She attended the three-year fashion design course at Polimoda in Florence and dedicated her final show to Florentine Renaissance Madonnas, creating feathered headpieces evocatively reminiscent of halos. She participated in Vogue Talent, during which she met Carla Sozzani, Anna Winthour, and Anna Dello Russo. "I am not a minimalist. I have always been eccentric," says Eleonora of herself. Today, she is involved with fashion brands, creating her original pieces in her Florentine atelier.

Eleonora Bruno is an expert artisan: she began her career in 2010.

INTERVIEW

Trends ranging from Art Deco to the 1980s. My mother is Romanian and my father is a Florentine antiques dealer, so I also refer to the Romanian tradition of using flowers, and to Florentine Renaissance art in my pieces. My inspirations are Galliano, St. Laurent, and Lagerfeld, whom I had the honour of meeting.

Strong contrasts through the combination of elements that do not traditionally go together. I do not like what is banal and predictable, so I always try to combine unexpected materials and colours. I blend diverse influences and make the whole piece very modern.

The initial excitement of creation, when I do not yet know what I will make. In this stage, I begin by selecting the materials, before giving them shape. I feel an energy, like an electric shock. I only calm down when the work is finished. Working is a kind of therapeutic journey, which ultimately culminates in a sense of liberation.

Yes, meeting Sarah Jessica Parker. At the time when she was the face of Intimissimi, I was working on the brand's fashion show, for which I crafted a dozen feathered headpieces. I gave her one of my pieces as a gift. Another of my feathered creations was worn by Jennifer Lopez when she was photographed by Harper's Bazaar America.