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Great Lady II

The piece reaches to the sky like a growing tree trunk. Crafting such a large piece from fine clay was not easy; Louise had to superimpose the layers in such a way as to create a good balance, exploring the unsteady moment between strength and fragility.
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Louise Frydman
Mazille, France
In 2015, Parisian art gallery Amélie Maison d’Art commissioned Louise Frydman to work on an installation for the Hôtel de Croisilles. She faced a chal ...
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