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This delicate wooden lace sculpture has been meticulously sculpted using a set of wood carving gouges.",[],[],[928,929,930],"Sculpture","Monuments","Architecture",[932,932],"Wood",[934],"https://api.homofaber.com/uploads/obj_1_Brussels_lace_1_All_rights_reserved_0c19bd6a19.jpg","2026-05-11T06:50:43.000+0000",{"_733":917,"_734":918},{"_682":938,"_31":939,"_255":940,"_686":941,"_378":942,"_689":943,"_696":917,"_698":918,"_702":919,"_703":944,"_707":945,"_694":946,"_711":947,"_713":948,"_715":949,"_720":950,"_724":833,"_726":951,"_729":935,"_731":953},"object-11201",11201,"Lace’s lingerie",[],"a1VTG000000f1IJ2AY",{"_31":913,"_62":914,"_255":915,"_694":916,"_696":917,"_698":918,"_700":919},[921,706],[923],"This lace bra is meticulously carved from boxwood and features gold leaf to certain elements. The delicate tromp-l'oeil wooden lace piece of lingerie took around 1,500 hours to complete.",[],[],[928,929,930],[932,932],[952],"https://api.homofaber.com/uploads/obj_4_FRANCE_JULIEN_Feller_objet_4_All_rights_reserved_f29c4bf49a.jpg",{"_733":917,"_734":918},{"_682":955,"_31":956,"_255":957,"_686":958,"_378":959,"_689":960,"_696":917,"_698":918,"_702":919,"_703":961,"_707":962,"_694":963,"_711":964,"_713":965,"_715":966,"_720":967,"_724":833,"_726":968,"_729":935,"_731":970},"object-11202",11202,"Pair of Lace Gloves",[],"a1VTG000000f1II2AY",{"_31":913,"_62":914,"_255":915,"_694":916,"_696":917,"_698":918,"_700":919},[921,706],[923],"These trompe-l'oeil lace gloves were meticulously carved from a piece of boxwood. A set of traditional wood carving gouges was used to create the fabric-like texture and appearance.",[],[],[928,929,930],[932,932],[969],"https://api.homofaber.com/uploads/obj_3_pair_of_glove_a_All_rights_reserved_3ce8951b45.jpg",{"_733":917,"_734":918},{"_682":972,"_31":973,"_255":974,"_686":975,"_378":976,"_689":977,"_696":917,"_698":918,"_702":919,"_703":978,"_707":979,"_694":924,"_711":980,"_713":981,"_715":982,"_720":983,"_724":833,"_726":984,"_729":935,"_731":986},"object-11203",11203,"Brussels Lace 2",[],"a1VTG000000f1IH2AY",{"_31":913,"_62":914,"_255":915,"_694":916,"_696":917,"_698":918,"_700":919},[921,706],[923],[],[],[928,929,930],[932,932],[985],"https://api.homofaber.com/uploads/obj_2_lace_2_b_All_rights_reserved_3e392a7cbb.jpg",{"_733":917,"_734":918},{"_682":988,"_31":989,"_255":990,"_686":991,"_378":992,"_689":993,"_696":998,"_698":999,"_702":1000,"_703":1001,"_707":1002,"_694":1004,"_711":1005,"_713":1006,"_715":1007,"_720":1010,"_724":833,"_726":1012,"_729":1014,"_731":1015},"object-21807",21807,"Enchanted Forest: Fox with Skeleton",[],"a1VTG000000tm452AA",{"_31":994,"_62":995,"_255":996,"_694":997,"_696":998,"_698":999,"_700":1000},104,"a1OTG000000EpGc2AK","Andrea Dezsö","The natural world and traditional ways of working with materials inspire Andrea Dezsö’s work, from her tunnel books to her illustrations, paintings and prints. A childhood visit to an artist’s house museum set her on the path to an art career. Andrea left her native Transylvania, Romania to study in Hungary, then moved to the USA, where she is now based. In her creations, humans and creatures freely inhabit fantastical worlds. “With tunnel books, what I am really looking for is creating spaces of longing,” she says. \"Humour is part of my work, too. Tough subjects must have some kind of levity.” Andrea particularly enjoys the nature and personality of traditional Japanese handmade paper such as kozo, washi and gampi. “It sings at a specific register,” she says.",42.38370038708582,-72.51865298845303,"Amherst, MA, USA",[706],[1003],"Paper art","This is a multi-layered collapsible tunnel book, made from handmade Japanese washi paper. Peering through a forest, a fox appears in the distance. In the foreground, a skeletal figure reclines on a fern.",[],[],[1008,1003,1009],"Cut paper art","Books and paper",[1011,1011],"Paper",[1013],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1VTG000000tm452AA.jpg","2026-05-08T14:13:58.000+0000",{"_733":998,"_734":999},{"_682":1017,"_31":1018,"_255":1019,"_686":1020,"_378":1021,"_689":1022,"_696":998,"_698":999,"_702":1000,"_703":1023,"_707":1024,"_694":1025,"_711":1026,"_713":1027,"_715":1028,"_720":1029,"_724":833,"_726":1030,"_729":1032,"_731":1033},"object-21806",21806,"The Garden Inside",[],"a1VTG000000tm442AA",{"_31":994,"_62":995,"_255":996,"_694":997,"_696":998,"_698":999,"_700":1000},[706],[1003],"This is a multi-layered, collapsible tunnel back assembled from hand cut and painted watercolour paper. Amidst an imaginary grove of undulating red fronds, two hands reach out to each other.",[],[],[1008,1003,1009],[1011,1011],[1031],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1VTG000000tm442AA.jpg","2026-05-08T14:13:34.000+0000",{"_733":998,"_734":999},{"_682":1035,"_31":1036,"_255":1037,"_686":1038,"_378":1039,"_689":1040,"_696":998,"_698":999,"_702":1000,"_703":1041,"_707":1042,"_694":1043,"_711":1044,"_713":1045,"_715":1046,"_720":1047,"_724":833,"_726":1048,"_729":1050,"_731":1051},"object-21809",21809,"Ancestor’s Garden",[],"a1VTG000000tm432AA",{"_31":994,"_62":995,"_255":996,"_694":997,"_696":998,"_698":999,"_700":1000},[706],[1003],"This is a collapsible tunnel book made of hand cut and handmade Japanese washi paper. The book is bound with waxed linen thread. Fantastical beings, stylised skulls and plant life inhabit this dream-like scene.",[],[],[1008,1003,1009],[1011,1011],[1049],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1VTG000000tm432AA.jpg","2026-05-08T14:13:14.000+0000",{"_733":998,"_734":999},{"_682":1053,"_31":1054,"_255":1055,"_686":1056,"_378":1057,"_689":1058,"_696":998,"_698":999,"_702":1000,"_703":1059,"_707":1060,"_694":1061,"_711":1062,"_713":1063,"_715":1064,"_720":1065,"_724":833,"_726":1066,"_729":1068,"_731":1069},"object-21808",21808,"The Diver's Clothes Lying Empty",[],"a1VTG000000tm422AA",{"_31":994,"_62":995,"_255":996,"_694":997,"_696":998,"_698":999,"_700":1000},[706],[1003],"This is a one-of-a-kind collapsible tunnel book sewn with linen thread. Layers of watercolour paper cut by hand and laser create a pastel-coloured scene of collaged images that blend human and aquatic forms.",[],[],[1008,1003,1009],[1011,1011],[1067],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1VTG000000tm422AA.jpg","2026-05-08T14:12:53.000+0000",{"_733":998,"_734":999},{"_682":1071,"_31":1072,"_255":1073,"_686":1074,"_378":1075,"_689":1076,"_696":998,"_698":999,"_702":1000,"_703":1077,"_707":1078,"_694":1079,"_711":1080,"_713":1081,"_715":1082,"_720":1083,"_724":833,"_726":1084,"_729":1086,"_731":1087},"object-21805",21805,"Women in Red with Black Thread",[],"a1VTG000000tm412AA",{"_31":994,"_62":995,"_255":996,"_694":997,"_696":998,"_698":999,"_700":1000},[706],[1003],"Two figures in red are connected with a thread in this multi-layered collapsible tunnel book. Hand cut from watercolour paper and bound with waxed linen thread, the book features a forest setting in shades of grey.",[],[],[1008,1003,1009],[1011,1011],[1085],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1VTG000000tm412AA.jpg","2026-05-08T14:12:29.000+0000",{"_733":998,"_734":999},{"_682":1089,"_31":1090,"_255":1091,"_686":1092,"_378":1093,"_689":1094,"_696":1099,"_698":1100,"_702":1101,"_703":1102,"_707":1103,"_694":1105,"_711":1106,"_713":1107,"_715":1108,"_720":1109,"_724":833,"_726":1110,"_729":1112,"_731":1113},"object-21667",21667,"Currency of tolerances",[],"a1VTG000000tlhR2AQ",{"_31":1095,"_62":1096,"_255":1097,"_694":1098,"_696":1099,"_698":1100,"_700":1101},5073,"a1OTG000000Ezi72AC","Eric Standley","Working with paper, with its inherent fragility and vulnerability, Eric Standley creates complex multilayered artworks. He is attracted to the idea of paradoxes and multisided arguments, which he aims to represent in his creations. To create that visualisation in paper, Eric uses a laser engraver to cut paper layers. To create the 3D forms he envisages, the next step is to painstakingly assemble the layers into artworks that seem to be expanding infinitely outwards. “Our bodies are made to be in the moment of becoming, always one step ahead of where we are,” he says. “When I am creating my artwork, I think I am the best person I can be because I am all in at that moment of becoming.” Eric’s pieces have been acquired by institutions and galleries around the world, from Brazil and South Korea to New York City.",37.23010657597226,-80.41613177795894,"Blacksburg, VA, USA",[706],[1104],"Paper cutting","In this piece, thousands of intricately cut layers of green, blue and yellow paper are adhered to wood to form a complex spire-shaped sculpture. The interior 23k gold leaf dome are visible from the mirror base.",[],[],[1008,1003,1009],[1011,1011],[1111],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1VTG000000tlhR2AQ.jpg","2026-05-08T14:10:23.000+0000",{"_733":1099,"_734":1100},{"_682":1115,"_31":1116,"_255":1117,"_686":1118,"_378":1119,"_689":1120,"_696":1099,"_698":1100,"_702":1101,"_703":1121,"_707":1122,"_694":1123,"_711":1124,"_713":1125,"_715":1126,"_720":1127,"_724":833,"_726":1128,"_729":1130,"_731":1131},"object-21666",21666,"Vanquished, ascended",[],"a1VTG000000tlhS2AQ",{"_31":1095,"_62":1096,"_255":1097,"_694":1098,"_696":1099,"_698":1100,"_700":1101},[706],[1104],"This Rub le Hizb shape is made from 144 layers of laser cut paper using geometric patterns found in human DNA. The layers of coloured paper strands and 23k gold leaf are formed into infinitely complex spaces.",[],[],[1008,1003,1009],[1011,1011],[1129],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1VTG000000tlhS2AQ.jpg","2026-05-08T14:10:05.000+0000",{"_733":1099,"_734":1100},{"_682":1133,"_31":1134,"_255":1135,"_686":1136,"_378":1137,"_689":1138,"_696":1099,"_698":1100,"_702":1101,"_703":1139,"_707":1140,"_694":1141,"_711":1142,"_713":1143,"_715":1144,"_720":1145,"_724":833,"_726":1146,"_729":1148,"_731":1149},"object-21665",21665,"Omnia",[],"a1VTG000000tlhT2AQ",{"_31":1095,"_62":1096,"_255":1097,"_694":1098,"_696":1099,"_698":1100,"_700":1101},[706],[1104],"Inspired by the universe’s expansion, Eric Standley spent two years creating this wall hung crater shaped sculpture consisting of over 2,000 layers of laser-cut paper fastened by hundreds of pins on a wood structure.",[],[],[1008,1003,1009],[1011,1011],[1147],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1VTG000000tlhT2AQ.jpg","2026-05-08T14:09:46.000+0000",{"_733":1099,"_734":1100},{"_682":1151,"_31":1152,"_255":1153,"_686":1154,"_378":1155,"_689":1156,"_696":1099,"_698":1100,"_702":1101,"_703":1157,"_707":1158,"_694":1159,"_711":1160,"_713":1161,"_715":1162,"_720":1163,"_724":833,"_726":1164,"_729":1166,"_731":1167},"object-21668",21668,"Irreducible",[],"a1VTG000000tlhU2AQ",{"_31":1095,"_62":1096,"_255":1097,"_694":1098,"_696":1099,"_698":1100,"_700":1101},[706],[1104],"This infinitely complex wall-hung layered paper sculpture consists of vivid colours and 23k gold leaf. It combines biomorphic and cosmic forms that continuously reveal something new.",[],[],[1008,1003,1009],[1011,1011],[1165],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1VTG000000tlhU2AQ.jpg","2026-05-08T14:09:31.000+0000",{"_733":1099,"_734":1100},{"_682":1169,"_31":1170,"_255":1171,"_686":1172,"_378":1173,"_689":1174,"_696":1099,"_698":1100,"_702":1101,"_703":1175,"_707":1176,"_694":1177,"_711":1178,"_713":1179,"_715":1180,"_720":1181,"_724":833,"_726":1182,"_729":1184,"_731":1185},"object-21669",21669,"Verus",[],"a1VTG000000tlhV2AQ",{"_31":1095,"_62":1096,"_255":1097,"_694":1098,"_696":1099,"_698":1100,"_700":1101},[706],[1104],"This piece originated as a way to detoxify mediated untruths. In it, red and yellow layers are pinned to the turned wood centre of this piece and jut into space with fur-like paper strands.",[],[],[1008,1003,1009],[1011,1011],[1183],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1VTG000000tlhV2AQ.jpg","2026-05-08T14:09:10.000+0000",{"_733":1099,"_734":1100},{"_682":1187,"_31":1188,"_255":1189,"_686":1190,"_378":1191,"_689":1192,"_696":1197,"_698":1198,"_702":1199,"_703":1200,"_707":1201,"_694":1203,"_711":1204,"_713":1205,"_715":1206,"_720":1210,"_724":833,"_726":1214,"_729":1216,"_731":1217},"object-22363",22363,"All The Blue Changes",[],"a1VTG000001GQqn2AG",{"_31":1193,"_62":1194,"_255":1195,"_694":1196,"_696":1197,"_698":1198,"_700":1199},5188,"a1OTG000000EoYq2AK","Charles Radtke","Charles Radtke is a studio cabinetmaker who works with intention: slowly, thoughtfully and always by hand. After leaving corporate work in 1990, Charles committed fully to woodworking and furniture making, drawn to the precision and the satisfaction of making something that will last. He harvests or sources his own wood, often choosing overlooked species. \"I begin with little more than an idea in my mind,\" explains Charles. The piece takes shape as he works, and his crafting is guided by the grain rather than by a sketch. In recent years he has collaborated with metalsmith Sarah Perkins to create sculptural panels for the doors or frames of his cabinets. Charles' work can be found in private collections, as well as at the Smithsonian, the MFA Boston, and the Milwaukee Art Museum.",43.30243366133251,-87.98758864156532,"Cedarburg, WI, USA",[706],[1202],"Cabinetry","This light-wood cabinet stands on tapered legs and features two front doors inset with blue-and-brown enameled, fine silver panels handcrafted by fellow artisan Sarah Perkins.",[],[],[1207,1208,1209],"Cabinet","Storage furniture","Furniture",[1211,1212,1213,932],"Holly","Maple wood","Botanical",[1215],"https://api.homofaber.com/uploads/obj_1_DSC_0455_b88e5126aa.jpg","2026-05-08T13:47:11.000+0000",{"_733":1197,"_734":1198},{"_682":1219,"_31":1220,"_255":1221,"_686":1222,"_378":1223,"_689":1224,"_696":1197,"_698":1198,"_702":1199,"_703":1225,"_707":1226,"_694":1227,"_711":1228,"_713":1229,"_715":1230,"_720":1231,"_724":833,"_726":1233,"_729":1216,"_731":1235},"object-22364",22364,"Colours Fly Away",[],"a1VTG000001GQqo2AG",{"_31":1193,"_62":1194,"_255":1195,"_694":1196,"_696":1197,"_698":1198,"_700":1199},[706],[1202],"This is a tall cabinet on slender maple legs, featuring Belize mahogany panels in a warm reddish tone. Silver and vitreous-enamel inlays form a delicate, curved motif across the sides, finished with subtle silver gilding. The front panels are testimony of the long time collaboration with metalsmith Sarah Perkins.",[],[],[1207,1208,1209],[1232,1212,932],"Mahogany wood",[1234],"https://api.homofaber.com/uploads/obj_2_DSC_3022_Larry_Sanders_957a7f8eb5.jpg",{"_733":1197,"_734":1198},{"_682":1237,"_31":1238,"_255":1239,"_686":1240,"_378":1241,"_689":1242,"_696":1197,"_698":1198,"_702":1199,"_703":1243,"_707":1244,"_694":1245,"_711":1246,"_713":1247,"_715":1248,"_720":1249,"_724":833,"_726":1250,"_729":1216,"_731":1252},"object-22365",22365,"Silver Leaf #2",[],"a1VTG000001GQqr2AG",{"_31":1193,"_62":1194,"_255":1195,"_694":1196,"_696":1197,"_698":1198,"_700":1199},[706],[1202],"This cabinet stands on long tapered legs, built in holly and quilted aspen. The front doors feature vertical rows of sterling-silver enameled leaf panels made by fellow artisan Sarah Perkins, with silver gilding and painted details.",[],[],[1207,1208,1209],[1211,1213],[1251],"https://api.homofaber.com/uploads/obj_4_Radtke_Charles_362d03d87e.jpg",{"_733":1197,"_734":1198},{"_682":1254,"_31":1255,"_255":1256,"_686":1257,"_378":1258,"_689":1259,"_696":1197,"_698":1198,"_702":1199,"_703":1260,"_707":1261,"_694":1262,"_711":1263,"_713":1264,"_715":1265,"_720":1266,"_724":833,"_726":1268,"_729":1216,"_731":1270},"object-22366",22366,"Sarcophagus #1",[],"a1VTG000001GQqq2AG",{"_31":1193,"_62":1194,"_255":1195,"_694":1196,"_696":1197,"_698":1198,"_700":1199},[706],[1202],"This is a low, rectangular cabinet on tapered legs, built in hardwood. The two front doors feature light-wood panels and a central brass pull. A row of small wooden spindles runs beneath the top for structural detail.",[],[],[1207,1208,1209],[1267,932],"Mahogany",[1269],"https://api.homofaber.com/uploads/obj_3_Radtke03_1_dd3b219284.jpg",{"_733":1197,"_734":1198},{"_682":1272,"_31":1273,"_255":1274,"_686":1275,"_378":1276,"_689":1277,"_696":1197,"_698":1198,"_702":1199,"_703":1278,"_707":1279,"_694":1280,"_711":1281,"_713":1282,"_715":1283,"_720":1284,"_724":833,"_726":1287,"_729":1216,"_731":1289},"object-22367",22367,"One of One",[],"a1VTG000001IxM12AK",{"_31":1193,"_62":1194,"_255":1195,"_694":1196,"_696":1197,"_698":1198,"_700":1199},[706],[1202],"This tall, slender dark-wood cabinet stands on four long tapered legs. Its small central chamber is enclosed by curved dark-wood doors set with vertical blue enameled fine silver panels.",[],[],[1207,1208,1209],[1285,1286,932],"Ebony wood","Walnut wood",[1288],"https://api.homofaber.com/uploads/obj_5_One_of_One_8a52adfac9.jpg",{"_733":1197,"_734":1198},{"_682":1291,"_31":1292,"_255":1293,"_686":1294,"_378":1295,"_689":1296,"_696":1301,"_698":1302,"_702":1303,"_703":1304,"_707":1305,"_694":1307,"_711":1308,"_713":1309,"_715":1310,"_720":1314,"_724":833,"_726":1318,"_729":1320,"_731":1321},"object-22710",22710,"Flower basket",[],"a1VTG000001uJtp2AE",{"_31":1297,"_62":1298,"_255":1299,"_694":1300,"_696":1301,"_698":1302,"_700":1303},5443,"a1OTG000000Ez4b2AC","Andrea Cayetano-Jefferson","Andrea Cayetano-Jefferson has been sewing sweetgrass baskets since she was six years old. “There are not many people who can say that they have been sewing baskets for 40 years at the age of 46!” she says. Sweetgrass basketweaving has been passed down the generations of Gullah-Geechee people for hundreds of years. Faithful to that tradition, Andrea makes her baskets from locally harvested materials, crafting objects in styles that were passed down, too. Many of the tools she uses were handed down. \"This nail bone tool was given to me by my aunt who taught me the basics,\" explains Andrea. At her workshop, Andrea sews baskets with her mother, daughter and other family and community members. She perpetuates her ancestral craft as a teacher, and by helping older generations sell their baskets online.",32.78322047652333,-79.93436450458613,"Charleston, SC, USA",[706],[1306],"Basket weaving","Hand-sewn from locally-harvested sweetgrass, bulrush, pine needles and palmetto, this traditional Gullah basket features a tall arched handle and an upright cylindrical body. Rows of tan and dark brown materials create a horizontal striping pattern.",[],[],[1311,1312,1313],"Basket","Bags and luggages","Mode",[1315,1316,1317],"Bulrush","Fibres","Fibres and textiles",[1319],"https://api.homofaber.com/uploads/obj_1_Object_3_Andrea_Jefferson_80e5c7597f.jpg","2026-05-08T12:09:11.000+0000",{"_733":1301,"_734":1302},{"_682":1323,"_31":1324,"_255":1325,"_686":1326,"_378":1327,"_689":1328,"_696":1301,"_698":1302,"_702":1303,"_703":1329,"_707":1330,"_694":1331,"_711":1332,"_713":1333,"_715":1334,"_720":1335,"_724":833,"_726":1336,"_729":1320,"_731":1338},"object-22711",22711,"Stand basket",[],"a1VTG000001uJtq2AE",{"_31":1297,"_62":1298,"_255":1299,"_694":1300,"_696":1301,"_698":1302,"_700":1303},[706],[1306],"This shallow, freestanding Gullah basket features four flared 'elephant-ear handles and is handcrafted with locally-harvested sweetgrass, bulrush, pine needles and palmetto. Light green, tan, and dark brown materials create a concentric striping pattern.",[],[],[1311,1312,1313],[1315,1316,1317],[1337],"https://api.homofaber.com/uploads/obj_2_Object_5_Andrea_Jefferson_f38e78acce.jpg",{"_733":1301,"_734":1302},{"_682":1340,"_31":1341,"_255":1342,"_686":1343,"_378":1344,"_689":1345,"_696":1301,"_698":1302,"_702":1303,"_703":1346,"_707":1347,"_694":1348,"_711":1349,"_713":1350,"_715":1351,"_720":1352,"_724":833,"_726":1353,"_729":1320,"_731":1355},"object-22712",22712,"Storage basket",[],"a1VTG000001uJtr2AE",{"_31":1297,"_62":1298,"_255":1299,"_694":1300,"_696":1301,"_698":1302,"_700":1303},[706],[1306],"Hand-sewn from sweetgrass, bulrush, pine needles and palmetto, this Gullah storage basket features a round, squat body and a fitted lid. Rows of tan and dark brown materials create a concentric striping pattern across the surface of the lid and the sides of the vessel.",[],[],[1311,1312,1313],[1315,1316,1317],[1354],"https://api.homofaber.com/uploads/obj_3_Object_8_Andrea_Jefferson_7ff8d5c418.jpg",{"_733":1301,"_734":1302},{"_682":1357,"_31":1358,"_255":1359,"_686":1360,"_378":1361,"_689":1362,"_696":1301,"_698":1302,"_702":1303,"_703":1363,"_707":1364,"_694":1365,"_711":1366,"_713":1367,"_715":1368,"_720":1369,"_724":833,"_726":1370,"_729":1320,"_731":1372},"object-22713",22713,"Rice Fanna basket",[],"a1VTG000001uJts2AE",{"_31":1297,"_62":1298,"_255":1299,"_694":1300,"_696":1301,"_698":1302,"_700":1303},[706],[1306],"Wide and shallow, this Gullah basket would traditionally be used to separate rice grains from chaff. It is hand-sewn with locally-harvested sweetgrass, pine needles, bulrush, and palmetto. Concentric rings of tans, browns and light greens radiate outward to a low perimeter rim with intertwined rows.",[],[],[1311,1312,1313],[1315,1316,1317],[1371],"https://api.homofaber.com/uploads/obj_4_Object_10_Andrea_Jefferson_b437c640e2.jpg",{"_733":1301,"_734":1302},{"_682":1374,"_31":1375,"_255":1376,"_686":1377,"_378":1378,"_689":1379,"_696":1301,"_698":1302,"_702":1303,"_703":1380,"_707":1381,"_694":1382,"_711":1383,"_713":1384,"_715":1385,"_720":1386,"_724":833,"_726":1387,"_729":1320,"_731":1389},"object-22714",22714,"Mini storage basket",[],"a1VTG000001uJtt2AE",{"_31":1297,"_62":1298,"_255":1299,"_694":1300,"_696":1301,"_698":1302,"_700":1303},[706],[1306],"Hand-sewn from sweetgrass, pine needles and palmetto, this Gullah mini storage basket features a rounded, petite body and a matching fitted lid. Concentric rows of tan material with brown accents create a contrasting striped pattern across the small vessel.",[],[],[1311,1312,1313],[1316,1317],[1388],"https://api.homofaber.com/uploads/obj_5_Object_9_Andrea_Jefferson_7cf7981286.jpg",{"_733":1301,"_734":1302},{"_682":1391,"_31":1392,"_255":1393,"_686":1394,"_378":1395,"_689":1396,"_696":1401,"_698":1402,"_702":1403,"_703":1404,"_707":1405,"_694":1407,"_711":1408,"_713":1409,"_715":1410,"_720":1413,"_724":833,"_726":1417,"_729":1419,"_731":1420},"object-22908",22908,"Vintage Hook Brush",[],"a1VTG0000021vJG2AY",{"_31":1397,"_62":1398,"_255":1399,"_694":1400,"_696":1401,"_698":1402,"_700":1403},5436,"a1OTG000000Gok12AC","Julia Tait Dickenson","Julia Tait Dickenson enthusiastically explores the relationship between form and function through her broom making practice. Initially, she pursued a formal education in ceramics and worked in jewellery design and metalworking. After a professional interlude in social entrepreneurship in 2020, Julia turned to making brooms full-time broom, a craft she learned mostly on her own. From handheld whisks to full-sized sweepers, each of her brooms is unique and made entirely by hand at her workshop, Thin Air Goods. Besides the occasional foray into sculptural work, most of Julia’s brooms are intended for everyday use. She uses broom fibres grown in the USA and Mexico and repurposes found objects as broom handles. “I just look at objects and think, ‘That could be a broom!’ I have not found anything yet that could not be one,” Julia says.",35.68998218146962,-105.9493003691403,"Santa Fe, NM, USA",[706],[1406],"Broom making","This hand broom incorporates a repurposed wooden and steel hook as a functioning handle. Natural tan Tampico fibres extend from\r\nthe bottom in four connected bundles, secured with tan, orange and green cording.",[],[],[1411,1412,1209],"Broom","Furniture accessories",[1316,1414,1415,1317,1416,932],"Steel","wood","Metals",[1418],"https://api.homofaber.com/uploads/obj_2_highres_hook_53d6d8b286.jpg","2026-05-08T11:38:21.000+0000",{"_733":1401,"_734":1402},{"_682":1422,"_31":1423,"_255":1424,"_686":1425,"_378":1426,"_689":1427,"_696":1401,"_698":1402,"_702":1403,"_703":1428,"_707":1429,"_694":1430,"_711":1431,"_713":1432,"_715":1433,"_720":1434,"_724":833,"_726":1435,"_729":1419,"_731":1437},"object-22909",22909,"Assorted full-sized sweepers",[],"a1VTG0000021vJH2AY",{"_31":1397,"_62":1398,"_255":1399,"_694":1400,"_696":1401,"_698":1402,"_700":1403},[706],[1406],"This grouping features six full-sized functional sweeping brooms. They are comprised of found wooden tool handles topped with flared broom corn in natural tan and dyed black and deep magenta hues. The bristles are secured by decorative cord stitching in various shades of brown, blue, red, orange and pink.",[],[],[1411,1412,1209],[1316,1415,1317,932],[1436],"https://api.homofaber.com/uploads/obj_3_highres_sweepers_C_8067c84e13.jpg",{"_733":1401,"_734":1402},{"_682":1439,"_31":1440,"_255":1441,"_686":1442,"_378":1443,"_689":1444,"_696":1401,"_698":1402,"_702":1403,"_703":1445,"_707":1446,"_694":1447,"_711":1448,"_713":1449,"_715":1450,"_720":1453,"_724":833,"_726":1454,"_729":1419,"_731":1456},"object-22910",22910,"Broom chair and stool",[],"a1VTG0000021vJF2AY",{"_31":1397,"_62":1398,"_255":1399,"_694":1400,"_696":1401,"_698":1402,"_700":1403},[706],[1406],"This set includes a blue-painted, ladder-back wooden chair and a tall, red-painted wooden stool. Natural tan Tampico fibres are set into the chair's seat, and black fibres top the stool, both resembling upright broom bristles.",[],[],[1451,1452,1209],"Chair","Sofa and Chairs",[1316,1415,1317,932],[1455],"https://api.homofaber.com/uploads/obj_1_highres_broom_seating_19eb12aa6e.jpg",{"_733":1401,"_734":1402},{"_682":1458,"_31":1459,"_255":1460,"_686":1461,"_378":1462,"_689":1463,"_696":1401,"_698":1402,"_702":1403,"_703":1464,"_707":1465,"_694":1466,"_711":1467,"_713":1468,"_715":1469,"_720":1470,"_724":833,"_726":1471,"_729":1419,"_731":1473},"object-22911",22911,"Toilet brush",[],"a1VTG0000021vJI2AY",{"_31":1397,"_62":1398,"_255":1399,"_694":1400,"_696":1401,"_698":1402,"_700":1403},[706],[1406],"This sculpture comprises a repurposed, deep brown wooden toilet seat and lid with metal hinges. Thick bundles of natural tan Tampico fibres are installed around the circular seat, flaring upward to create a dense, bristled ring.",[],[],[928,929,930],[1316,1415,1317,932],[1472],"https://api.homofaber.com/uploads/obj_4_highres_toilet_brush_ad31c65a57.jpg",{"_733":1401,"_734":1402},{"_682":1475,"_31":1476,"_255":1477,"_686":1478,"_378":1479,"_689":1480,"_696":1401,"_698":1402,"_702":1403,"_703":1481,"_707":1482,"_694":1483,"_711":1484,"_713":1485,"_715":1486,"_720":1490,"_724":833,"_726":1491,"_729":1419,"_731":1493},"object-22912",22912,"African anklet brushes",[],"a1VTG0000021vJJ2AY",{"_31":1397,"_62":1398,"_255":1399,"_694":1400,"_696":1401,"_698":1402,"_700":1403},[706],[1406],"This pair of handheld brooms is comprised of two antique African anklets and flared bundles of natural tan Tampico fibres. The fibres are secured with decorative cording in hues of orange, brown and turquoise, accented by small glass and brass beads.",[],[],[1487,1488,1489],"Brush","Bathroom accessories","Beauty",[1316,1317],[1492],"https://api.homofaber.com/uploads/obj_5_highres_anklets_15d7876d48.jpg",{"_733":1401,"_734":1402},{"_682":1495,"_31":1496,"_255":1497,"_686":1498,"_378":1499,"_689":1500,"_696":1505,"_698":1506,"_702":1507,"_703":1508,"_707":1509,"_694":1511,"_711":1512,"_713":1517,"_715":1518,"_720":1519,"_724":833,"_726":1521,"_729":1523,"_731":1524},"object-19562",19562,"Baskets, 8 parts",[],"a1VTG000000f4EK2AY",{"_31":1501,"_62":1502,"_255":1503,"_694":1504,"_696":1505,"_698":1506,"_700":1507},5113,"a1OTG000000Evmo2AC","Christian Burchard","Christian Burchard’s practice and his finished sculptures challenge the idea of wood as something fixed and inflexible. His approach is built on solid craftsmanship with room for the surprises that come with working with his material of choice. \"I call this process 'predictable unpredictability',\" confides Christian. Known for its natural warping and cracking, the material introduces an element of chance into the process, which he finds compelling. “If I already know what the final piece will look like, why should I make it?” he says. His installation, Never Again, is made up of around 80 book-shaped wooden objects, each carefully carved to capture the paper-thin, fluttering feel of book pages. Christian’s sculptures feature in national museums and galleries.",42.20713733259179,-122.6650653399405,"Ashland, OR, USA",[706],[1510],"Wood sculpting","These basket-like forms, inspired by Native American baskets of the Southwest, are made from red madrone burl and stitched with linen thread. The Pacific madrone, native to the west coast of the USA, was turned on a lathe right after harvesting. As the wood dried, each piece warped into its final, unique shape.",[1513],{"_31":1514,"_62":1515,"_255":1516,"_694":-5},73,"a1XTG000000PG9i2AG","Interior design",[1516],[928,929,930],[1520,932],"Madrona wood",[1522],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1VTG000000f4EK2AY.jpg","2026-05-08T09:31:59.000+0000",{"_733":1505,"_734":1506},{"_682":1526,"_31":1527,"_255":1528,"_686":1529,"_378":1530,"_689":1531,"_696":1505,"_698":1506,"_702":1507,"_703":1532,"_707":1533,"_694":1534,"_711":1535,"_713":1537,"_715":1538,"_720":1539,"_724":833,"_726":1540,"_729":1523,"_731":1542},"object-19563",19563,"A gathering #3",[],"a1VTG000000f4EL2AY",{"_31":1501,"_62":1502,"_255":1503,"_694":1504,"_696":1505,"_698":1506,"_700":1507},[706],[1510],"This family of basket-like forms was turned on a lathe from the freshly harvested roots of Pacific madrone. The walls are very thin, allowing the wood to dry without cracking. The wood has been bleached to emphasise movement and accentuate the natural distortion that occurs as it dries.",[1536],{"_31":1514,"_62":1515,"_255":1516,"_694":-5},[1516],[928,929,930],[1520,932],[1541],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1VTG000000f4EL2AY.jpg",{"_733":1505,"_734":1506},{"_682":1544,"_31":1545,"_255":1546,"_686":1547,"_378":1548,"_689":1549,"_696":1505,"_698":1506,"_702":1507,"_703":1550,"_707":1551,"_694":1552,"_711":1553,"_713":1555,"_715":1556,"_720":1557,"_724":833,"_726":1558,"_729":1523,"_731":1560},"object-19564",19564,"Composition #11",[],"a1VTG000000f4EM2AY",{"_31":1501,"_62":1502,"_255":1503,"_694":1504,"_696":1505,"_698":1506,"_700":1507},[706],[1510],"Created through experimentation with ‘accordion’ cuts, precise cuts made perpendicular to one another on blocks of freshly harvested madrone, this piece reveals the surprising flexibility of an otherwise rigid material. The resulting two forms interlock with ease.",[1554],{"_31":1514,"_62":1515,"_255":1516,"_694":-5},[1516],[928,929,930],[1520,932],[1559],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1VTG000000f4EM2AY.jpg",{"_733":1505,"_734":1506},{"_682":1562,"_31":1563,"_255":1564,"_686":1565,"_378":1566,"_689":1567,"_696":1505,"_698":1506,"_702":1507,"_703":1568,"_707":1569,"_694":1570,"_711":1571,"_713":1573,"_715":1574,"_720":1575,"_724":833,"_726":1577,"_729":1523,"_731":1579},"object-19565",19565,"Kora",[],"a1VTG000000f4EN2AY",{"_31":1501,"_62":1502,"_255":1503,"_694":1504,"_696":1505,"_698":1506,"_700":1507},[706],[1510],"This stringed instrument, inspired by the Kora of the Mandé peoples of West Africa, replaces the traditional gourd body with a lathe-turned Pacific madrone basket form. Made from a range of materials including madrone burl, teak, rosewood, lilac, black walnut and mountain mahogany, its 21 strings produce a resonant, harp-like sound.",[1572],{"_31":1514,"_62":1515,"_255":1516,"_694":-5},[1516],[928,929,930],[1520,1232,1576,1286,932],"Rosewood",[1578],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1VTG000000f4EN2AY.jpg",{"_733":1505,"_734":1506},{"_682":1581,"_31":1582,"_255":1583,"_686":1584,"_378":1585,"_689":1586,"_696":1590,"_698":1591,"_702":1592,"_703":1593,"_707":1595,"_694":1596,"_711":1597,"_713":1599,"_715":1600,"_720":1602,"_724":833,"_726":1605,"_729":1607,"_731":1608},"object-19669",19669,"Blue and red dot bowl",[],"a1VTG000000f4Hj2AI",{"_31":210,"_62":1587,"_255":1588,"_694":1589,"_696":1590,"_698":1591,"_700":1592},"a1OTG000000EvnP2AS","Coreen Abbott","Coreen Abbott’s sculptural and functional ceramic pieces challenge tradition. After her first experience working with clay, she moved from Ohio to complete a BFA at the University of Colorado in 1976. Originally, Coreen's practice followed a functional aesthetic, working with cone ten stoneware and porcelain in a downdraft kiln. Drawn to exploring deeper insights, she studied with sculptors Richard Shaw and John Roloff at the San Francisco Art Institute, graduating with an MFA in ceramic sculpture. “I discovered ceramics could be used in any form,” she says. After living in Faenza, Italy, Coreen's works adopted the rich colours and stable designs available at low-fire temperatures. She has taught internationally in Italy, Malta, China, India and Turkey.",37.74173190794711,-122.4740081426768,"San Francisco, CA, USA",[1594,706],"San Francisco",[823],"This earthenware bowl is covered is tactile dots and was crafted using textural engobe in a loose, free form red, purple, yellow, green and blue pattern.",[1598],{"_31":1514,"_62":1515,"_255":1516,"_694":-5},[1516],[1601,718,719],"Bowl",[1603,1604],"Earthenware","Clay",[1606],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1VTG000000f4Hj2AI.jpg","2026-05-08T09:31:33.000+0000",{"_733":1590,"_734":1591},{"_682":1610,"_31":1611,"_255":1612,"_686":1613,"_378":1614,"_689":1615,"_696":1620,"_698":1621,"_702":701,"_703":1622,"_707":1623,"_694":1624,"_711":1625,"_713":1626,"_715":1627,"_720":1628,"_724":833,"_726":1631,"_729":1633,"_731":1634},"object-21577",21577,"Honey boom",[],"a1VTG000000hQth2AE",{"_31":1616,"_62":1617,"_255":1618,"_694":1619,"_696":1620,"_698":1621,"_700":701},4941,"a1OTG000000Ez4i2AC","Polly Adams Sutton","Polly Adams Sutton has been making structural and sculptural baskets since the 1980s. Based in the Pacific Northwest, her practice is influenced by the basketweaving traditions of the local Native American population. Polly’s pieces are made from woven cedar bark supported by wire to add structural integrity, with cane and sweet grass for embellishment. She sources materials from her local area, gathering cedar bark from freshly logged forests and sweet grass from Pacific Ocean tide-flats. Polly is a self-taught artist and approaches her work intuitively. “I just start sculpting and see what happens,” she says. Polly has exhibited extensively across the USA. In addition to being featured at the Sculpture Objects & Functional Art Fair, over 50 museums, galleries and associations have her pieces in their collections. She was also a 2024 Loewe Foundation Craft Prize Finalist.",47.60551297935292,-122.3412158593874,[705,706],[1306],"This piece is a sculptural basket made from red cedar bark. The basket is woven with natural ash twined with wire. The red bark, magnet wire and split ash allow for variation of colour.",[],[],[1311,1312,1313],[1629,1630,932],"Ash wood","Cedar wood",[1632],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1VTG000000hQth2AE.jpg","2026-05-08T09:30:53.000+0000",{"_733":1620,"_734":1621},{"_682":1636,"_31":1637,"_255":1638,"_686":1639,"_378":1640,"_689":1641,"_696":1620,"_698":1621,"_702":701,"_703":1642,"_707":1643,"_694":1644,"_711":1645,"_713":1646,"_715":1647,"_720":1648,"_724":833,"_726":1650,"_729":1633,"_731":1652},"object-21578",21578,"Cumulus",[],"a1VTG000000hQtk2AE",{"_31":1616,"_62":1617,"_255":1618,"_694":1619,"_696":1620,"_698":1621,"_700":701},[705,706],[1306],"Two types of cedar make up this sculptural basket, which appears to have partly collapsed with a large opening sagging to the floor. The main body of the basket is made from red cedar with the edging made from the outer bark of yellow cedar.",[],[],[1311,1312,1313],[1649,1630,1317,932],"Cane",[1651],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1VTG000000hQtk2AE.jpg",{"_733":1620,"_734":1621},{"_682":1654,"_31":1655,"_255":1656,"_686":1657,"_378":1658,"_689":1659,"_696":1620,"_698":1621,"_702":701,"_703":1660,"_707":1661,"_694":1662,"_711":1663,"_713":1664,"_715":1665,"_720":1666,"_724":833,"_726":1668,"_729":1633,"_731":1670},"object-21579",21579,"Pleasant corners",[],"a1VTG000000hQti2AE",{"_31":1616,"_62":1617,"_255":1618,"_694":1619,"_696":1620,"_698":1621,"_700":701},[705,706],[1306],"The products of two trees go into the construction of this sculptural basket: western red cedar bark and then, at the piece’s border, spruce root. 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