The quest for perfection
- Enrique has a deep respect for the masters who made the pieces he restores
- He has been teaching his craft since 1999
- Each piece he restores or gilds has its own challenges
There is a sign hanging in the workshop of Enrique Castellanos Luque that says "Nothing is perfect, but we try to make it as perfect as possible." This is what the concept of well-made means to him, and what has become his mission through his craft, embodying his approach to his work. Following an academic education in Fine Arts, Enrique discovered gilding during his post-graduate studies, and pursued this craft as a career, combined with his acquired restoration and conservation skills. He opened his workshop in 1999. In both gilding and restoration, Enrique uses centuries-old traditional techniques, respecting the original work of the carver, enhancing, enriching, chiseling when necessary. His body of work in both religious and civil pieces requires attention to detail and deep knowledge of the aesthetic of each item.
Discover his work
INTERVIEW
When you start a career in craftsmanship you need not only to own the skills but change your mindset, as you will be absorbed by it 24/7. Being an artisan requires commitment and sacrifice. You will not necessarily be rewarded but still the result of the task you embark on is what matters most.
My personal life is intertwined with my life as an artisan. I identify with the pieces I restore or gild. Often I have to deal with large pieces, which may take years to complete, and once they leave the workshop finished and I can admire them in their final location.
The approach is a humble one as we are the ones who highlight and give value to the work that others entrust us. My task is to restore and preserve, maintain, and enhance the beauty and identity of the original work, with respect and ingenuity.
Fine and faux gold gilding, restoration of gilded works, easel paintings, sculptures, and altarpieces. My work is based in the knowledge and respect of tradition, for instance when using gold to create volumes that enhance the design of the different carvings or works.
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