
A textile language in metal
Yanhui Xu 徐燕辉 | Shanghai, China

HOMO FABER 2026 E-CATALOGUE
The fourth edition of Homo Faber Biennial invites you to explore the fundamental relationship between light, materials and the human hand. Embark on a sensory journey through 15 immersive installations in the historic grounds and buildings of Fondazione Giorgio Cini and discover hundreds of handcrafted objects by artisans from around the world. Artistic Director Es Devlin’s unique staging illuminates the creativity and talent of the artisans, while live demonstrations, participatory workshops, culinary experiences and bespoke tours bring you even closer to craft. Inspired by the archipelago of the Venetian lagoon, Es Devlin has created a narrative that unites the work of hundreds of individual craft artists from across the world – each an island of talent and skill within the wider waters of craftsmanship – on San Giorgio Maggiore. By manipulating light through the use of water, mirrors, movement and more, Devlin creates a journey that illuminates the world of craftsmanship, from the craft artists themselves to their workshops, tools, materials and the exquisite objects they create. Together, the exhibition spaces explore the relationship between light, materials, talent and creativity, revealing how master artisans can use this life-giving energy as a tool to create wonder and joy.

A textile language in metal
Yanhui Xu 徐燕辉 | Shanghai, China

A painterly approach to stained glass
Virginie Vandeputte | Bruges, Belgium

Bringing straw to life
Valérie Colas des Francs | Nemours, France

Shaping metal from space
Tristan Dare | Boise, ID, USA

Portuguese basketry: the finishing touch
Toino Abel | Alqueidão, Portugal

Ferronnerie Textile: architecture woven in ribbon
Studio MTX | Paris, France

Depicting nature through paper and ink
Studio Marianne Guély | Paris, France

Pietra dura: where stone becomes a second skin
Studio Lél | Peshawar, Pakistan

Reimagining the Eswatinian broom
Siyaphambili Multipurpose Cooperative | Luyengo, Eswatini

Sculpting glass at miniature scale
Simone Crestani | Vicenza, Italy

Iban weaving: ancestral patterns in natural fibre
Senia Anak Jugi | Kuching Sarawak, Malaysia

Crafting mosaics from wood
Sean Evelegh | London, United Kingdom

Marquetry without material boundaries
Rose Saneuil | Montrouge, France

Micromosaic: painting with glass
Roberto Grieco | Rome, Italy

Embroidering wearable fantasies
Rasa Vilčinskaitė | Elektrėnai, Lithuania

The golden lines of damascening
Raquel De la Torre Serrano | Toledo, Spain

The puzzle of leather marquetry
Pierre Roux | Benfeld, France

Upholding Botswanan basketry tradition
Parata Shakunona | Botswana, Botswana

Revealing an 18th-century painting through restoration
Open Care | Milan, Italy

Bringing intricate inlays back to light
Open Care | Milan, Italy

Bringing an 18th-century painting back to light
Open Care | Milan, Italy

Shaping hats beyond convention
Natalia Baquero | Lac-Brome, Canada

Murano glass beads in miniature
Muriel Balensi | Venice, Italy

The art of Bidri silver inlay
Mohammed Abdul Bari | Bidar, India