





Sally Fawkes
Glass sculptor
Stroud, United Kingdom
The world of form, reflection and light
- Sally specialises in crafting small scale and monumental kiln-formed glass sculptures
- After her degree in 3D design, she gained hands-on experience while working with Colin Reid
- In 2000, she established a studio with glass sculptor Richard Jackson, with whom she often collaborates
A visit to London’s British Museum marked the turning point in Sally Fawkes’ career. At 21, she discovered a fragmented piece of ancient Egyptian glass, a collection of small pâte de verre castings that pieced together like a jigsaw puzzle to tell a story. “Discovering this object was an enlightening moment for me,” she recalls. “I knew that glass could be the means of my expression.” Sally began experimenting with the medium by scratching marks into window fragments, repurposing found glass objects and attending classes to learn formal stained glass techniques. Today, she creates nationally and internationally exhibited sculptures that offer a distinct sense of place, frequently incorporating mirrors into her collaged works. Her art serves as a direct expression of the world, reflecting her observations of our entwined relationship with existence.
Discover her work
INTERVIEW
I am curious and industrious by nature, and I enjoy how the senses all connect through cognitive processing when creating something tangible. Sculpting in glass is an extraordinary activity to pursue and I feel fortunate to have discovered it as a possibility and established this as my career.
My inspiration is the complex interconnectedness of everything. I am interested in the different possibilities and ever-changing narratives that the world presents. My ideas are inspired by what I see, imagine and absorb of the world’s presentation. Both my visual and conceptual research is holistic, looking at the many spheres of our incredible multilayered existence.
My objects express the intersection between the physically apparent and the intangible, the place where all is potential. For example, in one piece, I combine micro-studies of lichens with the concept of their survival during space experiments.
I love that I get to combine cognitive expression with manual creation. Seeing or hearing something inspirational that triggers an idea I can turn into a 3D object makes me feel alive. My cast glass objects come out of the kiln opaque. As I grind through the diamond grinding grades, the idea begins to emerge. After the final stage of polishing, light energises the sculpture from its core.
Sally Fawkes
Glass sculptor
Stroud, United Kingdom
AVAILABILITY
By appointment only
PHONE
+44 7974801047
LANGUAGES
English
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