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Écorce II

With the Bark series, Louise developed a different way to approach clay, scratching argil instead of stretching it. She also wanted to incorporate steel her work as a new material, finding an interesting dialogue between the two materials; one being white, delicate and powdery, the other being dark, strong and colder. Louise is always looking for the balance between delicacy and strength.
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Louise Frydman
Mazille, France
In 2015, Parisian art gallery Amélie Maison d’Art commissioned Louise Frydman to work on an installation for the Hôtel de Croisilles. She faced a chal ...
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