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2026","bgColor","bgImgUrl","https://api.homofaber.com/uploads/9_16_1080x1920_50_175a29db28.png","bgRepeat","bgFit","contain","centerImgUrl","centerText","1 – 30 September 2026, San Giorgio Maggiore Island, Venice","centerImgFit","ctaLabel","Book your ticket","ctaBgColor","#FFFFFF","ctaUrl","textColor","white","2025-05-22T09:42:23.885Z","2026-04-27T09:13:30.731Z","2026-04-27T09:13:30.723Z","textLeftXs","bgImgUrlXs","ctaLabelXs","Book 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Spain’s cultural and religious heritage. He now specialises in making objects with esparto weaving. The peine technique, an ancient Mediterranean form of braiding, became his technique of choice. Joaquín's pieces stand out for their precision and complexity. Whether restoring centuries-old works or creating entirely new pieces, his practice reflects a deep respect for technique, material and the Spanish cultural narratives that sustain them. \"My aim is to demonstrate that esparto is still alive and that we cannot afford to lose this rich and meaningful craft,\" he says.","latitude",37.3513,"longitude",-2.07361,"addressCityAndCountry","Arboleas, Spain","city_and_country","destinations",[705],"Spain","craft",[708],"Basket weaving","This hanging sculpture is made by weaving esparto grass into a single form comprised of shapes based on curves and counter-curves, as though created on a lathe. The piece reveals the delicacy and subtlety of esparto, traditionally considered a rustic material.","tag_ids",[712,715],{"_31":713,"_62":714,"_255":170,"_694":-5},117,"a1XTG000000Rj132AC",{"_31":716,"_62":717,"_255":665,"_694":-5},118,"a1XTG000000RkLJ2A0","tags",[170,665],"categories",[722,723,724],"Sculpture","Monuments","Architecture","materials",[],"is_new_until","2025-09-24","picture",[731],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/Joaquin-Gilabert_itwobj-1.jpg","content_edit_date","2026-05-06T07:32:25.000+0000","_geo",{"_736":697,"_737":699},"lat","lng",{"_682":739,"_31":740,"_255":741,"_686":742,"_378":743,"_689":744,"_696":749,"_698":750,"_702":751,"_703":752,"_706":753,"_694":755,"_710":756,"_718":759,"_720":760,"_725":764,"_727":728,"_729":767,"_732":733,"_734":769},"object-20477",20477,"Saya",[],"a1VTG000000jeUL2AY",{"_31":745,"_62":746,"_255":747,"_694":748,"_696":749,"_698":750,"_700":751},4899,"a1OTG000000F0AY2A0","Manuel Solano Rodríguez","Manuel Solano Rodríguez began his journey with gold thread embroidery in 1992, working in the embroidery workshop of the Hermandad del Calvario in Morón de la Frontera. Along with his friends, he decided to create a set of ceremonial garments out of devotion, wishing to enhance the heritage of a newly re-established brotherhood. It was in this amateur workshop that Manuel discovered his true calling for gold thread embroidery. Although largely self-taught he trained under master embroiderer Isabel Melero, who taught him basic embroidery stitches in 1995. Through books and visits to exhibitions, Manuel successfully created commissioned pieces.",37.12627,-5.44996,"Morón de la Frontera, Spain",[705],[754],"Gold thread embroidery","This complex work of gold thread embroidery in relief revives techniques that are not commonly used today. The large leaves, combined with smaller motifs, create a final result that blends strength and delicacy.",[757,758],{"_31":713,"_62":714,"_255":170,"_694":-5},{"_31":716,"_62":717,"_255":665,"_694":-5},[170,665],[761,762,763],"Embroidery","Clothing","Mode",[765,766],"Gold thread","Metals",[768],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/Manuel-Solano_itwobj-1.jpg",{"_736":749,"_737":750},{"_682":771,"_31":772,"_255":773,"_686":774,"_378":775,"_689":776,"_696":781,"_698":782,"_702":783,"_703":784,"_706":786,"_694":788,"_710":789,"_718":792,"_720":793,"_725":794,"_727":728,"_729":798,"_732":800,"_734":801},"object-20454",20454,"Supercoil",[],"a1VTG000000jdgL2AQ",{"_31":777,"_62":778,"_255":779,"_694":780,"_696":781,"_698":782,"_700":783},3689,"a1OTG000000ExoI2AS","Lea Mi Engholm","Born in Korea, Lea Mi Engholm moved to Denmark and was educated at the Design School Kolding and then the HDK School of Design and Crafts at the University of Gothenburg. She has been awarded prizes by the Danish Arts Foundation as well as several grants for her work. “I use simple approaches to explore clay’s forms of expression in a partially controlled process. I use manipulations, but I let the material do the rest.” For a short time, she produced tableware. But eventually it became clear to her that it was not the production itself that motivated her. So, she went back to experimenting, creating small sculptures and structures that are aesthetically unique.",55.2,10.8,"Froerup, Denmark",[785],"Denmark",[787],"Ceramics","These pieces merge the softness and pliability of rope with the rigidity of fired clay, resembling a tangle of intricate knots. Entirely hand-built, the clay is rolled into fine strands which, through repeated manipulation, begin to coil around themselves.",[790,791],{"_31":713,"_62":714,"_255":170,"_694":-5},{"_31":716,"_62":717,"_255":665,"_694":-5},[170,665],[722,723,724],[795,796,797],"Clay","Stoneware","Ceramic",[799],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/Lea-Mi-Engholm_itwobj-1.jpg","2026-04-16T08:37:05.000+0000",{"_736":781,"_737":782},{"_682":803,"_31":804,"_255":805,"_686":806,"_378":807,"_689":808,"_696":813,"_698":814,"_702":815,"_703":816,"_706":819,"_694":821,"_710":822,"_718":824,"_720":825,"_725":826,"_727":829,"_729":830,"_732":733,"_734":832},"object-20466",20466,"Nautilus",[],"a1VTG000000je2v2AA",{"_31":809,"_62":810,"_255":811,"_694":812,"_696":813,"_698":814,"_700":815},4853,"a1OTG000000FGyv2AG","Andrea Zambelli","Andrea Zambelli creates wooden furniture intended to be used in everyday life as well as enjoyed for their beauty. He discovered his passion for craftsmanship during his part-time job in a restorer’s workshop. Andrea's experience pushed him to become a restorer himself, leaving his studies in medieval history behind. Later, his creativity led him down a path of art and design, which he explored extensively in his atelier, Hillsideout, that he co-founded with his former partner. Andrea now works independently and creates functional art pieces using wood and different materials such as glass, metal and stone. \"All my pieces are woven together by a common thread – a unique combination of ancient carpentry techniques and contemporary vision,\" he says.",45.51465,9.17092,"Milan, Italy",[817,818],"Italy","Milan",[820],"Furniture making","Inspired by fossil shells, this sculpture evokes the nautilus, an ancient ‘living fossil’ alive in the depths of the sea. Using the golden ratio as a starting point, the spiral is hand carved from solid wood and covered with small chips of ziricote.",[823],{"_31":716,"_62":717,"_255":665,"_694":-5},[665],[722,723,724],[827,828],"wood","Wood","2025-09-23",[831],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/Andrea-Zambelli_itwobj-1.jpg",{"_736":813,"_737":814},{"_682":834,"_31":835,"_255":836,"_686":837,"_378":838,"_689":839,"_696":844,"_698":845,"_702":846,"_703":847,"_706":848,"_694":850,"_710":851,"_718":854,"_720":855,"_725":856,"_727":829,"_729":862,"_732":864,"_734":865},"object-20478",20478,"Sea of Jeans",[],"a1VTG000000jee12AA",{"_31":840,"_62":841,"_255":842,"_694":843,"_696":844,"_698":845,"_700":846},4833,"a1OTG000000F06I2AS","Nati Rodríguez","Nati Rodríguez creates unique sculptures with a wide variety of biodegradable materials. Although she was trained in millinery and contemporary jewellery, her curiosity led her to researching new materials and creating unique objects. “It is necessary and urgent to find solutions to the huge problem we have with the waste we produce. In contemporary craft, I seek answers through research, experimentation and emotional and conceptual design,” Nati says. She opened her workshop in 2005 as a laboratory for research and the pursuit of new languages of expression. There, Nati studies the dialogue between materials and techniques, from ceramics, metal, textiles, leather, esparto grass and polymers, to new technologies such as 3D printing. She created the Biomateria project, and worked on a series of biomaterial flowers that reinterpret the embroidery of Manila shawls for the Carmen collection by designer Leandro Cano.",37.7734,-3.7941,"Jaén, Spain",[705],[849],"Mixed media sculpture","Using an innovative biomaterial created from post-consumer denim waste, this sculpture is shaped using bowls, plates and basins as molds, drawing on ancestral techniques used by women. It is not fired but dried in the Andalusian sun.",[852,853],{"_31":713,"_62":714,"_255":170,"_694":-5},{"_31":716,"_62":717,"_255":665,"_694":-5},[170,665],[722,723,724],[857,858,859,860,861,828],"Eggshell","Denim","Olivewood","Animal materials","Fibres and textiles",[863],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/Nati-Rodriguez_itwobj-1.jpg","2026-05-06T07:32:20.000+0000",{"_736":844,"_737":845},{"_682":867,"_31":868,"_255":869,"_686":870,"_378":871,"_689":872,"_696":877,"_698":878,"_702":879,"_703":880,"_706":883,"_694":885,"_710":886,"_718":889,"_720":890,"_725":891,"_727":829,"_729":894,"_732":896,"_734":897},"object-20472",20472,"An Expanded Fragment series_Oriental blue",[],"a1VTG000000jeJ32AI",{"_31":873,"_62":874,"_255":875,"_694":876,"_696":877,"_698":878,"_700":879},4514,"a1OTG000000EyLB2A0","Minyeol Cho","In what he calls a sensory craft, Minyeol Cho transforms discarded materials, specifically denim scraps, into sculptures, vessels, trays, eyeglasses and other objects. His process begins in the streets of Changshin-dong, Seoul's garment district, where he collects textile remnants he falls upon. Minyeol then joins his materials together through experimental restructuring, focusing more on sensation rather than technique. \"I approach craft not as a rebellion against tradition, but as natural evolution within Korea's fast-paced reality. My practice aims to record disappearing cultural fragments,\" he explains. Minyeol's work aim to demonstrate how contemporary craft can function as both a universal language and a marker of specific local culture, through creating new sensory testimonies from urban waste.",37.5763,127.01134,"Seoul, South Korea",[881,882],"South Korea","Seoul",[884],"Textile sculpting","This sculptural vessel is meticulously built by stacking, pressing and bonding each textile layer, much like constructing a wall from remnants. Part of An Expanded Fragment series, it is created using discarded denim fragments collected from sewing workshops in Seoul.",[887,888],{"_31":713,"_62":714,"_255":170,"_694":-5},{"_31":716,"_62":717,"_255":665,"_694":-5},[170,665],[722,723,724],[892,858,893,861],"Glue","Cement, plaster, pigments",[895],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/Minyeol-Cho_itwobj-1.jpg","2026-05-06T07:32:00.000+0000",{"_736":877,"_737":878},{"_682":899,"_31":900,"_255":901,"_686":902,"_378":903,"_689":904,"_696":909,"_698":910,"_702":911,"_703":912,"_706":915,"_694":916,"_710":917,"_718":920,"_720":921,"_725":922,"_727":829,"_729":927,"_732":929,"_734":930},"object-20468",20468,"Crossed Helix XII",[],"a1VTG000000jeCb2AI",{"_31":905,"_62":906,"_255":907,"_694":908,"_696":909,"_698":910,"_700":911},4462,"a1OTG000000EyJY2A0","Shoko Fukuda","The inspiration for Shoko Fukuda's creative journey began when she encountered artworks by Hisako Sekijima, a Japanese sculptural basketry artist. This sparked her interest in textiles, leading her to study weaving and textiles through distance learning. Although inspired by basketry techniques as a starting point, Shoko's approach goes beyond traditional applications of these, celebrating rather the interplay between materials and structure. Her main focus involves creating three-dimensional pieces by intertwining lines. By understanding the unique characteristics of each material, she explores innovative methods of construction. Experimenting with how the physical properties of materials influence weaving, Shoko allows the natural traits of each material to guide her creative process.",35.66441,139.68844,"Tokyo, Japan",[913,914],"Japan","Tokyo",[884],"By adding a third material, this organic form reinterprets the traditional basketry technique of coiling, in which a core material is wrapped with a binder to build up layers. The structure twists and deforms under its own weight.",[918,919],{"_31":713,"_62":714,"_255":170,"_694":-5},{"_31":716,"_62":717,"_255":665,"_694":-5},[170,665],[722,723,724],[923,924,925,861,926],"Monofilament","Ramie","Plastic","Synthetic materials and resins",[928],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/Shoko-Fukuda_itwobj-1.jpg","2026-05-06T07:31:58.000+0000",{"_736":909,"_737":910},{"_682":932,"_31":933,"_255":934,"_686":935,"_378":936,"_689":937,"_696":942,"_698":943,"_702":944,"_703":945,"_706":946,"_694":948,"_710":949,"_718":952,"_720":953,"_725":957,"_727":829,"_729":962,"_732":964,"_734":965},"object-20467",20467,"Biophilia; Hatch Vessel",[],"a1VTG000000jeAz2AI",{"_31":938,"_62":939,"_255":940,"_694":941,"_696":942,"_698":943,"_700":944},4448,"a1OTG000000EyJL2A0","Kazuhiro Toyama","Kazuhiro Toyama graduated from Musashino Art University’s metalwork department. Passionate about crafting since childhood, he learned metalworking basics in high school, then honed his skills in hammering and engraving, merging craft and art. Kazuhiro was a research assistant at Musashino Art University before opening his atelier in Kanagawa in 2022. In his sculptures, Kazuhiro blends the hardness of metal with its softness, creating pieces coloured through chemical reactions of copper. He values sustainability, and forms pieces that explore nature and industry. His unique techniques include adapting thermal spraying and using a plasma cutter. Kazuhiro prioritises the dialogue with materials, enjoying the emergence of unexpected shapes, and aims to create works that directly convey beauty and appeal, balancing technique and expression.",35.43124,139.54483,"Yokohama Totsuka Ward, Japan",[913],[947],"Metal sculpting","This piece combines traditional metalwork techniques with modern industrial methods. In a process developed by Kazuhiro Toyama, metal ingots are applied to a steel frame using an acetylene burner and a plasma-cutting machine, creating a new form.",[950,951],{"_31":713,"_62":714,"_255":170,"_694":-5},{"_31":716,"_62":717,"_255":665,"_694":-5},[170,665],[954,955,956],"Vessel","Decorative objects","Decoration",[958,959,960,766,961],"Aluminium","Gold Leaf","Stainless steel","Steel",[963],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/Kazuhiro-Toyama_itwobj-1.jpg","2026-05-06T07:31:57.000+0000",{"_736":942,"_737":943},{"_682":967,"_31":968,"_255":969,"_686":970,"_378":971,"_689":972,"_696":977,"_698":978,"_702":979,"_703":980,"_706":981,"_694":983,"_710":984,"_718":986,"_720":987,"_725":989,"_727":829,"_729":992,"_732":964,"_734":994},"object-20470",20470,"YOBITSUGI Genesis",[],"a1VTG000000jeED2AY",{"_31":973,"_62":974,"_255":975,"_694":976,"_696":977,"_698":978,"_700":979},4455,"a1OTG000000EyJQ2A0","Yukito Nishinaka","Yukito Nishinaka originally trained as a pharmacist, but, captivated by the transformative nature of glass, he chose a path in the art of glassmaking. His work took him to California, where he honed his craft, and then back to Japan, where he founded his own atelier in 1998. Yukito’s work is deeply rooted in the traditional Japanese aesthetic, which he reinterprets through the lens of his international experiences. He is particularly recognised for his use of recycled materials, creating art that not only honours tradition but also looks to the future. Yukito teaches the importance of connecting craftsmanship with the real world, ensuring that his students are prepared to innovate beyond the boundaries of traditional art forms.",35.46428,140.3422,"Mobara, Japan",[913],[982],"Glass sculpting","This glass vessel is made with intentionally broken fragments, which are fused with a molten glass core and reformed into a single piece. The work is inspired by the philosophy of Zen and the aesthetic of kintsugi, the Japanese art of embracing imperfection.",[985],{"_31":716,"_62":717,"_255":665,"_694":-5},[665],[988,955,956],"Vase",[990,959,991,990,766],"Glass","Silver leaf",[993],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/Yukito-Nishinaka_itwobj-1.jpg",{"_736":977,"_737":978},{"_682":996,"_31":997,"_255":998,"_686":999,"_378":1000,"_689":1001,"_696":1006,"_698":1007,"_702":1008,"_703":1009,"_706":1012,"_694":1014,"_710":1015,"_718":1018,"_720":1019,"_725":1020,"_727":829,"_729":1024,"_732":1026,"_734":1027},"object-20452",20452,"Memora",[],"a1VTG000000jdZt2AI",{"_31":1002,"_62":1003,"_255":1004,"_694":1005,"_696":1006,"_698":1007,"_700":1008},4208,"a1OTG000000Ey9N2AS","Bernardita Cossio","With a degree in design from the Catholic University of Chile and a diploma in art history, Bernardita Cossio worked for over a decade as an art director on fashion campaigns. She then realised her primary interest lay in experimenting with innovative concepts that combine art, science and craft, and pursued her passion for ceramics. In 2018, she established her atelier, Casa Alonso, where she could freely dedicate herself to experimental work. Every day, Dita turns her studio into a laboratory, testing the humidity, temperature and gravity of her pieces until she achieves the desired results. Her creations, whether geometric, organic or more sensual, are born from her exploration of shapes, volumes, and physical tensions. She sees her body of work as an opportunity to introduce new manufacturing techniques, redefining the boundaries of traditional ceramics.",-33.35974,-70.7265,"Santiago, Chile",[1010,1011],"Chile","Santiago",[1013],"Porcelain crafting","This sculpture emerges from the intersection of ceramics and sewing. Liquid porcelain is cast into a stitched leather mould, capturing its folds, tensions and seams. The soft shell is then unsewn to reveal a unique piece that evokes the memory of textile.",[1016,1017],{"_31":713,"_62":714,"_255":170,"_694":-5},{"_31":716,"_62":717,"_255":665,"_694":-5},[170,665],[988,955,956],[1021,1022,1023,1022],"Glaze","Porcelain","Enamel, glaze and lacquer",[1025],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/Bernardita-Cossio_itwobj-1.jpg","2026-05-06T07:31:48.000+0000",{"_736":1006,"_737":1007},{"_682":1029,"_31":1030,"_255":1031,"_686":1032,"_378":1033,"_689":1034,"_696":1039,"_698":1040,"_702":1041,"_703":1042,"_706":1044,"_694":1045,"_710":1046,"_718":1049,"_720":1050,"_725":1051,"_727":829,"_729":1052,"_732":1054,"_734":1055},"object-20460",20460,"Leaves",[],"a1VTG000000jdzh2AA",{"_31":1035,"_62":1036,"_255":1037,"_694":1038,"_696":1039,"_698":1040,"_700":1041},4009,"a1OTG000000Exzt2AC","Dorothee Wenz","It was a eureka moment when 19-year-old Dorothee Wenz stumbled into the exhibition 'Vessels from another world' by Elizabeth Fritsch right after having graduated from high school. “I was mesmerised by the shapes, the colours and the tender surfaces,” she says. In that very moment something clicked, and her path from then on was written in clay. “All I wanted was to do this,” she explains. So that is what she did, without ever being shy of pushing herself or her material to the limit. “Right after finishing college, I was asked to create a large vessel for a collector. The project was literally too big for me as the vessel almost exceeded myself, but I did it and that paved the way.”",49.928104,8.095318,"Schwabenheim, Germany",[1043],"Germany",[787],"Hand-built, ground and polished, this piece is both organic and deliberately composed in a balance between chance and design. Using the nerikomi technique, a surface of fine lines emerges layer by layer, reminiscent of leaves, landscapes and textile patterns.",[1047,1048],{"_31":713,"_62":714,"_255":170,"_694":-5},{"_31":716,"_62":717,"_255":665,"_694":-5},[170,665],[722,723,724],[795,1022,797,1022],[1053],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/Dorothee-Wenz_itwobj-1.jpg","2026-05-06T07:31:38.000+0000",{"_736":1039,"_737":1040},{"_682":1057,"_31":1058,"_255":1059,"_686":1060,"_378":1062,"_689":1063,"_696":1068,"_698":1069,"_702":1070,"_703":1071,"_706":1074,"_694":1075,"_710":1076,"_718":1079,"_720":1080,"_725":1083,"_727":829,"_729":1084,"_732":1086,"_734":1087},"object-20484",20484,"Resilience",[1061],"Lucas Ferreira","a1VTG000000jfBt2AI",{"_31":1064,"_62":1065,"_255":1066,"_694":1067,"_696":1068,"_698":1069,"_700":1070},3553,"a1OTG000000ExgF2AS","Valéria Nascimento","Valéria Nascimento is fascinated by the recurring patterns and rhythms of nature, including spirals, waves, petals, leaves and the undulating forms of birds in flight. “My work is about repetitive sequencing. Every piece I use – although seemingly a duplicate – is in fact unique. When assembled into large-scale installations for walls or ceilings, they engage in dialogue with one another.” Her architectural studies helped cement her interest in the fusion between urban landscapes and natural forms. When she was introduced to clay, she became fascinated by its multiple possibilities. “Porcelain has the smoothness and the malleability that I need to create new shapes, manipulating it to appear in some cases defiantly weightless.”",51.42748,-0.33626,"London, United Kingdom",[1072,1073],"United Kingdom","London",[1013],"This collaboration between mother and son is a tribute to nature’s ability to flourish in the harshest environments. Its 8000 slab-formed, hand cut tiles contrast with delicate, organic petals, embodying the tension between structure and spontaneity.",[1077,1078],{"_31":713,"_62":714,"_255":170,"_694":-5},{"_31":716,"_62":717,"_255":665,"_694":-5},[170,665],[1081,1082,956],"Wall decor","Wall decorations",[1022,1022],[1085],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/Valeria-Nascimento_itwobj-1.jpg","2026-05-06T07:31:09.000+0000",{"_736":1068,"_737":1069},{"_682":1089,"_31":1090,"_255":1091,"_686":1092,"_378":1093,"_689":1094,"_696":1099,"_698":1100,"_702":1101,"_703":1102,"_706":1103,"_694":1104,"_710":1105,"_718":1108,"_720":1109,"_725":1110,"_727":829,"_729":1113,"_732":1115,"_734":1116},"object-20455",20455,"Sh(r)ine",[],"a1VTG000000jdej2AA",{"_31":1095,"_62":1096,"_255":1097,"_694":1098,"_696":1099,"_698":1100,"_700":1101},3718,"a1OTG000000ExpU2AS","Iben Høj","Iben Høj is a textile sculptor who explores knitting techniques through experimental works. Educated as a knitwear designer at the University of Brighton in the UK, she is now based on Funen Island in Denmark, where she opened her own studio in 2004. Her practice is rooted in a long tradition in wearable Danish textiles, and her making process is deliberately slow and methodical. Iben's work is about new yarn blends and shapes experiments, resulting in objects that convey strength and fragility, function and expression. \"I embrace the way textiles connect with femininity,\" she says.",55.44648,10.66596,"Kerteminde, Denmark",[785],[884],"These knitted containers highlight both the beauty of their construction and the possibility of the space they hold. Using a hand-driven knitting machine and a blend of knitting and weaving, they are shaped purely from yarn, with nothing cut away or added.",[1106,1107],{"_31":713,"_62":714,"_255":170,"_694":-5},{"_31":716,"_62":717,"_255":665,"_694":-5},[170,665],[722,723,724],[1111,1112,861,926],"Thread","Polyester",[1114],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/Iben-Hoj_itwobj-1.jpg","2026-05-06T07:31:07.000+0000",{"_736":1099,"_737":1100},{"_682":1118,"_31":1119,"_255":1120,"_686":1121,"_378":1122,"_689":1123,"_696":1128,"_698":1129,"_702":1070,"_703":1130,"_706":1131,"_694":1132,"_710":1133,"_718":1136,"_720":1137,"_725":1138,"_727":829,"_729":1141,"_732":1143,"_734":1144},"object-20481",20481,"A Continual",[],"a1VTG000000jem52AA",{"_31":1124,"_62":1125,"_255":1126,"_694":1127,"_696":1128,"_698":1129,"_700":1070},3313,"a1OTG000000ExWY2A0","Kamilah Ahmed","The bespoke embroidery of Kamilah Ahmed is defined by a fusion of her cultural influences and her use of a variety of textile-working techniques. She creates objects using threadwork, beading, appliqué, cutwork, and experimental fabric manipulations. \"My embroidery practice is centered around hand-making, people, and collaboration,\" explains Kamilah. She worked extensively as a commercial textile designer for luxury couture houses such as Dior, Valentino and Dolce & Gabbana. She founded her creative embroidery studio in 2021 at Cockpit Arts in London, after winning inaugural The New Craftsmen award. Inspired by the Bangladeshi art of Jamdani weaving, Kamilah juxtaposes contemporary techniques with handmade methods to explore the boundaries between hybridity and heritage. Kamilah's works incorporate traditional embroidery techniques such as Ari hook use.",51.5217537025842,-0.116496324269617,[1072,1073],[761],"These densely embroidered wall pieces are made with hand and machine embroidery. Traditional techniques are joined with modern processes to create a distinctive tactile quality inspired by jamdani weaving, a Bengali textile tradition.",[1134,1135],{"_31":713,"_62":714,"_255":170,"_694":-5},{"_31":716,"_62":717,"_255":665,"_694":-5},[170,665],[761,762,763],[1139,1140,861,926],"Silk","Viscose",[1142],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/Kamilah-Ahmed_itwobj-1.jpg","2026-05-06T07:30:52.000+0000",{"_736":1128,"_737":1129},{"_682":1146,"_31":1147,"_255":1148,"_686":1149,"_378":1150,"_689":1151,"_696":1156,"_698":1157,"_702":1158,"_703":1159,"_706":1160,"_694":1161,"_710":1162,"_718":1165,"_720":1166,"_725":1167,"_727":829,"_729":1168,"_732":1170,"_734":1171},"object-20456",20456,"The Cell",[],"a1VTG000000jdd72AA",{"_31":1152,"_62":1153,"_255":1154,"_694":1155,"_696":1156,"_698":1157,"_700":1158},3149,"a1OTG000000ExNt2AK","Jaroslav Prošek","After leaving secondary school, Jaroslav Prošek worked in the technical departments of several companies. His hidden talent for glass art was discovered when he started to work at Czech glass company Crystal Caviar. Through learning by doing he gradually mastered the very complex craft of glass art, across different glass disciplines. Self-taught, he has no formal artistic education, but in recent years has developed his own personal artistic expression by creating sculptures of mould melted glass, where simple shapes are combined with coloured glass.",51.00614,14.45048,"Šluknov, Czech Republic",[],[982],"Inspired by the complex, interconnected systems found in nature and the subjective nature of observation, this sculpture is crafted from multi-layered, titanium-coated glass, allowing it to change colour depending on the viewer's perspective.",[1163,1164],{"_31":713,"_62":714,"_255":170,"_694":-5},{"_31":716,"_62":717,"_255":665,"_694":-5},[170,665],[722,723,724],[990,990],[1169],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/Jaroslav-Prosek_itwobj-1.jpg","2026-05-06T07:30:40.000+0000",{"_736":1156,"_737":1157},{"_682":1173,"_31":1174,"_255":1175,"_686":1176,"_378":1177,"_689":1178,"_696":1183,"_698":1184,"_702":1185,"_703":1186,"_706":1188,"_694":1189,"_710":1190,"_718":1193,"_720":1194,"_725":1195,"_727":829,"_729":1196,"_732":1198,"_734":1199},"object-20465",20465,"Microworlds",[],"a1VTG000000je9N2AQ",{"_31":1179,"_62":1180,"_255":1181,"_694":1182,"_696":1183,"_698":1184,"_700":1185},2708,"a1OTG000000Ex1U2AS","Martha Pachon Rodriguez","Martha Pachon Rodriguez is a porcelain artist originally from Colombia. She was initiated to art and craftsmanship by her father who, for Christmas, instead of giving her dolls, used to give her craft materials to enhance her creativity and her manual skills. She trained as an art teacher and her final thesis, focusing on porcelain, was selected by the Bank of Colombia for display. Martha first came to Italy to study the local ceramic culture and cultivate her skills, but circumstances led her to stay since her work caught the interest of many local institutions. Currently, her practice is divided between three lines of work: sculptures, installations and a precious production of porcelain jewellery. Recently, she opened MPR STUDIO, where artisans from other sectors – embroiderers, light designers, woodworkers, goldsmiths – share a creative space and collaborate on large projects.",44.29335,11.87793,"Fognano, Italy",[817,1187],"Faenza",[1013],"These botanical tangles are inspired by the indigenous perception of the universe. Blending traditions and cultures, they reflect the grandeur of European porcelain, represented through ancient Asian techniques, applied in a modern way.",[1191,1192],{"_31":713,"_62":714,"_255":170,"_694":-5},{"_31":716,"_62":717,"_255":665,"_694":-5},[170,665],[722,723,724],[1022,1022],[1197],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/Martha-Pachon-Rodriguez_itwobj-1.jpg","2026-05-06T07:30:15.000+0000",{"_736":1183,"_737":1184},{"_682":1201,"_31":1202,"_255":1203,"_686":1204,"_378":1205,"_689":1206,"_696":1211,"_698":1212,"_702":1070,"_703":1213,"_706":1214,"_694":1216,"_710":1217,"_718":1220,"_720":1221,"_725":1222,"_727":829,"_729":1225,"_732":1227,"_734":1228},"object-20483",20483,"Bafi vase",[],"a1VTG000000jenh2AA",{"_31":1207,"_62":1208,"_255":1209,"_694":1210,"_696":1211,"_698":1212,"_700":1070},2284,"a1OTG000000Ewn62AC","Megan Brown","Megan Brown is an artist and jeweller who creates innovative and modernised designs using traditional jewellery and goldsmithing techniques. She has a love of tradition and craftsmanship inspired by her textile and jewellery heritage, which goes back 180 years with her family's business in Yorkshire. Megan studied fashion design at Edinburgh College of Art and her designs draw on her background with textiles. The attention she received from creating her first piece, as well as her following creations, drove Megan to open her own studio. Her pieces explore how the soft qualities of fabric can be translated into something as hard as metal. Based in the heart of London today, she crafts her jewellery pieces by weaving precious metals with other materials such as gemstones, mirroring textile working techniques.",51.51327733779,-0.136174053582827,[1072,1073],[1215],"Jewellery making","This vase is hand-raised from a single sheet of silver and polished to a reflective finish. It is draped with a handwoven tapestry of silver and gold, created using the ancient Persian technique of hasir bafi, traditionally employed for mat weaving.",[1218,1219],{"_31":713,"_62":714,"_255":170,"_694":-5},{"_31":716,"_62":717,"_255":665,"_694":-5},[170,665],[988,955,956],[1223,1224,766],"Gold","Sterling silver",[1226],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1VTG000000jenh_Image.jpg","2026-05-06T07:29:45.000+0000",{"_736":1211,"_737":1212},{"_682":1230,"_31":1231,"_255":1232,"_686":1233,"_378":1234,"_689":1235,"_696":1240,"_698":1241,"_702":1242,"_703":1243,"_706":1245,"_694":1246,"_710":1247,"_718":1249,"_720":1250,"_725":1252,"_727":829,"_729":1253,"_732":1255,"_734":1256},"object-20453",20453,"Suoneidonvaippa (lat. Epipactis palustris)",[],"a1VTG000000jdhx2AA",{"_31":1236,"_62":1237,"_255":1238,"_694":1239,"_696":1240,"_698":1241,"_700":1242},1975,"a1OTG000000Ewaa2AC","Helmi Remes","Helmi Remes is inspired by the wonders of nature, those tiny details and phenomena not visible to the human eye. Her work reflects microbiological events and evokes memories of encounters with something mysterious. Even for a professional like her with a decade long career as a designer and an artist, glass represents something of a mystery. Its beauty offers never-ending fascination and curiosity. The process is always a challenge and teaches her humility. Helmi combines different methods like fusing, kiln casting and various glassblowing techniques. Material is the beginning of everything and her aim is to highlight and harness its best qualities and create surprising visual effects.",60.5631,24.20008,"Karkkila, Finland",[1244],"Finland",[982],"This sculpture is a study of the aesthetics of endangered Finnish flowers, whose details, rendered large and abstract, are formed through a glassmaking process. It consists of two free-blown parts with layers of colour and dark brown lines made of hot glass with filigree canes.",[1248],{"_31":716,"_62":717,"_255":665,"_694":-5},[665],[1251,955,956],"Glass sculpture",[990,959,990,766],[1254],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/Helmi-Remes_itwobj-1.jpg","2026-05-06T07:29:15.000+0000",{"_736":1240,"_737":1241},{"_682":1258,"_31":1259,"_255":1260,"_686":1261,"_378":1262,"_689":1263,"_696":1268,"_698":1269,"_702":1270,"_703":1271,"_706":1274,"_694":1275,"_710":1276,"_718":1279,"_720":1280,"_725":1281,"_727":829,"_729":1282,"_732":1284,"_734":1285},"object-20462",20462,"Finding Solace",[],"a1VTG000000je1J2AQ",{"_31":1264,"_62":1265,"_255":1266,"_694":1267,"_696":1268,"_698":1269,"_700":1270},1854,"a1OTG000000EwVb2AK","Jennifer Hickey","Jennifer Hickey always wanted to make things with her hands. Brought up in a family fascinated by fashion, she went to art college in her native Dublin with a view to exploring textiles. But during the course she was introduced to ceramics and simply “fell for it”. She particularly loved the ethereal properties of porcelain, and has used it ever since. Jennifer now makes sculptures inspired by the detail inherent in the natural world around her. Each takes months to make, being comprised of hundreds or thousands of individual elements, sewn together with translucent thread, a process that takes delicacy, discipline and endless patience.",53.4,-6.3,"County Mayo, Ireland",[1272,1273],"Ireland","Dublin",[1013],"Inspired by the beauty and isolation of the west of Ireland, these two spheres are made from thousands of tiny, wafer-thin porcelain pieces. After firing, the pieces are hand sewn onto a tulle fabric over a sculptural porcelain form.",[1277,1278],{"_31":713,"_62":714,"_255":170,"_694":-5},{"_31":716,"_62":717,"_255":665,"_694":-5},[170,665],[722,723,724],[1022,1022],[1283],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/Jennifer-Hickey_itwobj-1.jpg","2026-05-06T07:29:05.000+0000",{"_736":1268,"_737":1269},{"_682":1287,"_31":1288,"_255":1289,"_686":1290,"_378":1291,"_689":1292,"_696":1297,"_698":1298,"_702":1299,"_703":1300,"_706":1302,"_694":1303,"_710":1304,"_718":1307,"_720":1308,"_725":1311,"_727":829,"_729":1312,"_732":1314,"_734":1315},"object-20474",20474,"Cup",[],"a1VTG000000jeMH2AY",{"_31":1293,"_62":1294,"_255":1295,"_694":1296,"_696":1297,"_698":1298,"_700":1299},1627,"a1OTG000000EwKO2A0","Francisco Carrera Iglesias (Paquili)","Francisco grew up in the humble neighborhood of Cerro del Aguila, Seville. A devout Catholic, during a service he realised the Virgin never changed her clothes, and this is when he decided he would embroider some for her. Since those days Paquili, as everyone calls him, has become a beacon in the art of embroidery, both for religious and secular communities. The religious side of his work mainly focuses on respecting tradition and faith, creating trousseaux for the brotherhood processions in Seville, Andalucía and the rest of Spain. His non-religious work has included collaborations with institutions, bullfighters and several fashion houses throughout the years.",37.38923,-5.99126,"Seville, Spain",[705,1301],"Seville",[761],"This cup takes embroidery outside its usual context. A brass wire structure is covered with mottled gold threads, while the floral garland is created using various Sevillian embroidery techniques, outlined with gold cord and embellished with sequins.",[1305,1306],{"_31":713,"_62":714,"_255":170,"_694":-5},{"_31":716,"_62":717,"_255":665,"_694":-5},[170,665],[1289,1309,1310],"Drinkware","Table and kitchen",[1139,765,861,766],[1313],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1VTG000000jeMH_Image.jpg","2026-05-06T07:28:49.000+0000",{"_736":1297,"_737":1298},{"_682":1317,"_31":1318,"_255":1319,"_686":1320,"_378":1321,"_689":1322,"_696":1327,"_698":1328,"_702":1299,"_703":1329,"_706":1330,"_694":1332,"_710":1333,"_718":1336,"_720":1337,"_725":1339,"_727":829,"_729":1341,"_732":1343,"_734":1344},"object-20473",20473,"Toca de Coronación Carmen de Marbella",[],"a1VTG000000jeKf2AI",{"_31":1323,"_62":1324,"_255":1325,"_694":1326,"_696":1327,"_698":1328,"_700":1299},1540,"a1OTG000000EwIK2A0","Alfonso Aguilar","Alfonso Aguilar makes gold and silver thread lace with bobbins, out of his workshop, housed in an old convent in Seville’s old town. After spending 20 years working in the computing industry, Alfonso decided to leave his career with big tech behind and join the ranks of independent artisans in the early 2000s. He started out by having a haberdashery, and then found his true vocation in lacemaking. \"By reverse engineering lace creations, I managed to become one of the last gold and silver thread bobbin lacemakers in Spain,\" he says. As a self-taught craftsman, Alfonso stays busy all year round, fulfilling commissions for Seville’s religious brotherhoods. Each piece may take several months to execute, which his sole apprentice, José Granero, helps him to achieve.",37.39592,-6.00091,[705,1301],[1331],"Lacemaking","The design of this veil evokes the sea, with its shell-like border and central undulating pattern. It is made using the traditional craft of bobbin lace, in which different types of gold thread are combined to achieve the desired relief effect.",[1334,1335],{"_31":713,"_62":714,"_255":170,"_694":-5},{"_31":716,"_62":717,"_255":665,"_694":-5},[170,665],[1338,762,763],"Veil",[1111,1340,861,766],"Gilded silver",[1342],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/Alfonso-Aguilar_itwobj-1.jpg","2026-05-06T07:28:39.000+0000",{"_736":1327,"_737":1328},{"_682":1346,"_31":1347,"_255":1348,"_686":1349,"_378":1350,"_689":1351,"_696":1356,"_698":1357,"_702":1358,"_703":1359,"_706":1361,"_694":1363,"_710":1364,"_718":1367,"_720":1368,"_725":1371,"_727":829,"_729":1372,"_732":1374,"_734":1375},"object-20459",20459,"Le Grand Halo",[],"a1VTG000000jdrd2AA",{"_31":1352,"_62":1353,"_255":1354,"_694":1355,"_696":1356,"_698":1357,"_700":1358},1382,"a1OTG000000EwCb2AK","Maison Spindler","For more than 130 years, Maison Spindler has been practising the art of wood marquetry with passion and dedication. Housed in the former Benedictine Abbey of Saint-Léonard, at the foot of Mont Sainte-Odile, the workshop was founded in 1893 by Charles Spindler, a pioneer who redefined marquetry into a true art form. Inspired by Art Nouveau, he taught local artisans to ‘draw with wood’, creating elaborate compositions with layered tones and textures. Passing down this know-how for three generations, the Spindler family has perpetuated the craft by subtly merging tradition with innovation.",48.46958,7.43704,"Bœrsch, France",[1360],"France",[1362],"Wood marquetry","This abstract wall panel evokes an implosion of light and energy. Starting with a drawing, each shape is cut out and glued onto a thin strip of wood veneer. After cutting, the pieces are assembled onto a rigid support to form a complex harmony.",[1365,1366],{"_31":713,"_62":714,"_255":170,"_694":-5},{"_31":716,"_62":717,"_255":665,"_694":-5},[170,665],[1369,1370,724],"Wall panel","Building elements",[827,828],[1373],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1VTG000000jdrd2AA.jpg","2026-05-06T07:28:36.000+0000",{"_736":1356,"_737":1357},{"_682":1377,"_31":1378,"_255":1379,"_686":1380,"_378":1381,"_689":1382,"_696":1387,"_698":1388,"_702":1389,"_703":1390,"_706":1392,"_694":1394,"_710":1395,"_718":1398,"_720":1399,"_725":1403,"_727":829,"_729":1404,"_732":1406,"_734":1407},"object-20464",20464,"The Cloth of Gold",[],"a1VTG000000je7l2AA",{"_31":1383,"_62":1384,"_255":1385,"_694":1386,"_696":1387,"_698":1388,"_700":1389},2561,"a1OTG000000Ewxn2AC","Giovanni Corvaja","Giovanni Corvaja is a renowned Italian goldsmith whose works have been acquired by the most prestigious museums and collectors in Europe, America and Australia. “I believe that manipulating and transforming gold is the most beautiful activity there is,” he says. “It allows you to concentrate a huge amount of energy, details, dedication and passion into small objects.” Thanks to his solid background and training, for 30 years Giovanni has been probing the artistic, formal and technical aspects of goldsmithing. Inspired by Greek mythology and the study of Alchemy, his researches led him to the creation of his own Golden Fleece: by reducing gold and platinum to the dimension of one fifth of a human hair, he discovered a whole new world of expressive possibilities in the field of jewellery.",42.8,12.4,"Todi, Italy",[817,1391],"Todi",[1393],"Goldsmithing","This cloth is spun from solid gold using Giovanni Corvaja's own technique. Gold is first drawn into wires three times thinner than silk fibre. Then, 300 of these wires are spun together to create a yarn, which is later woven into a cloth on a self-made loom.",[1396,1397],{"_31":713,"_62":714,"_255":170,"_694":-5},{"_31":716,"_62":717,"_255":665,"_694":-5},[170,665],[1400,1401,1402],"Woven fabric","Fabrics","Home textiles",[1223,766],[1405],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1VTG000000je7l2AA.jpg","2026-05-06T07:28:30.000+0000",{"_736":1387,"_737":1388},{"_682":1409,"_31":1410,"_255":1411,"_686":1412,"_378":1413,"_689":1414,"_696":1419,"_698":1420,"_702":1421,"_703":1422,"_706":1424,"_694":1425,"_710":1426,"_718":1429,"_720":1430,"_725":1433,"_727":829,"_729":1435,"_732":1437,"_734":1438},"object-20469",20469,"De Lyon à Marrakech",[],"a1VTG000000jeFp2AI",{"_31":1415,"_62":1416,"_255":1417,"_694":1418,"_696":1419,"_698":1420,"_700":1421},1350,"a1OTG000000EwAh2AK","Brodeuse Voyageuse","Camille Bertrand is a passionate embroiderer and textile designer who studied and trained in France. She started a professional career in China, before moving to Morocco where she discovered a deep and meaningful connection to craft. In 2019, she moved to settle in Marrakesh and established her embroidery studio, Atelier Brodeuse Voyageuse. Camille believes in building a personal connection with her fellow makers and in recognising all the artisans in the process towards a finished product. Cautiously sourcing her materials, trekking the routes to their origins and meticulously picking them by hand, Camille also researches every element of a project. She values quality above all.",31.6,-8,"Marrakech, Morocco",[1423],"Morocco",[884],"This carpet is handwoven on a traditional loom using flat and knot weaving, with cotton from Senegal, wool from Morocco and silk from France. This piece links together countries and connects ancestral techniques with a modern perspective.",[1427,1428],{"_31":713,"_62":714,"_255":170,"_694":-5},{"_31":716,"_62":717,"_255":665,"_694":-5},[170,665],[1431,1432,1402],"Carpet","Soft furnishings",[1434,1139,861],"Cotton",[1436],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1VTG000000jeFp_Image.jpg","2026-05-06T07:28:28.000+0000",{"_736":1419,"_737":1420},{"_682":1440,"_31":1441,"_255":1442,"_686":1443,"_378":1444,"_689":1445,"_696":1450,"_698":1451,"_702":1452,"_703":1453,"_706":1455,"_694":1457,"_710":1458,"_718":1461,"_720":1462,"_725":1464,"_727":829,"_729":1467,"_732":1469,"_734":1470},"object-20458",20458,"Abstraction",[],"a1VTG000000jdq12AA",{"_31":1446,"_62":1447,"_255":1448,"_694":1449,"_696":1450,"_698":1451,"_700":1452},1162,"a1OTG000000Ew4L2AS","Ferri Garcès","Ferri Garcès tells us about her poetic world through the art of paper. Originally from Iran, she studied Fine Arts in Paris, and first started her career as a graphic and textile designer. But it is through paper that she really found the means to express her creativity with complete freedom. Since 2000, Ferri has been exploring the transformative power of this material. From folding to pleating, her expertise lies in the meticulous gestures she has perfected to shape paper into small structures. She crafts small folds, just like miniature sculptures, and multiplies them to form a whole. Ferri uses different types of specific raw paper, which she delicately colours with ink to underline a subtle interplay of light and texture.",48.88348,2.3723,"Rosny-sous-Bois, France",[1360,1454],"Paris",[1456],"Paper art","This contemporary, abstract work highlights an ancient cultural and religious practice. Thousands of tiny sculptures, created by paper folding, evoke the sacred dance of Turkish whirling dervishes, conjuring the movement of their swirling robes.",[1459,1460],{"_31":713,"_62":714,"_255":170,"_694":-5},{"_31":716,"_62":717,"_255":665,"_694":-5},[170,665],[1463,1082,956],"Panel",[1465,1466],"Mulberry paper","Paper",[1468],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/Ferri-Garces_itwobj-1.jpg","2026-05-06T07:28:22.000+0000",{"_736":1450,"_737":1451},{"_682":1472,"_31":1473,"_255":1474,"_686":1475,"_378":1476,"_689":1477,"_696":1482,"_698":1483,"_702":1070,"_703":1484,"_706":1485,"_694":1487,"_710":1488,"_718":1491,"_720":1492,"_725":1493,"_727":829,"_729":1494,"_732":1496,"_734":1497},"object-20480",20480,"On the spot where we stood, long ago",[],"a1VTG000000jeir2AA",{"_31":1478,"_62":1479,"_255":1480,"_694":1481,"_696":1482,"_698":1483,"_700":1070},850,"a1OTG000000EvWB2A0","Carl Fox","Marquetry is personal for Carl Fox. The self-taught British artisan stepped into the world of leatherwork in 2020 and set up his own studio in 2022 to fully embrace the craft. His way is that of passion and determination. Inspired by Mondrian, the De Stijl movement, the architecture of Lloyd Wright, and Niemeyer, Carl is able to create a recognisable marquetry art that has character and emotional meaning. The distinct feature of Carl's creations is using elements of pareidolia, colour psychology, and biophilic design to enhance each work and make thought-provoking pieces. His degree in psychology helps him to craft marquetry art that engages each person differently. By blending traditional materials and techniques with modern approaches, Carl is driving this niche craft forward.",51.57972,-0.15493,[1072,1073],[1486],"Woodwork","Inspired by the precision of historical surface design, these four panels feature native British flora and fauna. The piece merges traditional marquetry techniques with modern technology and a contemporary approach to the subject.",[1489,1490],{"_31":713,"_62":714,"_255":170,"_694":-5},{"_31":716,"_62":717,"_255":665,"_694":-5},[170,665],[1369,1370,724],[828,828],[1495],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/Carl-Fox_itwobj-1.jpg","2026-05-06T07:27:52.000+0000",{"_736":1482,"_737":1483},{"_682":1499,"_31":1500,"_255":1501,"_686":1502,"_378":1503,"_689":1504,"_696":1508,"_698":1509,"_702":1510,"_703":1511,"_706":1513,"_694":1515,"_710":1516,"_718":1519,"_720":1520,"_725":1521,"_727":829,"_729":1522,"_732":1524,"_734":1525},"object-20471",20471,"Era",[],"a1VTG000000jeHR2AY",{"_31":161,"_62":1505,"_255":1506,"_694":1507,"_696":1508,"_698":1509,"_700":1510},"a1OTG000000Evvh2AC","Renze van den Brink","Renze van den Brink's curiosity with wood started at a very young age. He used to collect wooden scraps on the way back from school and created small objects in his father's workshop on the family farm. “All the pieces of wood I ever held, had a future.” Trained as a carpenter, he made his curiosity of wood a profession. After finishing his first ever wooden sphere named ‘Era’ out of over 5,000 pieces, he opened his own workshop. Even though the spheres are hollow, they can weigh up to 150kg. Making these spherical wood forms, his specialty, requires the mastery of several different techniques. The myriad pieces are carefully positioned to create one-of-a-kind patterns. Renze regards his work as a search for balance in technique, patience, meditation and craftsmanship.",52.15228,6.1987,"Zutphen, Netherlands",[1512],"Netherlands",[1514],"Cabinetry","This sculpture comprises more than 5000 triangular pieces of wood glued together to create a symmetrical repeating pattern. Every triangle is individually sawn and sanded in place, resulting in one endless surface that showcases the beauty of wenge wood.",[1517,1518],{"_31":713,"_62":714,"_255":170,"_694":-5},{"_31":716,"_62":717,"_255":665,"_694":-5},[170,665],[722,723,724],[827,828],[1523],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/Renze-Brink_itwobj-1.jpg","2026-05-06T07:27:44.000+0000",{"_736":1508,"_737":1509},{"_682":1527,"_31":1528,"_255":1529,"_686":1530,"_378":1531,"_689":1532,"_696":1537,"_698":1538,"_702":1539,"_703":1540,"_706":1541,"_694":1543,"_710":1544,"_718":1547,"_720":1548,"_725":1551,"_727":829,"_729":1553,"_732":1555,"_734":1556},"object-20475",20475,"ECHOES",[],"a1VTG000000jeNt2AI",{"_31":1533,"_62":1534,"_255":1535,"_694":1536,"_696":1537,"_698":1538,"_700":1539},592,"a1OTG000000EsA82AK","Giacomo Bevanati","Giacomo Bevanati became a wire sculptor before even knowing that wire art existed. While studying for his bachelor degree in Product Design, he had to make a 3D lamp for an exam. He did some research on materials and chose wire for it flexibility, finding that it was just perfect for obtaining both transparency and plasticity. Captivated by the material, Giacomo started experimenting, and, free of any influence, he developed his own wire stitching technique. This resulted in his current production of handwoven artworks made from wire. Giacomo's masks and other wearable items are often used for fashion shoots or shows. His materials – mostly steel and brass – are shiny, but not noble: “I love the idea that they are transformed into something precious by my work, dedication and commitment,” he says.",37.8423174933217,-4.85853079103754,"Córdoba, Spain",[705],[1542],"Wire sculpting","Inspired by the Sardinian Mamuthones mask, this sculpture is entirely handmade by weaving steel wire. The 3D form emerges loop by loop through the tension of the wire and the manual manipulation of the artisan.",[1545,1546],{"_31":713,"_62":714,"_255":170,"_694":-5},{"_31":716,"_62":717,"_255":665,"_694":-5},[170,665],[1549,1550,763],"Mask","Accessories",[1552,766],"Wire",[1554],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1VTG000000jeNt_Image.jpg","2026-05-06T07:27:28.000+0000",{"_736":1537,"_737":1538},{"_682":1558,"_31":1559,"_255":1560,"_686":1561,"_378":1562,"_689":1563,"_696":1568,"_698":1569,"_702":1570,"_703":1571,"_706":1572,"_694":1573,"_710":1574,"_718":1577,"_720":1578,"_725":1579,"_727":829,"_729":1580,"_732":1582,"_734":1583},"object-20485",20485,"Teal coral vessel",[],"a1VTG000000jfDV2AY",{"_31":1564,"_62":1565,"_255":1566,"_694":1567,"_696":1568,"_698":1569,"_700":1570},504,"a1OTG000000EqjF2AS","Michael Rice","Michael Rice’s work is concerned with surface, texture, natural geometry, Gestalt principals and archetypal forms. Materials have always been important to him, and he is driven to create work that displays a mastery over material. He has a degree in Fine Craft Design, a postgraduate certificate in Education (Art and Design), and a Master’s degree in Multi-Disciplinary Design, all from the University of Ulster. Michael is a member of the International Academy of Ceramics based in Geneva. As a writer he has published articles in the UK-based international magazine Ceramic Review, and the Australian publication Ceramics Art and Perception. He recently exhibited at Expo2020 in Dubai and Collect 23 in London.",54.25785,-5.93222,"Castlewellan, United Kingdom",[1072],[787],"This vessel has an archetypal yet contemporary form evoking natural systems of connectivity, such as marine life, cellular structures and geological formations. Its coral-like surface intends to create a visual synthesis between design and decay.",[1575,1576],{"_31":713,"_62":714,"_255":170,"_694":-5},{"_31":716,"_62":717,"_255":665,"_694":-5},[170,665],[954,955,956],[796,1022,797,1022],[1581],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/Michael-Rice_itwobj-1.jpg","2026-05-06T07:27:18.000+0000",{"_736":1568,"_737":1569},{"_682":1585,"_31":1586,"_255":1587,"_686":1588,"_378":1590,"_689":1591,"_696":1596,"_698":1597,"_702":1598,"_703":1599,"_706":1600,"_694":1601,"_710":1602,"_718":1605,"_720":1606,"_725":1610,"_727":829,"_729":1614,"_732":1616,"_734":1617},"object-20457",20457,"Champ de bataille (Battlefield)",[1589],"Eve George & Laurent Fichot","a1VTG000000jdlB2AQ",{"_31":1592,"_62":1593,"_255":1594,"_694":1595,"_696":1596,"_698":1597,"_700":1598},421,"a1OTG000000EqMK2A0","Xavier Montoy","Xavier Montoy is a French-born furniture and jewellery designer captivated by the living. His personal approach aims at creating bridges between biology and design by making objects from innovative materials. He developed a material made from responsibly sourced shells of Sternocera beetles, which are transformed into cellulose acetate plates studded with fragments of elytra, the upper part of the shell covering the wings. By preserving and sublimating fragments of this declining life, he invites us to delve into the symbolism around insects, their growing rarity and their little-known aesthetic characteristics.",48.85147,2.37494,"Paris, France",[1360,1454],[849],"This hybrid piece, named battlefield, stages a quiet confrontation among plant species on the strategic terrain of a chessboard. Evoking their struggle for light, space and dominance, it draws parallels between vegetal life cycles and the calculated drama of the game.",[1603,1604],{"_31":713,"_62":714,"_255":170,"_694":-5},{"_31":716,"_62":717,"_255":665,"_694":-5},[170,665],[1607,1608,1609],"Chess set","Games and toys","Leisure",[1611,1612,990,961,1613,990,766],"Plants","Blown glass","Botanical",[1615],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/Xavier-Montoy_itwobj-1.jpg","2026-05-06T07:27:14.000+0000",{"_736":1596,"_737":1597},{"_682":1619,"_31":1620,"_255":1621,"_686":1622,"_378":1623,"_689":1624,"_696":1629,"_698":1630,"_702":1631,"_703":1632,"_706":1633,"_694":1634,"_710":1635,"_718":1638,"_720":1639,"_725":1642,"_727":829,"_729":1643,"_732":1645,"_734":1646},"object-20479",20479,"Plato Entrelazado",[],"a1VTG000000jehF2AQ",{"_31":1625,"_62":1626,"_255":1627,"_694":1628,"_696":1629,"_698":1630,"_700":1631},242,"a1OTG000000Epb92AC","Pablo TITO","Since he was a child, Pablo TITO knew he wanted to be a potter. He grew up surrounded by a family of artisans and never thought he could do anything else. His trade is a legacy that continues to be passed down from generation to generation. The region of Úbeda, in Spain, is closely linked to pottery, which has been around for 6,000 years, and it has a strong influence on Pablo's work, which is also inspired by the books he reads, the experiences he encounters, the cities he knows and the people he interacts with. For him, \"there is no greater modernity than defending tradition\" and he defines what he does as: tradition, respect, freedom, passion, enjoyment and disconnection.",38.01258,-3.36403,"Úbeda, Spain",[705],[787],"This plate with a symmetrical latticework design is made of red clay from Úbeda, which is shaped on a wheel before being coated with engobe and hand-decorated with the sgraffito technique. The details are picked out by brush in cobalt oxide.",[1636,1637],{"_31":713,"_62":714,"_255":170,"_694":-5},{"_31":716,"_62":717,"_255":665,"_694":-5},[170,665],[1640,1641,1310],"Plate","Dishware",[795,797],[1644],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/Pablo-Tito_itwobj-1.jpg","2026-05-06T07:26:59.000+0000",{"_736":1629,"_737":1630},{"_682":1648,"_31":1649,"_255":1650,"_686":1651,"_378":1652,"_689":1653,"_696":1657,"_698":1658,"_702":1659,"_703":1660,"_706":1661,"_694":1663,"_710":1664,"_718":1667,"_720":1668,"_725":1670,"_727":829,"_729":1672,"_732":1674,"_734":1675},"object-20461",20461,"Sunrise over Haku Mountain",[],"a1VTG000000jdwT2AQ",{"_31":260,"_62":1654,"_255":1655,"_694":1656,"_696":1657,"_698":1658,"_700":1659},"a1OTG000000Ep6I2AS","Matéo Crémades","Musician and musicologist Matéo Crémades discovered a forgotten craft through instrument making. Fascinated by the baroque guitar, and being a player himself, it was while building his own from an old model that he was led to replicate a parchment rosette. This is a fine decorative ornament found on instruments from the 16th and 17th centuries such as lutes and harpsichords. Matéo developed his own expertise as a parchment rosette sculptor specialised in the reproduction of historical models. With a scalpel and leather punches, he meticulously carves and layers sheets of parchment, a very thin goatskin, to create intricate designs inspired by Gothic, baroque or Arab-Andalusian art. Today, as well as working with violin makers from all over Europe, Matéo takes the rosette out of its historical context and introduces it to contemporary art pieces that question our relationship to ornament and miniature.",46.50854,2.71205,"Hérisson, France",[1360],[1662],"Parchment sculpting","This hybrid work combines different cultures and materials, as well as various techniques including parchment carving and woodturning. While its sphere-shaped structure is inspired by the prayer nuts of late 15th-century Europe, the scenes within echo Japanese prints.",[1665,1666],{"_31":713,"_62":714,"_255":170,"_694":-5},{"_31":716,"_62":717,"_255":665,"_694":-5},[170,665],[1669,955,956],"Model",[1671,959,860,766],"Goatskin",[1673],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/Mateo-Cremades_itwobj-1.jpg","2026-05-06T07:26:44.000+0000",{"_736":1657,"_737":1658},{"_682":1677,"_31":1678,"_255":1679,"_686":1680,"_378":1681,"_689":1682,"_696":1687,"_698":1688,"_702":1070,"_703":1689,"_706":1690,"_694":1692,"_710":1693,"_718":1696,"_720":1697,"_725":1698,"_727":829,"_729":1701,"_732":1703,"_734":1704},"object-20482",20482,"Whispers of Hope",[],"a1VTG000000jekT2AQ",{"_31":1683,"_62":1684,"_255":1685,"_694":1686,"_696":1687,"_698":1688,"_700":1070},3657,"a1OTG000000Exl52AC","Epona Smith","Epona Smith studied Visual Communication in Taiwan and initially pursued a career as a graphic designer. Her lifelong fascination with jewellery and illustration led her to complete a Master’s degree in jewellery and silversmithing at Birmingham City University in the UK. Following this, she trained at Le Arti Orafe in Florence under masters of the Florentine hand engraving tradition. \"This was a profound learning experience that revealed to me how my skills in graphic design and illustration could be harmonised through the timeless art of engraving,\" she explains. Today, in her London studio, Epona creates wearable art and precious objects that bridge heritage and modernity. Her jewellery pieces blend techniques like engraving, enamelling, and gouache painting to convey beauty and meaning. “My work is not just about adornment, but rather about art that speaks to personal and cultural history,” she says. Epona won the Collect Open award at the Collect Art Fair 2023 for her Oriental Boudoir art collection.",51.5949219327914,-0.23848878294232,[1072,1073],[1691],"Silversmithing","These pieces combine cultures, materials and two endangered crafts – British hand engraving and Taiwanese rush weaving. Tendrils of rush are threaded through fractured silver, juxtaposing softness with strength and transforming brokenness into beauty.",[1694,1695],{"_31":713,"_62":714,"_255":170,"_694":-5},{"_31":716,"_62":717,"_255":665,"_694":-5},[170,665],[722,723,724],[1699,1700,861,1700],"Rush","Silver",[1702],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/Epona-Smith_itwobj-1.jpg","2026-05-01T09:27:59.000+0000",{"_736":1687,"_737":1688},{"_682":1706,"_31":1707,"_255":1708,"_686":1709,"_378":1710,"_689":1711,"_696":1716,"_698":1717,"_702":815,"_703":1718,"_706":1719,"_694":1720,"_710":1721,"_718":1724,"_720":1725,"_725":1726,"_727":829,"_729":1730,"_732":1732,"_734":1733},"object-20463",20463,"The Lace",[],"a1VTG000000je4X2AQ",{"_31":1712,"_62":1713,"_255":1714,"_694":1715,"_696":1716,"_698":1717,"_700":815},2476,"a1OTG000000Eww52AC","Ganci Argenterie","Established in 1926, Ganci is one of Milan’s oldest factories, taken over by Giuseppe Morandino in 1960. 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He acquired new skills, like marbling and woodgraining, and a taste for 19th-century trompe l’œil techniques. Soon after graduating in Brussels, he started working as a set painter and on building restoration projects. After a stint at a decorative arts company in London where he worked on luxurious residential projects, he returned to Brussels to start his own studio. Pierre-Yves loves to create extravagant decors and enjoys extraordinary settings. “Spectacular palaces and castles for example give me a feeling of freedom that sparks my imagination.”",50.85299,4.33028,"Molenbeek-Saint-Jean, Belgium",[1748],"Belgium",[1750],"Decorative painting","This is a contemporary reinterpretation of a 19th century dresser. Each diamond of the harlequin motif is hand-painted on wood or glass in imitation of various marbles. 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EXPLORE OBJECTS